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Carly Simon Transcript Index
CARLY SIMON TRANSCRIPT INDEX If you are interested in viewing the full length video or transcription please email [email protected] BRONX ............................................. 3, 11, 52 A BURT BACHARACH .................................... 33 ALAN ARKIN ............................................... 27 BUZZY LINHART ................................... 11, 52 ALAN BENNETT .......................................... 30 C ALBERT EINSTEIN ...................................... 13 CARNEGIE HALL ........ 5, 50, 51, 53, 54, 55, 60 ANDY NEWMARK .......................... 52, 57, 62 CAROLE KING............................................. 34 ANNIE ROSS ................................................. 8 CAROLYN HESTER ...................................... 27 ANTICIPATION ......................... 53, 54, 56, 57 CASCADE AVENUE ..................................... 14 ARLENE ROTHBERG ................................... 55 CAT STEVENS ................42, 43, 50, 53, 55, 60 ARTHUR SCHWARZENHAUER .................... 13 CHAD MITCHELL ........................................ 11 B CHARLIE CLOSE .......................................... 27 BENNY GOODMAN .................................... 13 CHILMARK COMMUNITY CENTER ............. 19 BEST NEW ARTIST ..................................... 60 CLIVE DAVIS ............................................... 38 BEYOND THE FRINGE ................................ 30 COMING AROUND AGAIN ................... 44, 56 BIG SUR ..................................................... 61 D BILL LEE .................................................... -
The Most Admired* What Do Clint Eastwood, Jimmy
The Most Admired* What do Clint Eastwood, Jimmy Carter, and Warren Buffett have in common? No, this isn’t a setup for a pop culture joke, but rather a partial list of the most admired Americans over age 75. Provided with the names of 23 major personalities in this age bracket and asked to select the two they most admire, Americans compile a list that is at once diverse and homogenous; topping the list are two actors, two former presidents, a man of the cloth, and a financial wizard turned philanthropist. All remarkably accomplished, but all male. Clint Eastwood ranks highest overall, with 23% rating him as their most admired public figure over age 75; among men that proportion rises to 30%, and he reaches 33% among Republicans despite his unusual 2012 GOP convention appearance, making him that group’s second highest choice. Morgan Freeman runs a close second with 21% overall, but he is the clear favorite among both African Americans (40%) and Millennials (33%). Jimmy Carter finishes third overall with 19%, but he tops Democrats’ list (33%). Similarly, George H.W. Bush is number one among Republicans (36%), and he finishes fourth overall with 17%. Rounding out the most admired list in double digits are Billy Graham (16%) and Warren Buffett (13%). Buffett’s popularity lands him in second place among college-educated adults and affluent Americans. Billy Graham is relatively well loved among those over age 50. The three most admired women cross the ideological spectrum—former First Lady Nancy Reagan (9%) on the right, Justice Ruth Bader Ginsburg (7%) on the left, and TV newswoman Barbara Walters (9%) in the middle. -
April 2021 Will Wells, Timber Creek High School C/O 2007
Black Horse Pike Regional School District Spotlight on Alumni - April 2021 Will Wells, Timber Creek High School c/o 2007 “Will graduated in 2007. Since then he has worked as a professional musician, composer, film scoring composer, arranger, and music producer. Will was a guitarist, keyboardist, and backing vocalist for the group "Imagine Dragos" and went on their world tour with them in 2015-2016. Will also was the Electronic Music Producer for the Broadway smash hit, "Hamilton." Will has also worked with famous musicians Barbara Streisand, LMFAO, Anthony Ramos, Quincey Jones, Cynthia Erivo (Star of the movie "Harriet"), Pentatonix, and many, many more! For more information, check out his website at: willwellsmusic.com Each year Will returns to Timber Creek to speak with our musicians, has brought in guest performers and conducted a song writing workshop. ~John Perkis, TC Music Education teacher 1. AA: Upon graduation, what post-secondary path did you take and why? Will: Upon graduating from Timber Creek Regional High School in 2007, I decided to attend Berklee College of Music in Boston, Massachusetts. After completing their “5- Week Summer Program” in the Summer of 2005, I knew that there was something about this institution that uniquely suited my needs, my passion, and my dreams. I was always interested in traditional and contemporary music, as well as the ever-evolving technology that was used in its creation. Berklee truly felt like the only place where I could fully immerse myself in the study of music and music technology, while being surrounded by thousands of other scholars who were passionate about music or the music industry. -
The Aesthetics of Hate Music
