RECENT UNVERSTY ACQUSTONS pointing pnnts photogrophs cerom1cs scupture

17-28 June 1980 Fine Arts Gallery, University Centre Churchill Avenue, Sandy Bay

Open Mon-Fri 10-4, Sat 1 0-12 University Fine Arts Committee FORHIORD

This exhibition comprises all of the works acquired by the Fine Arts Committee from the date of our last acquisition exhibition in 1976 to the present time. Continuing our previous purchasing policy we have with our small budget concentrated mainly on building up our collection of original prints. Several paintings and drawings have also been added to the collection: some of these have been donated, others have been purchased. We have benefited in making some purchases by grants from the Visual Arts Board and the Crafts Board of the Council. We are very grateful to these bodies and also to the individual artists and other benefactors who have donated works.

Bruce Johnson Chairman 1.

1. AMANO, Kunihiro (b.1929, Aomori,Japan) ligence in World War II, and returned to in 1946 to paint full-time. LOST PAST 32 He has held numerous one-man and group Embossed woodblock exhibitions in Tasmania and other Purchased 1978 states since the 1940s, including "Forty Years of Painting", Printmaker University of Tasmania, 1979. Studies: Musashino University of Art. Awards: The Minnie Crouch Prize, Amana spent some time doing supplem­ Ballarat, 1962; the award of Member entary work for a living, such as of the Order of Australia for services illustrations for children's books, to art in the community, 1978. displays and fashion features; but he felt these activities were narrowing Represented: Australian National his focus and eventually curtailed Gallery, Tasmanian Museum and Art them to concentrate more f ully on his Gallery, numerous provincial galleries print work. throughout Australia.

2. ANGUS, Max (b. 1914, Hobart) 8. BOAM, Jenny (b.1941, Derbyshire, England; arrived Australia 1964) PORT DAVEY (1978) Watercolour ON ~T. NELSON (1977) Purchased 1979 t~a terco 1our Donated by the artist 3. ANGUS, Max Painter CITY OF HOBART FROM MT. NELSON (1975) Studies: Nottingham and Bradford (after the painting of 1843 by Prout) Colleges of Art. Watercolour Since arriving in Tasmania, Jenny Boam Purchased 1975 has worked ..,ith the Education Depart­ ment and Adult Education, and has also 4. ANGUS , Max taught at the Tasmanian School of Art and at St. Michael's Collegiate School. CITY OF HOBART (1975) She has participated in a number of (after the painting of 1843 by Prout) one-woman and group exhibitions both Watercolour in England and in Tasmania, the most Purchased 1975 recent being at Salamanca Place Gallery this year. 5. ANGUS, Max Represented: Derbyshire Education Authority Midland Group of Artists; BLACK AND WHITE SKETCH OF SANDY BAY Nottingham NATFAS; Adult Education, FROM CAMPUS Tasmania; Tasmanian Museum and Art Gallery; Tasmanian School of Hospital­ 6. ANGUS, Max ity. BLACK AND WHITE SKETCH OF GEOLOGY BUILDING AND MT. WELLINGTON (1970) 9. BOAM, Paul (b.l938, Derbyshire, BLUES ON BACH England) 7. ~NGUS, Max Oil on canvas Purchased 1978 with assistance from BLACK AND WHITE SKETCH OF UNIVERSITY Visual Arts Board, Australia Council CM1PUS (1970) Studies: One~man and group exhibitions Painter in England at Nottingham, Derby, Leeds, Studies: Hobart Technical College Manchester, Bradford, and at Young 1930-32; Fine Art Diploma under Jack Contemporaries Exhibition, London. Carington-Smith 1948-50. Represent ed : Nottingham University, During the 1930s, Angus worked in Derby College of Technology, Tasmanian Melbourne as a graphic designer before Museum and Ar t Gallery, Queen Victoria becoming art director of an advertising Museum and Art Gallery, Ballarat Fine agency. He served in military intel- Art Gallery . 2.

