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Recent University Acquisitions : Painting, Prints, Photographs

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Recent University Acquisitions : Painting, Prints, Photographs RECENT UNVERSTY ACQUSTONS pointing pnnts photogrophs cerom1cs scupture 17-28 June 1980 Fine Arts Gallery, University Centre Churchill Avenue, Sandy Bay Open Mon-Fri 10-4, Sat 1 0-12 University Fine Arts Committee FORHIORD This exhibition comprises all of the works acquired by the Fine Arts Committee from the date of our last acquisition exhibition in 1976 to the present time. Continuing our previous purchasing policy we have with our small budget concentrated mainly on building up our collection of original prints. Several paintings and drawings have also been added to the collection: some of these have been donated, others have been purchased. We have benefited in making some purchases by grants from the Visual Arts Board and the Crafts Board of the Australia Council. We are very grateful to these bodies and also to the individual artists and other benefactors who have donated works. Bruce Johnson Chairman 1. 1. AMANO, Kunihiro (b.1929, Aomori,Japan) ligence in World War II, and returned to Tasmania in 1946 to paint full-time. LOST PAST 32 He has held numerous one-man and group Embossed woodblock exhibitions in Tasmania and other Purchased 1978 states since the 1940s, including "Forty Years of Painting", Printmaker University of Tasmania, 1979. Studies: Musashino University of Art. Awards: The Minnie Crouch Prize, Amana spent some time doing supplem­ Ballarat, 1962; the award of Member entary work for a living, such as of the Order of Australia for services illustrations for children's books, to art in the community, 1978. displays and fashion features; but he felt these activities were narrowing Represented: Australian National his focus and eventually curtailed Gallery, Tasmanian Museum and Art them to concentrate more f ully on his Gallery, numerous provincial galleries print work. throughout Australia. 2. ANGUS, Max (b. 1914, Hobart) 8. BOAM, Jenny (b.1941, Derbyshire, England; arrived Australia 1964) PORT DAVEY (1978) Watercolour ON ~T. NELSON (1977) Purchased 1979 t~a terco 1our Donated by the artist 3. ANGUS, Max Painter CITY OF HOBART FROM MT. NELSON (1975) Studies: Nottingham and Bradford (after the painting of 1843 by Prout) Colleges of Art. Watercolour Since arriving in Tasmania, Jenny Boam Purchased 1975 has worked ..,ith the Education Depart­ ment and Adult Education, and has also 4. ANGUS , Max taught at the Tasmanian School of Art and at St. Michael's Collegiate School. CITY OF HOBART (1975) She has participated in a number of (after the painting of 1843 by Prout) one-woman and group exhibitions both Watercolour in England and in Tasmania, the most Purchased 1975 recent being at Salamanca Place Gallery this year. 5. ANGUS, Max Represented: Derbyshire Education Authority Midland Group of Artists; BLACK AND WHITE SKETCH OF SANDY BAY Nottingham NATFAS; Adult Education, FROM CAMPUS Tasmania; Tasmanian Museum and Art Gallery; Tasmanian School of Hospital­ 6. ANGUS, Max ity. BLACK AND WHITE SKETCH OF GEOLOGY BUILDING AND MT. WELLINGTON (1970) 9. BOAM, Paul (b.l938, Derbyshire, BLUES ON BACH England) 7. ~NGUS, Max Oil on canvas Purchased 1978 with assistance from BLACK AND WHITE SKETCH OF UNIVERSITY Visual Arts Board, Australia Council CM1PUS (1970) Studies: One~man and group exhibitions Painter in England at Nottingham, Derby, Leeds, Studies: Hobart Technical College Manchester, Bradford, and at Young 1930-32; Fine Art Diploma under Jack Contemporaries Exhibition, London. Carington-Smith 1948-50. Represent ed : Nottingham University, During the 1930s, Angus worked in Derby College of Technology, Tasmanian Melbourne as a graphic designer before Museum and Ar t Gallery, Queen Victoria becoming art director of an advertising Museum and Art Gallery, Ballarat Fine agency. He served in military intel- Art Gallery . 2. currently Senior Lecturer, Tasmanian Purchased 1979 from Griffith School of Art. University Visiting Artist's Etching Scheme 10.BROUGHTON, Lindsay (b.1944, Hobart) 13 .BOYD, Arthur .CRYPT - YOU DIG YOUR OWN (1977) Red chalk drawing PORTRAIT OF LAWRENCE DAWS (1978) Purchased 1979 Etch1ng Purchased 1979 from Griffith University Visiting Artist's 11.BROUGHTON, Lindsay Etching Scheme PORTRAIT OF X Siberian charcoal drawing 14.BOYD, Arthur Purchased 1980 WOMAN AND PELICAN (1978) Etching Painter Purchased 1979 from Griffith Studies: Tasmanian School of Art 1961- University Visiting Artist's 63; University of Tasmania 1964. Etching Scheme Broughton became Lecturer in Art Education at the Tasmanian School of Painter, graphic artist, ceramic Art in 1975, having previously taught sculptor and potter. art at Burnie High School, Launceston Studies: Little formal training other Matriculation College and Rosny College. than