John Bannon Magic in the Netherlands Masterclass Letters
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The Magic Collection William E. King
Public Auction #022 The Magic Collection William E. King Including Vintage & Collectibleof Conjuring Apparatus; Association Items; Epemera & Posters; Magic Sets, Toys and Puzzles; Complemented by Posters, Ephemera, and Apparatus from Private Collections Auction Saturday, October 26th 2013 - 10:00 Am Exhibition October 23 - 25, 10:00 am - 5:00 pm Inquries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 King Collectors of “To collect,” Bill King wrote in an introductory essay to his book on money products as gifts. Thanks to Bill’s expertise, the bank uti- the magic of Bob Kline, “entails responsibilities beyond those achieved lized also magic principles for displays at trade and local home in mere accumulations of objects”—by which he meant the important shows. Several publications—among them banking magazines extra steps in research, organization, and preservation that were taken in producing his own mini museum. The following, adapted from a and The New York Times—were intrigued by all of this and ran 2001 article published in MAGIC Magazine, is a review of a visit to stories about his creative work. Mr. King’s home. We hope it provides additional context for his life Following this, Bill compiled two books, Folding Money Vol. and career in and out of magic. 1 and Vol. 2. In 1999, after collecting nearly every piece of work the man produced, Bill wrote and published The Artistic and Bill King’s hometown of Hagerstown, Maryland was the last Magical Life of Bob Kline, so others could appreciate Kline’s con- place on the planet you’d expect to find anything related to tributions to the art. -
Download PDF Van Tekst
Ik lieg de waarheid. De beste Kronkels Simon Carmiggelt Editie Sylvia Witteman bron Simon Carmiggelt, Ik lieg de waarheid. De beste Kronkels (ed. Sylvia Witteman). De Arbeiderspers, Amsterdam / Antwerpen 2007 (2de druk) Zie voor verantwoording: https://www.dbnl.org/tekst/carm002ikli02_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. 9 Woord vooraf Bij ons thuis werd het er al jong ingestampt: Reve, Elsschot en Carmiggelt, daar moest je ruimschoots en foutloos uit kunnen citeren. Wie dat niet kon, of erger nog, deze verafgode schrijvers wel gelezen had maar ‘niet zo leuk’ vond, werd beschouwd als een geestelijk minvermogende, en in ernstige gevallen zelfs van verdere conversatie buitengesloten. Nu was ik een vroegwijze boekenwurm met brilletje, maar De avonden en Lijmen/Het been waren toch voor mijn achtjarig brein moeilijk te verteren. Die lange stukken Frans bij Elsschot alléén al. En met Reves Frits van Egters voelde ik slechts een waakvlammetje van verwantschap toen hij stiekem uit de pan sudderlapjes snoepte. Maar Carmiggelt, daar was geen woord Frans bij. Die boekjes zagen er aantrekkelijk uit, tussen al die moeilijke grotemensenboeken op de kastplanken van mijn ouders. Er stond meestal een vrolijk plaatje op het kaft, en de inhoud was óók al zo geestig. Wat ik niet snapte sloeg ik gewoon over, er was tenslotte genoeg. Ik begon met de verhaaltjes die over dieren gingen. Veel beter dan in de beste kinderboeken beschreef Carmiggelt de overpeinzingen van een verlegen poes, een boze kip (‘Móói hoor, ze jatten hier je eieren’) of een bedroefd paard. -
Pressive Cast of Thinkers and Performers
Table of Contents Long Synopsis Short Synopsis Michael Caplan Biography Key Production Personnel Filmography Credit List Magicians & Scholars Cover design by Lara Marsh, Illustration by Michael Pajon A Magical Vision /Long Synopsis ______________________________________________________ A Magical Vision spotlights Eugene Burger, a far-sighted philosopher and magician who is considered one of the great teachers of the magical arts. Eugene has spent twenty-five years speaking to magicians, academics, and the general public about the experience of magic. Advocating a return to magic’s shamanistic, healing traditions, Eugene’s “magic tricks” seek to evoke feelings of awe and transcendence, and surpass the Las Vegas-style entertainment so many of us visualize when we think of magicians. Mentors and colleagues have emerged throughout Eugene’s globe-trotting career. Among them is Jeff McBride, a recognized innovator of contemporary magic, and Max Maven, a one-man-show who performs a unique brand of “mind magic” to audiences worldwide. Lawrence Hass created the world’s first magic program in a liberal arts setting, where his seminar has attracted an impressive cast of thinkers and performers. The film, however, is Eugene’s journey. It began in 1940s Chicago, a city already renowned as the center of classic magic performance. Yale Divinity School followed, leading Eugene to the world of Asian mysticism. From there came the creation of Hauntings, a tribute to the sprit theatre of the 19th century, and the gore of the Bizarre Magick movement. Today Eugene’s performances and lectures draw inspiration from the mythology of India to the Buddhism of magical theory. On this stage, the magicians and thinkers open doors to an astounding world, a world that we rarely take time to see. -