currently Senior Lecturer, Tasmanian Purchased 1979 from Griffith School of Art. University Visiting Artist's Etching Scheme 10.BROUGHTON, Lindsay (b.1944, Hobart) 13 .BOYD, Arthur .CRYPT - YOU DIG YOUR OWN (1977) Red chalk drawing PORTRAIT OF LAWRENCE DAWS (1978) Purchased 1979 Etch1ng Purchased 1979 from Visiting Artist's 11.BROUGHTON, Lindsay Etching Scheme PORTRAIT OF X Siberian charcoal drawing 14.BOYD, Arthur Purchased 1980 WOMAN AND PELICAN (1978) Etching Painter Purchased 1979 from Griffith Studies: Tasmanian School of Art 1961- University Visiting Artist's 63; University of Tasmania 1964. Etching Scheme Broughton became Lecturer in Art Education at the Tasmanian School of Painter, graphic artist, ceramic Art in 1975, having previously taught sculptor and potter. art at Burnie High School, Launceston Studies: Little formal training other Matriculation College and Rosny College. than night classes at the National He was President of the Contemporary Gallery Art School, Melbourne, but Art Society (Tas.) 1972-74 and has also surrounded by a family of artists and been art writer for the "Saturday Even­ learnt the rudiments of painting from ing Mercury" since 1975. He has his grandfather, Arthur Merrie Boyd. participated in various group exhibitions in Tasmania since 1966. Boyd held his first one-man exhibition in Melbourne in 1973 and decided to devote all his time to painting in 1949, becoming closely involved with the .. "Sydney Group" of neo-romantic painters and also with the Contemporary Art Society in Melbourne. Since the 1960s he has lived mostly in London, and has established an international reputation. His exhibitions have been many, both in Australia and abroad, and include one-man shows at the Zwemmer, White­ chapel and Fisher Galleries, London; Demarco Gallery, Edinburgh; Australian National University; Skinner Gallery and Fremantle Arts Centre, W.A.; Australian Galleries, Melbourne and Rudy Koman Gallery, Sydney. Significant group shows include: Venice Biennale 1958; Australian Painters 1964-66 at the Corcoran Gallery, Washington 1967; "Landscape and Image", Australian Gallery Directors Council Travelling Exhibition to Indonesia, 1978. Awards: Dunlop Prize 1950, 1951; Ku-ring-gai Prize, NSW 1958; Caselli­ Richards, 1963; ANU fellow­ ship in the creative arts 1970; Order l2.BOYD, Arthur (b.1920, Murrumbeena) of Australia for services to the arts 1979. TWO FIGURES AND DOG'S HEAD (1978) Etching 3. Represented: National Collection, Canberra; Painter and teacher. all Australian state galleries; Mertz Studies: East Sydney Technical College; Collection, USA; Contemporary Art Society, Royal Academy School, London; Paris. London; many provincial, institutional and private collections. Carington-Smith was head of the Art Department, Hobart Technical College 15.BROOKES, Wayne (b.1958, Victoria, moved from 1940 and head of the Fine Art to Tasmania same year) Department from 1962 until 1969. Awards: The N.S.W. Travelling Scholar­ SO THERE (self portrait) ship 1936; Sulman Prize 1949; Tasmanian Acrylic on canvas Sesqui-Centenary Prize 1953-54; Melrose Purchased 1978 Prize 1955; Australian Women's Weekly Portrait Prize 1955; Archibald Prize Painter 1963; Rubenstein Portrait Prize 1966. Studies: Tasmanian School of Art. Participated in the Graduates Exhibition, Represented: All Australian state Tasmanian School of Art, 1979. At galleries; Parliament House, Canberra; present is teaching with the Tasmanian numerous university collections; Education Department, and is planning Australia House, London; and many an exhibition for later this year. private collections. Represented: Queen Victoria Museum and The University of Tasmania held an Art Gallery; private collections. exhibition of his watercolours in 1977.

16.BUCKIE, Harry (b.1897, Melbourne) 20. CHAPMAN, David (b.1927, Ballarat) VIEW OF CAMPUS AND BATTERY POINT Watercolour THE ROAD TO BLACKWOOD CREEK {1977) Oil on canvas 17.BUCKIE~ Harry Purchased 1979

