Art, Meet the Future. Programme Guide
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A Potterõ S Pots, by Suze Lindsay Clay Culture
Cover: Bryan Hopkins functional constructions Spotlight: A Potter s Pots, by Suze Lindsay Clay Culture: An Exploration of Jun ceramics Process: Lauren Karle s folded patterns em— robl ever! p a Mark Issenberg, Lookout M ” ountain d 4. Pottery, 7 Risin a 9 g Faw h 1 n, GA r in e it v t e h n g s u a o h b t I n e r b y M “ y t n a r r a w r a e y 10 (800) 374-1600 • www.brentwheels.com a ith el w The only whe www.ceramicsmonthly.org october 2012 1 “I have a Shimpo wheel from the 1970’s, still works well, durability is important for potters” David Stuempfle www.stuempflepottery.com 2 october 2012 www.ceramicsmonthly.org www.ceramicsmonthly.org october 2012 3 MONTHLY ceramic arts bookstore Editorial [email protected] telephone: (614) 794-5867 fax: (614) 891-8960 editor Sherman Hall associate editor Holly Goring associate editor Jessica Knapp editorial assistant Erin Pfeifer technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty Advertising/Classifieds [email protected] telephone: (614) 794-5834 fax: (614) 891-8960 classifi[email protected] telephone: (614) 794-5843 advertising manager Mona Thiel advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production production editor Melissa Bury production assistant Kevin Davison design Boismier John Design Editorial and advertising offices 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 Publisher Charles Spahr Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: 26 June 2006 I, Cira Guadalupe Parra hereby submit this work as part of the requirements for the degree of: Doctor of Musical Arts in: Choral Conducting It is entitled: A Conductor’s Guide to Selected Choral Works of Modesta Bor This work and its defense approved by: Chair: Dr. Stephen R. Coker___________ Dr. Earl G. Rivers_____________ Dr. Edward Nowacki_____________ _______________________________ _______________________________ A Conductor’s Guide to Selected Choral Works of Modesta Bor A document submitted to the Division of Graduate Studies and Research of the University of Cincinnati In a partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS In the Ensembles and Conducting Division of the College-Conservatory of Music 2006 by Cira Parra 620 Clinton Springs Ave Cincinnati, Ohio 45229 [email protected] B.M., University of Cincinnati, College-Conservatory of Music, 1987 M.M., University of Cincinnati, College-Conservatory of Music, 1989 Committee Chair: Stephen R. Coker ABSTRACT Modesta Bor (1926-98) was one of the outstanding Venezuelan composers, conductors, music educators and musicologists of the twentieth century. She wrote music for orchestra, chamber music, piano solo, piano and voice, and incidental music. She also wrote more than 95 choral works for mixed voices and 130 for equal-voice choir. Her style is a mixture of Venezuelan nationalism and folklore with European traits she learned in her studies in Russia. Chapter One contains a historical background of the evolution of Venezuelan art music since the colonial period, beginning in 1770. Knowing the state of art music in Venezuela helps one to understand the unusual nature of the Venezuelan choral movement that developed in the first half of the twentieth century. -
Exhibitions & Events
Events for Adults at a Glance Forthcoming Exhibitions Pricing and online booking at yorkartgallery.org.uk. Discover more and buy tickets at yorkartgallery.org.uk. FREE TALKS – no need to book Grayson Perry: The Pre-Therapy Years EXHIBITIONS Opens 12 June 2020 Curator’s Choice The first exhibition to & EVENTS Third Wednesday of the month: 12.30pm – 1pm. survey Grayson Perry’s earliest forays into the art February – May 2020 Friends of York Art Gallery Lunchtime Talks world will re-introduce the Second Wednesday of the month: 12.30pm – 1pm. explosive and creative 14 Feb – 31 May 2020 works he made between Plan your visit… Visitor Experience Team Talks 1982 and 1994. These Every day between 2pm – 3pm (except Wednesday ground-breaking ‘lost’ pots OPEN DAILY: 10am – 