Eugene Burger (1939-2017)
1 Eugene Burger (1939-2017) Photo: Michael Caplan A Celebration of Life and Legacy by Lawrence Hass, Ph.D. August 19, 2017 (This obituary was written at the request of Eugene Burger’s Estate. A shortened version of it appeared in Genii: The International Conjurors’ Magazine, October 2017, pages 79-86.) “Be an example to the world, ever true and unwavering. Then return to the infinite.” —Lao Tsu, Tao Te Ching, 28 How can I say goodbye to my dear friend Eugene Burger? How can we say goodbye to him? Eugene was beloved by nearly every magician in the world, and the outpouring of love, appreciation, and sadness since his death in Chicago on August 8, 2017, has been astonishing. The magic world grieves because we have lost a giant in our field, a genuine master: a supremely gifted performer, writer, philosopher, and teacher of magic. But we have lost something more: an extremely rare soul who inspired us to join him in elevating the art of magic. 2 There are not enough words for this remarkable man—will never be enough words. Eugene is, as he always said about his beloved art, inexhaustible. Yet the news of his death has brought, from every corner of the world, testimonies, eulogies, songs of praise, cries of lamentation, performances in his honor, expressions of love, photos, videos, and remembrances. All of it widens our perspective on the man; it has been beautiful and deeply moving. Even so, I have been asked by Eugene’s executors to write his obituary, a statement of his history, and I am deeply honored to do so. -
Broward Center for the Performing Arts 2018-19 Calendar Listings
July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Broward Center for the Performing Arts 2018-19 Calendar Listings BrowardCenter.org Facebook.com/BrowardCenter @BrowardCenter #BrowardCenter Instagram.com/BrowardCenter Youtube.com/user/BrowardCenter The Broward Center for the Performing Arts is located at 201 S.W. Fifth Avenue in Fort Lauderdale in the Riverwalk Arts & Entertainment District. Performances are presented in the Au-Rene Theater, Amaturo Theater, Abdo New River Room, Mary N. Porter Riverview Ballroom and the JM Family Studio Theater. Ticketmaster is the only official ticketing service of the Broward Center. Buy tickets online at BrowardCenter.org and Ticketmaster.com; by phone at 954.462.0222; and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2AgZ45J. One of America’s premier performing arts venues, the Broward Center for the Performing Arts presents more than 700 performances each year to more than 700,000 patrons, showcasing a wide range of exciting cultural programming and events. -
College of Magic – Annual Report 2018
COLLEGE OF MAGIC Annual Report 2018 2018 College of Magic Annual Report 1 for theAnnual year ended 31 Report December 2018 Country of Incorporation South Africa Nature of Organisation The Association is a non-profit organisation incorporated in terms of the Non-profit Organisations Act 1977, on 9 December 1999. Registration Number 007-517 NPO PBO Number 930 019 992 Nature of Operations The aim of this organisation is to see lives and communities transformed through the provision of education and development programmes with a specific emphasis on educational enrichment and supplementary tuition targeting the full diversity of the South African Youth. The organisation achieves this objective through the medium of the performing arts, with an emphasis on magic and the allied arts. Street Address 215 Imam Haron Rd (formerly Lansdowne Rd) Claremont, 7700 Cape Town, South Africa Postal Address PO Box 2479 Clareinch, 7740 Cape Town, South Africa Telephone +27 21 683 5480 Website www.collegeofmagic.com Auditors Horwath Zeller Karro Chartered Accountants (S.A.) Registered Accountants and Auditors College of Magic ‘Walk-about performers’ entertain Artscape Theatre guests at the Imagine! Show, in June 2018. 2018 Chairman’s Report n the midst of difficult socio-economic the future of our country. At the College Iconditions in South Africa, the College of Magic, our aim is to see lives and of Magic stands as a shining light of hope communities transformed through the and joy as we continue to pour our skills, provision of education and development experience, time, passion and energy into programmes with a specific emphasis the lives of young people from diverse and on educational enrichment and challenging backgrounds. -
