DOCSLIB.ORG

With the Moon on Their Wings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
With the Moon on Their Wings WITH THE MOON ON THEIR WINGS ONLINE CATALOGUE AND BIDDING INFORMATION PRIVATE VIEW SALES • A certain number of lots will be available at fixed prices to purchase at the private view. These lots are marked in green in the online and paper catalogues. BIDDING • Most of the lots in the exhibition will be purchased through a silent auction running from the Private View on 4th March through to the beginning of the Gala Auction on March 26th. • There are two ways of bidding: • By filling in the form in the Gallery itself, outbidding the person above you on the list by roughly 10%. • By emailing Edward Williams on [email protected] giving your name, phone number and bid. GALA AUCTION • Twelve lots will be auctioned at the Gala event on March 26th. These lots are clearly identified in the exhibition in red and on the online catalogue. There is a reserve price for each and bidding will start at 10% above that reserve. • In the auction you can either bid: • In person • By leaving a commission bid (emailed to [email protected] ) MICHAEL ANGOVE • Michael undertook his first degree at Winchester School • Michael Angove's work is an exquisite celebration of of Art, where he gained several awards for his hand- the rare and revered art of trompe l'oeil drawing. Each carefully chosen object is rendered with a finely drawn designs. He received an MA in textile design from sharpened colour pencil onto paper - a space he calls the Royal College of Art. After his Masters degree, 'The Empty Room'. Concerned with identity, society and Michael went on to work for Jean Paul Gaultier, Hugo solitude, Angove's cerebral anecdotes initiate a Boss and Antonio Marras while based in Italy. He is now conversation. Drawing inspiration from The Georgian Visiting Tutor in Printed Textiles at the RCA. Era, The Age of Enlightenment and The Royal Court, legacy and heritage are central themes to Angove's He is also passionate about drawing and has exhibited practice. his exquisitely detailed trompe l’oeils at Art London, the 20/21 art fair in London, Art Chicago and the AAF in New • He has recently moved into exploring a more abstract expression in oil, ink and acrylic. York that year. He has most recently exhibited at the Catherine Miller Gallery in London. LOT 1 – RELIQUARY (PENCIL ON HOT-PRESSED ARCHIVE PAPER - 52X55 - FRAMED) MICHAEL ANGOVE PV FIXED PRICE £2.000.00 To purchase please email: [email protected] LOT 2 – VELLICHOR MOON (PENCIL ON ARCHIVE PAPER, 73X93 - FRAMED) MICHAEL ANGOVE CURRENT PRICE £2,400.00 To bid please email: [email protected] LOT 2A – GREY SKY (PENCIL ON ARCHIVE PAPER, 73X93 - FRAMED) MICHAEL ANGOVE CURRENT PRICE £1,200.00 To bid please email: [email protected] LOT 3 – A QUIET REQUEST (PENCIL ON ARCHIVE PAPER WITH 24CT GOLD TRIM – 55X60 - FRAMED) MICHAEL ANGOVE AUCTION START PRICE £1,200.00 To bid please email: [email protected] LOT 4 – A SMALLER BRAVERY (PENCIL ON ARCHIVE PAPER – 50X45 – FRAMED) MICHAEL ANGOVE SOLD LOT 5 – SOLILOQUY (PENCIL ON ARCHIVE PAPER – 43X50 – FRAMED) MICHAEL ANGOVE AUCTION START PRICE £1,700.00 To bid please email: [email protected] LOT 6 – BECAUSE YOU’RE WORTH IT (INK ON HB ARCHIVAL PAPER - 96X88 – FRAMED) MICHAEL ANGOVE CURRENT PRICE £720.00 To bid please email: [email protected] LOT 7 – WONDERFUL EVERYDAY (INK ON HB ARCHIVAL PAPER - 96X88 – FRAMED) MICHAEL ANGOVE CURRENT PRICE £720.00 To bid please email: [email protected] JACK DOHERTY • Born in Co Derry, Jack Doherty studied at the Ulster • Jack makes porcelain vessel forms that are thrown on