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The History and Memory of 1968 in Italy by Rosaria Carbotti a Dissertation Submitted in Partial Satisfa
Of Ghosts and Survivors: The History and Memory of 1968 in Italy By Rosaria Carbotti A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies and the Designated Emphasis in Critical Theory and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Barbara Spackman, Chair Professor Mia Fuller Professor Linda Williams Fall 2015 Abstract Of Ghosts and Survivors: The History and Memory of 1968 in Italy by Rosaria Carbotti Doctor of Philosophy in Italian Studies and the Designated Emphasis in Critical Theory and the Designated Emphasis in Film Studies University of California, Berkeley Professor Barbara Spackman, Chair The year 1968 saw the rise of a manifold protest movement among Italian university students that evolved well into the late 1970s and spread to all segments of society. Today, the memory of this collective experience represents one of the most haunting episodes of the 20th century. Torn between celebrating national events and giving in to cultural amnesia, the Italian cultural discourse around ’68 appears deliberately opaque. In recent historiography, fiction, and film this momentous year appears to be condensed in a puzzle of contrasting snapshots that do not fit well together. On one hand, it is remembered as a watershed event that altered the course of the nation’s history and the lives of individuals in radical ways. On the other hand, many ’68 storytellers mourn the complete erasure of their experience from contemporary culture and criticize the moral wasteland that is associated with the current political arena when contrasted with the vanished hopes of the past. -
Introduction: Negotiating Memories of Protest
Notes Introduction: Negotiating Memories of Protest 1. ‘Contentious’ protests relate to collective actions performed by social groups that do not have ‘regular access to institutions, [ ...] act in the name of new or unaccepted claims, and [ ...] behave in ways that fundamentally challenge others or authorities’. Tarrow (2006, p. 3). 2. See Melucci (1996); Goodwin et al. (2001); Polletta and Jasper (2001); Jasper (2010). 3. See Mason (2011). 4. This is opposed to social memory, ‘an often not activated potentiality’ of which collective memory only represents ‘an activated practice’. Namer (1991, p. 93). 5. See Nowotny (1994); Adam (1995); Hoskins (2001); Brose cited in Hoskins (2004). 6. At present memory studies are, in fact, a disparate discipline which involves fields as diverse as history, sociology, literary and media studies and psychol- ogy, and its inter- or trans-disciplinary nature has produced a multitude of terminologies and definitions. Erll (2008). 7. ‘Communicative memory’ implies a living, autobiographical and ‘fluid’ memory based on everyday communication (Assmann, 2008, p. 111). 8. In this book I will predominantly apply the definition of ‘cultural’ memory in my analysis of the transference of memories of protest movements of the 1970s, whereas I reserve the concept of ‘collective’ memory to discussions about shared memories of groups more in generally (Erll, 2006, p. 5; Erll, 2008, p. 4). 9. The ‘linguistic turn’ was a development in Western philosophy which focused on the relation between philosophy and language. One of the strands within the movement acknowledges that language is not a trans- parent medium of thought, thus creating an awareness of the falseness of the claim that history can produce ‘true’ or ‘authentic’ accounts of the past. -
The Year That Created '68 Media Perspectives and Student Outcries
1967: The Year that Created ‘68 Media Perspectives and Student Outcries by Ryan Strong, B.A A Thesis In History Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Aliza Wong, Ph.D. Chair of Committee Stefano D’Amico, Ph.D. Lynne Fallwell, Ph.D. Peggy Gordon Miller, Ph.D. Dean of the Graduate School May 2011 Copyright © 2011, Ryan Strong Texas Tech University, Ryan Strong, May 2011 Acknowledgements I would like to thank those individuals who made the completion of this project possible. First, to my advisor and mentor Dr. Aliza Wong, I convey my sincere thanks. Without her help and tutelage, I would have never survived the depths of this project or the challenges of the master’s program. Over the course of three years there have been many ups and downs and Dr. Wong was able to keep everything in perspective for me. She challenged me to pursue a project that many graduate student would not. Dr. Wong truly is a treasure in the field of history. She is a wonder as a teacher and a person. I cannot articulate the amount of gratitude and appreciation that I have for Dr. Wong. Second, the readers on my committee must receive their due praise. Dr. Fallwell challenged me at every turn. Even though I was not successful at every aspect during my master’s career, she was able to find efforts worthy of commendation. Dr. Fallwell’s approvals and criticisms helped me develop into a stronger researcher and writer. -
