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Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
2013 Annual Report
2013 ANNUAL REPORT The ASCAP Foundation, established in 1975, is a publicly supported charity dedicated to supporting American music creators and encouraging their development through music education and talent development programs such as: songwriting workshops, scholarships, awards, community outreach and humanitarian programs, and providing grants to other 501(c)(3) organizations engaged in educational programs for aspiring songwriters and composers. The ASCAP Foundation supports programs in all musical genres that are national and regional in scope. Over the years, The ASCAP Foundation has developed and established its own scholarships, awards and music education programs and has collaborated with other organizations to meet its objectives. We are proud of the musical greats who have chosen to establish programs in their name and the families that have memorialized loved ones’ achievements by creating and funding named programs. They include: Harold Adamson, Richard Adler, Robert Allen, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Burgie, Irving Caesar, Sammy Cahn, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, John Denver, Duke Ellington, George and Ira Gershwin, Jay Gorney, Morton Gould, Marvin Hamlisch, W.C. Handy, Lorenz Hart, Jerry Herman, Bart Howard, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Tania Leon, Livingston & Evans, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jason Mraz, Jack Norworth, Rudy Perez, Cole Porter, Louis Prima, Jerry Ragovoy, Joe Raposo, Irwin Robinson, Mary Rodgers, Richard Rodgers, Betty Rose, David Rose, Stephen Sondheim, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others. -
In the United States District Court for the Middle District of Tennessee Nashville Division
IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE NASHVILLE DIVISION MARK HALPER, ) ) Plaintiff, ) ) v. ) Case No. 3:16-cv-00567 ) Judge Steeh / Frensley SONY/ATV MUSIC PUBLISHING, LLC, ) et al., ) ) Defendants. ) REPORT AND RECOMMENDATION I. Introduction and Background This matter is before the Court upon a Motion to Dismiss and Incorporated Memorandum of Law filed pursuant to Fed. R. Civ. P. 12(b)(6) by Defendants Sony/ATV Music Publishing LLC, EMI April Music Inc., Gone Gator Music, Universal-Polygram International Tunes, Inc., Sony/ATV Songs LLC, and UMG Recordings, Inc. Docket No. 25. In support of their Motion, Defendants have contemporaneously filed the Declaration of Elizabeth Gonser with attached Exhibit. Docket No. 26. Plaintiff has filed a Response in Opposition to Defendants’ Motion. Docket No. 28. With leave of Court (Docket No. 31), Defendants have filed a Reply (Docket No. 29-1). Also with leave of Court (Docket Nos. 40, 43), Plaintiff has filed a Sur-Reply (Docket No. 44). Plaintiff, pro se, filed this copyright infringement action alleging that “Sam Smith, Capitol Recording artist, used and replicated phraseology and significant phrase ‘stay with me’ eight (8) times in the body of his mega hit song ‘Stay with Me’ thereby copying and infringing Case 3:16-cv-00567 Document 97 Filed 11/15/17 Page 1 of 18 PageID #: <pageID> upon the original musical production of Plaintiff Mark Halper whose original song ‘Don’t Throw Our Love Away’ written in April 1984 and musically recorded as a demo in a Nashville studio in February 1986 and a second demo musically recorded in 2013 that began in line 1 with the phraseology and significant phrase ‘stay with me’ and continued in line 2 with the phraseology ‘lay with me.’” Docket No. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
Download a PDF of the Concert Program
