WDAM Radio's History of the Kingston Trio
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The Carter Family Country & Western Classics Mp3, Flac
The Carter Family Country & Western Classics mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Country & Western Classics Country: US Released: 1982 Style: Country, Folk MP3 version RAR size: 1592 mb FLAC version RAR size: 1820 mb WMA version RAR size: 1400 mb Rating: 4.8 Votes: 303 Other Formats: TTA FLAC AUD AA APE ASF MIDI Tracklist Hide Credits The Storms Are On The Ocean 1A Songwriter – A. P. Carter 2A It'll Aggravate Your Soul 3A Sinking In The Lonesome Sea 4A Kissing Is A Crime 5A East Virginia No.2 6A My Texas Girl 1B Gospel Ship 2B Keep On The Sunny Side 3B Lonesome Valley 4B God Gave Noah The Rainbow Sing 5B Wildwood Flower 6B Don't Forget This Song 7B Will You Miss Me When I'm Gone 1C Cannon Ball Blues 2C On The Rocks Where Moses Stood 3C I'm Thinking Tonight Of My Blue Eyes 4C Worried Man Blues 5C My Dixie Darling 6C Jealous Hearted Me 7C You've Been A Friend To Me 1D Hello Stranger 2D He Never Came Back 3D Little Joe 4D Coal Miner's Blues 5D Blackie's Gunman 6D You've Got To Righten That Wrong 1E My Home Among The Hills 2E Black Jack David 3E Bear Creek Blues 4E Beautiful Isle O'er The Sea 5E Fair And Tender Ladies 6E Sun's Gonna Shine In My Back Door 7E Railroading On The Great Divide 1F The Titanic 2F That's What It's Like To Be Lonesome 3F There's A Big Wheel 4F No More Goodbyes 5F Happiest Days Of All 6F Foggy Mountain Top Other versions Category Artist Title (Format) Label Category Country Year The Carter Country & Western Classics Time Life TLCW-06 TLCW-06 US 1982 Family (3xLP, Comp + Box) -
Barbara Allen
120 Charles Seeger Versions and Variants of the Tunes of "Barbara Allen" As sung in traditional singing styles in the United States and recorded by field collectors who have deposited their discs and tapes in the Archive of American Folk Song in the Library of Congress, Washington, D.C. AFS L 54 Edited by Charles Seeger PROBABLY IT IS safe to say that most English-speaking people in the United States know at least one ballad-tune or a derivative of one. If it is not "The Two Sisters, " it will surely be "When Johnny Comes Marching Home"; or if not "The Derby Ram, " then the old Broadway hit "Oh Didn't He Ramble." If. the title is given or the song sung to them, they will say "Oh yes, I know tllat tune." And probably that tune, more or less as they know it, is to them, the tune of the song. If they hear it sung differently, as may be the case, they are as likely to protest as to ignore or even not notice the difference. Afterward, in their recognition or singing of it, they are as likely to incor porate some of the differences as not to do so. If they do, they are as likely to be aware as to be entirely unconscious of having done ·so. But if they ad mit the difference yet grant that both singings are of "that" tune, they have taken the first step toward the study of the ballad-tune. They have acknow ledged that there are enough resemblances between the two to allow both to be called by the same name. -
Vernon Dalhart: His Rural Roots and the Beginnings of Commercial Country Music*
VERNON DALHART: HIS RURAL ROOTS AND THE BEGINNINGS OF COMMERCIAL COUNTRY MUSIC* by Walter Darrell Haden English Department University of Tennessee Martin, Tennessee Most country music history fans know of the North American folk songs which launched Vernon Dalhart as the first country music artist of national importance. The Wreck of the Old 97 and The Prisoner's Song were also the beginnings of the commercial country music industry in this country. Before Dalhart recorded these songs, there had been, it is true, an effort to market some country music: Henry Whitter, Riley Puckett, Kelly Harrell, and other country vocalists had begun or were beginning their record ing careers. But there had been no country hit songs and no country singing star to record them. Fiddlers like John Carson and other country instrumentalists had recorded, it is true, and some of these musicians had thrown in a vocal chorus or perhaps even a stanza or so of song lyrics. But before Dalhart there had been no country recording of national importance and certainly no hit. Today knowledge able record collectors and musicologists are making the truth increasingly well known that Dalhart's pairing of The Prisoner's Song with The wreck of the Old 97 on more than 30 different labels sold over 25,000,000 copies. Victor 19427 alone sold close to 6,000,000 copies of this famous pairing of hits. (1) In 1924, Dalhart, dropping his current "pop" music career to take up country music, even more native to his upbringing, stepped before an accoustical recording horn at Thomas A. -