VIEW OF CAMPUS FROH ABOVE Painter CHURCHILL AVENUE Watercolour Studies: Hobart Technical College evening classes under Jack Carington­ Smith whilst attending university Painter Studies: Kingston-on-Thames Technical full-time~ 1946-47; R.M.I.T. under College (London) 1919; night classes at Alan Warren and National Gallery Art the National Gallery School, Melbourne, School (evening classes) 1948-49; under W.B. Mcinnes, 1920-22. George Bell Art School 1953. Represented: Tasmanian Museum and Art In 1969 the artist established the Gallery, Queen Victoria Museum and Art Chapman Powell Street Private Gallery Gallery, various private collections. in Melbourne and continued there as director until 1975, when he moved to Cressy, Tasmania to devote all his time 18.CARINGTON-SMITH, Jack (b.1980, to painting. He was a foundation Launceston, d.1973, HcJart) member of the Museums and Art Galleries HILLSIDE FROM CEMETERY BEACH, Advisory Committee of Tasmania and a LUNAWANNA, SOUTH BRUNY ISLAND member of the Tasmanian Arts Advisory Watercolour Board. He has held one-man exhibitions Purchased 1976 at the Lyceum Club, Melbourne 1971, the Powell Street Gallery 1976-78, the 19.CARINGTON-SMITH, Jack Salamanca Place Gallery 1977 and 1979, the Queen Victoria Museum and Art REMAINS OF OLD FOOTBRIDGE, SIMPSON'S Gallery 1977, the University of Tasmania BAY, SOUTH BRUNY ISLAND (1951) 1979. Watercolour Represented: Tasmanian Museum and Art Purchased 1976 Gallery ; LaTrobe University, Vic.; Queen Victoria Museum and Art Gallery; National Bank collection; Mallesons Ltd. collection. 4.

21. DAWS, Lawrence (b.1927, Adelaide) Avon Print No.55 (1978) (Originally published in London 1828) THE MOROCCAN WINDOW (1978) Purchased 1979 Etching Purchased 1979 from Griffith Evans arrived in New South Wales in 1802, University Visiting Artist's was appointed acting Surveyor-General Etching Scheme in 1803, farmed from 1805 to 1809, then returned to surveying, penetrating to Painter and printmaker. the interior of NSW and exploring much of Van Diemen's Land, where he had Studies: Architecture at the Univer­ become Deputy Surveyor. Upon resigning sity of Adelaide; National Art School from office in 1825, amidst accusations 1949-53; Rome 1957. of bribery and corruption, he returned Daws' first significant exhibition for a time to England, but in 1832 took place at the Victorian Artists returned to Sydney, where he taught art Society Gallery in 1955 in company with for a time, then to Hobart in 1844, , Donald Laycock and John where he finally died. Howley, and he had his first one-man show the following year at the Mac­ 24.FORSYTH, Christine (b.1949, Hobart) quarie Galleries, Sydney. Since then he has had others in major Australian SHOES cities, and in London and Rome. Signif­ Photo-engraving icant group shows include Commonwealth Purchased 1978 Art Loan Exhibition, Norwich, UK, 1960; Paris Biennale des Jeunes 1961; "Recent 25.FORSYTH, Christine Australian Painting", Whitechapel Gallery, London 1961; Sao Paulo Bienal, MAHALIPURAM, INDIA Brazil, 1963; "Australian Painting", Photograph Tate Gallery 1963; "Australian Painters" Purchased 1978 (Mertz Collection), Corcoran Gallery, Washington 1967. Painter and printmaker, Awards: Dunlop Prizes 1953, 1954; Studies: Tasmanian School of Art 1967- Flotto Lauro-Dante Aligheri Scholar­ 69; City of London Polytechnic 1973-76. ship to Italy, 1956; Bienalle de Paris, She is currently working with the 1962; Silver Medal, Sao Paulo Bienal, Tasmanian Education Department as a 1963. graphic designer and teaches etching Represented: National Collection, part time at the Hobart Matriculation Canberra; all state galleries; Mertz College, She has exhibited at the Collection, USA; Tate Gallery; Scottish Salamanca Place Gallery 1976, 1977; National Gallery of Modern Art, Edin­ Don Camillo 1977; Coughton Gallery burgh; The Royal Society, London; 1978; Truffles Gallery, Melbourne 1977; Victoria and Albert Museum, London; Bookshelf and Oz Galleries, Helbourne various , regional, institutional and 1978; Design Centre of Tasmania 1979; private collections in Australia and Adelaide Fine Art and Graphics 1979. overseas. Represented: Hackney Library, London; Burnie Art Gallery; Caulfield City 22. EVANS, George William (b.1780, Warwick, Council, Melbourne. England; d.1852) SOUTH WEST VIEW OF HOBART TOWN, 26.GARDINER, Ian (b.1943, Melbourne) VAN DIEMEN'S LAND SERIES 120 Aquatint Silkscreen nrint (1978) Avon print No.121 (1978) Purchased 1978 (Originally published in London 1820) Printmaker Purchased 1979 Studies: Swinburne College of Technology, Victoria;· Tokyo National Unive.rsity of 23. EVANS, George William Fine Arts and Music. HOBART TOWN, VAN DIEMEN'S LAND Aquatint 5 . .

