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The London Gazette, 21 July, 1939
5094 THE LONDON GAZETTE, 21 JULY, 1939 ELLIOTT, Robert Henry, residing at 67, Carr Lane, ROBINSON, Francis Greenwood, and ROBINSON, Shipley, in the county of York, and carrying Leah (his Wife), both residing at " Clougha," on business at Old Hall Works, Old Hall Lane, Anlaby Common, and carrying on business in Windhill, Shipley aforesaid. FIREWOOD MER- co-partnership at 49, Campbell Street, and CHANT. lately carrying on business at 21, Witham, all Court—BRADFORD. in the city and county of Kingston-upon-Hull, No. of Matter—52 of 1938. under the style of "THE CAKE SHOP." Trustee's Name, Address and Description— BAKERS and CONFECTIONERS. Cresswell, William Foy, Hallfield Chambers, 71, Court—KINGSTON-UPON-HULL. Manningham Lane, Bradford, Official Receiver. No. of Matter—57 of 1938. Date of Release—July 14, 1939. Trustee's Name, Address and Description— Stickney, Joseph Edward Danthorpe, i, Parlia- ment Street, Hull, Official Receiver. Date of Release—July 14, 1939. GARFORTH, Fred, 27 North Street, Bingley, in the county of York, and lately carrying on busi- ness at Church Street, Bingley aforesaid. HAULAGE CONTRACTOR. Court—BRADFORD. SLATER, Eric Redvers, 42, Gores Lane, Formby, No. of Matter—3 of 1939. in the county of Lancaster, and carrying on Trustee's Name, Address and Description— business alone at Green Lane, Formby afore- Cresswell, William Foy, Hallfield Chambers, 71, said, as " THE FRESHFIELD GARAGE." Manningham Lane, Bradford, Official Receiver. GARAGE PROPRIETOR. Date of Release—July 14, 1939. Court—LIVERPOOL. No. of Matter—22 of 1937. Trustee's Name, Address and Description— TINDALL, Harold, residing and carrying on business Airey, John, 8, Victoria Street, Liverpool, at 914, Leeds Road, in the city of Bradford. -
Engineering Work Special Timetable Monday to Friday from 18 February to 8 March London Waterloo to Salisbury and Exeter
Engineering work special timetable Monday to Friday from 18 February to 8 March London Waterloo to Salisbury and Exeter GW GW London Waterloo 0710 0750 0820 0850 0920 0950 1020 1050 Clapham Junction 0717u 0757u 0827u 0927u 1027u Woking 0736 0817 0846 0916 0946 1016 1046 1116 Basingstoke 0722 0757 0838 0907 0938 1007 1038 1107 1138 Overton 0730 0805 0846 0946 1046 1146 Whitchurch 0735 0810 0851 0951 1051 1151 Andover 0744 0819 0900 0924 1000 1024 1100 1124 1200 Grateley 0751 0826 0907 1007 1107 1207 Salisbury arr 0803 0839 0920 0943 1020 1042 1120 1142 1220 Salisbury dep 0607 0740 0808 0847 0947 1047 1147 Tisbury 0629 0759 0827 0906 1006 1106 1206 Gillingham 0551 0642 0813 0837 0917 1016 1117 1217 Templecombe 0558 0650 0821 0925 1024 1124 1224 Sherborne 0606 0657 0828 0932 1031 1132 1232 Yeovil Junction arr 0611 0703 0834 0938 1037 1137 1237 Yeovil Junction dep 0615 0706 0836 0945 1038 1145 1239 Crewkerne 0624 0716 0846 0954 1048 1155 1248 Axminster 0541 0647 0730 0901 1008 1103 1209 1303 Honiton arr 0552 0658 0741 0912 1019 1114 1134 1220 1314 1336 Honiton dep 0554 0703 0753 0916 1020 1116 1154 1221 1316 1356 Feniton 0600 0709 0759 0921 1122 1321 Whimple 0605 0714 0804 0926 1127 1326 Cranbrook 0609 0719 0808 0931 1031 1131 1232 1331 Pinhoe 0613 0723 0812 0935 1035 1135 1236 1335 Exeter Central 0619 0729 0818 0941 1041 1141 1241 1341 Exeter St Davids 0622 0732 0821 0944 1044 1145 1211 1245 1345 1412 GW A B GW GW London Waterloo 1120 1150 1220 1250 1320 1350 1420 1450 1520 1550 1620 Clapham Junction 1127u 1227u 1257u 1327u 1427u 1527u 1557u -
Black and Asian Theatre in Britain a History
Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation. -
Black British Plays Post World War II -1970S by Professor Colin
Black British Plays Post World War II -1970s By Professor Colin Chambers Britain’s postwar decline as an imperial power was accompanied by an invited but unprecedented influx of peoples from the colonized countries who found the ‘Mother Country’ less than welcoming and far from the image which had featured in their upbringing and expectation. For those who joined the small but growing black theatre community in Britain, the struggle to create space for, and to voice, their own aspirations and views of themselves and the world was symptomatic of a wider struggle for national independence and dignified personal survival. While radio provided a haven, exploiting the fact that the black body was hidden from view, and amateur or semi-professional club theatres, such as Unity or Bolton’s, offered a few openings, access to the professional stage