College of Art and Design in Belfast wanting to be a the potter's wheel then carved and shaped when the painter, but after a visit to Lucie Rie's studio he decided clay is soft to reflect the fluidity of the material and he wanted to make pots for a living. On graduating he physicality of making. The elemental colour and worked at Kilkenny Design Workshops before surface texture are created by the fusion of fire and establishing his first studio in Co Armagh and then soda in the intense heat of the kiln, leaving behind a relocated to Herefordshire. From 2008 - 2013 Jack subtle palette of smokey grey, lemon, russet and was the first Lead Potter and Creative Director at the turquoise. refurbished Leach Pottery in St Ives, Cornwall where • We congratulate Jack on being nominated finalist in he established the production studio. Jack now lives the prestigious 2020 Loewe Foundation Craft Prize. and works from his home and studio in Mousehole, Cornwall overlooking the sea. LOT 8 – CONICAL VESSEL 1 (26CM D) JACK DOHERTY AUCTION START PRICE £270.00 To bid please email: [email protected] LOT 9 – CONICAL VESSEL 2 (15CM D) JACK DOHERTY SOLD LOT 10 – TRIANGLE FORM (25CM D) JACK DOHERTY AUCTION START PRICE £300 To bid please email: [email protected] LOT 11 – TAIL RIBBED VESSEL (16CM H) JACK DOHERTY CURRENT PRICE £230.00 To bid please email: [email protected] LOT 12 – ROUND FORM (12CM H) JACK DOHERTY CURRENT PRICE £150.00 To bid please email: [email protected] LOT 13 – TEABOWL (8CM H) JACK DOHERTY SOLD ALAN FEREBEE • Alan is self taught and has been painting full time since 2000 • Alan paints loose oil urban landscapes and figures. having previously worked in the Civil Service. In 2001 he Having selected his subject, the first priority is to get entered his first exhibition, the C21 Watercolour Exhibition at local colours onto the canvas which establishes the The Bankside Gallery and his painting 'The Monument' was component blocks of the subject. He then starts voted best in exhibition by readers of The Artist Magazine. working on picking out darks and lights to create contrast and movement. At this point he will often • He has had work sold through The Ruiz Gallery (Ely), The Hicks break down the painting to loosen the shapes and Gallery (Wimbledon), The John Arthur Gallery (Dorking) and edges. Important areas get reworked often with The Claremont Gallery (Sevenoaks) and has also exhibited at drawing elements introduced until he is satisfied that The Mall Gallery (The Marine Artists & the New English Art he has captured the mood he is seeking. Club) and The Llewellyn Alexander in The Alternative Summer Exhibition. LOT 14 – WAITING (40X40 OIL ON WOOD PANEL UNFRAMED) ALAN FEREBEE CURRENT PRICE £155.00 To bid please email: [email protected] LOT 15 – SIGNS (50X50 OIL ON WOOD PANEL UNFRAMED) ALAN FEREBEE CURRENT PRICE £275.00 To bid please email: [email protected] LOT 16 – TEXT (50X50 OIL ON CANVAS UNFRAMED) ALAN FEREBEE PV FIXED PRICE £325.00 To purchase please email: [email protected] LOT 17 – WALNUT OIL (25X25 OIL ON CANVAS UNFRAMED) ALAN FEREBEE SOLD LOT 18 – BLUE BUICK (180X60 OIL ON CANVAS UNFRAMED) ALAN FEREBEE AUCTION START PRICE £780.00 To bid please email: [email protected] LOT 19 – PINK STRIPES (50X50 OIL ON WOOD PANEL UNFRAMED) ALAN FEREBEE SOLD LOT 20 – BLACK COAT (50X50 OIL ON CANVAS UNFRAMED) ALAN FEREBEE CURRENT PRICE £275.00 To bid please email: [email protected] LOT 21 – SWIMMER (50X50 OIL ON WOOD PANEL UNFRAMED) ALAN FEREBEE AUCTION START PRICE £265.00 To bid please email: [email protected] ALICE HEATON • After receiving a First Class Honours in Design Crafts • Taking inspiration