Memory in Action: Mediatised Public Memory and the Symbolic Construction of Conflict in Student Movements
Memory in Action: Mediatised Public Memory and the Symbolic Construction of Conflict in Student Movements Lorenzo Zamponi Thesis submitted for assessment with a view to obtaining the degree of Doctor of Political and Social Sciences of the European University Institute Florence, April, 2015 (submission) European University Institute Department of Political and Social Sciences Memory in Action: Mediatised Public Memory and the Symbolic Construction of Conflict in Student Movements Lorenzo Zamponi Thesis submitted for assessment with a view to obtaining the degree of Doctor of Political and Social Sciences of the European University Institute Examining Board Professor Donatella Della Porta, EUI and Scuola Normale Superiore (Supervisor) Professor William A. Gamson, Boston College Professor Ron Eyerman, Yale University Professor Hanspeter Kriesi, EUI © Lorenzo Zamponi, 2015 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Abstract Cultural factors shape the symbolic environment in which contentious politics take place. Among these factors, collective memories are particularly relevant: they can help collective action by providing symbolic material from the past, but at the same time they can constrain people's ability to mobilise by imposing proscriptions and prescriptions. In my research I analyse the relationship between social movements and collective memories: how do social movement participate in the building of public memory? And how does public memory, and in particular the media representation of a contentious past, influence the social construction of identity in the contemporary movements? To answer these questions I focus on the student movements in Italy and Spain, analysing the content and format of media sources in order to draw a map of the different narrative representations of a contentious past, while I use qualitative interviews to investigate their influence on contemporary mobilisations. -
Grassroots Feminism: a Study of the Campaign of the Society for the Provision of Birth Control Clinics, 1924-1938
Grassroots feminism: a study of the campaign of the Society for the Provision of Birth Control Clinics, 1924-1938. A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities. Year of submission 2010 Clare Debenham School of Social Sciences, Faculty of Humanities List of Contents List of Contents ................................................................................................................. 2 Declaration ........................................................................................................................ 6 Copyright statement .......................................................................................................... 6 List of Abbreviations......................................................................................................... 7 Acknowledgements ........................................................................................................... 8 Preface...............................................................................................................................9 Chapter One ...................................................................................................................... 9 Introduction ................................................................................................................. 10 1.1 Introduction ....................................................................................................... 10 1.2 Reassessment of the significance of the -
Between Urban Renewal and Nuova Dimensione: the 68 Effects Vis-À-Vis the Real
