The Place for Poetry 2015-Full Programme
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HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
For the Best Collection of Poetry Published in 2020
For the best collection of poetry published in 2020 The Shortlist Readings and announcement of the winner In partnership with the Southbank Centre Sunday 24th January 2021 The Prize To mark the 25th anniversary of the Prize in 2017, The T. S. Eliot Foundation increased the prize money to £25,000, making it the most valuable prize in British poetry, with the ten shortlisted poets receiving £1,500. The Prize is awarded annually to the writer of the best new poetry collection published in the UK or Ireland. It is unique as it is always judged The T. S. Eliot Prize was set up in by a panel of established poets and it has 1993 by the Poetry Book Society to been described by Sir Andrew Motion as celebrate its founding father. The ‘the Prize most poets want to win’. Prize is now funded and administered The Prize has also commissioned high by The T. S. Eliot Foundation, a quality videos with 5 poems and an charity which was set up following interview with the poets, available from the the death of Valerie Eliot in 2012 to website at tinyurl.com/t6thkju. promote the poet's work and legacy. Since the announcement of the shortlist on 15 October 2002, the Prize has sent The Poetry Book Society was founded out weekly newsletters releasing the videos, in 1953 by T. S. Eliot and friends to reviews, links to the readers' notes and encourage more people to read and newly commissioned reviews at enjoy contemporary poetry. The tinyurl.com/y47gsbmw. charity has closed down, but as part of The 20th anniversary of the T.S. -
Poetic Reformulations of Dwelling in Jo Shapcott, Alice Oswald, and Lavinia Greenlaw
Homecomings: Poetic reformulations of dwelling in Jo Shapcott, Alice Oswald, and Lavinia Greenlaw Janne Stigen Drangsholt, University of Stavanger Abstract In the study The Last of England?, Randall Stevenson refers to the idea of landscape as “the mainstay of poetic imagination” (Stevenson 2004:3). With the rise of the postmodern idiom, our relationship to the “scapes” that surround us has become increasingly problematic and the idea of place is also increasingly deferred and dis- placed. This article examines the relationship between self and “scapes” in the poetries of Jo Shapcott, Alice Oswald and Lavinia Greenlaw, who are all concerned with various “scapes” and who present different, yet connected, strategies for negotiating our relationships to them. Keywords: shifting territories; place; contemporary poetry; postmodernity In The Last of England?, Randall Stevenson points to how the mid- century renunciation of empire was followed by changes that need to be understood primarily in terms of loss. Each of these losses are conceived as marking the last of a certain kind of England, he says, and while another England gradually emerged, this was an England less unified by tradition and more open in outlook, lifestyle, and culture, in short, a place characterised by factors that render it more difficult to define (cf. Stevenson 2004: 1-10). Along with these losses in terms of national character, Stevenson holds, the English landscape also seemed to be increasingly imperilled. While this landscape had traditionally been “the mainstay of poetic imagination” it now seemed in danger of disappearing, as signalled in Philip Larkin’s poem “Going, Going”, where he laments an “England gone, / The shadows, the meadows, the lanes” (Stevenson 2004: 3). -
Identity and Women Poets of the Black Atlantic
IDENTITY AND WOMEN POETS OF THE BLACK ATLANTIC: MUSICALITY, HISTORY, AND HOME KAREN ELIZABETH CONCANNON SUBMITTED IN ACCORDANCE WITH THE REQUIREMENTS FOR THE DEGREE OF DOCTOR IN PHILOSOPHY UNIVERSITY OF LEEDS SCHOOL OF ENGLISH SEPTEMBER 2014 i The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Karen E. Concannon to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs, and Patents Act 1988. © 2014 The University of Leeds and K. E. Concannon ii ACKNOWLEDGEMENTS I am grateful for the wisdom and assistance of Dr Andrew Warnes and Dr John Whale. They saw a potential in me from the start, and it has been with their patience, guidance, and eye-opening suggestions that this project has come to fruition. I thank Dr John McLeod and Dr Sharon Monteith for their close reading and constructive insights into the direction of my research. I am more than appreciative of Jackie Kay, whose generosity of time and spirit transcends the page to interpersonal connection. With this work, I honour Dr Harold Fein, who has always been a champion of my education. I am indebted to Laura Faile, whose loving friendship and joy in the literary arts have been for me a lifelong cornerstone. To Robert, Paula, and David Ohler, in each of my endeavours, I carry the love of our family with me like a ladder, bringing all things into reach. -