from organic forms in the natural in 2016 at De Montfort University, Alice is now based in world with a focus on movement, Alice produces Cheshire, designing and working primarily with hot richly colourful and dynamic individual blown glass. sculptural pieces. Colour is applied ‘in the moment’ as with a painters brush so it’s bright and fun, and • She has exhibited widely including at ‘The Great stylistically linked to the print-works she also Northern Contemporary Craft Fair 2017’, ‘Rising Stars’ develops. New Ashgate Gallery 2017, ‘Emerging Designers’ Hatfield House 2017, Leeds Craft Centre & Design Gallery, 2017; various ‘Made by Hand’ exhibitions and the Winter Art and Antiques Fair at Olympia. LOT 22 – YELLOW FLAME (35CM H) ALICE HEATON AUCTION START PRICE £115.00 To bid please email: [email protected] LOT 23 – LARGE PURPLE FLAME (30CM H) ALICE HEATON PV FIXED PRICE £200.00 To purchase please email: [email protected] LOT 24 – SMALL BLUE PEBBLE (20CM D) ALICE HEATON CURRENT PRICE £100.00 To bid please email: [email protected] LOT 25 – PINK WOOD AND GLASS TOPPER (15CM H) ALICE HEATON CURRENT PRICE £75.00 To bid please email: [email protected] LOT 26 – GREEN WOOD AND GLASS TOPPER (15CM H) ALICE HEATON SOLD LOT 27 – YELLOW CHARGER (35CM –D) ALICE HEATON AUCTION START PRICE £85.00 To bid please email: [email protected] LOT 28 – GREEN MEDIUM PEBBLE (20CM D) ALICE HEATON SOLD LOT 29 – TALL PINK (43CM H) ALICE HEATON CURRENT PRICE £100.00 To bid please email: [email protected] LOT 30 – SMALL PINK (25CM H) ALICE HEATON CURRENT PRICE £45.00 To bid please email: [email protected] ANNA SIMMONS • Anna has painted all her life, but she did not • Anna Simmons paints in oil. Her main interest lies in receive a formal training in her youth. After her creating a sense of space and light in an architectural children had left home, she studied at St. background. Inclusion of figures is important: adding a further dimension – a kind of bridge between worlds. Martin’s and this period inspired a particular direction in her work which continues today.
Load more

Recommended publications
  • Jack Doherty
    STEP-BY-STEP Masterclass finished my ceramics training in Belfast in 1971 and with have worked as a potter for almost 50 years. Someone recently mentioned to me that it is unusual these days Ifor someone to spend their working life in the same job. While making pots has always been at the core of my life, ceramics has given me many opportunities beyond the studio. To learn new things, to travel and teach, and to be involved in projects that have created new opportunities Jack for makers to promote and sell their work. I was Chair of the Craft Potters Association (CPA) for a total of 12 years and was involved with the first CPA fair in Cheltenham and one of the small team who helped establish Earth and Fire at Rufford. I was a founder member and Chair of the Ceramic Art London organising Doherty committee. At that time, I felt very conscious of the need for a fresh platform to celebrate the expanding range of contemporary ceramics. A highlight of that period was my year as guest editor of Ceramic Review. In November 2019, I will be leading the first International Soda-firing Ceramics Festival at Fuping in Shaanxi, China. My work life (I refuse to call it a career) has for years been on a geographical downward slide. It started at the top of the map of the British Isles, I was born on the north coast of Northern Ireland, but have gradually slipped south via Kilkenny, Armagh and Herefordshire to Cornwall. I went to St Ives as the first lead potter and creative director at the refurbished Leach Pottery.