was severely restricted, as it was to television and film. The African-American presence in successful West End productions such as Anna Lucasta provided inspiration, but also caused frustration when jobs went to Americans. Inexperience was a major issue - opportunities were scarce and roles often demeaning. Following the demise of Robert Adams’s wartime Negro Repertory Theatre, several attempts were made over the next three decades to rectify the situation in a desire to learn and practice the craft. The first postwar steps were taken during the 1948 run of Anna Lucasta when the existence of a group of black British understudies allowed them time to work together. Heeding a call from the multi-talented Trinidadian Edric Connor, they formed the Negro Theatre Company to mount their own productions and try-outs, such as the programme of variety and dramatic items called Something Different directed by Pauline Henriques. -
Private Video- Consultation Services and the Future of Primary Care
Salisbury, C. , Quigley, A., Hex, N., & Aznar, C. (2020). Private video- consultation services and the future of primary care. JMIR, 22(10), [e19415]. https://doi.org/10.2196/19415 Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.2196/19415 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via JMIR Publications at https://www.jmir.org/2020/10/e19415/ . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ JOURNAL OF MEDICAL INTERNET RESEARCH Salisbury et al Viewpoint Private Video Consultation Services and the Future of Primary Care Chris Salisbury1, MSc, MD, FRCGP; Anna Quigley2, LLB (Hons), MSc; Nick Hex3, BA, CIPFA; Camille Aznar2, PhD 1Centre for Academic Primary Care, Department of Population Health Sciences, Bristol Medical School, University of Bristol, Bristol, United Kingdom 2Ipsos MORI Social Research Institute, London, United Kingdom 3York Health Economics Consortium, York, United Kingdom Corresponding Author: Chris Salisbury, MSc, MD, FRCGP Centre for Academic Primary Care, Department of Population Health Sciences Bristol Medical School University of Bristol Canynge Hall, 39 Whatley Road Bristol, BS8 2PS United Kingdom Phone: 44 1173314530 Email: [email protected] Abstract In many countries, private companies provide primary care services based predominantly on offering video consultations via smartphones. -
132. Salisbury Plain and West Wiltshire Downs Area Profile: Supporting Documents
National Character 132. Salisbury Plain and West Wiltshire Downs Area profile: Supporting documents www.gov.uk/natural-england 1 National Character 132. Salisbury Plain and West Wiltshire Downs Area profile: Supporting documents Introduction National Character Areas map As part of Natural England’s responsibilities as set out in the Natural Environment 1 2 3 White Paper , Biodiversity 2020 and the European Landscape Convention , we are North revising profiles for England’s 159 National Character Areas (NCAs). These are areas East that share similar landscape characteristics, and which follow natural lines in the landscape rather than administrative boundaries, making them a good decision- Yorkshire making framework for the natural environment. & The North Humber NCA profiles are guidance documents which can help communities to inform their West decision-making about the places that they live in and care for. The information they contain will support the planning of conservation initiatives at a landscape East scale, inform the delivery of Nature Improvement Areas and encourage broader Midlands partnership working through Local Nature Partnerships. The profiles will also help West Midlands to inform choices about how land is managed and can change. East of England Each profile includes a description of the natural and cultural features that shape our landscapes, how the landscape has changed over time, the current key London drivers for ongoing change, and a broad analysis of each area’s characteristics and ecosystem services. Statements of Environmental Opportunity (SEOs) are South East suggested, which draw on this integrated information. The SEOs offer guidance South West on the critical issues, which could help to achieve sustainable growth and a more secure environmental future. -
St. Etheldreda St. Etheldreda
