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Cake & Cockhorse
CAKE & COCKHORSE BA JBURY HISTORICAL SOCIETY SPRING 1984. PRICE fl.OO ISSN 0522-0823 I President: The Lord Saye and Sele Chairman: Mrs. G.W. Brinkworth, Flat 3, Calthorpe Manor, Dashwood Road, Banbury, 0x16, 8HE. Tel: Banbury 3000 Deputy chairman: J . S. W. Gibson, Harts Cottage, Church Hanborough, Oxford. OX7 2AB. Magazine Editor: D.A. Hitchcox, 1 Dorchester Grove, Broughton Road, Banbury. Tel: Banbury 53733 I Hon. Secretary: Hon. Treasurer: i Mrs N.M. Clifton, Miss Mary Stanton, Senendone House, 12 Kennedy House, I Shenington, Banbury. Orchard Way, Banbury. (Tel: Edge Hill 262) (Tel: 57754) Hon. Membership Secretary: Records Series Editor: Mrs Sarah Gosling, J.S.W. Gibson, Banbury Museum, Harts Cottage, 8 Horsefair, Banbury. Church Hanborough, Oxford OX7 2AB. (Tel: 59855) (Tel: Freeland (0993)882982) I' Committee Members: 'I Dr E. Asser, Mrs G. Beeston, Mr D.E.M. Fiennes Mrs Clare Jakeman, Mr G. de C. Parmiter, Mr J. F. Roberts Details about the Society's activities and publications can be found on the inside back cover The cover illustration is of a hawking scene taken by R. J. Ivens from a II medieval drawing published in Life and Work of the People of England (Batsford 1928) by D. Hartley and M. M. Elliot. CAKE & COCKHORSE The Magazine of the Banbury Historical Society. Issued three times a year. Volume 9 Number 5 Spring 1984 R.J. Ivens De Arte Venandi cum Avibus 130 Sarah Gosling The Banbury Trades Index 138 I Barbara Adkins The Old Vicarage, Horsefair, Banbury 139 D.E.M. Fiennes The Will of Nathaniel Fiennes 143 C.G. -
Edward II: Negotiations of Credit in the Early Modern Public Sphere Jane E
Clemson University TigerPrints All Theses Theses 5-2018 Edward II: Negotiations of Credit in the Early Modern Public Sphere Jane E. Kuebler Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Kuebler, Jane E., "Edward II: Negotiations of Credit in the Early Modern Public Sphere" (2018). All Theses. 2856. https://tigerprints.clemson.edu/all_theses/2856 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Edward II: Negotiations of Credit in the Early Modern Public Sphere A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Jane E. Kuebler May 2018 Accepted by: Dr. Elizabeth Rivlin, Committee Chair Dr. William Stockton Dr. Andrew Lemons ABSTRACT This paper addresses the role that Christopher Marlowe’s Edward II plays in the establishing and expanding of an early modern public sphere. By examining the ways that power is earned, and wielded in the play, Marlowe demonstrates an economy of cultural credit that operates in both the financial and the socio/political spheres of public life in early modern England. Marlowe applies the logic of that economy beyond the realm of the common people and subjects the historical monarch to the same parameters of judgement that flourished in society, drawing parallels with the currently reigning Elizabeth I, and opening up a discourse that reexamines the markers of credit, power and birth-ordered hierarchies. -
Gay Revolte the Marlovian Dandy in Edward II
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1999 Gay revolte the Marlovian dandy in Edward II Joshua Corey The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Corey, Joshua, "Gay revolte the Marlovian dandy in Edward II" (1999). Graduate Student Theses, Dissertations, & Professional Papers. 2430. https://scholarworks.umt.edu/etd/2430 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY Tlie University of IVIONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature Date " Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. Gay Révolté. The Marlovian Dandy in Edward II by Joshua Corey B.A., Vassar College, 1993 Presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1999 Approved by: Chan: Dean of the Graduate School Date UMI Number: EP34823 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
English Heritage Og Middelalderborgen
English Heritage og Middelalderborgen http://blog.english-heritage.org.uk/the-great-siege-of-dover-castle-1216/ Rasmus Frilund Torpe Studienr. 20103587 Aalborg Universitet Dato: 14. september 2018 Indholdsfortegnelse Abstract ............................................................................................................................................................ 3 Indledning ........................................................................................................................................................ 4 Problemstilling ................................................................................................................................................. 5 Kulturarvsdiskussion ...................................................................................................................................... 5 Diskussion om kulturarv i England fra 1980’erne og frem ..................................................................... 5 Definition af Kulturarv ............................................................................................................................... 6 Hvordan har kulturarvsbegrebet udviklet sig siden 1980 ....................................................................... 6 Redegørelse for Historic England og English Heritage .............................................................................. 11 Begyndelsen på den engelske nationale samling ..................................................................................... 11 English -
