WDAM Radio's History of the Kingston Trio

Total Page:16

File Type:pdf, Size:1020Kb

WDAM Radio's History of the Kingston Trio WDAM Radio's Hit Singles History Of The Kingston Trio # Artist Title Chart Comments Position/Year HIT MIX “Dave Guard Years” 001 Kingston Trio “Tom Dooley” #1/1958 002 Kingston Trio “Raspberries, Strawberries” #70/1959 #70/1959 003 Kingston Trio “Tijuana Jail” #12/1959 #12/1959 004 Kingston Trio “M.T.A.” #15/1959 005 Kingston Trio “Worried Man” #20/1959 006 Kingston Trio “Coo Coo-U” #98/1959 007 Kingston Trio “El Matador” #32/1960 A-side. 008 Kingston Trio “Home From The Hill” #102/1960 B-side. 009 Kingston Trio “Bad Man’s Blunder” #37/1960 010 Kingston Trio “Everglades” #60/1960 “John Stewart Years” 011 Kingston Trio “Where Have All The Flowers Gone” #21/1962 012 Kingston Trio “Scotch And Soda” #81/1962 A-side. 013 Kingston Trio “Jane, Jane, Jane” #93/1962 B-side. 014 Kingston Trio “Old Joe Clark” #113/1962 015 Kingston Trio “One More Town” #97/1962 016 Kingston Trio “Greenback Dollar” #21/1963 017 Kingston Trio “Reverend Mr. Black” #8/1963 018 Kingston Trio “Desert Pete” #21/1963 019 Kingston Trio “Ally Ally Oxen Free” #61/1963 020 Kingston Trio “Last Night I Had The Strangest Dream” #124/1964 021 Kingston Trio “If You Don’t Look Around” #123/1964 022 Kingston Trio “I’m Going Home” ”#104/1965 023 Kingston Trio “Parchment Farm Blues” #30-AC/1965 024 Kingston Trio “Scotch And Soda” (Live) #124/1969 Recorded in 1965. DELUXE MIX 025 Kingston Trio “Scarlet Ribbons (For Her Hair)” –/1958 025A Jo Stafford “Scarlet Ribbons (For Her Hair)” #14/1950 025B Browns “Scarlet Ribbons (For Her Hair)” #13/1959 & #7- C&W/1959 026 Kingston Trio “Tom Dooley” #1/1958 Written in 1868 as Tom Dula, 026A Grayson & Whitter “Tom Dooley” –/1929 A number of songs have been written regarding the 1867 trial and subsequent hanging of convicted murderer Thomas Dula. Grayson's granduncle was reportedly in the group of men who arrested Dula. Their song has been referred to as a Grayson Family Ballad. Dave Guard – arranger. 026B Clingman Clan “Demise Of Tom Dooley” –/1958 026C Waldo, Dudley & Dora “Grayson Goofed!!!" –/1958 026D Merle Kilgore & The 4 B's "Tom Dooley, Jr." –/1958 026E Rick Johnson ” Reprieve Of Tom Dooley” –/1958 026F Russ Hamilton “The Reprieve Of Tom Dooley” –/1959 026G Balladeers “Tom Gets The Last Laugh” –/1959 026H Curtis Hoback “Tom Dooley Rock And Roll” –/1959 027 Kingston Trio “Raspberries, Strawberries” #70/1959 027A Will Holt “Raspberries, Strawberries” –/1955 Original French title is Ah! Les Fraises Et Les Framboises. Dave Guard, Nick Reynolds & Bob Shane – co-composers. 027B Keestone Family Singers “Cornbread And Chitlings” –/1962 The Keestone Family Singers were Phil Everly, Carole King, and Glen Campbell. 028 Kingston Trio “Tijuana Jail” #12/1959 #12/1959 028A Johnny & Jonie “Tijuana Jail” –/1959 Their last name is Mosby, and they used their full name when recording for Capitol and Columbia, but not on this Challenge label recording. 029 Kingston Trio “M.T.A.” #15/1959 029A Unidentified Singer (Arnold “M.T.A.” –/1948 Original version.1948 protest song; melody taken from Berman”) the classic folk song, Wreck Of The Old 97. Originally recorded for Walter O'Brien's 1949 Boston mayoral campaign. The participating musicians were not identified, but, according to the liner notes in the Bear Family set Songs For Political Action, the vocalist was probably Arnold Berman. The melody of M.T.A. is similar to The Wreck Of The Old 97, first recorded by Henry Whitter in 1923 and can be traced back even farther to Henry Clay Work's 1865 composition, The Ship That Never Returned. 029B Henry Whitter “Wreck Of The Southern Old 97” –/1923 Original version. 029C Fred Lewey “Old 97” –/1923 One of the co-composers. He claimed to have witnessed the wreck site; different lyrics from the Henry Whitter recording, 029D Vernon Dalhart “Wreck Of The Southern Old 97” #4/1925 B-side of The Prisoner’s Song (#1/1925). 