Unseen Poetry Preparation Anthology
Unseen Poetry Preparation Anthology The Pearson Edexcel AS and A level English Literature Unseen Poetry Preparation Anthology can be used to prepare for Component 3 of your assessment Pearson Edexcel GCE in English Literature Approaching Contemporary Unseen Poetry: An Anthology of poems and resources For use with: GCE English Literature A level (9ET0) Component 3 Published by Pearson Education Limited, a company incorporated in England and Wales, having its registered office at Edinburgh Gate, Harlow, Essex, CM20 2JE. Registered company number: 872828 Edexcel is a registered trade mark of Edexcel Limited © Pearson Education Limited 2014 First published 2014 17 16 15 14 10 9 8 7 6 5 4 3 2 1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 9781446913505 Copyright notice All rights reserved. No part of this publication may be reproduced in any form or by any means (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner, except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London, EC1N 8TS (www.cla.co.uk). Applications for the copyright owner’s written permission should be addressed to the publisher. See page 65 for acknowledgements. Contents 1 Introduction 4 2 How to approach -
Spotlight the Newsletter for English Faculty Alumni
Spotlight The newsletter for English Faculty Alumni July 2020 | Issue 6 This newsletter is coming from our newly virtual Faculty. We closed the doors to the St Cross building on 24 March 2020, and have since been finding new and creative ways to work with our students until we reopen in Michaelmas Term. Despite the tumultuous and unpredictable nature of life in a world with COVID- 19, we've managed to navigate new technologies which have enabled us to continue teaching and research from afar. Thanks to the support of TORCH (The Oxford Research Centre in the Humanities) we've even managed to host our first ever online Professor of Poetry lecture with Alice Oswald, plus take part in numerous other online events including: The Social Life of Books, Invalids on the Move, and Shakespeare and the Plague (hosted by the University as part of Oxford at Home). These are all still available to watch (click on the links to be taken to the recordings). We also participated in the University’s Online Open Days at the beginning of July with video recordings by staff and students and live Q&As. Members of the Faculty have secured funding for projects which offer a response to the repercussions of COVID-19: Professor Sally Shuttleworth for Contagion Cabaret, and Dr Stuart Lee for Lockdown 2020. We were also delighted to be recognised with an Athena Swan Bronze Award in May. The award recognises commitment to the advancement of gender equality in higher education and research institutions. Black Lives Matter has seen us look to our teaching, syllabi, and recruitment and retention of staff to see how we can positively effect change in our Faculty. -
Mack, S. 2010.Pdf
Family Album (a collection of poetry), and lA Drift of Many-Hued Poppies in the Pale Wheatfield of British Publishing': Black British Women Poets 1978 - 2008 Sheree Mack A thesis submitted in partial fulfilment of the requirements of Newcastle University for the degree of Doctor of Philosophy February 2010 NEWCASTLE UNIVERSITY LIBRARY ---------------------------- 208 30279 h Contents Abstract Acknowledgements Family Album, a collection of poetry 1 The Voice of the Draft 49 Dissertation: 'A Drift of Many-Hued Poppies in the Pale Wheatfield of 54 British Publishing': Black British Women Poets 1978 - 2008 Introduction 55 Linking Piece: 'she tries her tongue' 1 72 Chapter One: Introducing Black Women Writers to Britain 76 Linking Piece: 'she tries her tongue' 2 102 Chapter Two: Black Women Insist On Their Own Space 105 Linking Piece: 'she tries her tongue' 3 148 Chapter Three: Medusa Black, Red, White and Blue 151 The Voice of the Tradition 183 Chapter Four: Conclusion 189 Linking Piece: 'she tries her tongue' 4 194 Select Bibliography 197 Abstract The thesis comprises a collection of poems, a dissertation and a series of linking pieces. Family Album is a portfolio of poems concerning the themes of genealogy, history and family. It also explores the use of devices such as voice, the visual, the body and place as an exploration of identity. Family Album includes family elegies, narrative poems and commissioned work. The dissertation represents the first study of length about black women's poetry in Britain. Dealing with a historical tradition dating back to the eighteenth century, this thesis focuses on a recent selection of black women poets since the late 1970s. -
