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30Th Anniversary of the Center for Public History
VOLUME 12 • NUMBER 2 • SPRING 2015 HISTORY MATTERS 30th Anniversary of the Center for Public History Teaching and Collection Training and Research Preservation and Study Dissemination and Promotion CPH Collaboration and Partnerships Innovation Outreach Published by Welcome Wilson Houston History Collaborative LETTER FROM THE EDITOR 28½ Years Marty Melosi was the Lone for excellence in the fields of African American history and Ranger of public history in our energy/environmental history—and to have generated new region. Thirty years ago he came knowledge about these issues as they affected the Houston to the University of Houston to region, broadly defined. establish and build the Center Around the turn of the century, the Houston Public for Public History (CPH). I have Library announced that it would stop publishing the been his Tonto for 28 ½ of those Houston Review of History and Culture after twenty years. years. Together with many others, CPH decided to take on this journal rather than see it die. we have built a sturdy outpost of We created the Houston History Project (HHP) to house history in a region long neglectful the magazine (now Houston History), the UH-Oral History of its past. of Houston, and the Houston History Archives. The HHP “Public history” includes his- became the dam used to manage the torrent of regional his- Joseph A. Pratt torical research and training for tory pouring out of CPH. careers outside of writing and teaching academic history. Establishing the HHP has been challenging work. We In practice, I have defined it as historical projects that look changed the format, focus, and tone of the magazine to interesting and fun. -
2815 Colquitt Houston, Texas 77098 (713)526-9911
2815 COLQUITT HOUSTON, TEXAS 77098 (713)526-9911 LIZ WARD Born: Lafayette, Louisiana, 1959 Currently lives and works in San Antonio, Texas Education 1990 M.F.A., University of Houston, Houston, Texas 1984-85 Atelier 17, Paris, France 1982-84 Tamarind Institute, Albuquerque, New Mexico 1982 B.F.A. Cum Laude, University of New Mexico, Albuquerque 1978-80 University of California, Santa Cruz Teaching Experience 2012-present Chair, Department of Art and Art History, Trinity University 2011-present Professor, Trinity University, San Antonio, Texas 2005-2011 Associate Professor, Trinity University, San Antonio, Texas 2007 Acting Chair, Department of Art and Art History, Trinity University 1999-2005 Assistant Professor, Trinity University, San Antonio, Texas 1998-99 Instructor, Rice University School of Continuing Studies, Houston, Texas 1997-99 Faculty, Glassell School of Art, Museum of Fine Arts, Houston, Texas 1992-99 Affiliate Artist, University of Houston, Houston, Texas 1996 Visiting Lecturer, Rice University, Houston, Texas 1993 Visiting Assistant Professor of Art, University of Houston, Houston, Texas 1989-90 Teaching Assistant, University of Houston, Houston, Texas Solo Exhibitions 2019 “Floating Life: Mississippi River Drawings”, Visual Arts Center Gallery, San Antonio College, San Antonio, Texas “Floating Life: Mississippi River Drawings”, Tyler Museum of Art, Tyler, Texas, curated by Caleb Bell 2017 “Watershed”, Moody Gallery, Houston, Texas 2015 “Ghosts of the Old Mississippi”, Talley Dunn Gallery, Dallas, Texas 2014 “Time and Temperature”, The Gallery at UTA, The University of Texas at Arlington, Arlington, Texas (catalogue) “Drawings for Unchopping a Tree by W.S. Merwin”, Moody Gallery, Houston, Texas “Drawings for Unchopping a Tree by W.S. -
Bibliography