Capitol EAP-1-1101 Stan Freberg Released August, 1958. in Spring, Freberg Recorded a 6:38 Commercial for Butter-Nut Coffee, Which Was Based in Omaha
Capitol Albums, 1101 to 1200 and Full Dimensional Stereo Omaha! Capitol EAP-1-1101 Stan Freberg Released August, 1958. In spring, Freberg recorded a 6:38 commercial for Butter-Nut Coffee, which was based in Omaha. The successful commercial came out as Capitol Custom KB-2236/7. He decided to expand the concept into an EP soundtrack that served basically as a parody of Oklahoma while promoting Omaha. The city loved him, asking that he conduct the Omaha Symphony Orchestra in July – in a performance of his musical. The Most Mishige Capitol T-1102 Mickey Katz Released January, 1959. Freshmen Favorites Vol. 2 Capitol T-1103 The Four Freshmen Released January, 1959. Polka Night Capitol T-1104 Ray Budzilek Released January, 1959. Andy Griffith Shouts the Blues and Old Timey Songs Capitol T-1105 Andy Griffith Released January, 1959. Country Love Ballads Capitol T-1106 The Louvin Brothers Released January, 1959. From The Hungry i Capitol T-1107 The Kingston Trio Released January, 1959. 18th Century Jazz Capitol T-1108 The Jack Marshall Sextette Released January, 1959. Some Came Running Capitol (S)W-1109 Soundtrack Released March, 1959. Meredith Willson’s Marching Band Capitol T-1110 Meredith Willson Released January, 1959. Favorite Waltzes Capitol T-1111 Hank Thompson Released January, 1959. Unreleased/unknown 1112 Church in the Wildwood Capitol T-1113 Various Artists Released January, 1959. The Song Is June! Capitol (S)T-1114 June Christy Released January, 1959. Jonah Jumps Again Capitol (S)T-1115 Jonah Jones Quartet Released February, 1959. Salute to the Smooth Bands Capitol T-1116 Freddy Martin Released February, 1959. -
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2. -
FOR IMMEDIATE RELEASE Contact: Media – Leading Edges, 601.483.9810, [email protected] Performance – MSU Riley Center
FOR IMMEDIATE RELEASE Contact: Media – Leading Edges, 601.483.9810, [email protected] Performance – MSU Riley Center Box Office, 601.696.2200, [email protected] ‘Lonesome Traveler: The Concert’ Celebrates Folk Music Roots at MSU Riley Center MERIDIAN, MS –“Lonesome Traveler: The Concert,” with featured guest star Peter Yarrow of Peter, Paul and Mary, will take an MSU Riley Center audience on a musical journey down the many streams of American folk music on Saturday, October 13, at 7:30 p.m. The multimedia concert, based on an acclaimed off-Broadway musical, is the second show in the Riley Center’s 2018-2019 Fall/Winter Performing Arts Series. “Lonesome Traveler” celebrates the music of such great folk and folk-rock artists as Woody Guthrie, Lead Belly, Pete Seeger and The Weavers, The Limeliters, Bob Dylan, The Byrds, Crosby, Stills & Nash, Joan Baez, Joni Mitchell and Simon & Garfunkel. It also includes a special tribute to Leonard Cohen. Charismatic young singers and multi-instrumentalists re-create the sounds and rekindle the idealistic spirit of the 1950s and ’60s folk revival. “Paul, Mary and I owed a great debt to the pioneers of folk who came before us,” Yarrow said. “It’s a joy for me to see a new generation carrying forward the traditions of folk music.” Members of every generation can sing along together on such warmly remembered hits as “If I Had a Hammer,” “Puff, the Magic Dragon,” “This Land Is Your Land,” “Blowin’ in the Wind,” “Turn! Turn! Turn!” “The Times They Are a-Changin’” and “Hallelujah.” It’s all folk music – music of the people, ever evolving, connecting us to our past and shaping our future. -
In Theopinion of Theeditors, This Week the Following Records Are The
record Formerly MUSIC worldVENDOR Vol. 19, No. 927 March 13, 1965 In theopinion of theeditors, this week the following records are the recordroll/1 world J F1,4 WHO SINGLE PICK OF THE WEEK RECORDNO. VOCAL Will. The Kama -Sutracrowdknowsthe 45-5500 iRST ACCOMP IN THE rill 12147) MAGGIE MUSS. TIME 2.06 (OW) musical tricks of the trade and they ply them on this galvanic rock.Gal wails at her bossy guy in a way that teens will understand.Production is WHO ARE YOU complexandappealing.Jubileeis WORLD (Chi Taylor-Ted Oaryll) STACEY CANE By GARY SHERMAN releasing the deck (5500). KAMA-SUTRA PRODUCTIONS pr HY MIIRAHI-PHI( STFINPERc ARTIE RIP,' NVICro#e NANCY ADAMS SLEEPER OF THE WEEK 47-8529 RCA has a new thrush who can sell Omer