5pm and Saturday). will be reunited for the first time to focus on the York Art Gallery York Art Gallery is approximately Kindly Supported by Automaton Clock Talk and Demonstration Exhibition Square, York YO1 7EW 15 minutes walk from York Railway formative years of one of T: 01904 687687 Station. From the station, cross the Harland Miller, Ace, 2017. © Harland Miller. Photo © White Cube (George Darrell). Wednesday and Saturday: 2pm – 2.30pm. Britain’s most recognisable E: [email protected] river and walk towards York Minster. artists. The nearest car parks are Bootham Row and Marygate, which are a five WORKSHOPS – book online Touring exhibition from minute walk from York Art Gallery. The Holburne Museum Aesthetica Art Prize 2020 Tickets can be purchased in advance or on arrival. For pricing and to book your Sketchbook Circle Image: Grayson Perry, Cocktail Party, 1989 © Grayson Perry. -
Review of the Year 2012–2013
review of the year TH E April 2012 – March 2013 NATIONAL GALLEY TH E NATIONAL GALLEY review of the year April 2012 – March 2013 published by order of the trustees of the national gallery london 2013 Contents Introduction 5 Director’s Foreword 6 Acquisitions 10 Loans 30 Conservation 36 Framing 40 Exhibitions 56 Education 57 Scientific Research 62 Research and Publications 66 Private Support of the Gallery 70 Trustees and Committees of the National Gallery Board 74 Financial Information 74 National Gallery Company Ltd 76 Fur in Renaissance Paintings 78 For a full list of loans, staff publications and external commitments between April 2012 and March 2013, see www.nationalgallery.org.uk/about-us/organisation/ annual-review the national gallery review of the year 2012– 2013 introduction The acquisitions made by the National Gallery Lucian Freud in the last years of his life expressed during this year have been outstanding in quality the hope that his great painting by Corot would and so numerous that this Review, which provides hang here, as a way of thanking Britain for the a record of each one, is of unusual length. Most refuge it provided for his family when it fled from come from the collection of Sir Denis Mahon to Vienna in the 1930s. We are grateful to the Secretary whom tribute was paid in last year’s Review, and of State for ensuring that it is indeed now on display have been on loan for many years and thus have in the National Gallery and also for her support for very long been thought of as part of the National the introduction in 2012 of a new Cultural Gifts Gallery Collection – Sir Denis himself always Scheme, which will encourage lifetime gifts of thought of them in this way. -
English Polyphony and the Roman Church David Greenwood
caec1 1a English Polyphony and the Roman Church David Greenwood VOLUME 87, NO. 2 SUMMER, 1960 . ~5 EIGHTH ANNUAL LITURGICAL MUSIC WORKSHOP Flor Peeters Francis Brunner Roger Wagner Paul Koch Ermin Vitry Richard Schuler August 14-26, 1960 Inquire MUSIC DEPARTMENT Boys Town, Nebraska CAECILIA Published four times a year, Spring, Summer, Autumn and Winter. Second-Class Postage Paid at Omaha, Nebraska. Subscription price--$3.00 per year All articles for publication must be in the hands of the editor, 3558 Cass St., Omaha 31, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the circulation manager: Paul Sing, 3558 Cass St., Omaha 31, Nebraska Postmaster: Form 3579 to Caecilia, 3558 Cass St., Omaha 31, Nebr. CHANT ACCOMPANIMENTS by Bernard Jones KYRIE XVI " - .. - -91 Ky - ri - e_ * e - le -i - son. Ky - ri - e_ e - le - i - son •. " -.J I I I I J I I J I j I J : ' I I I " - ., - •· - - Ky-ri - e_ e - le -i - son. Chri-ste_ e - le -i - son. Chi-i-ste_ e - le- i - son.· I ( " .., I I j .Q. .0. I J J ~ ) : - ' ' " - - 9J Chri - ste_ e - le - i - son. Ky - ri - e __ e - le - i - son. " .., j .A - I I J J I I " - ., - . Ky -ri - e_ e - le - i - son. Ky- ri - e_* e -le - i - son. " I " I I I ~ I J I I J J. _J. J.,.-___ : . T T l I I M:SS Suppkmcnt to Caecilia Vol. 87, No. 2 SANCTUS XVI 11 a II I I I 2. -
York-Cat-Trail-Leaflet.Pdf