Chapter 3: the Finds
Chapter 3: The Finds THE MEDIEVAL AND POST-MEDIEVAL A draft report on the pottery from the 1984 POTTERY (FIGS 3.1-11) excavations was written by Maureen Mellor in the by Cathy Keevill 1980s. The primary aim of the further analysis was to refine the site chronology and to understand the Summary development of the site. This involved adding in the An assemblage of 6779 sherds was recovered from pottery recovered from the 1988-1991 excavations, stratified contexts. The majority of these (a total of amending the context dates derived from the assoc 6317 or 93%) were medieval. This is the first iated pottery where necessary, and checking on the stratified sequence from Witney and as such is dating for the main types within the assemblage in highly important for the understanding of the order to establish a chronology that would corres development of 12th-century and early-13th-century pond to the Oxfordshire pottery sequence. Under pottery traditions in West Oxfordshire. The most standing the development of the major local fabric interesting feature of the assemblage was the range and vessel traditions in west Oxfordshire was also a of imported material from other regions, particularly priority, especially the calcareous gravel-tempered south-western England. These included fabric types fabric (Witney Fabric 1), which is similar to types in from Minety, Wiltshire (Fabrics 9 and 37), from the Cotswolds (Mellor 1994,72) and at Oxford (fabric Laverstock, south Wiltshire (Fabrics 5 and 25), types OXAC). known in Bath and Trowbridge (fabric 23), Newbury The analysis also included a consideration of the (Fabrics 2 and 3), Winchester (Fabric 8), and a status of the site (and of different areas within the possible Nash Hill product (Fabric 33). -
The Reputation of Edward II, 1305–1697: a Literary Transformation of History
1 The Reputation of Edward II, 1305–1697: A Literary Transformation of History Kit Heyam 2 Contents The Reputation of Edward II, 1305–1697: A Literary Transformation of History ...... 1 Contents ....................................................................................................................... 2 Cover blurb .................................................................................................................. 4 Keywords ..................................................................................................................... 5 Author details............................................................................................................... 5 Acknowledgements ..................................................................................................... 5 Introduction ................................................................................................................. 7 Abstract .................................................................................................................................................... 7 Keywords ................................................................................................................................................. 7 Life of an ‘unfortunate king’ ................................................................................................................. 9 Writing Edward II’s narrative ............................................................................................................. 11 Reading -
QUEER SURVIVAL VIA EARLY MODERN DRAMA By