The Aesthetics of �Hate Music� By Keith Kahn-Harris Introduction The expression of hatred in music is, for many people, something intrinsically worrisome. From Nazi skinhead music to homophobic reggae, hate music seems to demand close watching at least and direct censorship at most. This is perfectly understandable given contemporary concerns about �hate speech� and in many ways the desire not to let hate-filled music pass without comment is a laudable one. However, I want to argue that the terms of the debate about hate and music are all too frequently rooted in certain, very questionable, ideas about musical aesthetics and that as a consequence some of the complexities surrounding issues regarding hatred and music tend to be ignored. In particular I wish to question the tacit assumption behind much writing on music and hate that it is a prioria problem. That is, that hatred and music simply do not go together and when they do come together the consequences can only be worrying. In fact, this assumption is historically specific and open to question and contestation, with important consequences for our understanding of music and hate The legitimacy of hatred In western societies at least, the development in the nineteenth century of a particular musical aesthetic has had far-reaching consequences (Chanan 1994). That is, the resurrection of the Platonic idea that music should ideally represent a form of transcendental perfection. In an impure world of lust, conflict and hatred, music should ideally represent the world as it ought to be, a world that is whole, perfect, free of messy bodily imperfections and antagonism. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
An Exploration of the Relationship Between Mathematics and Music
An Exploration of the Relationship between Mathematics and Music Shah, Saloni 2010 MIMS EPrint: 2010.103 Manchester Institute for Mathematical Sciences School of Mathematics The University of Manchester Reports available from: http://eprints.maths.manchester.ac.uk/ And by contacting: The MIMS Secretary School of Mathematics The University of Manchester Manchester, M13 9PL, UK ISSN 1749-9097 An Exploration of ! Relation"ip Between Ma#ematics and Music MATH30000, 3rd Year Project Saloni Shah, ID 7177223 University of Manchester May 2010 Project Supervisor: Professor Roger Plymen ! 1 TABLE OF CONTENTS Preface! 3 1.0 Music and Mathematics: An Introduction to their Relationship! 6 2.0 Historical Connections Between Mathematics and Music! 9 2.1 Music Theorists and Mathematicians: Are they one in the same?! 9 2.2 Why are mathematicians so fascinated by music theory?! 15 3.0 The Mathematics of Music! 19 3.1 Pythagoras and the Theory of Music Intervals! 19 3.2 The Move Away From Pythagorean Scales! 29 3.3 Rameau Adds to the Discovery of Pythagoras! 32 3.4 Music and Fibonacci! 36 3.5 Circle of Fifths! 42 4.0 Messiaen: The Mathematics of his Musical Language! 45 4.1 Modes of Limited Transposition! 51 4.2 Non-retrogradable Rhythms! 58 5.0 Religious Symbolism and Mathematics in Music! 64 5.1 Numbers are God"s Tools! 65 5.2 Religious Symbolism and Numbers in Bach"s Music! 67 5.3 Messiaen"s Use of Mathematical Ideas to Convey Religious Ones! 73 6.0 Musical Mathematics: The Artistic Aspect of Mathematics! 76 6.1 Mathematics as Art! 78 6.2 Mathematical Periods! 81 6.3 Mathematics Periods vs. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Mick Evans Song List 1
MICK EVANS SONG LIST 1. 1927 If I could 2. 3 Doors Down Kryptonite Here Without You 3. 4 Non Blondes What’s Going On 4. Abba Dancing Queen 5. AC/DC Shook Me All Night Long Highway to Hell 6. Adel Find Another You 7. Allan Jackson Little Bitty Remember When 8. America Horse with No Name Sister Golden Hair 9. Australian Crawl Boys Light Up Reckless Oh No Not You Again 10. Angels She Keeps No Secrets from You MICK EVANS SONG LIST Am I Ever Gonna See Your Face Again 11. Avicii Hey Brother 12. Barenaked Ladies It’s All Been Done 13. Beatles Saw Her Standing There Hey Jude 14. Ben Harper Steam My Kisses 15. Bernard Fanning Song Bird 16. Billy Idol Rebel Yell 17. Billy Joel Piano Man 18. Blink 182 Small Things 19. Bob Dylan How Does It Feel 20. Bon Jovi Living on a Prayer Wanted Dead or Alive Always Bead of Roses Blaze of Glory Saturday Night MICK EVANS SONG LIST 21. Bruce Springsteen Dancing in the dark I’m on Fire My Home town The River Streets of Philadelphia 22. Bryan Adams Summer of 69 Heaven Run to You Cuts Like A Knife When You’re Gone 23. Bush Glycerine 24. Carly Simon Your So Vein 25. Cheap Trick The Flame 26. Choir Boys Run to Paradise 27. Cold Chisel Bow River Khe Sanh When the War is Over My Baby Flame Trees MICK EVANS SONG LIST 28. Cold Play Yellow 29. Collective Soul The World I know 30. Concrete Blonde Joey 31. -
2013 Annual Report
2013 ANNUAL REPORT The ASCAP Foundation, established in 1975, is a publicly supported charity dedicated to supporting American music creators and encouraging their development through music education and talent development programs such as: songwriting workshops, scholarships, awards, community outreach and humanitarian programs, and providing grants to other 501(c)(3) organizations engaged in educational programs for aspiring songwriters and composers. The ASCAP Foundation supports programs in all musical genres that are national and regional in scope. Over the years, The ASCAP Foundation has developed and established its own scholarships, awards and music education programs and has collaborated with other organizations to meet its objectives. We are proud of the musical greats who have chosen to establish programs in their name and the families that have memorialized loved ones’ achievements by creating and funding named programs. They include: Harold Adamson, Richard Adler, Robert Allen, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Burgie, Irving Caesar, Sammy Cahn, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, John Denver, Duke Ellington, George and Ira Gershwin, Jay Gorney, Morton Gould, Marvin Hamlisch, W.C. Handy, Lorenz Hart, Jerry Herman, Bart Howard, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Tania Leon, Livingston & Evans, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jason Mraz, Jack Norworth, Rudy Perez, Cole Porter, Louis Prima, Jerry Ragovoy, Joe Raposo, Irwin Robinson, Mary Rodgers, Richard Rodgers, Betty Rose, David Rose, Stephen Sondheim, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others. -