029E Mrs. Ben Daugherty “The Ship That Never Returned” –/1958 Non-commercially released historical recording of the original lyrics for The Ship That Never Returned. 029F Coachmen “Subways Of Boston” –/1959 Answers both Tom Dooley and M.T.A. 029G Four In The Morning “LSD” –/1966 030 Kingston Trio “Worried Man” #20/1959 Dave Guard & Tom Glazer – co-composers. 030A Carter Family “Worried Man Blues” #14/1929 Original version. 031 Kingston Trio “Coo Coo-U” #98/1959 A-side. 032 Kingston Trio “Green Grasses” –/1959 B-side. John Stewart – composer 033 Kingston Trio “South Wind” –/1960 33 1/3 RPM single. 034 Kingston Trio “Who’s Gonna Hold Her Hand” –/1960 33 1/3 RPM single. Bob Shane – co-composer. 035 Kingston Trio “El Matador” #32/1960 A-side. 036 Kingston Trio “Home From The Hill” #102/1960 B-side. Title song from the movie starring Robert Mitchum. Mack David – co-composer. 037 Kingston Trio “Bad Man’s Blunder: #37/1960 Some pressings show title as Bad Man Blunder. Cisco Houston & Lee Hays – co-composers. 038 Kingston Trio “Everglades” #60/1960 A-side. The “Everlys” referred to in the closing refrain refer to wild boars. 038A Skeets McDonald “Everglades” –/1959 Original version. 038B Harlan Howard “Everglades” –/1959 Composer 039 Kingston Trio “This Mornin', This Evenin', So Soon” –/1960 B-side. Carl Sandburg – composer. 040 Kingston Trio “You're Gonna Miss Me (Frankie And –/1961 A-side. Dave Guard & Mike Seeger – two of four co- Johnny)” composers. 040A Al Bernard [With The Carl “Frankie & Johnny” –/1921 Original version. Benton Orchestra] 041 Kingston Trio “Coming From The Mountains” –/1961 John Stewart – composer. 042 Kingston Trio “It Was A Very Good Year” #3-Albums/1961 From Goin’ Places. Original version. 042A Frank Sinatra “It Was A Very Good Year” #28-Rock & Grammy Award – “Best Pop Vocal.” Sinatra’s first Top #1-AC/1965 30 hit since 1959 – High Hopes (#30/1959). 043 Kingston Trio “Where Have All The Flowers Gone” #21-Rock & #4- Recorded in 1961. AC/1962 043A Pete Seeger “Where Have All The Flowers Gone” –Albums/1960 Original version. Taken from a multi-song medley on The Rainbow Quest. 043B Peter, Paul & Mary “Where Have All The Flowers Gone” #1-Albums/1962 From Peter, Paul And Mary. Substantial radio air-play. 043C Johnny Rivers “Where Have All The Flowers Gone” #26/1965 043D Wes Montgomery “Where Have All The Flowers Gone” #119/1969 044 Kingston Trio “Scotch And Soda” #81/1962 A-side. Recorded in 1958 and first released on the album The Kingston Trio. Scotch And Soda was discovered by the Kingston Trio through the parents of the baseball player Tom Seaver, who had first heard it in a hotel piano lounge in 1932 when on their honeymoon in Phoenix, Arizona. They liked it so much that they had the piano player write it down for them so it would be "their song." Dave Guard was dating Seaver's older sister Katie at that time, and heard the song on a visit to the Seaver home. Although it is credited to Guard he had it copyrighted in his name on March 30, 1959, the Kingston Trio never discovered the real songwriter's name, though they searched for years, 044A Mac Wiseman “Scotch And Soda” #88-C&W/1979 044B Ray Price “Scotch And Soda” #70-C&W/1983 045 Kingston Trio “Jane, Jane, Jane” #93/1962 B-side. 046 Kingston Trio “Old Joe Clark” #113/1962 A-side 046A Fiddlin' John Carson “Fare Thee Well Old Joe Clark” –/1924 Earliest known recording of this traditional folk song. 047 Kingston Trio ‘C’mon Betty Home” –/1962 B-side. Peter Yarrow & Paul Stookey – co-composers. 048 Kingston Trio “One More Town” #97/1962 John Stewart – composer. 049 Kingston Trio “Jackson” #7-Albums/1963 From Sunny Side!. 049A Billy Edd Wheeler “Jackson” –Albums/1964 Co-composer with Jerry Lieber. Jerry Lieber & Mike Stoller – co-producers. From A New Bag Of Songs. 049B Johnny Cash & June Carter “Jackson” #2-C&W/1967 This was a hit before their 1968 marriage. 049C Nancy Sinatra & Lee Hazelwood “Jackson” #14/1967 B-side was the theme from the James Bond film, You Only Live Twice. 