ADAPTED BODIES, ADAPTED TEXTS: QUEER SURVIVAL VIA EARLY MODERN DRAMA By Kristen Navarro Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirement for the degree of DOCTOR OF PHILOSOPHY in English August 11, 2017 Nashville, Tennessee Approved: Katherine Crawford, Ph.D. Lynn Enterline, Ph.D. Leah Marcus, Ph.D. Kathryn Schwarz, Ph.D. To my parents, Mike and Dania, for making this all possible, & To Natalie and Cinthia, for keeping me sane. ii ACKNOWLEDGEMENTS This work would not have been possible without the incredible support and resources offered to me by the graduate students, faculty, and staff members of Vanderbilt University’s Department of English. I have learned and grown more over the course of my time here than I ever could have imagined possible, and I am endlessly grateful. I am especially indebted to my wonderful committee, each of whom have stuck by me and made every step of this process more generative and free of anxiety than I ever could have managed on my own: Professors Kathryn Schwarz, Leah Marcus, Lynn Enterline, and Katherine Crawford. This project would have never come together without the vibrant discussion and inspirational mentorship you all provided me with. There isn’t enough page space in the world to give you all the thanks that you deserve. I would be remiss to not extend the utmost gratitude to the lovely support network of friends that have talked me through many a rant and a cry over the past several years: Cinthia Benitez, Joseph Jordan, Shelby Johnson, Chelsea Land, Tatiana McInnis, and Steven Orta. -
Edward II by Christopher Marlowe Edward II Background Pack
Background pack Edward II by Christopher Marlowe Edward II Background pack Contents The National’s production 3 The play Synopsis 4 Rehearsal diary 5 Adaptation Zoë Svendsen 11 Set Design and Edward II: Lizzie Clachan 14 This background pack is published by and copyright The Royal National Theatre Board Reg. No. 1247285 Registered Charity No. Additional resources 16 224223 Views expressed in this workpack are not necessarily those of the National Theatre Author Jeff James Editor Welcome to the National Theatre’s background pack for Edward II. Sarah Corke Through imaginative and innovative in-school, on-site and online activities, NT Learning Design opens up the National’s repertoire, artistry, skills, and the building itself, enabling Clare Nicholson participants of all ages to discover new skills and experience the excitement of theatre- NT Learning making. If you’ve enjoyed this background pack or would like to talk to us about getting National Theatre South Bank involved in NT Learning activities, please contact us on [email protected] London SE1 9PX or 020 7452 3388. T 020 7452 3388 F 020 7452 3380 E learning@ nationaltheatre.org.uk Jane Ball Programme Manager, NT Learning Ofcial rehearsal and Autumn 2013 production photographs taken by Johan Persson. Additional photos by Jeff James, Lizzie Clachan, Gary Pell and Lena Zimmer. Set design by Lizzie Clachan. Further production details: Click on this arrow, when you see it, for more online resources. nationaltheatre.org.uk National Theatre: Background Pack 2 The National -
Privacy and Metapoetic Foreignness in Marlowe's Edward II
“WHAT P ASSIONS C ALL Y OU T HESE”: Privacy and Metapoetic Foreignness in Marlowe’s Edward II By Per Sivefors This essay argues that Marlowe’s Edward II engages with English history and politics through a metadiscussion of the rhetorical, linguistic and aesthetic foundations of vernacular culture. The play’s frequent referencing of Latin, Italian and French suggests a distinction between a public and orthodox understanding of history and politics, and an artful Latinate idiom connected to notions of privacy and Ovidian poetics as well as to non-English, demonised languages. By enriching its modes of expression with snatches of other languages as well as multiplicitous references to specific Latin literary patterns, Edward II privileges the irresponsibly ‘private’ and hence distances itself from a vernacular construction of public history and affairs. Frequently, Christopher Marlowe’s Edward II has caused critics problems due to its relatively bleak vision of English politics and history. Indeed, the play’s seemingly amoral take on the reign of Edward even caused E. M. W. Tillyard, writing during the second world war, to seek the gist of the play elsewhere than in the political or historical. Edward II, Tillyard asserted, is “concerned nominally but not essentially with historical matter”, and hence, “Marlowe shows no sense of national responsibility”.1 Even though more recent critics have been less prone to judgements on Marlowe’s failure as a patriot, they often point out that Edward II shows little of the confidence in eloquence that distinguishes for example his own, earlier Tamburlaine. Neil Rhodes, for example, claims that the play’s emphasis “is more upon rhetorical failure or impotence than deft repartee”, and Mark Thornton Burnett argues 1 Tillyard 1944, 109. -
Marlowe's Edward II As "Actaeonesque History"