Gardiner has held one-man shows at the Represented: Tasmanian Museum and Art Gin Gallery, Tokyo, and has been Gallery; Queen Victoria Museum and Art involved in group exhibitions both in Gallery; various private collections. Melbourne and Japan, including the PCA Exhibition of Australian Prints 1971, 29.GREENWOOD, Garry (b.1943, Kent, England, the Print Association of Japan 1972, arrived Australia 1962) and the Tokyo University Foreign Stud­ ents' Exhibition 1973. UNTITLED High relief leather sculpture Awards: "Made in Australia" Design Prize Purchased 1979 with assistance from 1964. the Crafts Board, Australia Council Represented: Museum of Modern Art, New and an anonymous donation York; Tokyo National University; various private collections both overseas and (Hanging in main foyer, University in Australia. Centre) Painter, sculptor, craftworker. 27.GELL, John Philip (b.1816, d.1898) Studies: Reigate School of Art, Surrey. BEN LOMOND Lithograph, hand-coloured (1856) After working in Sydney as a freelance Donated by Mr. G.D. Brown, 1976 artist-designer for several years, Greenwood moved to Tasmania in 1972, Gell was a clergyman, educated at Rugby establishing a studio and gallery in and Cambridge, who came to Van Diemen's the Bowerbank Mill at Deloraine. He Land in 1840 to become head of the first has been involved in several one-man institution of higher learning under Sir and group shows in Sydney, Canberra and John Franklin's government. After many within Tasmania, including the "Austral­ problems with the government, he finally ian Leathercraft" and "Australian Crafts" established Christ's College at Bishops­ travelling exhibitions in 1976 and 1978 bourne in .1846 as a wholly Anglican respectively, and an exhibition at the venture. In 1848 he left the colony, University of Tasmania in 1979. The satisfied at having done much to increase artist has been the subject of document­ local standards of education. ary films by the ABC and the Crafts Board.

28.GILES, Patricia (b.1932, Hobart) Represented: Australian National Gallery, Canberra; Tasmanian Museum and UNIVERSITY FROM THE YACHT CLUB Art Gallery; Australian Embassy, Wash­ Watercolour ington; Queen Victoria Museum and Art Gallery; Burnie Art Gallery; Tasmanian Painter College of Advanced Education; Melbourne State College; Howe Leather Collection, Studies: Hobart Technical College; Melbourne; Victorian Ministry for the Tasmanian School of Art under Jack Arts. Carington-Smith. From 1959 to 1965 she was Director of 30.HOKUSAI, Katsushika (b.1760, d.1849) the· Lloyd Jones Art Gallery, Hobart. Since 1975 she has been painting full BIG l~AVE time. In 1956 she had her first one­ Woodblock recut woman show and has exhibited regularly Purchased 1978 since then, both in Tasmania and in Victoria, NSW and South Australia. A Hokusai, whose total work is estimated collection of her paintings was at some 35,000 designs, devoted himself published together with poems by James primarily to the depiction of scenes McAuley under the title "A World of its from the life of the common people and Own" in 1977. above all to landscapes. Of his numerous sets of prints and printed Awards: Devonport Dahlia Festival Water­ books, perhaps the finest is the "Thirty­ colour Award; Visual Arts Board Purchase Six Views of Fuji", published in 1829 1978. when he was almost 70. The abstract qualities of design in this late work, 6.