050 Kingston Trio “Greenback Dollar” #21-Rock & A-side. #6-AC/1963 050A Kingston Trio “Greenback Dollar” (Censored Version) #21-Rock & A-side. #6-AC/1963 050B Hoyt Axton With The Chambers “Greenback Dollar: –/1962 Original version. Co-composer. Brothers 050B Sunny Gale “I Don't Want Your Greenback Dollars” –/1963 050D Balladeers “Kennedy Dollar” –/1963 Anti-JFK protest song. 051 Kingston Trio “The New Frontier” –/1963 B-side. John Stewart – composer. Inspired by President John F. Kennedy’s “New Frontier” slogan. Recorded and originally released on two different EP (extended play) 45s in 1962. Title song from The New Frontier (#16-Albums/1962). 052 Kingston Trio “Reverend Mr. Black” #8/1963 Billy Edd Wheeler – co-composer. 052A Billy Edd Wheeler “The Reverend Mr. Black” –Albums/1964 Jerry Lieber & Mike Stoller – co-producers. From A New Bag Of Songs. 052B Carter Family “Lonesome Valley” #15/1930 Original version. 052C Anita Bryant “Sister Sarah” –/1968 053 Kingston Trio “Desert Pete" #21-Rock & Billy Edd Wheeler – co-composer. #12-AC/1963 053A Billy Edd Wheeler “Desert Pete" –Albums/1964 Jerry Lieber & Mike Stoller – co-producers. From A New Bag Of Songs. 054 Kingston Trio “Ally Ally Oxen Free” #61/1963 054A Rod McKuen “Ally Ally Oxen Free” #149-Albums/ Rod McKuen – co-composer. From The Greatest Hits 1969 Of Rod McKuen. 055 Kingston Trio “Last Night I Had The Strangest Dream" #124/1964 055A Ed McCurdy “Last Night I Had The Strangest Dream" –/1950 Composer 056 Kingston Trio “If You Don’t Look Around” #123/1964 A-side.
Recommended publications
  • The Carter Family Country & Western Classics Mp3, Flac
    The Carter Family Country & Western Classics mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Country & Western Classics Country: US Released: 1982 Style: Country, Folk MP3 version RAR size: 1592 mb FLAC version RAR size: 1820 mb WMA version RAR size: 1400 mb Rating: 4.8 Votes: 303 Other Formats: TTA FLAC AUD AA APE ASF MIDI Tracklist Hide Credits The Storms Are On The Ocean 1A Songwriter – A. P. Carter 2A It'll Aggravate Your Soul 3A Sinking In The Lonesome Sea 4A Kissing Is A Crime 5A East Virginia No.2 6A My Texas Girl 1B Gospel Ship 2B Keep On The Sunny Side 3B Lonesome Valley 4B God Gave Noah The Rainbow Sing 5B Wildwood Flower 6B Don't Forget This Song 7B Will You Miss Me When I'm Gone 1C Cannon Ball Blues 2C On The Rocks Where Moses Stood 3C I'm Thinking Tonight Of My Blue Eyes 4C Worried Man Blues 5C My Dixie Darling 6C Jealous Hearted Me 7C You've Been A Friend To Me 1D Hello Stranger 2D He Never Came Back 3D Little Joe 4D Coal Miner's Blues 5D Blackie's Gunman 6D You've Got To Righten That Wrong 1E My Home Among The Hills 2E Black Jack David 3E Bear Creek Blues 4E Beautiful Isle O'er The Sea 5E Fair And Tender Ladies 6E Sun's Gonna Shine In My Back Door 7E Railroading On The Great Divide 1F The Titanic 2F That's What It's Like To Be Lonesome 3F There's A Big Wheel 4F No More Goodbyes 5F Happiest Days Of All 6F Foggy Mountain Top Other versions Category Artist Title (Format) Label Category Country Year The Carter Country & Western Classics Time Life TLCW-06 TLCW-06 US 1982 Family (3xLP, Comp + Box)
    [Show full text]
  • Barbara Allen
    120 Charles Seeger Versions and Variants of the Tunes of "Barbara Allen" As sung in traditional singing styles in the United States and recorded by field collectors who have deposited their discs and tapes in the Archive of American Folk Song in the Library of Congress, Washington, D.C. AFS L 54 Edited by Charles Seeger PROBABLY IT IS safe to say that most English-speaking people in the United States know at least one ballad-tune or a derivative of one. If it is not "The Two Sisters, " it will surely be "When Johnny Comes Marching Home"; or if not "The Derby Ram, " then the old Broadway hit "Oh Didn't He Ramble." If. the title is given or the song sung to them, they will say "Oh yes, I know tllat tune." And probably that tune, more or less as they know it, is to them, the tune of the song. If they hear it sung differently, as may be the case, they are as likely to protest as to ignore or even not notice the difference. Afterward, in their recognition or singing of it, they are as likely to incor­ porate some of the differences as not to do so. If they do, they are as likely to be aware as to be entirely unconscious of having done ·so. But if they ad­ mit the difference yet grant that both singings are of "that" tune, they have taken the first step toward the study of the ballad-tune. They have acknow­ ledged that there are enough resemblances between the two to allow both to be called by the same name.