    [Show full text]
  • TRADE UNIONISM and SECTARIANISM A1'k)NG DERRY SHIRT WORKERS 1920-1968 with Special Reference to the National Union of Tailors and Garment Workers
    TRADE UNIONISM AND SECTARIANISM A1'K)NG DERRY SHIRT WORKERS 1920-1968 With Special Reference to the National Union of Tailors and Garment Workers A thesis submitted for the degree of Doctor of Philosophy in the Faculty of Science, University of London. by Andrew Robert Finlay Department of Anthropology University College London 1989 BIRL LONDIN. UNIV. -1•- ABSTRACT The problem at the heart of this study is: to what extent and in what ways was the development of trade unionism in the Derry shirt industry influenced by sectarianism? This problem and my approach to it were elaborated in contradistinction to existing theories of trade unionism in Northern Ireland. According to the main theory, developed most cogently within traditional Irish marxism, trade unionism was thwarted by sectarianism. I suggest that this theory has more to do with the reductionist and evolutionist assumptions of its authors than with social reality and argue that the relationship between trade unionism and sectarianism Is better understood with an approach in which it is recognised that both of these institutions are constituted through the actions of concrete individuals who are themselves consituted by society, and in which priority is given to the meanings which individuals ascribe to their actions and predicaments. My- study is based on interviews with a sample of retired union officials and activists. My respondants were keenly aware of the Catholic-Protestant dichotomy, but, contrary to what traditional Irish marxists would lead one to expect, they did not regard sectarianism as a significant problem until the 1950s, My analysis of union growth and structure 1920-1952 largely confirmed this view: union densities compared favourably with clothing workers in Britain, and the main factors underlying fluctuations in membership were more or less the same as elsewhere in Britain.
    [Show full text]
  • ST IVES Development and Postgraduate Studies
    > 95mm > > 97mm > > BACK COVER: 100mm > > FRONT COVER: 100mm > 4 page DL brochure At the Leach Pottery our education work ranges from We are open to visitors all year round schools’ workshops and family sessions to professional Last admissions to museum 30 minutes before closing ST IVES development and postgraduate studies. Opening times Children & Families March - October Tate St Ives St Ives Ceramics During school holidays we hold regular Clay Days, Open every day Fore St 10.00 - 17.00, Sundays 11.00 - 16.00 for parents and children to share a hands-on making Barbara Hepworth Museum experience. During term time our Saturday morning November - February Royal Square club, Clay Station, allows children aged 6 to 12 to start to Treverbyn Rd Bus Station Open Monday - Saturday 10.00 - 17.00 Alexandra Rd Railway Station develop a more in depth understanding of working with Open Bank Holidays clay. We also work with schools and youth groups of St.Just B3306 Trenwith Car Park Christmas Closures: and Land’s End all kinds to deliver practical and educational workshops A3074 24, 25 & 26 December Higher Stennack throughout the year. Admission LEACH POTTERY Adults B3311 £5.50 adults Trelyon Ave Whether you are a professional, student or a keen amateur Hayle, Penzance and Redruth Lelant potter, an intensive week working in the environment of £4.50 concessions, inc. over 60s the professional studio within the historic Leach Pottery Children FREE when accompanied By Road is a unique experience. This is an opportunity to brush-up by an adult The Leach Pottery is located at Higher Stennack (B3306), on the upper outskirts of on particular techniques, explore new approaches, or just If you are a UK taxpayer you can Gift Aid St Ives, Cornwall.