David Berglas – Interview Transcript
THEATRE ARCHIVE PROJECT http://sounds.bl.uk David Berglas – interview transcript Interviewer: Sue Barbour 7 December 2008 Magician. Auditioning; Kenny Baker; BBC; Burton Brown; Roy Castle; digs; Elizabeth and Collins; Carroll Gibbons and the Savoy Orchestra; Lew and Leslie Grade; hypnosis; Dean Martin; Meet David Berglas; Ruby Murray; Nationwide psychological experiments; Picture Post magic stunt; The Three Hellos; touring; Dickie Valentine; visits South Africa; Ronnie Waldman; Windmill Theatre. SB: This is Sue Barbour from the University of Sheffield interviewing David Berglas and, first of all, David I would like to ask you if you are in agreement for us to use this recording for the British Library Theatre Project and for use for future generations to learn about Variety Theatre? DB: Of course I am, depending on what you ask me but so far I am happy to sign it. SB: OK. First of all perhaps you could tell me a little bit about your background; where you were born? DB: Well, I never give a straight answer to that because it’s a bit complicated. It’s a bit like asking somebody, “Where were you born?” and they say in “China” because their parents happened to be in China at the moment and as a baby they were brought over and for the rest of their lives they have to say they were born in China and they say, “Oh, you’re Chinese”. “No, I’m not!” So I have to tell you that my Grandparents, my father’s parents, were from Poland and my mother’s parents from Russia and my father was born in a country between Austria and Czechoslovakia, which doesn’t exist anymore. -
Top Hat FINAL Vol 2 Issue 1
VOL 2 ISSUE 1 Jan ’12 www.magicbunny.co.uk A Word From ... CONTENTS … The Editor Darrel Mileson A Word From The Editor - Darrel Mileson 1 Magic As An Art - Joshua Westmeier-Shuh 2 When I was twenty two years old I was 60 Second Interview - Alex Radway 6 the Chairman of a National Youth Presentations for Demonstration of Memory camping meet. This is held in a different part using a Memorised Deck - Dan Cunningham 8 of the country each year (which means that Bizarre Magic, What is it? - Freddie Valentine 11 others are able to judge how well it is being run, The Predator Behind The Tree - Michael Jay 12 compared to previous events). Pseudo - Edward Sausagefingers 14 During the Opening Ceremony I introduced the For Instant Magic Just Add Water - Daniel Rose 18 dignitaries to the crowd of seven hundred A Few Words on Hypnosis - Aommaster 20 people. The local MP and Mayor were introduced without problems. Then, nerves kicked in. I introduced Mr Claude-Smith and his wife.....um.... Apart from this moment, when my mind went blank, the rest of the weekend proved to be a success. As Chairman I was the one people came to thank. However, I had to point out that the people who did the real work were the team I had behind me. Twenty four years later I find myself in the same position with the original Top Hat series in collation. Without the vision and hard work of Jon Snoops Top Hat Volume 2 would not exist. Jon, on behalf of myself and everybody who has ever read the original Top Hat, I offer a big "Thank You" for putting all the time and effort into make such a quality publication. -
Vol.20 No.1 Sept 11
Vol. 20 No. 1 September 2011 Tip Of The Month: If you want to work through agents and they need you to send some of your publicity to them, you need to supply them with cards, brochures and flyers that do NOT have your own personal contact details on them. The agents will only pass the publicity on if it has THEIR contact information shown on the materials. MOST POPULAR Featuring the most purchased products from my range Forever Flapping Plus This E-Book started off life as a comb bound printed book called In A Flap. A sequel called Still Flapping was published a few years after the original one appeared and then eventually both books were amalgamated and supplemented with a whole load of extra material to become Forever Flapping Plus. If you are interested in the possibilities that gimmicked envelopes can provide, then this E-Book is a perfect starting place. It gives construction details of 9 different individual gimmicked envelopes with loads of routines using them, plus there is a whole range of further effects in- cluded in which regular envelopes play an important yet unobtrusive part. Included in this book are details of both the Leveridge Envelope and the Utility Switch Envelope, both of which I feel on their own are worth more than the price of the entire book as they are so versatile and effective. Price: £15.00 Here are last month’s top 5 selling products CD Illustrated Promo Card The Caught Seeing Is This One, That Catalogue - free Sticker Packs - Card - £5 Believing - £5 1 - £8 £6 www.markleveridge.co.uk Vol. -