Productions, a song but good. Her name is Nancy Inc.,ASCAP SPHIA-1938 Adams and this single outing should 2:31 establish her on the scene. Tune is by hit writer Robert Allen. (RCA Victor NOTHING IS TOO GOOD FOR YOU 47.8529) Slew, GEORGE STEVENS THE GREATEST STORY EVER TOLD ALBUM Russell Sims, President Of OF THE WEEK Sims Records, & Jerry Wexler, TheGeorgeStevensproductionof Atlantic Exec VP, At Signing "The Greatest Story Ever Told" will be Of Pact For Atlantic To Dis- playinginan increasing number of areas over the next months.Movie- ... tribute All Sims Product. goers are highly likely to want this Story On Page 6. album which contains the stately and reverant Alfred Newman score for the film.United Artists has the beauti- fully packaged album (UAL/JAS 5120). -
Western Music Association
The Official Publication of the Western Music Association Marty Kosel John Kosel Joe Kosel Crosshairs Rick Huff’s Rhode Island Red Chisholm Trail WESTERN AIR WEIGHS IN 150th ANNIVERSARY PAGE 25 PAGE 30 PAGE 10 In This Issue 2017 Awards of Excellence Nomination Ballot Rex Allen Jr's new CD “This Is The Last Cowboy Song” contains the first single written by Dick Goodman ‘Call Of The Canyon’ shipping worldwide March 15th Founder Bill Wiley From The President... Officers Marvin O’Dell, President The most common question I’m asked when I Jerry Hall, Executive V.P. attempt to encourage western music artists to join the Robert Fee, V.P. General Counsel Western Music Association is: what does the WMA Joe Brown, Secretary do for me? Diana Raven, Treasurer Before answering that question, maybe it’s best Executive Director to state what the WMA does NOT do for member Marsha Short artists. The WMA does not book artists into venues. Board of Directors The organization does not promote individual artists Joe Brown Robert Fee or attempt to help anyone become a star. Like any Juni Fisher non-profit organization, the WMA does not work Belinda Gail Marvin O’Dell Jerry Hall WMA President for its members. The members of non-profitable, Rick Huff charitable organizations band and work together to Robert Lorbeer Marvin O’Dell advance the mission of the organization they have elected to join. In short, the Theresa O’Dell mission of the WMA is to “encourage and support the preservation, performance, 2017 Board Interns and composition of historic traditional and contemporary music and poetry of Judy James The West.” In other words, the mission is to advance western music and poetry Yvonne Mayer in the eyes and ears of a listening public. -
Sunflower 02-16-1960 (4.128Mb)
T Men Named Hope Kroenlein Gets VoL LXIV— No. §MFU)WER 31 Belle of Ball Title Engineers VWCA Friday. ^ sponsored by the To Show that sollTthrn^i^^'tfcto sorority ri-sS’S — Projects Money from the dance will « T^e Engineering Department ia for support of p r o j X aild nre He working hard at readying projects fframa of the campus YWCA dur “ nd «™* and dUplaya for the annual Open in? the comin? « a r said H.rth ,**'* Goeemln? House, to bo held Feb. 26 and 27. Nichol, ?eneml chairinan „ f S e io“ ’i^- an^MA dance. ’ SGA Congressman, and The event, to be shown in var T7,_Named j - the~ —•'top to iiiciimen were:were: s T n . ious engineering buildings, U in Fred Luedke, Mr. Engineer; Dick conjunction with National Engi Young, Mr. AthleU; Ken Orr. Mr. neering Week. The theme is “En Poli^cian; Doug Jackson, Mr. gineering Illustrated.” Music; Bana Kartasasmita, Mr Traffic Rules ALL SBT—^iffineerioff stiideiits. fleTt tn « All four departments of engi Organization; Jay McMurray, Mr. U ren Hall and Don Palmer make final ^ Sibley, neering will be represented by C o ll^ a U ; Henry Hall, Mr. Mass be displayed daring “ Open House.*' numerous displays and exhibit*, Media; Allan Johnston, Mr. Execu Will Receive according to John Johnston, d a ir- tive; Jim Hadley, Mr. Activities; le man. The department of aeronau and Bob Oeesler, Mr. Personality. tical engineering will exhibit an Luedke, an Engineering senior Closer Watch airplane production line in com la a member of DelU Upsilon fra “ We're going to strenuously en Tickets Going Fast ternity. -
U.S. Entry Into WWII and Changes in Dissention Attitude the Basics Time Required 2-3 Class Periods Subject Areas 11Th Grade Hist