The Lit & Phil | Newcastle Libraries
-1st ber Dec m em ve b o e r N 2 h t 0 1 8 3 2 The Lit & Phil | Newcastle Libraries Introduction Books on Tyne – Newcastle’s mini literary festival – celebrates a Sense of Place this year. We can look forward to much that is local and special. Michael Chaplin takes us on a trip along the river. Harry Pearson provides a personal view of twenty years of North East football. Chris Phipps re-lives the time when Newcastle was capital of cool – the years of The Tube. Live Theatre, a creative treasure that goes from strength to strength will be celebrated. There is a virtual tour of much- loved Whitby and delicate meditations on Lancashire beaches. As an avid listener to BBC radio, I am particularly looking forward to Radio Postcards – producer Sarah Blunt’s vivid sound pictures. Local historians look back to a time when the Tyne bustled with industry and further afield, Kate Adie views the First World War through the eyes of the women who struggled for admission into this world of men. Also in the mix we find crime with Ann Cleeves, Hazel Osmond and Mari Hannah, and master storyteller David Almond launches the festival in a new collaboration with Jack Arthurs. Throw in romance, poetry, humour and much more, in two fabulous and contrasting venues… what’s not to like? Anthony Flowers Design by (author of An Innocent Eye: Jimmy Forsyth: Shima Banks Tyneside Photographer) How to Book Booking essential to avoid disappointment Online: www.booksontyne.co.uk In person at City Library or Phone: The Lit & Phil (some tickets may be 0191 277 4100 available on the day). -
Yorkshire Poetry, 1954-2019: Language, Identity, Crisis
YORKSHIRE POETRY, 1954-2019: LANGUAGE, IDENTITY, CRISIS Kyra Leigh Piperides Jaques, BA (Hons) and MA, (Hull) PhD University of York English & Related Literature October 2019 This work was supported by the Arts & Humanities Research Council (grant number AH/L503848/1) through the White Rose College of the Arts & Humanities. ABSTRACT This thesis explores the writing of a large selection of twentieth- and twenty-first- century East and West Yorkshire poets, making a case for Yorkshire as a poetic place. The study begins with Philip Larkin and Ted Hughes, and concludes with Simon Armitage, Sean O’Brien and Matt Abbott’s contemporary responses to the EU Referendum. Aside from arguing the significance of Yorkshire poetry within the British literary landscape, it presents poetry as a central form for the region’s writers to represent their place, with a particular focus on Yorkshire’s languages, its identities and its crises. Among its original points of analysis, this thesis redefines the narrative position of Larkin and scrutinizes the linguistic choices of Hughes; at the same time, it identifies and explains the roots and parameters of a fascinating new subgenre that is emerging in contemporary West Yorkshire poetry. This study situates its poems in place whilst identifying the distinct physical and social geographies that exist, in different ways, throughout East and West Yorkshire poetry. Of course, it interrogates the overarching themes that unite the two regions too, with emphasis on the political and historic events that affected the region and its poets, alongside the recurring insistence of social class throughout many of the poems studied here. -
Romeo & Juliet