Tseng Kwong Chi - Bibliography ARTIST MONOGRAPHS Tseng Kwong Chi: Self-Portraits 1979-1989, exhibition catalogue with texts by Lilly Wei, Dan Cameron, Kenny Scharf and Muna Tseng, Paul Kasmin Gallery, New York, NY, 2008. Tseng Kwong Chi: Self-Portraits 1979-1989, exhibition catalogue with texts by Lilly Wei, Dan Cameron, Kenny Scharf and Muna Tseng, Ben Brown Fine Arts, London, England, 2008. Tseng Kwong Chi, Ambiguous Ambassador, monograph of 95 photographs from the Expeditionary Self-Portraits Series, with texts by Dan Cameron, Richard Martin and Grady T. Turner, Nazraeli Press/JGS, 2005. A Retrospective, Improbable Pilgrim: The Photographs of Tseng Kwong Chi, essay by Amy Ingrid Schlegel, Philadelphia Art Alliance, 2002. Tseng Kwong Chi: The Expeditionary Works, essay by Barry Blinderman, Houston Center for Photography, Houston, TX, 1992. Tseng Kwong Chi, foreword by Richard Martin, Art Random, Kyoto Shoin, 1990. Art in Transit, New York Subway Drawings by Keith Haring, introduction by Henry Geldzahler and text by Keith Haring, Harmony Books, Crown Publishers,1984. SELECTED BOOKS AND CATALOGUES 2009 Kenny Scharf, by Richard Marshall, Ann Magnuson,The Paul Kasmin Gallery, Rizzoli, 2009 2008 Keith Haring, by Jeffrey Deitch, Julia Gruen, Suzanne Geiss, Kenny Scharf, George Condo, Rizzoli, 2008 Self and Other: Portraits from Asia and Europe, edited by Kenji Yoshida and Brian Durrans, Asahi Shimbun, Osaka, Japan, 2008 pp. 246. The American Tornado: Art in Power 1949-2008 by Germano Celant, Skira, Italy 2008 The Keith Haring Retrospective, Skira, Italy, 2008. 2007 Studio in the Street, Street in the Studio, Brattleboro Museum & Art Center, Vermont, 2007. The Jean-Michel Basquiat Show, Skira, Italy, 2007. -
I N M a N G a L L E
I N M A N G A L L E R Y KRISTIN MUSGNUG Born 1959, Buffalo, NY Lives and works in Fayetteville, AR EDUCATION 1988 MFA in Painting, Indiana University, Bloomington, IN 1983-85 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1981 BA in Art History, Williams College, Williamstown, MA 1980 Village Des Arts, Lacoste, France SOLO EXHIBITIONS 2019 Disturbed Ground, Inman Gallery, Houston, TX 2017 Disturbed Ground, St. Ambrose University, Davenport, IA 2016 Low Down & Close Up: Paintings of the Forest Floor, Inman Gallery, Houston, TX 2015 Forest Floor Paintings, North Cascades Institute, Environmental Learning Center, Diablo Lake, WA 2011 Unnatural Histories, Inman Gallery, Houston, TX 2010 Un-Natural Histories: Paintings of Invasive SpeCies, University of Arkansas, Fayetteville, AR 2007 New Paintings, Inman Gallery, Houston, TX 2001 Mini Golf Paintings, Inman Gallery, Houston, TX Kristin Musgnug, University of Arkansas, Fayetteville, AR 1999 Kristin Musgnug, Kansas State University, Manhattan, KS 1998 Uses of Nature, Inman Gallery, Houston, TX Uses of Nature, Galveston Arts Center, Galveston, TX Uses of Nature, University of Arkansas, Fayetteville, AR 1996 Kristin Musgnug: Drawings and Collages, Marko Cepenkov Center of Culture, Prilep, Macedonia Kristin Musgnug: Drawings and Collages, Stobi Gallery, Skopje, Macedonia Land Futures in Arcadia, Inman Gallery, Houston, TX Kristin Musgnug: Recent Work, Quad City Arts Council, Rock Island, IL 1995 Land Futures in Arcadia, Cambridge University, England Land Futures in Arcadia, University -
Linda Blackburn
LINDA BLACKBURN 3901 Bilglade Rd. Fort Worth, TX 76109 817-924-2067 [email protected] b. 1941, Baltimore MD Lives and works in Fort Worth, TX Education MA, University of California, Berkeley BFA, University of Texas, Austin Awards 1990 National Endowment for the Arts (painting) 1988 Mid America/National Endowment for the Arts (painting) Solo and Two-person Exhibitions 2021 The Old Jail Art Center, Albany, TX, Summer, solo exhibition 2019 Eddie Leon Returns, The Reading Room, Dallas, TX The Law of the Saddle II, Volland Store, Alma, Kansas 2018 The Law of the Saddle, Artspace 111, Fort Worth, TX 2017 Ed and Linda and Mark’s Adventures at the Modern Art Museum of Fort Worth, Tuesday Evenings Lecture Series with video by Ed and Linda Blackburn and Mark Thistlethwaite, Fort Worth, TX Voices on Art: A conversation between Linda and Ed Blackburn and Mark Thistlethwaite at the Modern Art Museum of Fort Worth, an Art This Week Production, YouTube, filmed by Richard Serrano Linda Blackburn Ceramics, Tyler Museum of Art, Tyler, TX 2008 The Thing From Another World, Artspace 111, Fort Worth, TX 2007 The Lonesome Utrillo, video screened at Modern Art Museum of Fort Worth, TX Ed and Linda Blackburn, Longview Museum of Art, Longview, TX 2005 DFW Airport, commissioned stained glass window 2001 The Adventures of Eddie Leon, ‘The Missing Masterpieces’, University of Nevada at Las Vegas, NV (catalogue by Dave Hickey) 2000 Downtown Fort Worth Mural, TX As It Were, Four Walls Gallery, Fort Worth, TX 1998 The Adventures of Eddie Leon, Downtown Modern -