    [Show full text]
  • Vernon Dalhart: His Rural Roots and the Beginnings of Commercial Country Music*
    VERNON DALHART: HIS RURAL ROOTS AND THE BEGINNINGS OF COMMERCIAL COUNTRY MUSIC* by Walter Darrell Haden English Department University of Tennessee Martin, Tennessee Most country music history fans know of the North American folk songs which launched Vernon Dalhart as the first country music artist of national importance. The Wreck of the Old 97 and The Prisoner's Song were also the beginnings of the commercial country music industry in this country. Before Dalhart recorded these songs, there had been, it is true, an effort to market some country music: Henry Whitter, Riley Puckett, Kelly Harrell, and other country vocalists had begun or were beginning their record­ ing careers. But there had been no country hit songs and no country singing star to record them. Fiddlers like John Carson and other country instrumentalists had recorded, it is true, and some of these musicians had thrown in a vocal chorus or perhaps even a stanza or so of song lyrics. But before Dalhart there had been no country recording of national importance and certainly no hit. Today knowledge­ able record collectors and musicologists are making the truth increasingly well known that Dalhart's pairing of The Prisoner's Song with The wreck of the Old 97 on more than 30 different labels sold over 25,000,000 copies. Victor 19427 alone sold close to 6,000,000 copies of this famous pairing of hits. (1) In 1924, Dalhart, dropping his current "pop" music career to take up country music, even more native to his upbringing, stepped before an accoustical recording horn at Thomas A.
    [Show full text]
  • Capitol EAP-1-1101 Stan Freberg Released August, 1958. in Spring, Freberg Recorded a 6:38 Commercial for Butter-Nut Coffee, Which Was Based in Omaha
    Capitol Albums, 1101 to 1200 and Full Dimensional Stereo Omaha! Capitol EAP-1-1101 Stan Freberg Released August, 1958. In spring, Freberg recorded a 6:38 commercial for Butter-Nut Coffee, which was based in Omaha. The successful commercial came out as Capitol Custom KB-2236/7. He decided to expand the concept into an EP soundtrack that served basically as a parody of Oklahoma while promoting Omaha. The city loved him, asking that he conduct the Omaha Symphony Orchestra in July – in a performance of his musical. The Most Mishige Capitol T-1102 Mickey Katz Released January, 1959. Freshmen Favorites Vol. 2 Capitol T-1103 The Four Freshmen Released January, 1959. Polka Night Capitol T-1104 Ray Budzilek Released January, 1959. Andy Griffith Shouts the Blues and Old Timey Songs Capitol T-1105 Andy Griffith Released January, 1959. Country Love Ballads Capitol T-1106 The Louvin Brothers Released January, 1959. From The Hungry i Capitol T-1107 The Kingston Trio Released January, 1959. 18th Century Jazz Capitol T-1108 The Jack Marshall Sextette Released January, 1959. Some Came Running Capitol (S)W-1109 Soundtrack Released March, 1959. Meredith Willson’s Marching Band Capitol T-1110 Meredith Willson Released January, 1959. Favorite Waltzes Capitol T-1111 Hank Thompson Released January, 1959. Unreleased/unknown 1112 Church in the Wildwood Capitol T-1113 Various Artists Released January, 1959. The Song Is June! Capitol (S)T-1114 June Christy Released January, 1959. Jonah Jumps Again Capitol (S)T-1115 Jonah Jones Quartet Released February, 1959. Salute to the Smooth Bands Capitol T-1116 Freddy Martin Released February, 1959.
