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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Mise En Page 1
NANCY , ville d’échange, dynamique, jeune, première ville universitaire du grand Est, s’impose frustrée. Comme jadis au CMCN et maintenant à Music Academy International, nous sommes des comme un des pôles culturels et artistiques européens. Point chaud du rock, capitale du jazz, européens convaincus. La vocation internationale de notre école n’est pas uniquement dictée par la haut-lieu de la musique classique, Nancy a le goût de la scène. Du club de jazz intimiste à “l’Autre situation géographique de Nancy (dans un rayon de 350 km nous touchons Paris et 6 pays, dans un Canal”, scène de Rock, chanson & électro ultra-équipée, en passant par la salle de concerts rayon de 950 km nous touchons Brest et 11 pays), mais également par l’enrichissement culturel et majestueuse jusqu’au Zénith imposant, Nancy accueille à bras ouverts les musiciens de tous économique qui se présente à l’artiste qui profite de l’ouverture des frontières. horizons. Music Academy International est implantée à proximité de trois parcs, à deux pas de la célèbre place Stanislas, en plein centre ville dans un quartier sympathique et sécurisant. Pour cette raison Music Academy International entre autres, accueille nombre d’artistes étrangers réputés. Music Academy se félicite également d’un partenariat privilégié avec une vingtaine des INTERNATIONAL : Le caractère universel de la musique et plus particulièrement les qualités de plus grandes écoles du monde entier. Mais ne nous y trompons pas, même si à Music Academy le brassage et d’intégration des courants actuels, interdit de délimiter son champ d’action, de rester mot “International” prend toute sa mesure, même si les accents sont multiples, même si tous les replié sur son territoire national. -
Relatório Anual 2011
MESSAGE FROM THE PRESIDENT MENSAGEM DO PRESIDENTE In this annual activity report we present Dorina Apresentamos, neste relatório anual de atividades, iniciativas da Fundação Dorina Nowill Foundation for the Blind’s initiatives, aiming to facilitate the inclusion of thousands that are blind or Nowill para Cegos visando facilitar a inclusão social de milhares de pessoas cegas e have low vision. com baixa visão. The year 2011 was marked by the persistence of O ano de 2011 foi marcado pela permanência do legado de Dorina de Gouvêa Dorina Gouvea Nowill’s legacy, which guides our management from the perspective of four key points: Nowill, orientando nossa gestão sob a perspectiva de quatro pontos fundamentais: continuity, renewal, reliability and support. I am sure continuidade, renovação, credibilidade e sustentação. Tenho a certeza de que, onde that, wherever she is, her spirit remains alive in the estiver, seu espírito permanece vivo na memória daqueles que com ela conviveram e memory of those who lived with her and in our work for people with visual impairments through access to no nosso trabalho em prol das pessoas com deficiência visual, por meio do acesso à rehabilitation, culture and education. reabilitação, cultura e educação. In the year that we completed 65 years of existence, No ano em que completamos 65 anos de existência, para atender os leitores brasileiros to serve Brazilian readers with visual impairments, we have produced more than 190,000 copies of books com deficiência visual, produzimos mais de 190 mil exemplares de livros e revistas and magazines in accessible formats: Braille, audio nos formatos acessíveis: braille, áudio e Daisy. -
CLIFFS of DOVER As Recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson
CLIFFS OF DOVER As recorded by Eric Johnson (From the 1990 Album AH VIA MUSICOM) Transcribed by Ben Max Music by Eric Johnson A Intro Free Time C DR P 8vaP P P 1 g 4 P V V V V V V V P V V V R V V V V V V V V V I 4 z u V z V P V V V W 3 Gtr I 1 1/2 Full M Full[[[[ Full 15 (15)M (15) 15 12 14 12 M 12 M 12 15 14 12 14 15 T 15 12 15 (15) 15 12 12 15 15 15 12 A 14 (14) B 0 P P 8va 3 V eV 4 g R R V V V V V 5 V V V V V V V P V V V P V V V V V V V V V V V V V I 4 V V 3 3 V 3 3 Full Full 12 M M 5 7 6 5 T 15 15 12 15 12 15 12 5 8 8 5 5 7 5 3 14 14 (14) 14 (14) (14) 12 7 7 4 4 2 A O 14 5 B P P P P P 3 3 V P V V V V 6 g P V V V V V V 4 V V 3 z j 4 V V V z I 4 V V V V V V V V 4 4 V V V V V V V 1/4 Full M M 7 8 10 8 T 8 (8) 5 7 8 10 10 12 4 2 O A 5 2 5 2 2 7 9 B 5 5 2 5 2 3 5 5 3 0 P sl. -
November 2009 the Black Page the Black Page November 2009
NOVEMBER 2009 THE BLACK PAGE THE BLACK PAGE NOVEMBER 2009 4 Yael: by Sean Mitchell 18 Balancing Act: by Jayson Brinkworth A Different Way to Flow: 22 by Ryan Carver 23 Global Educators Database 25 The Final Word Solo drums, beautiful drums, warm drum tones and full-on exhilarating drums. In this double CD, master-mu- sician David Jones has allowed the drums to shine in all their acoustic glory. Not since Gene Krupa in the THE BLACK PAGE is distributed via PDF 1940s or Sandy Nelson in the 1960s to email inboxes worldwide. have drums been this far out front. To get the latest edition click below: David Jones has long been famous www.theblackpage.net for his utilisation of every conceivable Send us your feedback at: [email protected] percussive instrument – yes, even the kitchen sink – to make interesting Sean Mitchell Publisher soundscapes and rhythmic flourishes Jill Schettler Editor in Chief that leave an indelible mark on the Jayson Brinkworth Writer heart and soul of his listeners. Ryan Carver Writer Click below to visit www.davidjonesdrums.com.au EARTH FRIENDLY For international sales outside Australia please click HERE. No Paper,m No Ink, No Waste 2010 THE YEAR OF THE LEGENDS Feature Artists Scott Atkins Skip Hadden Pete Lockett Danny Seraphine Liberty DeVitto Bernard Purdie May 22 - 23, 2010 Jerry Mercer Asani, Ed Mann & Bruce Aitken Savoy Theatre Paul Wertico Glace Bay, Nova Scotia Dylan Mombourquette Canada Chris Sutherland Billy Ward Roxy Petrucci Carmine Appice Special Guest Stars Sean Mitchell, Ben Ross, Moe Hashie, Denny Seiwell Mark Marshall, Todd Mercer, and The Bill Cobham Pete Lockett Cape Breton Percussion Virgil Donati Ensemble. -