1 Histories of PostWar Architecture 2 | 2018 | 1 Between Urban Renewal and Nuova Dimensione: The 68 Effects vis-à-vis the Real Marianna Charitonidou PhD Candidate University of Paris Nanterre and National Technical University of Athens Visiting Scholar École française de Rome and Columbia University in New York [email protected] Marianna Charitonidou is an architect and a historian and theorist of architecture. Her PhD dissertation ‘The Relationship between Interpretation and Elaboration of Architectural Form: Investigating the Mutations of Architecture’s Scope’ (advisors: George Parmenidis (NTUA), Jean-Louis Cohen (NYU) and Panayotis Tournikiotis (NTUA), June 2018) is on the mutations of the modes of representation in contemporary architecture, focusing on the work of Le Corbusier, Mies van der Rohe, the Team 10, Peter Eisenman, John Hejduk, Aldo Rossi, Oswald Mathias Ungers, Bernard Tschumi and Rem Koolhaas. She was a visiting scholar at Columbia University’s and the École française de Rome and resident at the Canadian Centre for Architecture. She holds an MSc degree in Sustainable Environmental Design from the Architectural Association, a post-Master’s degree in History and Theory of Architecture from the National Technical University of Athens and Master’s degrees from the School of Architecture of Aristotle University and École Nationale Supérieure d’Architecture de Paris. She has presented her research at many international conferences and has published several articles. ABSTRACT This article examines the effects of 1968 student protests on architectural education and epistemology within the European and American contexts. Juxtaposing the transformations within the north-American and Italian contexts, it shows how the concepts of urban renewal, in the U.S., and ‘nuova dimensione’, in Italy, were progressively abandoned. -
The History and Memory of 1968 in Italy by Rosaria Carbotti a Dissertation Submitted in Partial Satisfa
Of Ghosts and Survivors: The History and Memory of 1968 in Italy By Rosaria Carbotti A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian Studies and the Designated Emphasis in Critical Theory and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Barbara Spackman, Chair Professor Mia Fuller Professor Linda Williams Fall 2015 Abstract Of Ghosts and Survivors: The History and Memory of 1968 in Italy by Rosaria Carbotti Doctor of Philosophy in Italian Studies and the Designated Emphasis in Critical Theory and the Designated Emphasis in Film Studies University of California, Berkeley Professor Barbara Spackman, Chair The year 1968 saw the rise of a manifold protest movement among Italian university students that evolved well into the late 1970s and spread to all segments of society. Today, the memory of this collective experience represents one of the most haunting episodes of the 20th century. Torn between celebrating national events and giving in to cultural amnesia, the Italian cultural discourse around ’68 appears deliberately opaque. In recent historiography, fiction, and film this momentous year appears to be condensed in a puzzle of contrasting snapshots that do not fit well together. On one hand, it is remembered as a watershed event that altered the course of the nation’s history and the lives of individuals in radical ways. On the other hand, many ’68 storytellers mourn the complete erasure of their experience from contemporary culture and criticize the moral wasteland that is associated with the current political arena when contrasted with the vanished hopes of the past. -
Catholics, Sacred Space, and the Religiosity of Postwar Italian Politics, 1954-1969
Occupying God’s House: Catholics, Sacred Space, and the Religiosity of Postwar Italian Politics, 1954-1969 by Trevor J. Kilgore A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2018 Doctoral Committee: Professor Dario Gaggio, Co-Chair Professor Brian A. Porter-Szűcs, Co-Chair Associate Professor Deirdre de la Cruz Professor Geoffrey H. Eley Professor Geneviève Zubrzycki Trevor J. Kilgore [email protected] ORCID iD: 0000-0002-1680-3014 © Trevor J. Kilgore 2018 Acknowledgements I would not have been able to complete this dissertation without the assistance and guidance of many people. First and foremost, the love, support, and inspiration of Alison and Grayson kept me going during the darkest moments of the dissertation process. Their belief in me means more than anything else. This dissertation is dedicated to them. I can only hope that I have many years ahead to spend encouraging them in their endeavors. My parents, Del Kilgore and Judy Kilgore, and my sister Alison F. Kilgore, have been my biggest backers, cheering me on as I pursued my wanderlust and passions. I will always be thankful to them for their unending patience and love, especially in those moments when I needed it the most. My parents were also my first academic role models. Growing up, I had a close and personal view of how teachers dedicate their lives to helping others grow. My thirst to read, write, learn, and share this knowledge with others is a product of their values and actions. Soon after I began graduate school a decade ago, I was welcomed into a new and fantastic family. -
Antifascist Graffiti: Crime Or Contribution?
