AM Marvin Hamlisch Production Bios Rev103113

Total Page:16

File Type:pdf, Size:1020Kb

AM Marvin Hamlisch Production Bios Rev103113 Press Contact: Natasha Padilla, WNET 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , #AmericanMasters American Masters Marvin Hamlisch: What He Did For Love Premieres nationally Friday, December 27 at 9 p.m. on PBS (check local listings) Production Biographies Dori Berinstein Director, Producer, Writer Dori Berinstein is a four-time Tony-winning Broadway producer and an award-winning director, producer and writer of film and television. Berinstein’s award-winning films include ShowBusiness: The Road To Broadway , chronicling the behind-the-curtain passion, exhilaration, drama, sweat, and high-stakes creative and financial risks of four new Broadway musicals; Carol Channing: Larger Than Life , revealing the magic and vivacity of the 90-year-old icon – both onstage and off – past and present; Gotta Dance , capturing the adventures of the first-ever senior citizen hip-hop dance team for the New Jersey Nets basketball team from auditions to center court stardom; and Some Assembly Required , chronicling six teams of determined teenagers as they navigate ‘the game of life’ on their quest to win the national toy invention crown. Berinstein’s 12 Broadway productions include Who’s Afraid of Virginia Woolf (Tony Award – Best Revival); Legally Blonde: The Musical (Olivier Award – Best Musical); Thoroughly Modern Millie (Tony Award – Best Musical); The Crucible (Tony nomination); One Flew Over The Cuckoo’s Nest (Tony Award – Best Revival); Fool Moon (Tony Award – Special Live Theatrical Presentation); Flower Drum Song (Tony nomination); Enchanted April (Tony nomination); Big (Drama Desk Award – Best Musical) and Golden Child (Tony nomination). Berinstein recently received the Robert Whitehead award for ‘outstanding achievement in commercial theatre producing.’ Co-founder of Camp Broadway, an immersive behind-the-scenes Theatre Camp for kids, Berinstein is committed to instilling a life-long love for the arts in children. Berinstein executive produced and/or supervised more than 50 feature, special f/x and animated productions, including Isaac Mizrahi’s award-winning documentary Unzipped , Dirty Dancing (both the feature & TV series) and Jim Henson’s MuppetVision 3-D. She has executive produced websites for Oprah and President Clinton. She has also served as a producer and/or executive for DreamWorks Theatricals, Paramount Pictures, Warner Brothers, Sony Pictures, NBC, MTV, Sesame Workshop, Oxygen Media, Vestron Pictures and Walt Disney Imagineering. Berinstein began her professional career as an investment banker in mergers & acquisitions for Morgan Stanley. Alan Deutsch Director of Photography Alan Sterling Deutsch attended New Mexico State University and received his B.A. in Journalism (Television Production/Cinematography) in 1984. His documentary shooting career began in 1991 when he lensed The Homefront with Bill Moyers for PBS, winning a Dupont Gold Baton Award. Since then he’s traveled extensively, shooting films in Israel, Morocco, Armenia, Venezuela, Peru, Mexico, Africa, Norway, Soviet Georgia, India, Thailand, Japan and Europe, as well as the U.S. His many clients in film, television and commercials include Disney, ABC, PBS, HBO, National Geographic, MTV, Discovery, TLC, MSNBC, VH-1, Nickelodeon, FOX, Showtime, CNBC, Oxygen Media and many others. In 1998 he produced and shot two episodes of the hit documentary series Trauma: Life in the E.R . His “Growing Pains” episode was the highest-rated show ever broadcast on TLC at the time. In 1999-2000, Alan produced and shot a one-hour documentary “Test Pilots: Daring and Dangerous” for the popular series On the Inside for The Discovery Channel. He received a national Emmy Award for his camerawork on Pam Yates’ one- hour TV documentary Loss Of Innocence . Alan also received an Emmy nomination for his lighting work on Talking Sex for HBO. In 2002, Alan shot Lucas Platt’s WTC documentary 110 Stories which was nominated for a 2003 National News/Documentary Emmy Award. His feature work includes The Kitchen Push , winner of the 1998 New York Film and Video Festival- Best First Feature. He is also credited with additional cinematography on Mark Levin’s SLAM , the winner of the Sundance Film Festival and the Comme d’Or at Cannes, and Levin’s race/religion/ love story Brooklyn/Babylon . In 2004, he shot Dori Berinstein’s ShowBusiness: The Road To Broadway . In 2007, Alan shot Morgan Spurlock’s What Would Jesus Buy? In 2009, Alan started series producing/directing the hit reality series Dog: The Bounty Hunter . He’s presently the executive producer of Dog’s new hit CMT show Dog & Beth On The Hunt . Jimmy O'Donnell Director of Photography Jimmy ODonnell is a member of The International Cinematographers Guild, earning two Emmy Awards and numerous nominations over a 30-year career as a professional director of photography in film & television production. Over the course of his distinguished tenure, the scope of Jimmy’s work has taken him all over the world shooting countless, diverse and wide-ranging projects, from well-known award- winning TV shows such as Sesame Street , Reading Rainbow , Great Performances and Behind the Music to dozens of documentaries that span a wide variety of genres, directed and produced by some of the industry’s most talented people. In the last five years alone, Jimmy has shot over six feature-length documentaries, each enjoying high critical acclaim. Some of these works include: Marvin Hamlisch: What He Did For Love for the American Masters series, Never Stand Still (Jacobs Pillow) for Great Performances , Far Out Isn’t Far Enough: The Tomi Ungerer Story (30-city theatrical run), Money & Medicine for Need to Know , and Wish Me Away: Chely Wright Story (Showtime). For more information and a full credits list please visit: www.odopro.com. Penelope Falk Editor Penelope Falk is best known for her work on Joan Rivers: A Piece of Work , which won her an Excellence in Editing award at the Sundance Film Festival. Her other credits include A Letter Without Words (premiered Sundance Film Festival), Bombay Eunuch (winner of the New York Gay and Lesbian Film Festival), Stagedoor (debuted at the New York Film Forum), Toots , (premiered Tribeca Film Festival), Smile Til It Hurts (premiered Slamdance Festival), The New Public (premiered Hamptons Film Festival) and Maidentrip (winner of the SXSW Audience Award). Falk’s TV film credits include Afghan Stories (Sundance Channel), Uncle Sam Wants You (A&E), Escuela (PBS), Election Day (PBS) and Unfinished Country (PBS). Matthew Sklar Music Adaptation & Arrangements Tony and Drama Desk-nominated composer of the Broadway musicals Elf and The Wedding Singer , Matthew Sklar’s other works include The Rhythm Club , Judas & Me and Wicked City . He is a recipient of the ASCAP Richard Rodgers New Horizons Award, the Gilman & Gonzalez-Falla Musical Theatre Award, and the Jonathan Larson Performing Arts Foundation Award. In addition to his work as a composer, Matthew has been a pianist, conductor and/or arranger for more than a dozen Broadway productions including Caroline, or Change ; Nine ; Shrek ; 42nd Street ; Titanic ; Miss Saigon and Les Misérables . Brian Oakes Motion Graphics Brian Oakes founded Brian Oakes Design in New York. Brian designed the titling and motion graphics for the critically acclaimed documentary Wordplay . He followed up with designing the graphics for the PBS program The Botany of Desire ; Comedy Central’s Important Things with Demetri Martin and Patrick Creadon’s theatrically released documentary I.O.U.S.A. His work can be currently seen in the documentary Inequality for All . Andrew Herwitz Executive Producer Andrew Herwitz is president of The Film Sales Company, the New York-based sales agent/financier. The company specializes in devising unique strategies for sales and distributions for each of its films for both domestic and international markets. Recent completed fiction films sold and/or financed include Lee Daniels’ The Butler ; Randy Miller’s CBGB: The Movie and Waitress . Among the more notable documentary films the company has financed and/or sold are Marvin Hamlish: What He Did For Love ; Let The Fire Burn , Room 237 , The Bones Brigade: An Autobiography , The Crash Reel, War Dance (Academy Award nominee), Iraq in Fragments (Academy Award nominee), Born Into Brothels (Academy Award winner, Best Documentary), My Architect (Academy Award nominee) and Michael Moore’s Fahrenheit 9/11 . Prior to establishing this company in 2002, Andrew worked at Miramax for six years where he served as head of the film acquisitions department. Before that he practiced entertainment law at Paul, Weiss, Rifkind, Wharton and Garrison in New York City. Andrew is a graduate of Harvard College, Columbia Business School and Harvard Law School. Andrew lives in New York City with his wife and three children. Mitchell Cannold Executive Producer Cosmos Studios President and Executive Producer Mitchell Cannold brings 30 years experience as a senior executive, founding, operating and acquiring a wide range of media businesses at Sony Corporation, NBC News, CBS News, ABC Sports and The Walt Disney Company. As President of both Sony’s New Media Group and Sony New Technologies, he founded all of Sony’s Internet businesses, The Sony U.S. Design Center and Sony Gateway, the strategic marketing partnership team. He initiated partnerships between multiple
Recommended publications
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • Dstprogram-Ticktickboom
    SCOTTSDALE DESERT STAGES THEATRE PRESENTS May 7 – 16, 2021 DESERT STAGES THEATRE SCOTTSDALE, ARIZONA PRESENTS TICK, TICK...BOOM! Book, Music and Lyrics by Jonathan Larson David Auburn, Script Consultant Vocal Arrangements and Orchestrations by Stephen Oremus TICK, TICK...BOOM! was originally produced off-Broadway in June, 2001 by Victoria Leacock, Robyn Goodman, Dede Harris, Lorie Cowen Levy, Beth Smith Co-Directed by Mark and Lynzee 4man TICK TICK BOOM! is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com WELCOME TO DST Welcome to Desert Stages Theatre, and thank you for joining us at this performance of Jonathan Larson’s TICK, TICK...BOOM! The talented casts that will perform in this show over the next two weekends include some DST “regulars” - familiar faces that you have seen here before - as well as actors who are brand new to the DST stage. Thank you to co- directors Mark and Lynzee 4man who were the natural choices to co- direct (and music direct and choreograph) a rock musical that represents our first teen/young adult production in more than a year. They have worked tirelessly with an extremely skilled team of actors, designers, and crew members to bring you this beautiful show, and everyone involved has enjoyed the process very much. We continue our COVID-19 safety protocols and enhanced cleaning measures to keep you and our actors safe. In return, we ask that you kindly wear your mask the entire time you are in the theatre, and stay in your assigned seat.
