Anti-Missile Missile> in Nike Zeus Project
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Supplemental Statement
Received by NSD/FARA Registration Unit 06/21/2021 2:43:26 PM OMB No. 1124-0002; Expires July 31, 2023 U.S. Department of Justice Supplemental Statement Washington, dc 20530 Pursuant to the Foreign Agents Registration Act of 1938, as amended For 6 Month Period Ending May 31, 2021 (Insert dale) I - REGISTRANT 1. (a) Name of Registrant (b) Registration Number Reston Translator, LLC 6490 (c) Primary Business Address On file with DOJ 2. Has there been a change in the information previously furnished in connection with the following? (a) If an individual: (1) Residence address(es) Yes □ No □ (2) Citizenship Yes □ No □ (3) Occupation Yes □ No □ (b) If an organization: (1) Name Yes □ No 0 (2) Ownership or control Yes □ No 0 (3) Branch offices Yes □ No 0 (c) Explain fully all changes, if any, indicated in Items (a) and (b) above. IF THE REGISTRANT IS AN INDIVIDUAL, OMIT RESPONSES TO ITEMS 3, 4, 5, AND 6. 3. If the registrant previously filed an Exhibit C*1, state whether any changes therein have occurred during this 6 month reporting period. Yes □ No 0 If yes, has the registrant filed an updated Exhibit C? Yes □ No □ If no, please file the updated Exhibit C. 1 The Exhibit C, for which no printed form is provided, consists of a true copy of the charter, articles of incorporation, association, and by laws of a registrant that is an organization. (A waiver of the requirement to file an Exhibit C may be obtained for good cause upon written application to the Assistant Attorney General, National Security Division, U.S. -
NIKE-HERCULES Système D'arme Sol-Air À Longue Portée États-Unis
NIKE-HERCULES Système d’arme sol-air à longue portée États-Unis Genèse du NIKE-HERCULES Le système Nike-Hercules est une évolution du système Nike-Ajax (cf. tableau comparatif des missiles en annexe). L’engin Nike-Hercules (MIM-14) est également un missile à deux étages. Son booster, beaucoup plus puissant (puissance 173.000 livres), lui permet d’être très rapidement supersonique. Après 3,4 secondes, le booster se sépare du missile, ce qui déclenche la mise à feu du second étage ; celui-ci fonctionne pendant 29 secondes et permet au missile d’atteindre une vitesse dépassant Mach 3 et une altitude de 100.000 pieds. Le Nike-Hercules peut emporter une ogive nucléaire ou une ogive conventionnelle. Initialement, la version nucléarisée emportait la tête nucléaire W-7 Mod 2, offrant des puissances de 2,5 ou 28 KT. En 1961, les anciennes ogives furent remplacées par des charges W-31 avec des puissances de 2 KT (Y1) ou 30 KT (Y2). Les dernières versions comportèrent l'ogive W31 Mod2, offrant des puissances de 2 ou 20 KT. En raison de l’efficacité du missile contre certains ICBM, Le Nike-Hercules fut pris en considération dans les accords SALT. Une utilisation sol-sol a été expérimentée en Alaska et appliquée à certaine versions. Le Nike-Hercules a connu une évolution majeure améliorant sa résistance aux contre-mesures électroniques et augmentant sa capacité de détection. Les missiles ainsi modifiés ont été désignés Nike-Hercules Improved (NHI). Système de guidage du Nike-Hercules Déploiements du Nike-Hercules Le Nike-Hercules est entré en service opérationnel en juin 1958 et fut tout d'abord déployé à Chicago. -
Victory and Sorrow: the Music & Life of Booker Little
ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P. -
De.Sputniknews.Com
de.sputniknews.com The German-language site of Sputnik News, a Russian state-owned news agency that publishes propaganda and disinformation to serve Proceed with caution: This website severely violates basic the Kremlin’s interests. standards of credibility and transparency. Score: 12.5/100 Ownership and Sputnik Deutschland is a subsidiary of Rossiya Financing Segodnya, a Russian government-owned international Does not repeatedly publish news agency. Rossiya Segodnya was established in false content (22points) December 2013 by Russian President Vladimir Putin. Gathers and presents The international broadcasting service, Voice of Russia, information responsibly (18) and the state-run news agency, RIA Novosti, were Regularly corrects or clarifies dissolved and merged into Rossiya Segodnya. errors (12.5) Rossiya Segodnya launched Sputnik in November Handles the difference between news and opinion responsibly 2014. Sputnik