    [Show full text]
  • Ceramics Monthly
    exposure for complete calendar listings see www.ceramicsmonthly.org 1 2 3 1 Jacob Foran’s The Death by Drowning of a Once Laughing Boy, 14 in. (36 cm) in height, ceramic, 2015. 2 Kensuke Yamada’s Head, 14 in. (36 cm) in height, stoneware, ceramic decals, 2015. “Small Ones,” at Cinema Gallery (www.cinemagallery.cc) in Urbana, Illinois, December 6, 2015– January 30, 2016. 3 Hannah McAndrew’s Tulip Dish, 10 in. (25 cm) in diameter, press-molded and slip-trailed red-earthenware clay, honey glaze, electric fired to cone 02, 2014. Photo: Shannon Tofts. 4 Zoe Hillyard’s orange mini bowl, 3½ in. (9 cm) in diameter, broken ceramic shards, hand- stitched silk fabric, polyester thread. Photo: Clash & Clash Photography. 5 Zoe Hillyard’s Tropical Vase, 13¾ in. (35 cm) in height, broken ceramic shards, hand-stitched silk fabric, polyester thread, 2013. 6 Hyu-jin Jo’s bowls, 6¾ in. (17 cm) in height, wheel-thrown, carved, 2015. 7 Paul Young’s Dovecot, 15¼ in. (39 cm) in height, ceramic, glaze. “September, October, November, and December Introductions” at the Craft Centre and Design Gallery (www.craftcentreleeds.co.uk) in Leeds, West Yorkshire, England, through mid-January 2016. 16 december 2015 www.ceramicsmonthly.org 4 5 7 6 www.ceramicsmonthly.org december 2015 17 exposure 1 2 3 4 5 1 Fausto Melotti’s vase, 11¼ in. (29 cm) in height, ceramic, enamel, polychrome, ca. 1950. 2 Fausto Melotti’s vase, 17 in. (44 cm) in height, ceramic, enamel, polychrome, ca. 1950. 1–2 Copyright: Fausto Melotti archive. Photos: Fondazione Fausto Melotti.
    [Show full text]
  • Full Conference Programme
    DIG!The value of archaeology for society and the economy KILKENNY DUBLIN WATERFORD November 5th-9th2018 Programme of events Dig! With 24 events, spread over 5 days, 46 leading archaeologists, architects and artists will aim to answer two key questions. Firstly, in what ways does archaeology impact positively on our society and economy? And secondly, how can this be sustainably deepened? CPD Points: Attendance at the conference is recognised by the IAI under their CPD programme (1 point per hour of attendance) The RIAI have ascribed 8 structured CPD points for attendance at this event (Nov 5th – 1 point, Nov 7th – 3 points, Nov 8th – 4 points) Dig is a collaboration between the Heritage Council, the Department of Culture, Heritage and the Gaeltacht, the Department for Communities NI, Fáilte Ireland, the Institute of Archaeologists of Ireland, Transport Infrastructure Ireland, and Dublin City Council. Other supporters include Archaeology Ireland, Kilkenny County Council, The Hugh Lane Gallery, The Design & Crafts Council of Ireland, Sustainable Nation Ireland and the OPW. It is coordinated by the Irish Walled Towns Network and is receiving support from Creative Ireland. Dig is a key part of the programme of events for the European Year of Cultural Heritage 2018 the value of archaeology for Dig! society and the economy Programme in brief Monday, 5th November Location: Kilkenny 12am-7.30pm Delegate registration in Langtons Hotel 1pm-3.30pm Tour of Medieval Mile Museum, Rothe House Garden and Talbot’s Tower with Cóilín Ó Drisceoil. Meet at
    [Show full text]
  • 15 New Hampshire Wildcats (6-0-2, 0-0-0 America East) No
    #15 New Hampshire Wildcats (6-0-2, 0-0-0 America East) No. Name Yr. Pos. Ht. Hometown/Previous Team UNH 0 Tomeu Pocovi So. GK 6-0 Mallorca, Spain/RCD Mallorca SCHEDULE & RESULTS 1 Alejandro Robles Gr. GK 6-1 Monterey, Mexico/Tigres 2 Jonny Wolf So. M/B 5-11 Hopkinton, Mass./New England FC 3 Alan Kehoe Sr. M 5-7 Dublin, Ireland/Longford Town AUGUST 4 Victor Menudier Jr. B 6-2 Limoges, France/Presbyterian College 5 Josh Bauer Jr. B 6-1 Bedford, N.H./Global Premier Soccer NH 9 Chris Arling Sr. F 6-2 Windham, N.H./New England Revolution Academy 29 Thur. vs. Boston University W, 1-0 10 Linus Fallberg Jr. M 5-11 Jonkoping, Sweden/Jönköpings Södra IF 11 Bilal Kamal Fr. M 5-8 London, England/Norwich City U23 SEPTEMBER 12 Lukas Rubio Jr. M 5-8 Liverpool, N.Y./Syracuse University 13 Donnett Sackie Sr. F 6-3 Monrovia, Liberia/Seacoast United Phantoms 2 Mon. at Providence W, 2-1 14 Jack Doherty Sr. F 5-9 Meriden, N.H./Kimball Union Academy 15 Dylan Maxon Fr. M 5-7 Clifton Park, N.Y./Oakwood SC 16 James Thomas Gr. B 5-8 Woking, England/Young Harris College 6 Fri. at Colgate T, 0-0 (2OT) 17 Jacob Gould Jr. F/M 6-0 Exeter, N.H./Exeter H.S. 18 Jacob Mannix Gr. M 5-10 Longmeadow, Mass./Oakwood Soccer Club 8 Sun. at Syracuse T, 2-2 (2OT) 19 Chris Pinkham So. F/M 5-10 Concord, N.H./Seacoast United Academy 20 Brandon Garland Sr.