in particular, provoked much admiration 34.KOSSATZ, Les (b.1943, Melbourne) in the West and established Hokusai as one of Japan's best-known artists outside Hm.1AGE TANK 1 his own country. Lithograph Purchased 1980 3l.HOSHI, Joichi (b.l913, Niigata, Japan) Printmaker RED BRANCH (1973) Woodblock on gold leaf Studies: Royal Melbourne Institute of Purchased 1978 Technology. Works in silkscreen, lithography, etching. Printmaker Exhibitions: Melbourne Printmakers 1966. Studies: Tainan Teachers College, Taiwan; Represented: Victoria Gallery, Geelong, Musashino University of Art. Ballarat, Mildura. } Hoshi worked as a teacher for 13 years ) in Taiwan before deciding to return to 35.LAKE Japan after the war. His vocation as an artist came rather late in life when SHOUTEN ISLAND {1856) he discovered various techniques of Lithograph, hand-coloured woodblock printing whilst employed in Donated by Mr. G.D. Brown, 1976 a printing shop. At the age of 43 he 36.LANCELEY, Colin (b.1938, Dunedin, NZ) graduated from the painting department of the Musashino University of Art but VULNERABLE FORESTER {1978) soon afterwards devoted himself totally Etching to woodblock printing. Hoshi's deep Purchased 1979 from Griffith love for nature is exemplified in many University Visiting Artist's of his works. Etching Scheme 32.HUGGINS, W.J. (b.1781, d.1845) 37.LANCELEY, Colin HOBART TOWN, ON THE RIVER DERWENT, VAN DIEMEN'S LAND THE PETRIFIED LAKE (1978) Aquatint Etching Avon Print No. 680 (1968) Purchased 1979 from Griffith (Originally published London, 1830) University Visiting Artist's Donated by Mr. G.D. Brown, 1976 Etching Scheme

Marine painter Painter and sculptor Studies: East Sydney Technical College 0 In early life, Huggins went to sea in under John Passmore and John Olsen, the service of the East India Company ) 1956-60. and became well-known for his drawings of China and the East Indies. In 1817 Lanceley first came to the public's he first exhibited at the Royal Academy, attention in 1962 when he joined with and continued exhibiting intermittently Michael Brown and Ross Crothall under until his death. In 1834 he was the name "Annandale Invitation Realists" appointed marine painter to William IV. and presented a show of pop art at the Museum of Modern Art in Melbourne (the This particular aquatint was engraved group later changed its name to "Sub­ by his son-in-law, Edward Duncan terranean Imitation Realists"). In (1803-1882), one of the foremost 1965 he travelled to Italy and sub­ engravers of his time. sequently settled in London. In 1966 he became a lecturer in painting and 33.KILLICK, Stephen drawing at the Bath Academy of Art and the Gloucestershire College of Art. He SILENT PARTNERS (1978) has held one-man shows in Melbourne, Etching Sydney, Adelaide, London, New York and Purchased 1979 from Griffith Cracow, and has participated in many University Visiting Artist's group exhibitions in Europe, USA, Etching Scheme Canada and Japan. 7.

Awards: "Young Contemporaries Art Prize, Represented: National Gallery, Canberra; NSW 1963; Helena Rubenstein Scholarship National Gallery of Victoria; Art 1964; Edinburgh Open Hundred Art Prize Gallery of South Australia and Western 1967; International Graphics Biennale Australia; Mertz Collection, USA; (Cracow) Prize; Musee Silesienne Purchase various provincial, institutional and Prize 1968. private collections.

Represented: Museum of Modern Art, New 40,LEE, Lorraine (b.l951, Tasmania) York; Tate Gallery and Victoria and Albert Museum, London; Central National CERAMIC DISH (1980) d'Art Contemporary, Paris; Stedelijk featuring inlay and brush decoration Museum, Amsterdam; Kunstvrein, Hamburg; Donated by the artist national museums in Poland and Jerusalem; National Collection, Canberra; State 41.LEE, Lorraine 1 Galleries of NSW, Victoria and South I Australia; regional galleries at Ballarat CERAMIC BOX (1980) - BLUE WREN and Mildura. featuring coloured slip inlay Purchased 1980 38.LAYCOCK, Donald (b.l931, Melbourne) SATYR I (1978) Potter Etching Studies: Tasmanian School of Art 1970-72, Pur-chased 1979 from Griffith 1977; Art teacher, Huonville High School University Visiting Artist's 1973-76. Etching Scheme Awards: Tasmanian Arts AJvisory Board Art and Craft Scholarship, 1978. 39.LAYCOCK, Donald Pugmill Ceramics Award, Adelaide Royal KINGS OF BENIN (1978) Show, 1979. Etching Purchased 1979 from Griffith Exhibitions : Group exhibitions Hobart, University Visiting Artist's Sydney and Adelaide; one-woman exhib­ Etching Scheme ition, University of Tasmania, 1980. Currently working as a production potter, Painter and printmaker Jam Factory Workshops, Adelaide. Studies: Caulfield Technical College 1946-47; Melbourne National Gallery School 1949-53, under Charles Reddington 1 in 1959. Laycock was lecturer at the National l Gallery School, Victoria, 1957-60. His first one-man show was at the Museum of Modern Art (Melbourne) in 1959, and he has exhibited regularly at the South Yarra Gallery, and also at the Bonython Galieries in Adelaide and Sydney. His group exhibitions include "Recent Australian Painting", Whitechapel Gallery, London 1961; Paris Bienal des Jeunes 1963; "Australian Painters 1964-66" (Mertz Collection) at Corcoran Gallery, Washington 1967; Sao Paulo Bienal, Brazil 1967; "Recent Australian Art", Art Gallery of NSW 1973. Awards: Second Blake Prize 1956; Helena Rubenstein Travelling Scholarship 1963-64; Georges Art Prize 1963, 1964, 1966, 1970; Travelodge Art Prize 1970. 8.