We Call It Privilege, They Call It Freedom to Smear Sylvan MEYER
1eman• orts December 1965 What Good is a Baby? ROBERT C. TOTH We Call it Privilege, They Call it Freedom to Smear SYLvAN MEYER The Journalist and the Educator c. A. McKNIGHT The Chandlers ofLos Angeles: The World of Otis, Norman and 13ulf MITCHELL GORDON 2 NIEMAN REPORTS was to enroll. I returned to North Carolina, too late to en ter Davidson, and got a job for a year as a cub reporter on my hometown newspaper. NiemanRe:ports I followed through on my plan of study and majored in Spanish. Each summer, I returned to the newspaper. At the VOL. XIX, NO. 4 DECEMBER 1965 end of four years, the tug of war was over. Journalism had won, teaching had lost. Had it not been for that hurricane, Louis M. Lyons, Editor, 1947-64 I am quite certain that I would be holding forth in some Dwight E. Sargent Mary Ann Pratt college classroom today. I may not be the only man whose Editor Managing Editor career was changed by the winds of a hurricane, but I am the only one I know. Editorial Board of the Society of Nieman Fellows Throughout the years I have quieted any doubts about Robert W. Brown Weldon B. James Rock Hill Evening Herald Louisville Courier-J oumal the rightness of my choice by telling myself that, after all, Millard C. Browne Edwin A. Lahey journalism is essentially an educational function. And I Buffalo News Knight Newspapers have salved my conscience by giving much of my life to William B. Dickinson Robert Lasch causes, boards and agencies that have had as their objective Philadelphia Bulletin St. -
William E. Keith Pipe Creek, Texas (830) 688-6675 [email protected]
William E. Keith Pipe Creek, Texas (830) 688-6675 [email protected] https://civa-artists.ning.com/profile/WilliamKeith?xg_source=activity Education_____________________________________________________________________ M.F.A. Savannah College of Art & Design (Georgia) 1990 B.F.A. Memphis College of Art (Tennessee) 1976 Professional Employment________________________________________________________ Professor of Art: Northwest Vista College, San Antonio, Texas 2015 – present Painting, Design II, Arts Appreciation (Internet) Associate Professor of Art: Northwest Vista College, San Antonio, Texas 2009 – present Painting, Drawing, Design II, Arts Appreciation (Internet), Arts Appreciation (Classroom) Coordinator of Faculty Development: Northwest Vista College, San Antonio, Texas, 2006 – Summer 2011 Coordinating professional development for adjuncts, tenure-track and full-time adjunct instructors Assistant Professor: Northwest Vista College, San Antonio, Texas 2005 – 2008 Co-Discipline Lead along with Mimi Duvall Art Department. Painting, Sculpture, Design I, II, III Arts Appreciation (Internet) Instructor: Northwest Vista College, San Antonio, Texas 2001 - 2004 Painting, Drawing, Sculpture, Design I and II, Arts Appreciation (Internet), Arts Appreciation (Classroom) Instructor: Palo Alto College, San Antonio, Texas; 1993 - 2000 Drawing I & II, Design I, Design II, Sculpture I, II & III and Arts Appreciation Instructor: Continuing Education, Palo Alto College, San Antonio, Texas; 1998 -1999 Web/Multimedia courses in Photoshop, -
Curriculum Vitae