    [Show full text]
  • Theatre and Arts Leach Restoration
    http://www.bbc.co.uk/cornwall/content/articles/2008/02/18/theatre andarts_leachrestoration_feature.shtml Theatre and Arts You are in: Cornwall > Entertainment > Theatre and Arts > Leach Restoration Leach Restoration Final preparations are currently taking place in St Ives as the internationally renowned Leach Pottery prepares for its reopening at the beginning of March following a sympathetic £1.7 million redevelopment and transformation. Following a sympathetic redevelopment, Leach Pottery will once again become an international centre with the creation of a new pottery training and business incubation facility, education resources and a showcase gallery, all of which will celebrate the life, work, influences and legacy of its famous creator. Bernard Leach The Pottery’s founder, Bernard Leach, was one of the great figures of 20th Century art, playing a crucial pioneering role in developing ceramics in Britain and around the world. Bernard Leach was born in the East and educated in the West. As he trained first as an artist in London and then as a potter in Japan he became fascinated by the two cultures that seemed so different. His continued work and experience in Japan and Korea and the establishment of the Leach Pottery in St Ives in 1920 led to the development of his 1 reputation as a key pioneering figure in the ceramics world. Collaborating with a young Japanese potter, Shoji Hamada, Leach built the first oriental climbing kiln in the West. The old store cupboard Over the course of fifty years Leach taught, wrote and trained other potters in the great art, combining Japanese and European aesthetics through his work.
    [Show full text]
  • Clay Times Back Issue Index • Updated February 2008
    Clay Times Back Issue Index • Updated February 2008 A "A Ben Waterman Project: Reckoning of Mile", Drop City Gallery (Seattle WA), exhibition dates, 2008 Jan/Feb:17 "A Simple Handbuilt Basket" (Bill van Gilder), 2007 Nov/Dec:29-32 "A Taste of the Fire: Hints for Attending a Wood Firing Workshop" (Judi Munn), 2008 Jan/Feb:43-47 "A Tiny Studio and a Tall Extruder" (David Hendley), 2007 Nov/Dec:64 "A Twist on Tradition" exhibition . Virginia Artisans Center (Waynesboro VA) . call for entries, 2007 Jan/Feb:16 "A Women's Clay Project in Thailand: Building A Banana Leaf Kiln" (Barbara J. Allen), 2007 May/Jun:42-45 Aaron, John photo of, 2002 Nov/Dec:13, 2003 Jan/Feb:45 works photos, 2002 Jul/Aug:40, 2003 Jan/Feb:45 Aaron Lee Benson's Terra Sigillata Substitute (recipe), 1998 Nov/Dec:44 Aarons, James, works photos, 2002 Sep/Oct:41 Abel, Marianne, "Johnny Rolf: A Retrospective", 1997 Jan/Feb:32-34 Aberystwyth Arts Centre (Aberystwyth, Wales), "International Ceramics Festival", dates, 2001 Mar/Apr:7, 2007 Mar/Apr:16, 2007 May/Jun:15 Abigail's Blue Eyes glaze c/10, 1999 Jul/Aug:35 "About Pyrometers…" (Marc Ward), 2001 Mar/Apr:42 "About Wood-fired Pottery" (Jenna McCracken) (the work of Susan Beecher), 2006 Mar/Apr:55-58 Abright, Bill, works photos, 2006 Jul/Aug:62 Abromaitis, Karin, works photos, 2003 Mar/Apr:60 ACC, awards, 1999 Jan/Feb:7 ACC Baltimore, Winter Show dates, 2004 Jan/Feb:9 ACC Craft Show, dates, 1999 Jul/Aug:7 ACC Mentor Program, 2004 Jan/Feb:9 ACC Southeast Conference, dates, 2003 May/Jun:13 "ACC Southeast Regional Exhibition" call
    [Show full text]
  • Michael Moore
    Michael Moore reader Belfast School of Art Faculty of Arts, Humanities & Social Sciences Postal address: York Street Belfast Campus BT15 1ED Belfast United Kingdom Email: [email protected] Phone: +442895367213 Michael Moore CV. MM CV M i c h a e l M o o r e Ulster University, Belfast School of Art and Design, York St., Belfast BT 15 1ED, Northern Ireland. [email protected] www. michaelmooreceramics.com Position:Reader in Fine and Applied Arts, Ceramics, Ulster University. Member of the International Academy of Ceramics.International Alumni Chair, The Clay Studio, Philadelphia, USA. Education:1986-1990:BA National College of Art and Design, Dublin, Ireland. Art and Design Education, Ceramics.1999- 2002:MA National College of Art and Design, Dublin, Ireland. History of Art and Design, Ceramics.1999-2000:Pg.Cert National University of Ireland. Training in Special Needs Education.2015:Fellow UK Higher Education Academy. Selected Exhibitions from 2004: 2004 International Academy of Ceramics Members Exhibition, World Ceramics Exposition Foundation, Icheon Korea, 2004. Work acquired to collection. 2005 ‘Revealing Objects’, Naughton Gallery, Queens University, Belfast, UK.2005Irish Contemporary Ceramics National Touring Exhibition2005 ‘Not Just Pots, 21st Century Irish Ceramics’, National Museum of Ireland, Dublin. Reviewed in the Irish Arts Review. Work acquired for collection.2005‘Michael Moore Ceramique’ Carlin Gallery, Paris, reviewed in ‘La Revue de la Ceramique et du Verre’. 2006 Irish Contemporary Ceramics National Touring Exhibition.2006‘Marking the Landscape’ 2 person show with Prof. Terry Wright (University of Ulster), Maris Art Gallery, Perm, Russia. 2007 Irish Contemporary Ceramics National Touring Exhibition.2007‘17 Prime makers’,Feile Clai Established Makers Exhibition, Farmleigh Gallery, Dublin, Ireland, moving to Aberyswyth Arts Centre, Wales.2007'Made in Northern Ireland, A Dynamic for Change' S Dillon Ripley Centre, Smithsonian Institute, Washington DC, USA, (lead curator Megan Jonhston, Director, Millennium Court Arts Centre, N.