    [Show full text]
  • 7. Annie's Song John Denver
    Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2.
    [Show full text]
  • FOR IMMEDIATE RELEASE Contact: Media – Leading Edges, 601.483.9810, [email protected] Performance – MSU Riley Center
    FOR IMMEDIATE RELEASE Contact: Media – Leading Edges, 601.483.9810, [email protected] Performance – MSU Riley Center Box Office, 601.696.2200, [email protected] ‘Lonesome Traveler: The Concert’ Celebrates Folk Music Roots at MSU Riley Center MERIDIAN, MS –“Lonesome Traveler: The Concert,” with featured guest star Peter Yarrow of Peter, Paul and Mary, will take an MSU Riley Center audience on a musical journey down the many streams of American folk music on Saturday, October 13, at 7:30 p.m. The multimedia concert, based on an acclaimed off-Broadway musical, is the second show in the Riley Center’s 2018-2019 Fall/Winter Performing Arts Series. “Lonesome Traveler” celebrates the music of such great folk and folk-rock artists as Woody Guthrie, Lead Belly, Pete Seeger and The Weavers, The Limeliters, Bob Dylan, The Byrds, Crosby, Stills & Nash, Joan Baez, Joni Mitchell and Simon & Garfunkel. It also includes a special tribute to Leonard Cohen. Charismatic young singers and multi-instrumentalists re-create the sounds and rekindle the idealistic spirit of the 1950s and ’60s folk revival. “Paul, Mary and I owed a great debt to the pioneers of folk who came before us,” Yarrow said. “It’s a joy for me to see a new generation carrying forward the traditions of folk music.” Members of every generation can sing along together on such warmly remembered hits as “If I Had a Hammer,” “Puff, the Magic Dragon,” “This Land Is Your Land,” “Blowin’ in the Wind,” “Turn! Turn! Turn!” “The Times They Are a-Changin’” and “Hallelujah.” It’s all folk music – music of the people, ever evolving, connecting us to our past and shaping our future.
    [Show full text]
  • In Theopinion of Theeditors, This Week the Following Records Are The
    record Formerly MUSIC worldVENDOR Vol. 19, No. 927 March 13, 1965 In theopinion of theeditors, this week the following records are the recordroll/1 world J F1,4 WHO SINGLE PICK OF THE WEEK RECORDNO. VOCAL Will. The Kama -Sutracrowdknowsthe 45-5500 iRST ACCOMP IN THE rill 12147) MAGGIE MUSS. TIME 2.06 (OW) musical tricks of the trade and they ply them on this galvanic rock.Gal wails at her bossy guy in a way that teens will understand.Production is WHO ARE YOU complexandappealing.Jubileeis WORLD (Chi Taylor-Ted Oaryll) STACEY CANE By GARY SHERMAN releasing the deck (5500). KAMA-SUTRA PRODUCTIONS pr HY MIIRAHI-PHI( STFINPERc ARTIE RIP,' NVICro#e NANCY ADAMS SLEEPER OF THE WEEK 47-8529 RCA has a new thrush who can sell Omer Productions, a song but good. Her name is Nancy Inc.,ASCAP SPHIA-1938 Adams and this single outing should 2:31 establish her on the scene. Tune is by hit writer Robert Allen. (RCA Victor NOTHING IS TOO GOOD FOR YOU 47.8529) Slew, GEORGE STEVENS THE GREATEST STORY EVER TOLD ALBUM Russell Sims, President Of OF THE WEEK Sims Records, & Jerry Wexler, TheGeorgeStevensproductionof Atlantic Exec VP, At Signing "The Greatest Story Ever Told" will be Of Pact For Atlantic To Dis- playinginan increasing number of areas over the next months.Movie- ... tribute All Sims Product. goers are highly likely to want this Story On Page 6. album which contains the stately and reverant Alfred Newman score for the film.United Artists has the beauti- fully packaged album (UAL/JAS 5120).