CURRICULUM VITAE STEPHEN LOUIS KLINEBERG Professor of Sociology and Founding-Director of the Kinder Institute for Urban Research Department of Sociology, MS-28 Rice University 1401 Calumet, Unit #511 6100 Main Street Houston, Texas 77004 Houston, Texas 77005 713-665-2010 Office: 307 Sewall Hall Tel: 713-348-3484 Cell: 713-397-8521 Fax: 713-348-5296 Email: [email protected] Web: kinder.rice.edu Date and Place of Birth: 12 March 1940 New York City, New York Education: Haverford College 1957–1961 B.A. in Psychology The University of Paris 1962–1963 “Diplôme d’Études Supérieures en Psychopathologie” Harvard University 1961–1966 Ph.D. in Social Psychology (Dissertation: “The Structure of the Psychological Future: A Developmental Study”) Positions: Teaching Fellow, then Instructor; Department of Social Relations, Harvard University (1963–1966) Assistant Professor of Social Psychology; Department of Sociology, Princeton University (1966–1972) Associate Professor (tenured, 1974); Department of Sociology, Rice University (1972–1985) Professor; Department of Sociology, Rice University (1985–Present) Founding–Director, the Kinder Institute for Urban Research, Rice University (2010–Present) Courses Taught: Conceptions of Human Nature Environmental Sociology Social Change Sociological Research Methods Houston: The Sociology of a City Advanced Research Seminar: Annual Intellectual Foundations of the Social Sciences “Kinder Houston Area Survey” Honors and Awards: Elected to Phi Beta Kappa at Haverford College (1961). B.A. awarded with “High Honors in Psychology,” Haverford College (1961). Woodrow Wilson Fellowship (1961–1962). Stephen L. Klineberg—Vita (December 2017) Page 2 Alliance Française Scholarship (1962–1963). “Diplôme d’Études Supérieures” awarded with “Mention: Bien,” University of Paris (1963). -
Protected Landmark Designation Report
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department PROTECTED LANDMARK DESIGNATION REPORT LANDMARK NAME: The Angelo and Lillian Minella House AGENDA ITEM: IV OWNER: Ben Koush HPO FILE NO.: 06PL20 APPLICANT: Ben Koush DATE ACCEPTED: Feb-13-06 LOCATION: 6328 Brookside Drive – Simms Woods Addition HAHC HEARING DATE: Feb-23-06 30-DAY HEARING NOTICE: N/A PC HEARING: Mar-02-06 SITE INFORMATION Lot 12, Block 6, Simms Woods Addition, City of Houston, Harris County, Texas. The site includes a historic one-story, concrete block residence and concrete block garage. TYPE OF APPROVAL REQUESTED: Protected Landmark Designation for residence and garage. HISTORY AND SIGNIFICANCE SUMMARY The Minella House is a significant example of modern, residential architecture as it evolved in mid- twentieth century Houston. It is significant because of its unusual all masonry construction, contemporary design by Houston architect, Allen R. Williams, Jr. It is an example of the Century Built Homes, variations on a standark design, of which the Minella House seemed to be most fully resolved. Its owners, Angelo and Lillian Minella, owned and operated a plumbing supply company in the East End for decades. HISTORY AND SIGNIFICANCE Lillian and Angelo Minella were originally from the Boston area. Minella worked as a plumber at 366-374 Washington Street in the 1930s in the Brighton Center, Massachusetts commercial area, which had a large Italian-American population.i As late as 1942 Angelo and Lillian were listed in the Essex County City Directory as living on Stanwood Avenue in Gloucester, Massachusetts.ii The Minellas probably left for Texas shortly thereafter. -
Analysis of the Front Page of the Houston Post And
ANALYSIS OF THE FRONT PAGE OF THE HOUSTON POST AND HOUSTON CHRONICLE BEFORE AND AFTER THE PURCHASE OF THE HOUSTON POST BY TORONTO SUN PUBLISHING CO. By C. FELICE FUQUA Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1983 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE May, 1986 Tk&si~_, l '1 <3'(p F Q, ANALYSIS OF THE FRONT PAGE OF THE AND HOUSTON CHRONICLE BEFORE AND AFTER THE PURCHASE OF THE HOUSTON POST BY TORONTO SUN PUBLISHING CO. Thesis Approved: Dean of the Graduate Collegec 1251246 ii PREFACE This is a content analysis of the front page news content of the Houston Post and the Houston Chronicle before and after the Post was bought by Toronto Sun Publishing Co. The study sought to determine if the change in ownership of the Post affected the newspaper's content, and if the news content of the Chronicle also had been affected, producing competition between two traditionally noncompetitive newspapers. Many persons made significant contributions to this paper. I would like to express special thanks to my thesis adviser, Dr. Walter J. Ward, director of graduate studies in mass communication at Oklahoma State_ University. I also express my appreciation to the other members of the thesis committee: Dr. Wi~liam R. Steng, professor of journalism and broadcasting, and Dr. Marlan D. Nelson, direc tor of the School of Journalism and Broadcasting. I very much enjoyed working under Dr. Nelson as his graduate assis assistant. -