Connotations Vol. 9.1 (1999/2000) Marlowe's Edward II as "Actaeonesque History" CHRISTOPHER WESSMAN In his historical tragedy Edward Il, Christopher Marlowe pervasively engages an abundant variety of ancient myths. Most significantly, howeve:r; the drama uses as a motif the versatile Diana and Actaeon tale-of naked, angry goddess and metamorphosed mortal hunter-and reworks it to serve distinctly political ends. After ali, as Ovid translator George Sandys suggested in 1632, the myth can be taken to show how dangerous a curiosity it is to search into the secrets of Princes, or by chance to discover their nakednesse: who thereby incurring their hatred ever after live the life of a Hart, full of feare and suspicion1 An important key to Marlowe's Edward II is this Actaeon story, and the multiple and simultaneous identification between the characters of myth and those of history. Edward and his intruding minion Gaveston are not only reflections of each other, but are both types of Diana and Actaeon, often at the same time. Paradoxical as this may seem, it is a crucial component of the myth itself, which Leonard Barkan has deemed a "synthesis" of an "enormous range of possibilities" and "simultaneous" interpretations-induding the idea that goddess and hunter are "transfigured forms" of each other? Marlowe skillfully exploits such inherent doublings and multiplicities throughout the drama. The multivalent symbolism of the Actaeon myth may be considered in several ways. Marlowe engages the interpretive openness of a specifically Elizabethan Diana, with its attendant notion of the monarch's" two bodies" reflecting crucial political issues of the Tudor period. -
DOCTOR FAUSTUS Also from Routledge: ROUTLEDGE · ENGLISH · TEXTS GENERAL EDITOR · JOHN DRAKAKIS WILLIAM BLAKE: Selected Poetry and Prose Ed
DOCTOR FAUSTUS Also from Routledge: ROUTLEDGE · ENGLISH · TEXTS GENERAL EDITOR · JOHN DRAKAKIS WILLIAM BLAKE: Selected Poetry and Prose ed. David Punter EMILY BRONTË: Wuthering Heights ed. Heather Glen ROBERT BROWNING: Selected Poetry and Prose ed. Aidan Day BYRON: Selected Poetry and Prose ed. Norman Page GEOFFREY CHAUCER: The Tales of The Clerk and The Wife of Bath ed. Marion Wynne-Davies JOHN CLARE: Selected Poetry and Prose ed. Merryn and Raymond Williams JOSEPH CONRAD: Selected Literary Criticism and The Shadow-Line ed. Allan Ingram JOHN DONNE: Selected Poetry and Prose ed. T.W. and R.J.Craik GEORGE ELIOT: The Mill on the Floss ed. Sally Shuttleworth HENRY FIELDING: Joseph Andrews ed. Stephen Copley BENJONSON: The Alchemist ed. Peter Bement D.H.LAWRENCE: Selected Poetry and Non-Fictional Prose ed. John Lucas ANDREW MARVELL: Selected Poetry and Prose ed. Robert Wilcher JOHN MILTON: Selected Longer Poems and Prose ed. Tony Davies JOHN MILTON: Selected Shorter Poems and Prose ed. Tony Davies WILFRED OWEN: Selected Poetry and Prose ed. Jennifer Breen ALEXANDER POPE: Selected Poetry and Prose ed. Robin Sowerby SHELLEY: Selected Poetry and Prose ed. Alasdair Macrae SPENSER: Selected Writings ed. Elizabeth Porges Watson ALFRED, LORD TENNYSON: Selected Poetry ed. Donald Low OSCAR WILDE: The Importance of Being Earnest ed. Joseph Bristow VIRGINIA WOOLF: To The Lighthouse ed. Sandra Kemp WILLIAM WORDSWORTH: Selected Poetry and Prose ed. Philip Hobsbaum Doctor Faustus by Christopher Marlowe Edited by JOHN D.JUMP London and New York This edition first published 1965 by Methuen & Co. Ltd This edition published in the Taylor & Francis e-Library, 2005. -
Deddington Castle, Oxfordshire, and the English Honour of Odo of Bayeux1 R.J
Deddington Castle, Oxfordshire, and the English Honour of Odo of Bayeux1 R.J. Ivens SUMMARY From an examination of Odo of Bayeux’s estate as recorded in Domesday Book, together with an analysis of the excavated structural phases at Deddington Castle, it is suggested that Deddington may have been the caput of the Oxfordshire and Buckinghamshire parts of Odo’s barony. HISTORICAL EVIDENCE Odo, Bishop of Bayeux and Earl of Kent, was one of the greatest of the tenants-in- chief of his half-brother King William, outstripping in wealth even such a magnate as his own brother Robert, Count of Mortain. Odo held lands in twenty-two English counties, and Domesday Book lists holdings in 456 separate manors. In all, these lands amounted to almost 1,700 hides worth over £3,000, and of these some 274 hides worth £534 were retained in demesne. The extent of these lands is far too great to consider in any detail, so only the distribution of the estates will be discussed here.2 Tables 1 and 2 list the extent of these holdings by county totals.3 The distribution of Odo’s estates may be seen more graphically on the maps, Figs. 1 and 2. Fig. 1, which shows the distribution of the individual manors, demonstrates that this distribution is far from random, and that several distinct clusterings may be observed, notably those around the Thames Estuary, in Oxfordshire and Buckinghamshire, in Suffolk and in Lincolnshire. The maps presented in Fig. 2 are perhaps even more enlightening. These show the proportion of Odo’s estate in each of the twenty-two counties in which he held lands, and illustrate: the distribution of the total hidage; the value of the total hidage; the demesne hidage and the demesne value (the exact figures are listed in Tables 1 and 2).