42.LESUEUR, Charles Alexander (b.1778, Tasmania; Hirshhorn Museum, Washington, d.1846) USA; Museum of Art, Iowa City, USA; , various provincial and institutional TERRE DE DIEMEN - HABITATIONS collections within Australia; numerous Lithograph private collections both here and Donated by Mr. G.D. Brown, 1976 overseas .

43.LESUEUR, Charles, Alexander 45.LLOYD, Henry Grant (b.1829, Chester, TERRE DE DIEMEN - NAVIGATION - England; arrived Tasmania 1840; d.l904) VUE DE LA CBTE ORIENTALE DE L'ILE HOBART TOWN FROM THE NEW WHARF SCHOUTEN (1808) Avon print No.648 (1968) Lighograph (originally published ca.1857) Donated by Mr. G.D. Brown, 1976 Donated by Mr. G.D. Brown, 1976 Lesueur was a 22-year-old French artist Lloyd was the eldest son of Majo:rHenry attached to Nicholas Baudin's scientific Lloyd of the East India Company, who expedition to the South Seas (1800-04) as a novice helmsman, but before the came to Tasmania in 1840, settling on voyage had ended he had become an an estate at New Norfolk. He was educated at Christ College, Bishops­ important zoological artist. Working bourne, and afterwards went to Sydney in conjunction with Nicholas Petit and to become a pupil of Conrad Martens. Francois Peron, he made many valuable A peripatetic artist, he travelled graphic records, particularly of marine extensively throughout Australia and f auna. His work also included accurate New Zealand, and produced many land­ representations of the kangaroo, scapes now of significant historic value. platypus and dingo, as well as ethic studies of the aborigines. 46.MEREDITH, Louisa Anne (b.1812, d.1895) 44.LETI, Bruno (b.1941, Rome; arrived TEA TREE AND EPACRIS (1860) Australia 1950) Bookplate WALKERVILLE (1978) Donated by Mr. G.D. Brown, 1976 Etching and aquatint Purchased 1978 47.MEREDITH, Louisa Anne WARATAH AND NATIVE ARBUTUS (1860) Printmaker Bookplate Studies: Melbourne University ; Caulfield Donated by Mr. G.D. Brown, 1976 Institute of Technology, State College of Victoria (Melb.); Royal Melbourne 48.MEREDITH, Louisa Anne Institute of Technology. GUM FLOWERS AND "LOVE" (1860) Leti is a teacher of art and has Bookplate travelled widely in Europe, North and Donated by Mr. G.D. Brown, 1976 South America. From 1971 to 1973 he was Education Officer at the National Gallery 49.MEREDITH, Louisa Anne of Victoria. He has held several one­ man exhibitions in Melbourne, Canberra UNTITLED (1860) and Perth, and also in Italy, Canada Bookplate and the USA. His group shows include Donated by Mr. G.D. Brown, 1976 Royal College of Art, London 1965; the First National Italian Travelling 50.MEREDITH, Louisa Anne Exhibition 1976; Japanese Print Assoc­ iation Exhibition 1976; Melbourne Print­ UNTITLED (1860) makers, Rudy Koman Gallery, Sydney, 1977; Bookplate International Biennale Grafica (Leece, Donated by Mr. G.D. Brown, 1976 Italy) 1977. Represented: National Gallery, Canberra; State Galleries of Victoria, South Australia, Western Australia and 9

51. MEREDITH, Louisa Anne asian Colonies, which was illustrated with scenes engraved from his own UNTITLED ( 1860) sketches made during tours, and which Bookplate went through four editions (not count­ Donated by Mr. G.D. Brown, 1976 ing translations into German in 1856 and Swedish in 1857). 52. MEREDITH, Louisa Anne UNTITLED ( 1860) Bookplate Donated by Mr. G.D. Brown, 1976