    [Show full text]
  • Jonathan Larson
    Famous New Yorker Jonathan Larson As a playwright, Jonathan Larson could not have written a more dramatic climax than the real, tragic climax of his own story, one of the greatest success stories in modern American theater history. Larson was born in White Plains, Westchester County, on February 4, 1960. He sang in his school choir, played tuba in the band, and was a lead actor in his high school theater company. With a scholarship to Adelphi University, he learned musical composition. After earning a Fine Arts degree, Larson had to wait tables, like many a struggling artist, to pay his share of the rent in a poor New York City apartment while honing his craft. In the 1980s and 1990s, Larson worked in nearly every entertainment medium possible. He won early recognition for co-writing the award-winning cabaret show Saved!, but his rock opera Superbia, inspired by The original Broadway Rent poster George Orwell’s novel 1984, was never fully staged in Larson’s lifetime. Scaling down his ambitions, he performed a one-man show called tick, tick … BOOM! in small “Off -Broadway” theaters. In between major projects, Larson composed music for children’s TV shows, videotapes and storybook cassette tapes. In 1989, playwright Billy Aronson invited Larson to compose the music for a rock opera inspired by La Bohème, a classical opera about hard-living struggling artists in 19th century Paris. Aronson wanted to tell a similar story in modern New York City. His idea literally struck Larson close to home. Drawing on his experiences as a struggling musician, as well as many friends’ struggles with the AIDS virus, Larson wanted to do all the writing himself.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings.
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • 2013 Annual Report
    2013 ANNUAL REPORT The ASCAP Foundation, established in 1975, is a publicly supported charity dedicated to supporting American music creators and encouraging their development through music education and talent development programs such as: songwriting workshops, scholarships, awards, community outreach and humanitarian programs, and providing grants to other 501(c)(3) organizations engaged in educational programs for aspiring songwriters and composers. The ASCAP Foundation supports programs in all musical genres that are national and regional in scope. Over the years, The ASCAP Foundation has developed and established its own scholarships, awards and music education programs and has collaborated with other organizations to meet its objectives. We are proud of the musical greats who have chosen to establish programs in their name and the families that have memorialized loved ones’ achievements by creating and funding named programs. They include: Harold Adamson, Richard Adler, Robert Allen, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Burgie, Irving Caesar, Sammy Cahn, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, John Denver, Duke Ellington, George and Ira Gershwin, Jay Gorney, Morton Gould, Marvin Hamlisch, W.C. Handy, Lorenz Hart, Jerry Herman, Bart Howard, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Tania Leon, Livingston & Evans, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jason Mraz, Jack Norworth, Rudy Perez, Cole Porter, Louis Prima, Jerry Ragovoy, Joe Raposo, Irwin Robinson, Mary Rodgers, Richard Rodgers, Betty Rose, David Rose, Stephen Sondheim, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others.