THE YORK CAT STORY Cats have played a part in York’s history and luck has been linked with them since records began. Cats always land on their feet and having nine lives is a piece of luck that we can all relate to. FREE York Glass is the home of York Lucky Cats where we celebrate the York Cat story. Statues of cats have been placed on buildings in York for around two Centuries, although statues since removed or rotted are thought to date from medieval times. The original cat statues were placed on buildings to York Glass is found in a beautiful frighten away rats and mice which can carry plague listed building in the middle of and illness. They were also thought to ward off Shambles which is at the heart of ‘Olde’ York. The traditional shop window displays a vivid, wandering evil spirits and generally to bestow good PRESENTS luck and good health on citizens who needed feline colourful and changing mixture of products. We sell gifts, friends to ensure a good nights sleep in old and predominantly in Glass for all occasions. Handmade glass jewellery with Murano beads, friendship globes, spun glass, temptingly chewy timber framed buildings! fused glass, crystal glass, glass Christmas trees, glass York Lucky Cats are small hand-made flowers, glass hearts, glass nail files! Glass is our thing. glass cats which are available in twelve We are a small group and are passionate about offering THE jewel-like colours that match the gem the best products at competitive prices and we pack it with care too! stones considered lucky for each www. -
Exhibitions & Events
Events for Adults at a Glance Forthcoming Exhibitions Pricing and online booking at yorkartgallery.org.uk. Discover more and buy tickets at yorkartgallery.org.uk. Exhibitions FREE TALKS – no need to book Harland Miller: York, So Good They Named It Once Curator’s Choice 14 February – 31 May 2020 & Events Third Wednesday of the month: 12.30pm – 1pm. York Art Gallery presents a mid-career exhibition of York- Friends of York Art Gallery Lunchtime Talks born artist Harland Miller. The largest solo presentation October 2019 – January 2020 of his work to date, it celebrates his relationship to the Second Wednesday of the month: 12.30pm – 1pm. city of his upbringing. Alongside more recent works, Plan your visit… Visitor Experience Team Talks it will feature a selection of Miller’s acclaimed classic Penguin series and ‘bad weather paintings’ which playfully Every day between 2pm – 3pm (except Wednesday Dieric Bouts (c.1415 – 1475), Christ Crowned with Thorns, c.1470 © The National Gallery, London. reference various cities in the North of England, evoking and Saturday). OPEN DAILY: 10am – 5pm Bequeathed by Mrs Joseph H. Green, 1880 a tragicomic sense of time and place. York Art Gallery York Art Gallery is approximately The Making a Masterpiece: Bouts and Beyond (1450 – 2020) exhibition has been made possible as a result of the Automaton Clock Talk and Demonstration Supported by White Cube Exhibition Square, York YO1 7EW 15 minutes walk from York Railway Government Indemnity Scheme. York Art Gallery would like to thank HM Government for providing Government T: 01904 687687 Station. From the station, cross the Indemnity and the Department for Digital, Culture, Media and Sport and Arts Council England for arranging the indemnity. -
Excavations at Rougier Street, York, 1981
Excavations at Rougier Street, York, 1981 It is not often that there is a chance to excavate inside the Roman colonia, the civilian town. One arose, however, in spring 1981 with the proposed redevelopment of a small site between the Richard III pub and the Leedham's garage on Rougier Street, and by agreement with the architects and developers, Towngate Securities, it was decided to excavate a trench 2.50m wide and 12m long. The archaeological aims of the excavation were threefold: to try to locate a Roman colonia riverside wall; to trace the development of the river frontage; and to look for evidence of the medieval tanning industry. It has been suggested by analogy with Roman London and other towns in the Empire that the Roman colonia had a wall running parallel and adjacent to the River Ouse, but no evidence for one has as yet come to light in York. Whether this wall is found or not, however, it remains the case that very little excavation to modern standards has taken place in the colonia, and any glimpse of Roman deposits would be useful both from the point of view of learning more about its topography and recovering samples for research into its environment. The development of the river front has been glimpsed already in Trust excavation at Skeldergate and Coney Street (INTERIM vol 1 no 1 pp20-21; vol 2 no 3 pp7-11, vol 2 no 2 pp21-6) but there is still much to learn. The medieval tanning industry is, in contrast to the colonia wall, well documented. -