Deutschland also runs the radio station (12.5) SNA-Radio, which broadcasts in collaboration with the Avoids deceptive headlines (10) Bavarian radio station Mega Radio. Website discloses ownership The site runs advertisements. and financing (7.5) Clearly labels advertising (7.5) Content Sputnik Deutschland covers international politics, Reveals who's in charge, business, science, technology, culture, and celebrities. including any possible conflicts It has a separate section for German news, which of interest (5) primarily covers politics and major crime stories. The site provides names of content creators, along with The site states on its About Us (Über Uns) page that it either contact or biographical “reports on global politics and business only for information (5) audiences abroad.” Sputnik is headquartered in Moscow, has bureaus in 34 countries, and produces Criteria are listed in order of content in 30 languages. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while ofriers may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMT USING THE COGNITIVE APPRENTICESHIP MODEL TO TEACH ACTION RESEARCH TO PRESERVICE TEACHERS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Georgene Rawding Risko, M.Ed. ***** The Ohio State University 2001 Dissertation Committee: Approved by Professor Marilyn Johnston, Adviser Professor Rebecca Kantor College of Education Professor Barbara Seidl UMI Number 3031256 UMI' UMI Microform 3031256 Copyright 2002 by Bell & Howell Information and Learning Company. -
Rockets of the Armed Forces.Pdf
NUIWX4)- j623.4519 Bk&ro. Bergaust l^OS'lcT; Rockets of the Armed Forces O O u- - "5« ^" CO O PUBLIC LIBRARY Fort Wayne c.r.d Allen County, Indiana 81-1 JT r PUHI I IBRAFU sno IC fflimiivN 3 1833 00476 4350 Rockets of the Armed Forces Between primitive man's rock-hurling days, and modern technology's refined rocket systems, man has come a long way in missile combat. Beginning with the principles of rocketry from early time to the present, Erik Bergaust classifies all forty-two current operational missiles into four basic categories : air-to-air ; air-to-surface ; surface- to-air; and surface-to-surface. From the Navy's highly sophisticated Polaris to the Sidewinder, widely used in Vietnam, the author pinpoints the type, propulsion, guid- ance, performance, and construction of each rocket. A picture and a short paragraph describing each rocket's military use, plus a glossary, are included. Inspection of liquid hydrogen engines. Hydro- gen is a powerful fuel and is often used in combination with liquid oxygen. Fuels are car- ried in the missile in separate tanks and are mixed in the rocket's combustion chamber where the burning takes place. / Bell ROCKETS of the ARMED FORCES By Erik Bergaust 76 6. P. Putnam's Sons New York | 80 260 4 1 ' © 1966 by Erik Bergaust All Rights Reserved Published simultaneously in the Dominion of Canada by Longmans Canada Limited, Toronto Library of Congress Catalog Card Number: AC 66-1025A PRINTED IN THE UNITED STATES OF AMERICA Second Impression 1430318 ACKNOWLEDGMENTS The cooperation of the Office of the Assistant Secre- tary of Defense, Magazine and Book Branch, Directorate of Information Services, made it possible to compile in this book the latest information and data on all opera- tional United States military rockets. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
U.S. Government Printing Office Style Manual, 2008
U.S. Government Printing Offi ce Style Manual An official guide to the form and style of Federal Government printing 2008 PPreliminary-CD.inddreliminary-CD.indd i 33/4/09/4/09 110:18:040:18:04 AAMM Production and Distribution Notes Th is publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. Th e GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To fi nd a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. Th e electronic text of this publication is available for public use free of charge at http://www.gpoaccess.gov/stylemanual/index.html. Use of ISBN Prefi x Th is is the offi cial U.S. Government edition of this publication and is herein identifi ed to certify its authenticity. ISBN 978–0–16–081813–4 is for U.S. Government Printing Offi ce offi cial editions only. Th e Superintendent of Documents of the U.S. Government Printing Offi ce requests that any re- printed edition be labeled clearly as a copy of the authentic work, and that a new ISBN be assigned. For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-0001 ISBN 978-0-16-081813-4 (CD) II PPreliminary-CD.inddreliminary-CD.indd iiii 33/4/09/4/09 110:18:050:18:05 AAMM THE UNITED STATES GOVERNMENT PRINTING OFFICE STYLE MANUAL IS PUBLISHED UNDER THE DIRECTION AND AUTHORITY OF THE PUBLIC PRINTER OF THE UNITED STATES Robert C. -