Louisa Meredith came to Australia in 1839 with her husband, Charles Meredith, who had grown up in Van Diemen's Land and was to become involved in the local government. They lived for several years at Oyster Bay, then in 1858 moved to a property at Orford. Louisa wrote and sketched continually throughout her life. Her first book in 1832 was a collection of poems with illustrations designed and etched by herself, and she produced several observations of colonial life, some fiction and seven books of poems between 1842 and 1891. Her wildflower drawings won medals in exhibitions in Australia and overseas, notably in the Melbourne Exhibition of 1866. The Tasmanian Government granted her a pension of .{100 in 1884 for "dist­ 55.MURRELL, Michael inguished literary and artistic service" to the colony. UNTITLED These particular plates are from her Ceramic landscape box Bush Friends in Tasmania (published Purchased 1978 1860, 2nd edn. 1891), a work described by Dr. Craig as "sumptuous". Potter Studies: Launceston Technical College 53. MUNDY, Godfrey Charles (b.l804, d.l860) Exhibitions: "Recent Tasmanian Pottery", CONVICT TRAMWAY (1852) University of Tasmania, 1978; Bowerbank Lithograph, hand-coloured Mill Gallery, Deloraine, 1978. Donated by Mr. G.D. Brown, 1976

54. MUNDY, Godfrey Charles 56.NEW GUINEA EAGLE HAWK NECK (1852) GABLE-END MASK Lithograph, hand-coloured Donated by Mr. W.N. Hurst, 1977 Donated by ~1r. G. D. Brown, 1976 57.POW, Lindsay (b.1955, Fremantle) Mundy entered the army in 1821, serving in India and Canada before coming to Sydney in 1846 as Deputy Adjutant­ LISA SAID ON AN AFTERNOON LIKE THIS ... General of the military forces in Oil on canvas Australia. In 1851 he returned to Purchased 1978 England to continue his military career. Painter In 1852 he published Our Antipodes: or, Residence and Rambles in the Austral- Studies: W.A . Institute of Technology (Fine Arts), 1973-76. 10.

Pow held one-man shows at the Slade Painter and printmaker Galleries 1977, P.I.F.T. 1977; Fremantle Studies: Studied batikmaking, Java, Art Centre 1978; and has participated 1975; completed medical degree, Univer­ in several group exhibitions around Australia. sity of Tasmania 1978; studied print­ making at East Sydney Technical College Awards: 14 Prizes for painting and 1979. drawing since 1976. Currently teaching at Represented: National Gallery, Victoria; Waverley-Woollahra Art Centre, NSW W.A. Gallery, numerous institutional Exhibitions: Secheron House, March and and private collections. September 1975; Salamanca Place Gallery 1976; Hunter Island Gallery, Hobart and 58.PROUT, John Skinner (b.1806, England; Saddlers Court Gallery, 1977; Bowerbank arrived Sydney 1840; d.1876, England) Mill Gallery 1978; Rex Irwin Art Gallery, HOBART TOWN FROM MT. NELSON (1843) Sydney 1979; Harrington Street Gallery Avon print No. 151 1979; Powell Street Gallery, Melbourne 1979. Painter and engraver Awards: Visual Arts Board grant 1978-79. Lectured at the Sydney Mechanics Inst­ Represented: Tasmanian Museum and Art itute in 1840 and arranged the first Gallery; Burnie Art Gallery; Visual exhibition of pictures in Tasmania in Arts Board, Tas. 1845. 6l.RUSSELL, Martin (b.1956) Prout is regarded as one of the most important colonial artists. He was a UNTITLED set designer and illustrator as well as Photo-etching a painter. He published a series of Purchased 1978 lithographic views in Sydney Illus­ trated and in 1845 imported a complete Studies: Tasmanian School of Art, lithographic plant which he used to majoring in printmaking. Participated produce Tasmania Illustrated (completed in the Graduates Exhibition, Tasmanian in December, 1846). In 1847 he travelled School of Art, 1979. At present in Victoria and produced Views of Melb­ residing in Sydney. ourne and Geelong and returned to England in 1848. He was elected a member 62.de SAINSON, Louis Auguste (b.1801; ) of the New Watercolour Society (later the Royal Institute of Painters in VUE D'HOBART-TOWN, PRISE DE L'EST Watercolour). (ILE VAN-DIEMEN) Represented: State gallery collections. Lithograph Donated by Mr. G.D. Brown, 1976 59.RILEY, Victoria (b.1954) De Sainson was a French maritime artist UNTITLED who first came to Australia on Dumont Etching and aquatint d 'Urville' s ship "1 'Astrolabe" (1826-29). Purchased 1978 His drawings - of King George's Sound (W.A.), Sydney, Jervis Bay and Tasmania Studies: Tasmanian School of Art - were most careful delineations of geological features of the landscape. She is at present a teacher with the Tasmanian Education Department. 63.SHIMAYAMA, Tsutomi 60.RISH, Adam (b.1953, London) HOUSE ON THE CAPE Woodblock print (1978) A VASE OF FLOWERS Purchased 1979 Silkscreen print Purchased 1980 11.