AUSTIN SYMPHONIC BAND community in concert Let’s Go to the Movies! Sunday, February 10 • 4 PM Luis “Chico” Portillo Performing Arts Center Richard Floyd, Music Director ASB Board of Directors and Officers Richard Floyd, Music Director Music Director: Richard Floyd Richard Floyd is in his 57th year of active involvement as Assistant Music Director: Bill Haehnel a conductor, music educator, and administrator. He has enjoyed Executive Director: Amanda Pierce a distinguished and highly successful career at virtually every level of wind band performance from beginning band programs President: Bryan Chin-Foon through high school and university wind ensembles as well as Past-President: Marty Legé adult community bands. Floyd recently retired as State Director of President-Elect: Kristin Morris Music at UT/Austin. He now holds the title Texas State Director of Music Emeritus. He has served as Music Director and Conductor Board of Directors: of the Austin Symphonic Band since 1985. Betsy Appleton Floyd is a recognized authority on conducting, the art of wind band rehearsing, con- John Bodnar cert band repertoire, and music advocacy. As such, he has toured extensively through- Tim DeFries out the United States, Canada, Australia, and Europe as a clinician, adjudicator, and Clif Jones conductor including appearances in 42 American states and in nine other countries. In 2002 he was the single recipient of the prestigious A.A. Harding Award pre- Treasurer: Sharon Kojzarek sented by the American School Band Directors Association. The Texas Bandmasters Secretary: Kyndra Cullen Association named him Texas Bandmaster of the Year in 2006 and also recognized Bookkeeper: Mark Knight him with the TBA Lifetime Administrative Achievement Award in 2008 and the TBA Librarian: Karen VanHooser Lifetime Achievement Award in 2015. -
WDAM Radio's History of the Animals
Listener’s Guide To “WDAM Radio’s History Of James Bond” You have security clearance to enjoy “WDAM Radio’s History Of James Bond.” Classified – until now, this is the most comprehensive top secret dossier of ditties from James Bond television and film productions ever assembled. WDAM Radio’s undercover record researchers have uncovered all the opening title themes, as well as “secondary songs” and various end title themes worth having. Our secret musicology agents also have gathered intelligence on virtually every known and verifiable* song that was submitted to and rejected by the various James Bond movie producers as proposed theme music. All of us at the station hope you will enjoy this musical license to thrill.** Rock on. Radio Dave *There is a significant amount of dubious data on Wikipedia and YouTube with respect to songs that were proposed, but not accepted, for various James Bond films. Using proprietary alga rhythms (a/k/a Radio Dave’s memory and WDAM Radio’s Groove Yard archives), as well as identifying obvious inconsistencies on several postings purporting to present such claims, we have revoked the license of such songs to be included in this collection. (For instance, two sites claim Elvis Presley songs that were included in two of his movies were originally proposed to the James Bond producers – not true.) **Watch for updates to this dossier as future James Bond films are issued, as well as additional “rejected songs” to existing films are identified and obtained via our ongoing overt and covert musicology surveillance activities. WDAM Radio's History Of James Bond # Film/Title (+ Year) Artist & (Composer) James Bond Chart Comments Position/ Year* 01 Casino Royale (1954) Barry Nelson 1954 Episode of Climax! Mystery Theater broadcast live on 10/21/1954 starring Barry Nelson. -
John Barry Aaron Copland Mark Snow, John Ottman & Harry Gregson
Volume 10, Number 3 Original Music Soundtracks for Movies and Television HOLY CATS! pg. 24 The Circle Is Complete John Williams wraps up the saga that started it all John Barry Psyched out in the 1970s Aaron Copland Betrayed by Hollywood? Mark Snow, John Ottman & Harry Gregson-Williams Discuss their latest projects Are80% You1.5 BWR P Da Nerd? Take FSM’s fi rst soundtrack quiz! �� � ����� ����� � $7.95 U.S. • $8.95 Canada ������������������������������������������� May/June 2005 ����������������������������������������� contents �������������� �������� ������� ��������� ������������� ����������� ������� �������������� ��������������� ���������� ���������� �������� ��������� ����������������� ��������� ����������������� ���������������������� ������������������������������ �������������������������������������������������������������������������������������������������� ���������� ��������������������������������������������������������������������������������������������������������������� ������������������������������������������������������������������������������������� ��������������������������� �������������������������� ��������������������������������������������������������������������������������������������������������� ���������������� ������������������������������������������������������ ����������������������������������������������������������������������� FILM SCORE MAGAZINE 3 MAY/JUNE 2005 contents May/June 2005 DEPARTMENTS COVER STORY 4 Editorial 31 The Circle Is Complete Much Ado About Summer. Nearly 30 years after -