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2016 Antifascist Graffiti: Crime or Contribution? Jillian Margaret Sequeira College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art Practice Commons, Classical Archaeology and Art History Commons, Fine Arts Commons, Historic Preservation and Conservation Commons, Italian Language and Literature Commons, Other Architecture Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Sequeira, Jillian Margaret, "Antifascist Graffiti: Crime or Contribution?" (2016). Undergraduate Honors Theses. Paper 985. https://scholarworks.wm.edu/honorstheses/985 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. TABLE OF CONTENTS A Brief Introduction to Graffiti........................................................................................... 1 The Division of American and European Graffiti ..................................................4 CHAPTER I - FASCISM, RESISTANCE AND GRAFFITI IN ITALY ..........................9 Profile of Fascist Recruitment ..............................................................................10 Profile of Neofascist -
“The Force of All Our Numbers”: New Leftists, Labour, and the 1973 Artistic Woodwork Strike Ian Milligan
Document generated on 09/26/2021 2:17 a.m. Labour / Le Travail “The Force of All Our Numbers” New Leftists, Labour, and the 1973 Artistic Woodwork Strike Ian Milligan Volume 66, Fall 2010 Article abstract Through late 1973, the Artistic Woodwork strike captivated not only the URI: https://id.erudit.org/iderudit/llt66art02 left-wing milieux of Toronto – from young New Leftists, to rank-and-file union members, to activists from a plethora of political groups – but also the entire See table of contents city. Artistic was a first contract strike by immigrant workers organized by the Canadian Textile and Chemical Union (ctcu). The narrative of the strike came to be dominated by supporters after many of the workers picketing left due to Publisher(s) both fear and the availability of alternative employment. By November, mass pickets of four hundred people added to political pressure and helped secure a Canadian Committee on Labour History first contract settlement. Coming at the end of a period of intense political debate and discussion concerning the agent of social change and the role of the ISSN working-class, Artistic assumed special significance in the personal trajectories of many supporters. On these violent picket lines, supporters had an 0700-3862 (print) opportunity to act out the prevailing Marxist sociology of the time. Artistic 1911-4842 (digital) demonstrates the confluence of a variety of forces at the end of the long sixties: the widespread turn towards Marxism and the working-class as a necessary Explore this journal component of social and political change; the importance of nationalism as a unifying feature between some New Leftists and unions such as the ctcu; and the continuing social responsibility of the student and the intellectual. -
The Cold War: a Short History
THE COLD WAR: A SHORT HISTORY Vladimir Moss © Copyright, all rights reserved: Vladimir Moss, 2017 1 2 OPENING MOVES (1945-1949) 4 I. KOREA, HUNGARY AND THE GREAT LEAP FORWARD (1949-1961) 22 II. CUBA, VIETNAM AND THE BOMB (1961-1973) 37 III. CAMBODIA, AFRICA AND DÉTENTE (1973-1979) 69 IV. POLAND, AFGHANISTAN AND PERESTROIKA (1979-1989) 96 ENDGAME (1989-1991) 114 3 OPENING GAMBIT (1945-1949) The Cold War was the longest military conflict of modern times, and probably the bloodiest if we take into account all the battlefields across the world on which it was fought. According to conventional wisdom, it began almost immediately after the end of the world war in 1945 and continued until the fall of the Soviet Union in 1991. However, according to another theory that commands respect, the war resumed in 2007 with Putin’s Munich speech, and 1991-2007 was only a hiatus in a long war that is not yet over. This little book covers the war in the period 1945-1991… Yuval Noah Harari has summarized it thus: “The Soviet Union entered the [Second World] war as an isolated communist pariah. It emerged as one of the two global superpowers and the leader of an expanding international bloc. By 1949 eastern Europe became a Soviet satellite, the Chinese communist party had won the Chinese Civil War, and the United States was gripped by anti-communist hysteria. Revolutionary and anti-colonial movements throughout the world looked longingly towards Moscow and Beijing, while liberalism became identified with the racist European empires. As these empires collapsed they were usually replaced by either military dictatorships or socialist regimes, not liberal democracies.