    [Show full text]
  • Western Music Association
    The Official Publication of the Western Music Association Marty Kosel John Kosel Joe Kosel Crosshairs Rick Huff’s Rhode Island Red Chisholm Trail WESTERN AIR WEIGHS IN 150th ANNIVERSARY PAGE 25 PAGE 30 PAGE 10 In This Issue 2017 Awards of Excellence Nomination Ballot Rex Allen Jr's new CD “This Is The Last Cowboy Song” contains the first single written by Dick Goodman ‘Call Of The Canyon’ shipping worldwide March 15th Founder Bill Wiley From The President... Officers Marvin O’Dell, President The most common question I’m asked when I Jerry Hall, Executive V.P. attempt to encourage western music artists to join the Robert Fee, V.P. General Counsel Western Music Association is: what does the WMA Joe Brown, Secretary do for me? Diana Raven, Treasurer Before answering that question, maybe it’s best Executive Director to state what the WMA does NOT do for member Marsha Short artists. The WMA does not book artists into venues. Board of Directors The organization does not promote individual artists Joe Brown Robert Fee or attempt to help anyone become a star. Like any Juni Fisher non-profit organization, the WMA does not work Belinda Gail Marvin O’Dell Jerry Hall WMA President for its members. The members of non-profitable, Rick Huff charitable organizations band and work together to Robert Lorbeer Marvin O’Dell advance the mission of the organization they have elected to join. In short, the Theresa O’Dell mission of the WMA is to “encourage and support the preservation, performance, 2017 Board Interns and composition of historic traditional and contemporary music and poetry of Judy James The West.” In other words, the mission is to advance western music and poetry Yvonne Mayer in the eyes and ears of a listening public.
    [Show full text]
  • Sunflower 02-16-1960 (4.128Mb)
    T Men Named Hope Kroenlein Gets VoL LXIV— No. §MFU)WER 31 Belle of Ball Title Engineers VWCA Friday. ^ sponsored by the To Show that sollTthrn^i^^'tfcto sorority ri-sS’S — Projects Money from the dance will « T^e Engineering Department ia for support of p r o j X aild nre He working hard at readying projects fframa of the campus YWCA dur “ nd «™* and dUplaya for the annual Open in? the comin? « a r said H.rth ,**'* Goeemln? House, to bo held Feb. 26 and 27. Nichol, ?eneml chairinan „ f S e io“ ’i^- an^MA dance. ’ SGA Congressman, and The event, to be shown in var­ T7,_Named j - the~ —•'top to iiiciimen were:were: s T n . ious engineering buildings, U in Fred Luedke, Mr. Engineer; Dick conjunction with National Engi­ Young, Mr. AthleU; Ken Orr. Mr. neering Week. The theme is “En­ Poli^cian; Doug Jackson, Mr. gineering Illustrated.” Music; Bana Kartasasmita, Mr Traffic Rules ALL SBT—^iffineerioff stiideiits. fleTt tn « All four departments of engi­ Organization; Jay McMurray, Mr. U ren Hall and Don Palmer make final ^ Sibley, neering will be represented by C o ll^ a U ; Henry Hall, Mr. Mass be displayed daring “ Open House.*' numerous displays and exhibit*, Media; Allan Johnston, Mr. Execu­ Will Receive according to John Johnston, d a ir- tive; Jim Hadley, Mr. Activities; le man. The department of aeronau­ and Bob Oeesler, Mr. Personality. tical engineering will exhibit an Luedke, an Engineering senior Closer Watch airplane production line in com­ la a member of DelU Upsilon fra­ “ We're going to strenuously en­ Tickets Going Fast ternity.