They're Playing Our Song
Otterbein University Digital Commons @ Otterbein 2017 Summer Theatre Productions 2011-2020 7-6-2017 They're Playing Our Song Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_2017 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "They're Playing Our Song" (2017). 2017 Summer Theatre. 2. https://digitalcommons.otterbein.edu/summer_production_2017/2 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2017 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. y V r . EPIC IMAGINATION. INTIMATE ENCOUNTERS. omjm mSBUBS ¥f¥rw.oaklandnur8ery.com Columbus: 1156 Oakland Park Ave. 614-268-351 1 Delaware: 25 Kilbourne Rd. 740-369-5454 Dublin: 4261 W. Dublin-Granville Rd. 614-874-2400 New Albany: 5211 Johnstown Rd. 614-917-1020 mi — f .32 A€res of Gardening Pleasure" ......................... OTTERBEIN SUMMER THEATRE presents Book by NEIL SIMON Music by MARVIN HAMLISCH Lyrics by CAROLE BAYER SAGER Directed by MELISSA LUSHER Musical Direction by Choreography by DENNIS DAVENPORT STELLA HIATT KANE Scenic Design by Costume Design by ROB JOHNSON TATJANA LONGEROT Lighting Design by Sound Design by ANDY BAKER DOC DAVIS Stage Managed by ETHAN WINTGENS July 6-9,13-16, & 20-22, 2017 Riley Auditorium in the Battelle Fine Arts Center 170 W. Park St., Westerville "TheyTe Playing Our Song (Neil Simon/Marvin Hamslich)" is presented by special arrangement with SAMUEL FRENCH, INC. -
Transcendental Oscillations in Popular and Classical Music Since the 1800S
Transcendental Oscillations in Popular and Classical Music Since the 1800s by Maxwell Ramage Department of Music Duke University Date:_______________________ Approved: ___________________________ Nicholas Stoia, Advisor ___________________________ Philip Rupprecht ___________________________ R. Larry Todd ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2021 ABSTRACT Transcendental Oscillations in Popular and Classical Music Since the 1800s by Maxwell Ramage Department of Music Duke University Date:_______________________ Approved: ___________________________ Nicholas Stoia, Advisor ___________________________ Philip Rupprecht ___________________________ R. Larry Todd ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2021 Copyright by Maxwell Ramage 2021 Abstract In music both popular and classical since the nineteenth century, one finds everywhere chord progressions that alternate between two harmonies in ways that deviate from conventional “textbook” tonality. This thesis aims to answer the following questions: are there meaningful generalizations to be made about these progressions? What is their role in music history? Why have they been so popular with composers of the past two centuries? -
UMG-Ecommerce-Digital Booklet Template
SMILE (lyrics by HOWARD ASHMAN) 1. Typical High School Senior Mana Allen, Jenny Baker, Taylor Brauer, Ashley Bruce, Daisy Carnelia, Jessie del Rio, Sara Glancy, Aja Goes, Sarah Grace, Leigh Ellen Jones, Linda Van Kesteren, Caitlin Kinnunen, Caroline Liff, Molly Modell, Chelsie Nectow, Jaime Rosenstein, Amy Weaver (lyrics by CAROLYN LEIGH) 2. Vet Jenny Baker 3. Walking in the Sunshine Hayden Tee 4. Classical Music Randy Graff 5. Six O’Clock News Daisy Carnelia BALLROOM (lyrics by ALAN AND MARILYN BERGMAN) 6. This is More than a Ballroom Steven Brinberg SWEET SMELL THE ENTERTAINER OF SUCCESS (lyrics by TIM RICE) (lyrics by CRAIG CARNELIA) 13. The Only Way to Go 7. A Different World Tony Sheldon Kelli O’Hara IMAGINARY FRIENDS 8. Us and Them (lyrics by CRAIG CARNELIA) Nancy Opel 14. Fig Tree Rag 9. That’s How I Say Goodbye Craig Carnelia & Marvin Hamlisch