s t. etheldredathe order of ely cathedral trust AUTUMN 2012 Newsletter for the Order of St. Etheldreda ELY CATHEDRAL A Message from The Dean I must be one of the luckiest priests in years or more! With medieval buildings, even when major the Church of England having moved restorations have been completed, routine maintenance of the from one iconic Cathedral (Salisbury) ancient fabric and smaller works are constant and the Order to another (Ely), both with traditions of gives significant support to that on-going work. architecture and music that are the envy of almost everywhere else. It would be As a Cambridge Music graduate, erstwhile Precentor of St. invidious to make any comparisons – Albans Abbey, and having a daughter who was a Cathedral so I won’t – except to say that I am very chorister I am totally committed to the Cathedral musical and well aware that both these glorious choral tradition. The more we can enable sponsorship and places rely on the generosity and support to be given to choristers the greater the number of commitment of significant benefactors young children we can give the opportunity to for this life- and benefactions to enable their traditions to develop and changing experience. grow. The Order of St. Etheldreda has a vital part to play in this as we maintain and develop these vital traditions. It gives me huge pleasure to encourage and support the Order and its projects and I look forward to meeting Members at As Canon Treasurer of Salisbury I worked with the Works forthcoming events as together we promote the ministry and Department on the Major Repair Programme. -
Salisbury, Wiltshire: Archaeology and History (Notes for Visitors, Prepared by the Royal Archaeological Institute, 2017)
Salisbury, Wiltshire: archaeology and history (notes for visitors, prepared by the Royal Archaeological institute, 2017) New Salisbury is the successor to Old Sarum (see separate on-line entry), resulting from the relocation of the cathedral to the more spacious and quieter site by the River Avon. There are five parts in these notes: Part 1 is on the cathedral itself, Part 2 on the surrounding Close, Part 3 on the city, Part 4 on recent research and Part 5 on the water-meadows. Part 1: Salisbury Cathedral The laying-out of a new cathedral close in the bishop’s manor of Milford was probably undertaken in the later 1190s under Bishop Herbert Poore (1194-1217). A rectangular area, surrounded by a wall, was first created for the consecrated ground of the churchyard, to contain the cathedral, cloister, chapter-house and cemetery. Because of the chaos of King John’s reign, no work was started on the cathedral until a Papal licence was given to Bishop Richard Poore (1217-28) on 29th March, 1218. Work on laying out the plan of the vast new cathedral (c. 475 feet long) and the digging of its foundations down to the gravel bed 5 feet below the ground surface was almost certainly started immediately, and on 28th April 1220 five or more main foundation stones were laid, possibly those with consecration crosses (photograph: Tatton-Brown and Crook 2014, 39; a brass cross would have been in the inset, and the stone painted). Work then continued rapidly on the eastern chapels, and they were consecrated on 28th September 1225. -
London Metropolitan Archives Ic and Jessica
LONDON METROPOLITAN ARCHIVES Page 1 HUNTLEY, ERIC AND JESSICA {GUYANESE BLACK POLITICAL CAMPAIGNERS, COMMUNITY WORKERS AND EDUCATIONALISTS} LMA/4463 Reference Description Dates BUSINESSES AMERICAN LIFE INSURANCE COMPANY Correspondence and agreements LMA/4463/A/01/01/001 Eric Huntley's signed agent agreement with 1968 - 1979 amendment. Monthly performance appraisal letters evaluating sales results Includes later amendment agreement. Sales results were monitored by his agency managers Raymond Eccles and Charles Patterson. Also an annotated draft speech composed by Eric Huntley on Raymond Eccles' relocation to the West Indies. Client's insurance claim details with carbon copy suicide letter attached (1968-1969) 1 file Printed material LMA/4463/A/01/02/001 'Who's Who' directory for the Las Palmas 1973 Educational Conference: containing images of staff by country 1 volume LMA/4463/A/01/02/002 Eric Huntley's personalised company calendar 1976 Unfit 1 volume LMA/4463/A/01/02/003 Grand Top Club Banquet menu with signatures. 1971 - 1972 Training material and sales technique leaflets. Itinerary for American Life Convention in Rhodes, Greece. Includes Eric Huntley's business card. 1 file Certificates and badge LMA/4463/A/01/03/001 Certificates of achievements for sales, training 1968 - 1976 and entrance into the Top Club conference 1 file LMA/4463/A/01/03/002 Badge with eagle, globe and stars emblem 196- - 197- Metal thread on fabric 1 badge Photographs LONDON METROPOLITAN ARCHIVES Page 2 HUNTLEY, ERIC AND JESSICA {GUYANESE BLACK POLITICAL CAMPAIGNERS, COMMUNITY WORKERS AND EDUCATIONALISTS} LMA/4463 Reference Description Dates LMA/4463/A/01/04/001 Insurance Convention, Republic of Malta 1969 Black and white. -