64.TURNER, Beth (b.1946, Burnie} 67,VAUGHAN, Elspeth (b.l926) BETSEY ISLAND VIEW OF CAMPUS AND RIVER DERWENT (1) Woodcut !~atercolour Purchased 1980 68.VAUGHAN, Elspeth Studie~: Tasmanian .School of Art; St. Martin's School of Art, London. VIEW OF CAMPUS AND RIVER DERWENT (2) Waterco 1our Awards: N.W. Coast Drawing Prize 1969; 69.VAUGHAN, Elspeth Perth International Drawing Prize 1971; Albury City Council Prize for Painting VICE-CHANCELLOR'S LODGE AND 1971. MT. WELLINGTON (1971) Exhibitions: Various group exhibitions Watercolour around Australia, including "Three Younger Artists", Bonython Gallery, Painter Sydney 1976. One-woman exhibitions in Studies: Informal training, but had Hobart, 1970, 1976; and Devonport 1972, various periods of study at the Hobart 1977. Art School with Jack Carington-Smith; Represented: W.A. State Gallery; also study visits to Europe and USA. Tasmanian Museum and Art Gallery; The artist exhibits regularly in Little Gallery, Devonport; Albury City Tasmania and has also exhibited in Council Gallery. Melbourne, Hamilton and Sydney as a guest of the Australian Watercolour 65.TYSON, Geoff (b.1911, Launceston) Institute. MIST IN THE KING RIVER GORGE (1976) Represented: Tasmanian Museum and Art Watercolour Gallery; private collections in Australia, USA and England. Painter 70.WALKER, Deborah (b.1954) Studies: Bell and Shore Art School, Melbourne (part-time), 1931-33; POUR TU! Launceston Technical College with Etching Miss Evershed, 1935-39, Jack Carington­ Purchased Smith 1940, and Robert Campbell 1946. 1980 Tyson worked as a commercial artist Studies: Caulfield Institute of in Melbourne and Launceston from 1930 Technology (with Geoff Laberche). to 1959. From 1962 to 1975 he was head Graduated in 1974, majoring in print­ of the School of Art, Launceston making. Technical College. He has held several Exhibitions: Mornington Peninsula one-man exhibitions in Tasmania. Art Gallery; Print Council of Australia Represented: Australian National Annual Exhibition; Oz Gallery, Melbourne. Gallery, Canberra; Tasmanian Museum I • Awards: Narrammbool Henri Moorland and Art Gallery; Queen Victoria Museum Prize 1978. and Art Gallery. 7l.WALLACE, Roland (b.l963, Hobart) 66.UNKNOWN ARTIST THE THYLACINE (THYLACINUS THE RECIPROCATING CAKE-CUTTER (1979) CYNOCEPHALUS) Drawing Modern print purchased in Paris Purchased 1979 Donated by Mr. G.D. Brown, 1976 Studies: Tasmanian School of Art 1971-76. 12 .

Wa llace currently is part-time lec turer PHOTOGRAPHS FROM AN EXHI BITION in drawing a t the Tas ma nian School of OF VIEWS OF MT . WELLI NGTON Art. 72 .FLAWS, Clifford S. Awards: Tasmanian Arts Advisory Board gr; ant 1977. EARLY MORNING SNOW Re presented: Tasmanian Museum and Art Donated by the photographer, 1979 Ga llery . 73.JACKSON, P.L . SUNRISE Purchased 1979

74.STEPHENS, D. MT. WELLINGTON FROM FOREST ROAD, WEST HOBART Purchased 1979

75 .WOOLLEY, G. MOUNTAIN BY MOONLIGHT Purchased 1979