Men of Affairs of Houston and Environs : a Newspaper Reference Work
^ 1Xctt)S|japer :ia;jg« '*ri'!iT Pi HMiMlhuCTII MEN OF AFFAIRS ;. AND REPRESEI^TaTIVE INSTITUTIONS OF HOUSTON AND ENVIRONS Digitized by tine Internet Arciiive in 2011 witii funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/menofaffairsofhoOOhous ^ A Newspaper Reference Work mmm m TIHIE IHIOPSTOM FEESS CLUJE W. H. CoYLE & Company printers and stationers Houston. Texas f 39 H (*) ^ e 5 -^1 3 H fo ^ HE HOUSTON PRESS CLUB " herewith presents a book of photographs and hfe sketches of business and professional men of Houston and environs—men who are performing their share in the world's work. Our purpose, rather than to give any citizen or enterprise an undue amount of publicity, IS to provide for metropolitan newspaper libraries throughout the coun- try a work of reference on Houston citizens. All vital facts in the biographies have been furnished by the subjects themselves; so that this book is as nearly correct as anything of the sort ever published. May 1 St, 1913 (5) r A Newspaper R e f e e n c e Work HARRY T. WARNER PRESIDENT HOUSTON PRESS CLUB ARRY T. WARNER, first and incumbent president _n. of the Houston Press Club, managing editor of the Houston Post, was born at A'lontgomery, Alabama, and at an early age was brought by his parents to Texas; entered the newspaper business at 12 years of age at Austin, Texas, as a galley boy on the Austin States- rnan (1882); served his time as a printer; made a tour of the principal cities of Texas and of the East and then became con- nected with the editorial department of the Houston Post, with which paper he has remained in various managerial capacities for twent>' years. -
Protected Landmark Designation Report
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department PROTECTED LANDMARK DESIGNATION REPORT LANDMARK NAME: Whitaker-Graliano-Brown House AGENDA ITEM: III OWNER: Estate of Michael K. Brown HPO FILE NO: 13PL117 APPLICANT: Randy Pace DATE ACCEPTED: 09/05/2013 LOCATION: 400 Cordell Street – Brooke Smith Addition HAHC HEARING: 09/12/2013 SITE INFORMATION Lot 6, Block 26, Brooke Smith Addition, City of Houston, Harris County, Texas. The site includes a historic one-story, wood frame, bungalow style, single family residence. TYPE OF APPROVAL REQUESTED: Landmark and Protected Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Whitaker-Graliano-Brown House is located at 400 Cordell Street in the Brooke Smith Addition. It was built in 1918 in the bungalow style but features unusual neo-classical elements. It was built for Lee Roy Whitaker, who was part of the working class attracted to the affordable and desirable location of the newly developed neighborhood. The house was subsequently owned for three decades by the Graliano family who were Italian immigrants to the United States. Michael K. Brown, the collection curator for Bayou Bend, the former home of Miss Ima Hogg, also owned the home for over 30 years. Brooke Smith Addition was platted in 1905 and expanded with a second phase that was platted in 1906 by Brooke Smith of Brownwood, Texas. Smith was a pioneer Brownwood merchant and banker, and mayor, whose investments included land, oil and mining throughout Texas. In 2004 a historical marker was erected by the Texas Historical Commission to honor Brooke Smith in Brownwood, Texas. The Whitaker-Graliano-Brown House meets criteria 1, 3, 4, 5 and 6 for Landmark and Protected Landmark Designation.