night classes at the National He was President of the Contemporary Gallery Art School, Melbourne, but Art Society (Tas.) 1972-74 and has also surrounded by a family of artists and been art writer for the "Saturday Even­ learnt the rudiments of painting from ing Mercury" since 1975. He has his grandfather, Arthur Merrie Boyd. participated in various group exhibitions in Tasmania since 1966. Boyd held his first one-man exhibition in Melbourne in 1973 and decided to devote all his time to painting in 1949, becoming closely involved with the .. "Sydney Group" of neo-romantic painters and also with the Contemporary Art Society in Melbourne. Since the 1960s he has lived mostly in London, and has established an international reputation. His exhibitions have been many, both in Australia and abroad, and include one-man shows at the Zwemmer, White­ chapel and Fisher Galleries, London; Demarco Gallery, Edinburgh; Australian National University; Skinner Gallery and Fremantle Arts Centre, W.A.; Australian Galleries, Melbourne and Rudy Koman Gallery, Sydney. Significant group shows include: Venice Biennale 1958; Australian Painters 1964-66 at the Corcoran Gallery, Washington 1967; "Landscape and Image", Australian Gallery Directors Council Travelling Exhibition to Indonesia, 1978. Awards: Dunlop Prize 1950, 1951; Ku-ring-gai Prize, NSW 1958; Caselli­ Richards, Brisbane 1963; ANU fellow­ ship in the creative arts 1970; Order l2.BOYD, Arthur (b.1920, Murrumbeena) of Australia for services to the arts 1979. TWO FIGURES AND DOG'S HEAD (1978) Etching 3. Represented: National Collection, Canberra; Painter and teacher. all Australian state galleries; Mertz Studies: East Sydney Technical College; Collection, USA; Contemporary Art Society, Royal Academy School, London; Paris. London; many provincial, institutional and private collections. Carington-Smith was head of the Art Department, Hobart Technical College 15.BROOKES, Wayne (b.1958, Victoria, moved from 1940 and head of the Fine Art to Tasmania same year) Department from 1962 until 1969. Awards: The N.S.W. Travelling Scholar­ SO THERE (self portrait) ship 1936; Sulman Prize 1949; Tasmanian Acrylic on canvas Sesqui-Centenary Prize 1953-54; Melrose Purchased 1978 Prize 1955; Australian Women's Weekly Portrait Prize 1955; Archibald Prize Painter 1963; Rubenstein Portrait Prize 1966. Studies: Tasmanian School of Art. Participated in the Graduates Exhibition, Represented: All Australian state Tasmanian School of Art, 1979. At galleries; Parliament House, Canberra; present is teaching with the Tasmanian numerous university collections; Education Department, and is planning Australia House, London; and many an exhibition for later this year. private collections. Represented: Queen Victoria Museum and The University of Tasmania held an Art Gallery; private collections. exhibition of his watercolours in 1977. 16.BUCKIE, Harry (b.1897, Melbourne) 20. CHAPMAN, David (b.1927, Ballarat) VIEW OF CAMPUS AND BATTERY POINT Watercolour THE ROAD TO BLACKWOOD CREEK {1977) Oil on canvas 17.BUCKIE~ Harry Purchased 1979 VIEW OF CAMPUS FROH ABOVE Painter CHURCHILL AVENUE Watercolour Studies: Hobart Technical College evening classes under Jack Carington­ Smith whilst attending university Painter Studies: Kingston-on-Thames Technical full-time~ 1946-47; R.M.I.T. under College (London) 1919; night classes at Alan Warren and National Gallery Art the National Gallery School, Melbourne, School (evening classes) 1948-49; under W.B. Mcinnes, 1920-22. George Bell Art School 1953. Represented: Tasmanian Museum and Art In 1969 the artist established the Gallery, Queen Victoria Museum and Art Chapman Powell Street Private Gallery Gallery, various private collections. in Melbourne and continued there as director until 1975, when he moved to Cressy, Tasmania to devote all his time 18.CARINGTON-SMITH, Jack (b.1980, to painting. He was a foundation Launceston, d.1973, HcJart) member of the Museums and Art Galleries HILLSIDE FROM CEMETERY BEACH, Advisory Committee of Tasmania and a LUNAWANNA, SOUTH BRUNY ISLAND member of the Tasmanian Arts Advisory Watercolour Board. He has held one-man exhibitions Purchased 1976 at the Lyceum Club, Melbourne 1971, the Powell Street Gallery 1976-78, the 19.CARINGTON-SMITH, Jack Salamanca Place Gallery 1977 and 1979, the Queen Victoria Museum and Art REMAINS OF OLD FOOTBRIDGE, SIMPSON'S Gallery 1977, the University of Tasmania BAY, SOUTH BRUNY ISLAND (1951) 1979. Watercolour Represented: Tasmanian Museum and Art Purchased 1976 Gallery ; LaTrobe University, Vic.; Queen Victoria Museum and Art Gallery; National Bank collection; Mallesons Ltd. collection. 4. 21. DAWS, Lawrence (b.1927, Adelaide) Avon Print No.55 (1978) (Originally published in London 1828) THE MOROCCAN WINDOW (1978) Purchased 1979 Etching Purchased 1979 from Griffith Evans arrived in New South Wales in 1802,
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