The Feast of Saint Thomas Becket at Salisbury Cathedral: Ad Vesperas
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2019 The Feast of Saint Thomas Becket at Salisbury Cathedral: Ad Vesperas Virginia Elizabeth Martin Tilley College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Catholic Studies Commons, Christianity Commons, History of Christianity Commons, Liturgy and Worship Commons, and the Musicology Commons Recommended Citation Tilley, Virginia Elizabeth Martin, "The Feast of Saint Thomas Becket at Salisbury Cathedral: Ad Vesperas" (2019). Undergraduate Honors Theses. Paper 1385. https://scholarworks.wm.edu/honorstheses/1385 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 1 The Feast of Saint Thomas Becket at Salisbury Cathedral: Ad Vesperas A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Music from The College of William and Mary by Virginia Elizabeth Martin Tilley Accepted for __________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Thomas B. Payne, Director, Music ________________________________________ James I. Armstrong, Music ________________________________________ Alexander B. Angelov, Religious Studies Williamsburg, VA 12 April -
Directions to Servicenow London Customer Briefing Centre
Directions to ServiceNow London Customer Briefing Centre 6th Floor 8 Salisbury Square London EC4Y 8AP +44 (0)1784 221 600 From London Heathrow Airport Airport code LHR The easiest ways to get from LHR to the ServiceNow Customer Briefing Centre in central London are by taxi or the London Underground: There are licenced taxi ranks outside each terminal at LHR, which are signposted from within the terminals. These are metered taxis, meaning there is a device on the dashboard that displays the cost of the journey as it progresses. The taxis charge per mile, unless the taxi's speed drops below 10.4mph and then the cost for that part of the journey is calculated by time. The journey from LHR to central London takes 30 to 60 minutes and costs £49 to £92 depending on traffic. London's underground train network is call the London Underground or the London Tube - London Underground Map. LHR has three London Underground stations which are signposted from within the terminals – one for Terminals 2 and 3 and one each at Terminal 4 and Terminal 5. The London Underground station for Terminals 2 and 3 is between the terminals, a few minutes' walk via pedestrian subway. The London Underground stations at Terminal 4 and Terminal 5 are in the basements of the terminal buildings. You can purchase tickets at all terminals (£6.00 one way), the journey should take no longer than one hour, and you shouldn't have to wait longer than ten minutes for a train (even at off-peak times). The London Underground train lines and stations are detailed in the map mentioned above. -
Vaulting Ambition
INTRODUCTIONINDEX 143 INDEX Black, Neville, 49 A Liberated Woman (Barry Reckord), Blake, Hope, 106 78, 81 n. 4 Body Moves (King), 91 A Midsummer Night’s Dream, 56, 57, Bradshaw, Carl, 61, 62, 101 58 Brady, Harold, 67 A Raisin in the Sun (Hansberry), 55 Breadfruit Kingdom (P. Brown), 106 Abbensetts, Michael, 79, 80, 81 n. 5, Brecht, Bertolt, 55, 56 88 Brewster, Yvonne (see also Jones, Against His Will (Heron), 80, 88, 92 Yvonne), 7, 8, 9, 10, 11, 12, 13, n. 3, 104, 106 56, 66, 127 Albee, Edward, 16 Brodber, Andrew, 110 Allen, Carolyn, 13 Brother Desmond (Denton), 122 Anansi and Brer Englishman, 63 Brown, Arthur, 77 Anderson, Beverly, 53 Brown, Jonathan, 78 Anderson, Clive, 105 Brown, Lloyd, 111 Arawak Gold (Dwyer), 78 Brown, Nicky, 71 Ashbourne, Peter, 54, 57, 59 n. 2 Brown, Patrick, 80, 85, 86, 105, 106, Ask Your Mama (Hughes), 36, 37, 38, 77 111, 124, 126 Audiences and economic survival, 8, Bruckings (Dwyer), 78 105; marketing The Barn, 43 Bullins, Ed, 46, 51 n. 8 Ba, Miriama, 99 Bully, Alwin, 30, 39 n. 3, 85, 87, 101, Back-o-the-Barn Ceramics, 44-45 111, 112 Banana Boy (Hillary), 49 Burke, Sheila, 44 Bandoolu Version (Ford Smith), 95, 96 Buss Out (Cumper), 96 Banks, John, 45 Butler, Calvin, 106 Barrow, Lois Kelly, 22, 26 n. 10, 43 Calabash Literary Festival, 70, Bellas Bartley, Janet, 35, 40 n. 7, 54, 55, 56, Gate Boy at, 71 58 Campbell, Glen, 67, 104, 106 Batson Savage, Tanya, 126 Canton, Betty, 49 Beal, Paul, 123 Carter, George, 24, 37, 41 n.