    [Show full text]
  • U.S. Entry Into WWII and Changes in Dissention Attitude the Basics Time Required 2-3 Class Periods Subject Areas 11Th Grade Hist
    U.S. Entry into WWII and Changes in Dissention Attitude The Basics Time Required 2-3 class periods Subject Areas 11th Grade History (A.P.) The Great Depression and World War II, 1929-1945 Common Core Standards Addressed: Writing Standards for Literacy in History/Social Studies 6-12 Author Martha Graham (2004) The Lesson Introduction The songs “Ballad of October 16” and “What Are We Waitin’ On?” both sung by the folk group Almanac Singers, express opposite sentiments regarding war. “Ballad of October 16” was written in 1940 to protest FDR’s movement toward war. The passage of a conscription law in September 1940 was evidence to Communist Party members, which included many members of the Almanac Singers, that FDR was lying when he had vowed to stay out of the European war. As a result of this scathing criticism, FBI files were opened on Pete Seeger and Woody Guthrie and they were followed for decades. “What Are We Waitin’ On?” written in 1942, demonstrates an abrupt about-face that can be explained only in the context of the German invasion of the Soviet Union and the Japanese attack on Pearl Harbor. Guiding Questions Why did the United States enter World War II? How would this decision affect the lives of American citizens? Learning Objectives 1. Students will describe the causes for dissention prior to US involvement in WWII. 2. Students will explain the causes for US entry into the war. 3. Students will synthesize the change in the attitudes in some dissenters during the war. Preparation Instructions Songs used in this lesson: “What Are We Waitin’ On?” “Ballad of October 16” “Citizen CIO” Songs used in lesson: • “Ballad of October 16” (1940) performed by Almanac Singers on That’s Why We’re Marching: World War II and the American Folk Song Movement, Smithsonian Folkways, 1996.
    [Show full text]
  • Troubadours Folk and the Roots of American Music
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Troubadours Folk And The Roots Of American Music INFORMATION In the one hundred years that folk music has been recorded in the United States, the tradition has embraced ballads – mostly new, but some transplanted from Europe, political statements, personal introspection, and much more. Now the story is here from the 1920s to the 1970s and beyond in four exclusive 3-CD sets. Through this music, we feel it all from the isolation of early twen- tieth century Appalachia through the economic and political upheavals of the Depression, War, and Civil Rights eras to contem- porary west coast singer-songwriters looking within for inspiration. The story is here: original artists and original versions in stunning sound with detailed notes from folk scholar Dave Samuelson. The first set covers the period from the 1920s through to 1957. All the names you'd expect are here: the Carter Family, Woody Guthrie, Pete Seeger, the Weavers, Lead Belly, Cisco Houston, and many, many more. Here are the original versions of songs that have become classics and rallying cries: Wildwood Flower, Midnight Special, Rock Island Line, Wayfaring Stranger, So Long It's Been Good To Know You, This Land Is Your Land, 16 Tons, 900 Miles, Delia, and many, many more. The second set begins with the folk revival that started in the wake of the Kingston Trio's Tom Dooley and continues through the dawn of the singer-songwriter era. It includes early folk revival classics like Walk Right In, Michael, and Green, Green.
    [Show full text]
  • Banjo Bob Doherty, Formerly of the Tipsy Rovers, Now Lead Singer for the Kingston Trio
    Banjo Bob Doherty, formerly of the Tipsy Rovers, now Lead Singer for the Kingston Trio. Sure looks like it! Narrative by Donna Doherty: This is cover of a book that is about 15 years old, signed by the members of the trio back then and belonging to Bob Shane. Could this week get any better? It was presented to Bob last night as his trio won the award for best camper trio of the year. Narrative by Donna Doherty: For Bob’s 70th birthday his family presented him with a trip to the Kingston Trio’s Fantasy Camp. Here's a quick overview camp life: There are only 33 campers. Concerts on each of 4 nights. First 8 or 9 campers have the opportunity of a lifetime (make that dream). They play a song, chosen ahead of time, with the trio. Bob Shane (founder) sings a song or two. 8 or 9 trio groups perform. Some of the campers return year after year and have established groups. Never have 3 newbies been grouped together until this year. Bobs group, "The Common Folk" included a woman from OK and a guy from Nebraska. We have had an awesome 7 days with some of the friendliest people I've ever met. The Video For the first 1:50 of the video, the spotlight was fiercely focused on Banjo Bob, but after that the lighting was adjusted for a much better view. The song they are singing is “Three Jolly Coachmen”, from the very first Kingston Trio album in 1958. Here are the lyrics: One, two, and three jolly coachmen sat at an English tavern.
    [Show full text]