Sound and Place at Central Public Squares in Belo Horizonte (Brazil)
Invisible Places 18–20JULY 2014, VISEU, PORTUGAL Polyphony of the squares: Sound and Place at Central Public Squares in Belo Horizonte (Brazil) Luiz Henrique Assis Garcia [email protected] Professor at Universidade Federal de Minas Gerais, Belo Horizonte, Brazil Pedro Silva Marra [email protected] Phd candidate at Universidade Federal Fluminense,Belo Horizonte, Brazil Abstract This article aims to understand and compare the use of sounds and music as a tool to disput- ing, sharing and lotting space in two squares in Belo Horizonte, Minas Gerais, Brazil. In order to do so, citizens manipulate sounds and their parameters, such as intensity, frequency and spatiality. We refer to research data collected by Nucleurb/CCNM-UFMG constituted by a set of methodological procedures that involve field observation, sound recording, photo- graphs, field notesand research on archives, gathering and cross analyzing texts, pictures and sounds, in order to grasp the dynamics of conformation of “place” within the urban space. Keywords: Sonorities, Squares, Urban Space provisional version 1. Introduction A street crier screams constantly, as pedestrians pass by him, advertising a cellphone chip store’s services. During his intervals, another street crier asks whether people want to cut their hair or not. On the background, a succession of popular songs are played on a Record store, and groups of friends sitting on benches talk. An informal math teacher tries to sell a DVD in which he teaches how to solve fastly square root problems. The other side of the square, beyond the crossing of two busy avenues, Peruvian musicians prepare their con- cert, connecting microfones and speakers through cables, as street artists finish their circus presentation. -
ABSTRACT Title of Dissertation: PRISMS and POLYPHONY
ABSTRACT Title of Dissertation: PRISMS AND POLYPHONY: THE LIVED EXPERIENCES OF HIGH SCHOOL BAND STUDENTS AND THEIR DIRECTOR AS THEY PREPARE FOR AN ADJUDICATED PERFORMANCE Stephen W. Miles Doctor of Philosophy, 2012 Dissertation directed by: Professor Francine Hultgren Department of Teaching and Learning, Policy and Leadership College of Education University of Maryland This hermeneutic phenomenological inquiry is called by the question: What are the lived experiences of high school band students and their director as they prepare for an adjudicated performance? While there are many lenses through which the phenomenon of music preparation and music making has been explored, a relatively untapped aspect of this phenomenon is the experience as lived by the students themselves. The experiences and behaviors of the band director are so inexorably intertwined with the student experience that this essential contextual element is also explored as a means to understand the phenomenon more fully. Two metaphorical constructs – one visual, one musical – provide a framework upon which this exploration is built. As a prism refracts a single color of light into a wide spectrum of hues, views from within illumine a variety of unique perspectives and uncover both divergent and convergent aspects of this experience. Polyphony (multiple contrasting voices working independently, yet harmoniously, toward a unified musical product) enables understandings of the multiplicity of experiences inherent in ensemble performance. Conversations with student participants and their director, notes from my observations, and journal offerings provide the text for phenomenological reflection and interpretation. The methodology underpinning this human science inquiry is identified by Max van Manen (2003) as one that “involves description, interpretation, and self-reflective or critical analysis” (p. -