Associations and the Establishment of Musical Expression Dissertation
Known by the Company It Keeps: Associations and the Establishment of Musical Expression Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ryan Clifford Jordan, M.A. Graduate Program in Philosophy The Ohio State University 2009 Dissertation Committee: Lee B. Brown, Co-advisor Daniel Farrell, Co-advisor Diana Raffman Sukjae Lee Donald Hubin Copyright by Ryan Clifford Jordan 2009 Abstract I argue for an association theory of musical expression, whereby music acquires its expressive character through associations with extra - musical content. Musical works can be roughly categorized into two groups: absolute works—works, such as Bach’s “Invention No. 13 in A minor” and Scriabin’s “Prelude in B major, Op. 2, No.2”, that are not accompanied by any descriptive title, text, or program—and non-absolute works—works, such as Schubert’s “Ave Maria” and Williams’ Theme from Harry Potter, that are. I argue that the best approach to developing a theory of musical expression begins with an analysis of non-absolute music. Analyzing non-absolute music, I show that musical expression is intimately tied up with associations that stem from those texts, titles, and programs. The benefit of this approach is that it straightforwardly explains not only non-absolute music’s expressive properties, but also how absolute music has its expressive properties. I argue that expression is tied up not only with whole pieces but also with musical elements such as timbre, rhythm, tempo, and melodic gestures. These musica l elements are the same in both absolute and non-absolute music, so associations established with non-absolute music simply carry through to the absolute musical ii works. -
BUSINESSMAN Can't Take It with You the Art of Making and Giving
ffirs.qxd 2/25/04 9:36 AM Page i Praise for Can’t Take It with You “Lewis Cullman is one of this nation’s major and most generous philanthro- pists. Here he combines a fascinating autobiography of a life in finance with a powerful exposé of how the business of giving works, including some tips for all of us on how to leverage our money to enlarge our largess.” —Walter Cronkite “Lewis Cullman has woven a rich and seamless fabric from the varied strands of his business, philanthropic, and personal life. Every chapter is filled with wonderful insights and amusing anecdotes that illuminate a life that has been very well lived. This book has been written with an honesty and candor that should serve as a model for others.” —David Rockefeller “An extraordinary look at the accomplishments of a pioneer in finance. Cullman has approached his role as a philanthropist with vigor and presents a powerful argument for reform among private foundations.” —George Soros Chairman, Soros Fund Management “I was so enjoyably exhausted after reading the book—I can only imagine liv- ing the life! It seems there is no good cause that Lewis has not supported, no good business opportunity that Lewis has missed, and no fun that Lewis has not had.” —Agnes Gund President Emerita, The Museum of Modern Art “Now I know that venture capitalism and horse trading are almost as much fun as looking for new species in the Amazon. This book is exceptionally well written. The prose is evocative, vibrant, and inspirational.” —Edward O. -
Jacques Tiziou Space Collection
Jacques Tiziou Space Collection Isaac Middleton and Melissa A. N. Keiser 2019 National Air and Space Museum Archives 14390 Air & Space Museum Parkway Chantilly, VA 20151 [email protected] https://airandspace.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series : Files, (bulk 1960-2011)............................................................................... 4 Series : Photography, (bulk 1960-2011)................................................................. 25 Jacques Tiziou Space Collection NASM.2018.0078 Collection Overview Repository: National Air and Space Museum Archives Title: Jacques Tiziou Space Collection Identifier: NASM.2018.0078 Date: (bulk 1960s through