Duane Laflin Magician and Illusionist S.A.M.S.A.M
June 2013 Official Publication of The Society of Young Magicians DUANE LAFLIN MAGICIAN AND IllUSIONIST S.A.M.S.A.M. SSPOTLIGHTPOTLIGHT Whats on the Web WWA brief look at what’s happening in magic on theW Internet Magic in Mind by Joshua Jay One of the most significant collections of magic theory ever assembled …and it’s yours, FREE! (See info on back cover the go to the link below to download) Download by going here http://www.vanishingincmagic.com 2 June 2013/The Magic SYMbol CONTENTSWHAT’S INSIDE 2 Spotlight - Convention Ad/What’s on the Web t10 Loopy Links 4 Letter From the Editor 11 Member Profile 5 SYM Member Essay - Duane Laflin 12 SYM Pin Program 6 International Magic Festival 13 SYM Pin Program 7 Coin Through Glass 14 Magic in Mind by Joshua Jay 8 S.Y.M. Pin Program Update 9 Six Spell Magic in Mind S.Y.M. WEBSITE S.A.M. WEBSITE www.magicsym.com www.magicsam.com The Society of Young Magicians (S.Y.M.) sponsored by The Society of American Magicians, is a world-wide organization for youth, ages 7 through 17. (At age 18 you graduate to membership in The Society of American Magicians.) The purpose of S.Y.M. is to promote interest in magic as a wholesome hobby that will help develop self-confidence and skill, the ability to speak in pub- lic, discipline that comes from learning, practicing and performing magic, and a sense of service to others through helping others learn magic and by performing magic at charitable events. -
Fall Magic Auction
Public Auction #027 Fall Magic Auction Featuring Personal Artifacts and Memorabilia From The Career of Channing Pollock and The Library of James B. Alfredson Complemented by a Selection of Collectible Magicana Auction Saturday, November 1, 2014 v 10:00 Am Exhibition October 29 - 31 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 Channing Pollock Channing West Pollock (1926 – 2006) was one of the most Snow-white birds materialized from the hands of the tall, dark, sophisticated, professional, accomplished—and imitated— and handsome magician. Then they vanished, along with the magicians of his generation. cage that held them. He began studying magic at the age of 21. Upon Pollock’s popularity was not only derived from his sleight of graduation from the Chavez College of Manual Dexterity hand technique, however. Often billed as “the most handsome and Prestidigitation in 1952, he was regarded as its most man in the world,” his appeal to general audiences led him into accomplished pupil and soon held a teaching position at starring roles in European films such as Judex and Rocambole, the school, but quickly moved on to a storied career in show and to regular appearances in American television on a number business. In 1954, he appeared on Ed Sullivan’s famous of popular programs. television variety show. Soon thereafter, Pollock went on to Although Pollock retired from show business completely conquer American stages, and then set his sights abroad to in 1969, he never lost his love for magic. -
Michael Vincent 22Nd February 2018
The Tapestry of Deception Michael Vincent 22nd February 2018 0:02:15 Academy Welcome 0:02:50 Lesson Introduc8on 0:09:00 Misdirec8on 0:12:15 The Tapestry of Decep8on 0:16:30 Overview 0:22:05 The Individual Threads of Magic 0:28:10 Strong Magic 0:46:25 Strong Effects 0:47:05 Mee8ng the Master - Slydini 0:49:50 Derek Dingle - Card under Glass 0:52:25 What is Misdirec8on? 0:54:30 Funner Color Stunner - Paul Harris/David Williamson 1:06:50 Alan Alan - “The Ini8a8on of Trains of Thought” 1:11:10 Fred Kaps - “I mis-direct even when I don’t need to” 1:16:40 Performing Context 1:21:45 Darwin Or8z 1:23:20 Sky Hooks - from John Ramsay’s Coins in the Hand rou8ne 1:37:45 Ques8on: How to stop the coins “talking” 1:40:55 Break (Ends: 1:42:15) 1:42:55 Ques8on: How does scrip8ng help with the clarity of the effect? 1:44:25 Ques8on: Do you have an example of a rou8ne that you know the audience will care about? 1:44:50 Smiling Mule - Roy Walton 1:53:35 Ques8on: Do you recommend any gaff coins for anyone not used to coin magic? 1:54:30 The Greatest Computer Ever Invented 2:00:30 The Ebb and Flow of Tension and Relaxa8on 2:04:40 Card under Glass - Loading the card - Derek Dingles handling of Larry Jenning’s Angle Steal 2:07:45 The Changeling 2:15:05 Two Card Monte 2:22:05 Recap of Bluff ShiI and Ultra move from The Changeling 2:23:20 Misdirec8on and physical technique 2:27:05 Tommy Tucker Pass 2:31:00 Applicaon 2:31:30 Signed Card to Sealed Envelope - Ron Wilson 2:46:20 The Signed Card - Brother John Hamman 2:55:10 Recap of the Angle Steal 2:59:10 Midnight ShiI