U.S. Entry into WWII and Changes in Dissention Attitude The Basics Time Required 2-3 class periods Subject Areas 11th Grade History (A.P.) The Great Depression and World War II, 1929-1945 Common Core Standards Addressed: Writing Standards for Literacy in History/Social Studies 6-12 Author Martha Graham (2004) The Lesson Introduction The songs “Ballad of October 16” and “What Are We Waitin’ On?” both sung by the folk group Almanac Singers, express opposite sentiments regarding war. “Ballad of October 16” was written in 1940 to protest FDR’s movement toward war. The passage of a conscription law in September 1940 was evidence to Communist Party members, which included many members of the Almanac Singers, that FDR was lying when he had vowed to stay out of the European war. As a result of this scathing criticism, FBI files were opened on Pete Seeger and Woody Guthrie and they were followed for decades. “What Are We Waitin’ On?” written in 1942, demonstrates an abrupt about-face that can be explained only in the context of the German invasion of the Soviet Union and the Japanese attack on Pearl Harbor. Guiding Questions Why did the United States enter World War II? How would this decision affect the lives of American citizens? Learning Objectives 1. Students will describe the causes for dissention prior to US involvement in WWII. 2. Students will explain the causes for US entry into the war. 3. Students will synthesize the change in the attitudes in some dissenters during the war. Preparation Instructions Songs used in this lesson: “What Are We Waitin’ On?” “Ballad of October 16” “Citizen CIO” Songs used in lesson: • “Ballad of October 16” (1940) performed by Almanac Singers on That’s Why We’re Marching: World War II and the American Folk Song Movement, Smithsonian Folkways, 1996. -
Troubadours Folk and the Roots of American Music
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Troubadours Folk And The Roots Of American Music INFORMATION In the one hundred years that folk music has been recorded in the United States, the tradition has embraced ballads – mostly new, but some transplanted from Europe, political statements, personal introspection, and much more. Now the story is here from the 1920s to the 1970s and beyond in four exclusive 3-CD sets. Through this music, we feel it all from the isolation of early twen- tieth century Appalachia through the economic and political upheavals of the Depression, War, and Civil Rights eras to contem- porary west coast singer-songwriters looking within for inspiration. The story is here: original artists and original versions in stunning sound with detailed notes from folk scholar Dave Samuelson. The first set covers the period from the 1920s through to 1957. All the names you'd expect are here: the Carter Family, Woody Guthrie, Pete Seeger, the Weavers, Lead Belly, Cisco Houston, and many, many more. Here are the original versions of songs that have become classics and rallying cries: Wildwood Flower, Midnight Special, Rock Island Line, Wayfaring Stranger, So Long It's Been Good To Know You, This Land Is Your Land, 16 Tons, 900 Miles, Delia, and many, many more. The second set begins with the folk revival that started in the wake of the Kingston Trio's Tom Dooley and continues through the dawn of the singer-songwriter era. It includes early folk revival classics like Walk Right In, Michael, and Green, Green. -
Banjo Bob Doherty, Formerly of the Tipsy Rovers, Now Lead Singer for the Kingston Trio
Banjo Bob Doherty, formerly of the Tipsy Rovers, now Lead Singer for the Kingston Trio. Sure looks like it! Narrative by Donna Doherty: This is cover of a book that is about 15 years old, signed by the members of the trio back then and belonging to Bob Shane. Could this week get any better? It was presented to Bob last night as his trio won the award for best camper trio of the year. Narrative by Donna Doherty: For Bob’s 70th birthday his family presented him with a trip to the Kingston Trio’s Fantasy Camp. Here's a quick overview camp life: There are only 33 campers. Concerts on each of 4 nights. First 8 or 9 campers have the opportunity of a lifetime (make that dream). They play a song, chosen ahead of time, with the trio. Bob Shane (founder) sings a song or two. 8 or 9 trio groups perform. Some of the campers return year after year and have established groups. Never have 3 newbies been grouped together until this year. Bobs group, "The Common Folk" included a woman from OK and a guy from Nebraska. We have had an awesome 7 days with some of the friendliest people I've ever met. The Video For the first 1:50 of the video, the spotlight was fiercely focused on Banjo Bob, but after that the lighting was adjusted for a much better view. The song they are singing is “Three Jolly Coachmen”, from the very first Kingston Trio album in 1958. Here are the lyrics: One, two, and three jolly coachmen sat at an English tavern.