Chancellor Gains Majority
March 25, 1982 UNIVERSITY OF MISSOURI·SAINT LOUIS Issue 420 With 54% Chancellor gains majority u;eey Burnette with the statement, 'A Call for total of 356 ballots were sent Chancellor Grobman's Resigna out. tion,' dated February 17, 1982." Jacob J. Leventhal, a profes A majority of the ballots cast A total of 278 ballots were sor and chairperson of the in a recent faculty election counted. Of these, 41 were in Physics department said that the showed support for UMSL unsigned envelopes. Of the sign percentage of voters in favor of Chancellor Arnold B. Grobman, ed ballots, the vote was 128-92 asking for Grobman's resigna but almost 39 percent of the against asking for Grobman's tion shows that there is wide voters were in favor of request resignation. There were 17 abs- . spread opposition to some of the ing Grobman's resignation. The tentions. Of the unsigned bal chancellor's policies. " I think ballots were opened Monday in lots, the vote was 22-16 against this shows that opposition to the 266 University Center during an asking for Grobman's resigna chancellor's policies has a broad open session of the Faculty tion with three abstentions. A Council Executive Committee. See "Grobman," page 3 "With the conclusion today of the poll in which a number of UMSL faculty members partici Olson, . modifies. pated, I hope we have brought an end to the divisive events that, for the last several weeks, have disrupted this campus com compensation plan munity," Grobman stated in a letter distributed after the ballots Lacey Burnette cent above inflation to service were counted. -
Power Tab Editor ❍ Appendix B - FAQ - a Collection of Frequently Asked Questions About the Power Tab Editor
Help Topics ● Introduction - Program overview and requirements ● What's New? - Program Version history; what was fixed and/or added in each version of the program ● Quick Steps To Creating A New Score - A simple guide to creating a Power Tab Score ● Getting Started ❍ Toolbars - Information on showing/hiding toolbars ❍ Creating A New Power Tab File - Information on how to create a new file ❍ The Score Layout - Describes how each Power Tab Score is laid out ❍ Navigating In Power Tab - Lists the different ways that you can traverse through a Power Tab score. ❍ The Status Bar - Description of what each pane signifies in the status bar. ● Sections and Staves ❍ What Is A Section? - Information on the core component used to construct Power Tab songs ❍ Adding A New Section - Information on how to add a new section to the score ❍ Attaching A Staff To A Section - Describes how attach a staff to a section so multiple guitar parts can be transcribed at the same time ❍ Changing The Number Of Tablature Lines On A Staff - Describes how to change the number of tablature staff lines on an existing staff ❍ Inserting A New Section - Describes how to insert a section within the score (as opposed to adding a section to the end of a score) ❍ Removing A Section Or Staff - Describes how to remove a section or staff from the score ❍ Position Width and Line Height - Describes how to change the width between positions and the distance between lines on the tablature staves ❍ Fills - Not implemented yet ● Song Properties ❍ File Information - How to edit the score -
Aquiles Priester – Those Who Appreciate My Work Expect Some Kind of Didactic Material to Be Released from Time to Time
1. In your busy life as a musician you've found time to realize methods and DVDs. What prompted you to dedicate time to their achievement? Aquiles Priester – Those who appreciate my work expect some kind of didactic material to be released from time to time. I’m in no hurry to do many things so as to have a vast catalogue. My greatest concern is to maintain a high level of quality in everything I do. Come to think of it, free time is something that doesn’t exist, but if you want to go ahead in your care er, you have to make time to realize the things that are important and at the right time. 2. Your last instructional DVD (The Infallible Reason Of My Freak Drumming), is very practical with regard to the division of chapters. Did you choose this subdivision by yourself? Aquiles – Yes, I produced the DVD myself and it was based on things that I always studied. Everything I learned with Kiko Freitas at the time when I studied with him is included in the DVD. This goes beyond the exercises themselves because I’m talking about the conception of the work. Many people comment that the way in which the DVD is presented is very good and that makes me very happy. This DVD was released worldwide by Mel Bay Publishing and in 2011 was considered 3rd best instructional DVD of the year according to readers of Modern Drummer magazine . 3. How long did it take to complete it? Aquiles – I did a long pre-production, almost 15 days recording and rehearsing the whole script during 8 hours daily alone on a farm. -
September 1988
Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C.