    [Show full text]
  • Motion Picture License List of MPL Participating Theatrical Distributors & Producers
    Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions
    [Show full text]
  • Cbcopland on The
    THE UNITED STATES ARMY FIELD BAND The Legacy of AARON COPLAND Washington, D.C. “The Musical Ambassadors of the Army” rom Boston to Bombay, Tokyo to Toronto, the United States Army Field Band has been thrilling audiences of all ages for more than fifty years. As the pre- mier touring musical representative for the United States Army, this in- Fternationally-acclaimed organization travels thousands of miles each year presenting a variety of music to enthusiastic audiences throughout the nation and abroad. Through these concerts, the Field Band keeps the will of the American people behind the members of the armed forces and supports diplomatic efforts around the world. The Concert Band is the oldest and largest of the Field Band’s four performing components. This elite 65-member instrumental ensemble, founded in 1946, has performed in all 50 states and 25 foreign countries for audiences totaling more than 100 million. Tours have taken the band throughout the United States, Canada, Mexico, South America, Europe, the Far East, and India. The group appears in a wide variety of settings, from world-famous concert halls, such as the Berlin Philharmonie and Carnegie Hall, to state fairgrounds and high school gymnasiums. The Concert Band regularly travels and performs with the Sol- diers’ Chorus, together presenting a powerful and diverse program of marches, over- tures, popular music, patriotic selections, and instrumental and vocal solos. The orga- nization has also performed joint concerts with many of the nation’s leading orchestras, including the Boston Pops, Cincinnati Pops, and Detroit Symphony Orchestra. The United States Army Field Band is considered by music critics to be one of the most versatile and inspiring musical organizations in the world.
    [Show full text]
  • TCA Panel Release
    FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Pressroom for more information and/or downloadable images: http://www.itvs.org/pressroom EMMY® AWARD-WINNING PBS SERIES Independent Lens TO SHOWCASE NEW SEASON AT THE JUNE 2007 TELEVISION CRITICS ASSOCIATION PRESS TOUR Panel to Showcase Box Office Hit WORDPLAY, Patrick Creadon’s Acclaimed Documentary About New York Times crossword puzzle editor Will Shortz, his fans and the drama behind a crossword championship Also to be highlighted are MISS NAVAJO, an engaging look at a unique beauty pageant and PLEASE VOTE FOR ME, a spirited documentary from China that chronicles cautious experimentation with democracy in a third-grade classroom (San Francisco, CA)—The Independent Television Service (ITVS) announced today that its Emmy® Award-winning series, Independent Lens, will be prominently fea- tured at the upcoming Television Critics Association (TCA) press tour, scheduled for July 2007 in Beverly Hills, California. Independent Lens, now entering its sixth con- secutive season, airs nationally on PBS on Tuesday nights at 10:00 PM October through June. From left to right, scenes from WORDPLAY, MISS NAVAJO and PLEASE VOTE FOR ME coming to the 2007-2008 season of Independent Lens. The first of the two-part Independent Lens presentation will feature Patrick Creadon’s acclaimed documentary, WORDPLAY, an engrossing peek at a national pastime, puz- zles and the people who solve them. WORDPLAY focuses on the man most associat- ed with crossword puzzles, New York Times puzzle editor and NPR “Puzzle master” Will Shortz. Director Patrick Creadon introduces us to this passionate hero and to the inner workings of his brilliant and often hilarious contributors, including syndicated puzzle creator Merl Reagle.
    [Show full text]
  • Political Documentary, Youtube and the 2008 US Presidential Election: Focus on Robert Greenwald and David N
    Studies in Documentary Film Volume 3 Number 3 © 2009 Intellect Ltd Article. English language. doi: 10.1386/sdf.3.3.199/1 Political documentary, YouTube and the 2008 US presidential election: Focus on Robert Greenwald and David N. Bossie Charles Musser Yale University Abstract Keywords This essay investigates elements of the changing media landscape between the documentary 2004 and the 2008 US presidential elections, focusing on the audio-visual presidential elections works of two prominent independent organizations:Robert Greenwald's Brave Barrack Obama New Films and David Bossie's Citizens United. After Kerry's defeat in 2004, John McCain Greenwald's organization gradually shifted from its production of political Hillary Clinton documentaries such as Uncovered: The Truth About the War in Iraq to a YouTube heavy reliance on YouTube and video campaigns such as "The Real McCain." Brave New Films Citizens United, stung by the success of the numerous liberal-left documenta- Citizens United ries of 2004 (by Greenwald, Michael Moore and others), produced a number of Robert Greenwald documentaries in 2008 including Hillary: The Movie and Hype: The Obama David Bossie Effect, but put little energy into exploiting video streaming, video sharingand media related technologies. Although Brave New Films videos were widely viewed on politics the Internet and played a significant role in the campaign, the flourishing of digital video disks music videos on YouTube - over 1,000 embracing "hope" and expressing a (DVD's) pro-Obama sentiment - was arguably the most unexpected and a highly influ- Republicans ential dimension of the 2008 campaign season. Democrats campaign films Internet Given that feature-length political documentaries such as Michael Moore's Fahrenheit 9/11 and Robert Greenwald's Uncovered: The Whole Truth About the War in Iraq played such a prominent role in the 2004 US presidential election, many interested observers expected a wave of simi- lar activities in 2008.
    [Show full text]
  • Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
    Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there.
    [Show full text]