York 50 Coney Street, YO1 9ND
York 50 Coney Street, YO1 9ND Prime Freehold Retail Investment RETAIL PROPERTY Cancer Research UK York 50 Coney Street, YO1 9ND Prime Freehold Retail Investment | Cancer Research UK INVESTMENT CONSIDERATIONS ■ York is the administrative and cultural capital of North Yorkshire ■ Arguably the best trading location in the city ■ Well secured to Cancer Research UK ■ Offers in excess of £1,215,000 ■ Net initial yield of approximately 7% assuming normal purchaser’s costs York has a rich and unique history attracting a large tourist York’s historic retailing core offers an estimated 1.49 million sq YORK population. The city is one of the most popular tourist locations in ft of floor space. The main shopping streets are centred around The historic cathedral city of York is the administrative the UK and welcomes approximately 7 million visitors per annum Coney Street and Spurriergate which house many of the national and cultural capital of North Yorkshire. The city is located contributing circa £606 million to the local economy (Visit York). multiple retailers, including brands such as, Zara, H&M, Boots, approximately 25 miles (40 km) north east of Leeds, 21 miles (34 Tourist attractions include the historic York Minster, York Castle, Next and Monsoon. These streets are further complimented by the km) east of Harrogate and 210 miles (338 km) north of London. the National Railway Museum and the City Walls. likes of Davygate, Stonegate and Low Petergate with occupiers here including, Jack Wills, The White Company, Seasalt and White Stuff. The city benefits from excellent road communications with the York has one of the fastest growing economies in the north of city’s ring road, the A64 leading directly to the A1(M) and further England coupled with one of the lowest unemployment rates The city also boasts numerous cafés, pubs and restaurants onto the national motorway network. -
Calvert Francis, 70, Micklegate Ters A.Nd Binders. .Calve~ James, 59, Bootham •'
TRADES AND PROFESSIONS. 481 • Othick Henry, 20, Monkgate Roberts Henry, 2J, High Petergate • Palphramand Edmd., 49, Aldwrk Sampson John, 52, Coney street Prince George, Acomb Shillito Joseph, 17, Spnrriergate • Strangeway Rbt., Malt Shovel yd • Sotheran Henry, 44, Coney street Tate Thomas, 117, Walmgate Sunter Robert, 23, Stonegate Tonington J., yd. 45. Lawrence 8t Weightman Thos., 44. Goodramgt Whaite Elisha. (& spring cartmkr.,) Boot and Shoe Ma.kers. yard 48, 'Blossom street Allan Benjamin. 2i, Colliergate Walker Edward, Foss bridge Atkinson John, J4. Barker bill • Waller Thomas, 70, Micklegate Aveson Rog-er, 4, 'Dundas street Wpllburne William, Layerthorpe Avison Richard, 19. Haver lane • Wilks George, 38. Bootham row Baines William, 7, Brnnswick pI Wilson John, 70, Walmgate Ballance James, Acomb Bone Crushers & Gua.no Dlrs. Balli~er John, 5, Hope street Barnby Thomas. 7, Ogleforth Dixon Joseph. George street Barnard William, 7, Albert street Hunt Joseph, 19, Aldwark Mills Thomas. 37, Skeldergate Barnett William, 21, Coney street Bartle William. 19, Pavement Richardson Henry, Skeldergate Bean John, 140, Walmgate Bookbinders. Birkinshaw Thomas, 21, Monkgate Acton Geo., Church In.• Coppergt Blakebrough Richard, Abbott st Brassington RIJd., 28, Waterloo pi Bolton Thomas, Regent street Gill Robert, J69. Walmgate Bowman John, 37, Goodramgate Lyon Joseph, 19, Regent square Bowman Robert, 24, Layerthorpe Nicholson H.•22,Queen st.Tannr.rw Briggs William, 7, George street Pickering George, et. 14, Fossgate Briggs William, 17, Parliament st Sumner Oliver, 23, Ogleforth Brown William, 2, Little Shambles Teasdale John, Gazette Office et., . Brown William, 55, Hope street J3, High Ousegate Burton William, Clifton Walton Thomas, 23, Aldwark Butler J ames, 23, Bootham row Booksellers, Sta.tioners, Prin- Calvert Francis, 70, Micklegate ters a.nd Binders.