Debut Album to Be Released on July 1St! New Single and Video “Hell of a Girl” Available Now! Click Here to Watch “Hell of a Girl”
Debut Album to be Released on July 1st! New Single and Video “Hell of A Girl” Available Now! Click here to Watch “Hell of A Girl” Debut Single “You Don’t Own Me feat. G-Eazy” #1 at Shazam in 15 Markets and Top 10 in over 90 Markets, And Top 25 at Pop Radio On Over 120 Stations “Grace is 18 years old, but she's in possession of the voice and swagger of someone much older and more veteran than she” –THE FADER (New York -- May 13, 2016) Australian vocal powerhouse GRACE is set to release her debut album via Regime Music Societe/ RCA Records on July 1st. Grace released the video for her new single today “Hell Of A Girl ” available everywhere. Click here to watch it now. “Hell of A Girl” follows the release of her chart-topping debut hit single, “You Don’t Own Me” Ft. G- Eazy,” currently #1 at Shazam in 15 markets, Top 10 in over 90 markets and Top 25 at Pop radio on over 120 stations in the U.S. “You Don’t Own Me” is a throwback cover of Lesley Gore’s 1963 anthem. Produced by the godfather Quincy Jones, who also produced the original, and Parker (Nicki Minaj, Rihanna, Jessie J, Ariana Grande), the track has not only has become a hit in the US, but also reaching the #1 spot on the official UK Radio chart, as well as topping all major U.K sales charts across the board. The single also hit #1 and is certified double-platinum in Grace’s native country of Australia. -
Dear Friends of the Kelly Writers House, Summertime at KWH Is Typically Dreamy
Dear Friends of the Kelly Writers House, Summertime at KWH is typically dreamy. We renovation of Writers House in 1997, has On pages 12–13 you’ll read about the mull over the coming year and lovingly plan guided the KWH House Committee in an sixteenth year of the Kelly Writers House programs to fill our calendar. Interns settle into organic planning process to develop the Fellows Program, with a focus on the work research and writing projects that sprawl across Kelly Family Annex. Through Harris, we of the Fellows Seminar, a unique course that the summer months. We clean up mailing lists, connected with architects Michael Schade and enables young writers and writer-critics to tidy the Kane-Wallace Kitchen, and restock all Olivia Tarricone, who designed the Annex have sustained contact with authors of great supplies with an eye toward fall. The pace is to integrate seamlessly into the old Tudor- accomplishment. On pages 14–15, you’ll learn leisurely, the projects long and slow. style cottage (no small feat!). A crackerjack about our unparalleled RealArts@Penn project, Summer 2014 is radically different. On May tech team including Zach Carduner (C’13), which connects undergraduates to the business 20, 2014, just after Penn’s graduation (when we Chris Martin, and Steve McLaughlin (C’08) of art and culture beyond the university. Pages celebrated a record number of students at our helped envision the Wexler Studio as a 16–17 detail our outreach efforts, the work we Senior Capstone event), we broke ground on student-friendly digital recording playground, do to find talented young writers and bring the Kelly Family Annex, a two-story addition chock-full of equipment ready for innovative them to Penn. -
Become a Smarter Thinker
Inquiries: Pamela Wallin, Box 581, Wadena, Saskatchewan, S0A 4J0 | [email protected] | 306-338-9045 BECOME A SMARTER THINKER “If you look at the three most important things in life – it’s like a triangle: the top is values - personal values, spiritual values, religious values; then you have health; the third is thinking. People spend a lot of time on health but how often do you hear someone say “I’m interested in becoming a better thinker?” Edward de Bono Thinking smarter, unlike staying stupid or keeping an open mind, is really about thinking in a different way. This idea has captivated me for years. How do we think? What’s the difference between mind and brain? So I’ve put the questions, time and gain, to artists, Nobel Prize Winners, high tech gurus and to the world’s leading thinker on thinking. Dr.de Bono has written more than fifty books, he teaches thinking to Nobel Prize winners and he discovered the concept called lateral thinking which he explains this way: “You can’t dig a hole in a different place by digging the same hole deeper.” As for becoming a smarter thinker: “It’s like a car – you can have a powerful engine, good suspension – that’s the potential of the car. An intelligent brain also has a lot of potential – the neurons work faster. But the way you drive the car makes all the difference. So does the way you use your brain – and that’s the thinking skill.” He was so smart I just wanted to hug him or at the very least, hope that the prediction of another brainiac would come true.