    [Show full text]
  • Waypoint; Vessels by Jack Doherty
    DOHERTY PORCELAIN Article: Ceramic Review Magazine Sea and Soda-fired Porcelain September/October 2015 Ceramics Ireland Magazine 2016 | www.making.ie Waypoint; vessels by Jack Doherty Place is latitudinal and longitudinal within the map of a person’s life. It is temporal and spatial, personal and political. A layered location replete with human histories and memories, place has width as well as depth. It’s about emotions, what surrounds it, what formed it, what happened there, what will happen there. Lure of the Local; a sense of place Lucy Lippard Waypoint was the title for a solo exhibition of soda-fired porcelain vessels by Irish potter, Jack Doherty. The exhibition was first shown in the harbour town of St Ives, Cornwall, at three historic locations associated with the fishing community. Referencing archetypal forms from prehistory Doherty makes vessels that are to do with function; containing, holding and storing, but not necessarily utility. He describes them as revealing qualities of art and utensil. Waypoint significantly draws on Doherty’s childhood experiences born into a family of fishermen on the north Antrim coast. By placing the vessel forms within a specific site the intention was to create a thoughtful space in which to view the work with sensitivity to the context of place. My collaborative partnership as a curator with Jack Doherty began with A Place in the World 2012. Here a house, also our home, provided an architectural framework and a domestic context to explore ideas around the social life of objects. Waypoint is our third project together showcasing a new body of work that extends beyond the boundaries of the conventional gallery space to connect with key historic sites in St Ives, Cornwall.
    [Show full text]
  • Title Designing 21St Century Standard Ware: the Cultural Heritage Of
    Title Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/8755/ Dat e 2 0 1 5 Citation Tyas, Matthew J. (2015) Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies. PhD thesis, University of the Arts London and Falmouth University. Cr e a to rs Tyas, Matthew J. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies Matthew James Tyas A thesis submitted in partial fulfilment of the requirements of University of the Arts London for the degree of Doctor of Philosophy November 2014 Falmouth University Abstract Abstract This practice-based research investigates the potential applications of digital manufacturing technologies in the design and production of hand-made tableware at the Leach Pottery. The methodology for the research establishes an approach grounded in my previous experience as a maker that is informed by an open, experimental, emergent, and responsive framework based on Naturalistic Inquiry. A critical contextual review describes the cultural heritage of Leach which, for the purposes of the research, is developed through the Leach Pottery as a significant site, the historical production of the iconic Leach Standard Ware and the contemporary production of Leach Tableware.
    [Show full text]
  • 40 Irish Crafts Are Profiled in 'Hands on – the Art Of
    TABLE OF CONTENTS Foreword 5 2. Year of Craft 2011 Counties Initiative 62 Executive Summary 6 3. CCoI Member Organisations Activity 66 Reports for 2011 Year of Craft 2011 Report 10 Blackstack Studio 67 Introduction to Year of Craft 2011 10 Ceardlann - Spiddal Craft And Design Studios 68 Partnership Approach 12 Ceramics Ireland 69 CCoI’s Strategic Plan 2010- 2012 13 CIT Crawford College Of Art & Design 70 and Year of Craft 2011 And Wandesford Quay Gallery Conclusion 16 Core Offaly Westmeath Craft and Design 71 Appendices: 18 Cork Textiles Network 72 1. Highlight Events and Activitiess 18 Craft & Design Collective 73 Official Launch of Year Of Craft 2011 19 Craft Granary 74 Showcase – Ireland’s Creative Expo 20 Donegal Designer Makers 75 Irish Craft Summit 21 Dun Laoghaire Rathdown Jewellery 76 Crafted Creatures at The Ark 22 Designers Network Cork Public Museum 23 Feltmakers Ireland 77 Craft Workshops at Big Day Out 24 Filament Fibre Artists 78 Knitting World Record 25 Fire Station Artists’ Studios 79 COLLECT 26 Handweavers Guild of Cork 80 Launch of Year of Craft 2011 Stamps 27 Institute of Designers in Ireland (IDI) 81 A Constant Thread 28 Ornament 29 Irish Artist Blacksmiths Association 82 Year of Craft 2011 TV Advert 30 Irish Basketmakers Association 83 West Cork Inspires 31 Irish Countrywomen’s Association (ICA) 84 Bruce Metcalf 32 Irish Patchwork Society 85 Celebrating Irish Ceramics Campaign 33 Irish Woodturners Guild (IWG) 86 Bloom In The Park 2011 34 Louth Craftmark Designers Network 87 Edmund de Waal Public Reading 35 MADE in
    [Show full text]