Kelli O’Hara 15. A Smoke, A Drink and You THE NUTTY PROFESSOR Craig Carnelia & Marvin Hamlisch (lyrics by RUPERT HOLMES) 16. Smart Women 10. Step Out of Your Shell Craig Carnelia Klea Blackhurst & Julian Decker 17. Imaginary Friend 11. While I Still Have the Time Holly Davis, Jessica Fontana, Marissa McGowan Happy McPartland & Emily Shoolin 18. I Would But I Can’t BULLETS OVER BROADWAY Craig Carnelia (lyrics by CRAIG CARNELIA) 19. Words Fail Me 12. Everything You Do Lisa Brescia Leah Horowitz 20. Will It Matter at All Craig Carnelia & Marvin Hamlisch theYou composer know of A Chorus Marvin, Line — Marvin, the brash boy who won three Oscars one night in 1974 — Marvin, the resident Pops conductor of the National Symphony (and many others) — Marvin, the great film composer (two of his songs, “Nobody Does It Better” and “The Way We Were” are among the Top 10 film songs of all time) — Marvin, Barbra Streisand’s conductor — Marvin, the showman (on “The Tonight Show”, at the White House, or any house he happened to be in). -
Tim Rice, Howard Ashman Alfie Burt Bacharach Song
Airport Alfred Newman Song: Winds of Chance Aladdis(1992) Alan Menken T: Tim Rice, Howard Ashman Alfie Burt Bacharach Song : Alfie An American Dream (1966) Johnny Mandel T: Paul Francis Webster Aristocats (1968) Al Rinker,Terry Gilkyson,Richard M. u. Robert B. Sherman T: Floyd Huddleston Around the World in Eighty Days (1956) Victor Young T: Harold Adamson Song: Around the World Artists and Models (1937) Frederick Hollander T: Leo Robin Song: Whispers in the Dark The Band Wagon(1931) Arthur Schwartz T: Howard Dietz Song: Dancing in the Dark The Beauty and the Beast Alan Menken The Bells of St. Mary(1945) Jimmy Van Heusen T:Johnny Burke Song: Aren`t You Glad You’re You Der blaue Engel Friedrich Hollander Song: Ich bin von Kopf bis Fuß auf Liebe eingestellt Ins blaue Leben Franz Grothe Song: Guten Tag , liebes Glück Bodyguard Dolly Parton Songs: I Will Always Love You Bonjour, Kathrin Heinz Gietz T: Kurt Feltz Breakfast at Tiffany Henry Mancini Song: Moon River Burgtheater Peter Kreuder nach Johann Strauß Butch Cassidy and the Sundance Kid Burt Bacharach Songs: Raindrops Keep Fallin' on My Head Casablanca Herman Hupfeld Song: As Time Goes By Casino Royale Burt Bacharach Song: The Look of Love Chaplin Charles Chaplin Song: Smile Charade Henry Mancini Song: Charade Check and Double Check (1930) Harry Ruby T: Bert Kalmar Songs: Three Little Words A Countess from Hong Kong Charles Chaplin Song: This is My Song A Damsel in Distress (1937) George Gershwin T.Ira Gershwin Song: A Foggy Day Dear Heart Henry Mancini Song: Dear Heart Dirty Dancing -
Popular Music Repertoire
Popular Music Repertoire ABBA "Mamma Mia" "I Have A Dream" "Dancing Queen" Abreu “Tico-Tico” Samba Albeniz “Tango in D” Mike Altman and Johnny “Suicide is Painless” from M*A*S*H Mandel Anderson “Blue Tango” Priscilla Ann “Dream” Harold Arlen “It’s Only a Paper Moon” “Somewhere Over the Rainbow” Asher and Wilson “God Only Knows” Babyface, Real & “End of the Road” Simmons Bandolim “Noites Cariocas” John Barry “I Had a Farm In Africa” from Out of Africa Barry & Gibb “Woman in Love” The Beatles “All You Need Is Love” “And I Love Her” “Eleanor Rigby” “Here, There, and Everywhere” “I Saw Her Standing There” “If I Fell” “In My Life” “Michelle” “No Reply” “She’s Leaving Home” “Yesterday” The Bee Gees “How Deep Is Your Love” “Too Much Heaven” Notes an original CBSQ arrangement Cherry Blossom String Quartet [email protected] www.cherryblossomstrings.com Updated September 2010 Irving Berlin “Alexander’s Ragtime Band” Leonard Bernstein “One Hand, One Heart” from West Side Story Jerry Block “Sunrise, Sunset” from Fiddler on the Roof Bunessan “Morning Has Broken” Sammy Cahn “Time After Time” Mariah Carey “Hero” Hoagy Carmichael “Étoile d’Amour” (Stardust) The Carpenters “We’ve Only Just Begun” “Yesterday Once More” Frank Churchill “Someday My Prince Will Come” from Snow White and the Seven Dwarfs Ed Cobb “Tainted Love” Arthur Cohen “Hallelujah” Cold Play “Clocks” “In My Place” “Trouble” “Yellow” “Viva La Vida” Bill Conti “North and South” from the T.V. Mini Series Crewe and Goudio “Can’t Take My Eyes Off of You” David and Bacharach “Wishin’