Romeo & Juliet by William Shakespeare The title page of Romeo & Juliet from the First Folio of Shakespeare’s plays, published in 1623. Handsome bound facsimiles of Romeo & Juliet , published in the Globe Folios series in association with the British Library, are available from the shop, price £9.99. Each volume includes an introduction by the foremost First Folio scholar, Anthony James West. Sources, early Performance and Publication Shakespeare’s principal sources for Romeo & Romeo & Juliet was almost certainly first Juliet were a long narrative poem called The performed by Shakespeare’s company, the Tragicall Historye of Romeus and Juliet by Arthur Chamberlain’s Men, in or around 1596 – a Brooke, first published in 1562 and, to a lesser ‘lyrical’ period of Shakespeare’s writing career degree, the prose romance Rhomeo and Julietta which also includes A Midsummer Night’s Dream, by William Painter. Both sources were based Richard II and many of the Sonnets . No records on a French version of the Italian story Giulietta exist to tell us where it was first seen, but it e Romeo first published in about 1530. Such is likely to have been either the Theatre or the The Curtain Theatre, Shoreditch (to the right), where Italian ‘novelles’ were popular reading in Curtain playhouse in Shoreditch. It has been Romeo & Juliet was probably first performed in or around Shakespeare’s time and Painter’s collection, suggested that Richard Burbage, the company’s 1596. A detail from Abram Booth’s ‘View of London from The Palace of Pleasure , was singled out by the leading man, took the role of Romeo (he would the North’. -
Fox,Kate,Watching the English.Pdf
Kate Fox Watching the English WATCHING THE ENGLISH The Hidden Rules of English Behaviour Kate Fox HODDER & STOUGHTON Kate Fox, a social anthropologist, is Co-Director of the Social Issues Research Centre in Oxford and a Fellow of the Institute for Cultural Research. Following an erratic education in England, America, Ireland and France, she studied anthropology and philosophy at Cambridge. ‘Watching the English . will make you laugh out loud (“Oh God. I do that!”) and cringe simultaneously (“Oh God. I do that as well.”). This is a hilarious book which just shows us for what we are . beautifully-observed. It is a wonderful read for both the English and those who look at us and wonder why we do what we do. Now they’ll know.’ Birmingham Post ‘Fascinating reading.’ Oxford Times ‘The book captivates at the first page. It’s fun. It’s also embarrassing. “Yes . yes,” the reader will constantly exclaim. “I’m always doing that”’. Manchester Evening News ‘There’s a qualitative difference in the results, the telling detail that adds real weight. Fox brings enough wit and insight to her portrayal of the tribe to raise many a smile of recognition. She has a talent for observation, bringing a sharp and humorous eye and ear to everyday conventions, from the choreography of the English queue to the curious etiquette of weather talk.’ The Tablet ‘It’s a fascinating and insightful book, but what really sets it apart is the informal style aimed squarely at the intelligent layman.’ City Life, Manchester ‘Fascinating . Every aspect of English conversation and behaviour is put under the microscope. -
Anthology of Named Poems and Study Guide
AS (Paper 1) and A Level (Paper 3) English Literature Anthology of Named Poems and Study Guide Please note that biographical detail is included for information purposes only, to support you with your knowledge and possible further reading on each poet. There is no expectation that you would refer to any such materials in your assessment at either AS or A level. Contents Page in this Page in Poem Poet booklet Anthology Eat Me Patience Agbabi 3 3 Chainsaw Versus the Pampas Simon Armitage 7 6 Grass Material Ros Barber 11 10 Inheritance Eavan Boland 17 22 A Leisure Centre is Also a Sue Boyle 21 23 Temple of Learning History John Burnside 25 25 The War Correspondent Ciaran Carson 30 29 An Easy Passage Julia Copus 36 37 The Deliverer Tishani Doshi 41 43 The Map Woman Carol Ann Duffy 46 47 The Lammas Hireling Ian Duhig 53 51 To My Nine-Year-Old Self Helen Dunmore 58 52 A Minor Role U A Fanthorpe 62 57 The Gun Vicki Feaver 66 62 The Furthest Distances I’ve Leontia Flynn 70 64 Travelled Giuseppe Roderick Ford 74 66 Out of the Bag Seamus Heaney 78 81 Effects Alan Jenkins 85 92 The Fox in the National Robert Minhinnick 90 121 Museum of Wales Genetics Sinéad Morrissey 95 125 From the Journal of a Andrew Motion 99 127 Disappointed Man Look We Have Coming to Daljit Nagra 104 129 Dover! Fantasia on a Theme of James Sean O’Brien 108 130 Wright Please Hold Ciaran O’Driscoll 112 132 You, Shiva, and My Mum Ruth Padel 117 140 Song George Szirtes 122 168 On Her Blindness Adam Thorpe 126 170 Ode on a Grayson Perry Urn Tim Turnbull 131 172 Sample Assessment Questions 137 Sample Planning Diagrams 138 Assessment Grid 143 2 Patience Agbabi, ‘Eat Me’ Biography Patience Agbabi (b.