The fi rst exhibition dedicated to the of that was both sculpture and painting. While the MUSÉES DE NICE PASS the French artist takes place in 1912 at the Alfred last major exhibition in France dedicated to Henri The pass is free for anyone living in Nice and the towns in the Métropole Nice Côte d’Azur area. Stieglitz Gallery in New York. From that moment Matisse’s sculpture took place at the musée It gives free access to all the city’s museums and galleries. on, there would be many major exhibitions national d’Art modern, , in 1975, Matisse focusing on this medium, particularly in the Metamorphoses is the perfect opportunity to PRACTICAL INFORMATION United States: in 1931 and 1972 at the Museum of showcase the museum’s collections, to pay Musée Matisse Modern Art in New York, in 1948 at the Philadel- special tribute to its donors, and to put another 164, avenue des Arènes de Cimiez 06000 Nice phia Museum of Art, and more recently, in 2007 in Matisse in the spotlight: a multi-talented artist Dallas, San Francisco and Baltimore. whose skill transcended the genres of art. Information: (+33) (0)4 93 81 08 08 But it is in France, at the Musée Matisse Nice, Fax: (+33) (0)4 93 53 00 22 that one of the world’s largest collections of [email protected] is housed. While http://www.musee-matisse-nice.org/ the various donations from Henri Matisse, Amélie Matisse and their heirs have enabled the Open daily except Tuesdays museum to exhibit an exceptional collection of 1 November to 30 April: 10.00 a.m. to 5.00 p.m. paintings, drawings and gouache découpage, it 2 May to 31 October: 10.00 a.m. to 6.00 p.m. owes the core of its sculpture collection to the Closed on 1 January, Easter Sunday, 1 May and 25 December. donation by Jean Matisse. Indeed, Marie Ma- tisse (who was the wife of Henri Matisse’s elder THE LITTLE MATISSE ACADEMY brother, Jean Matisse) donated an exceptional collection of fi fty sculptures to the French state MATISSE WEDNESDAYS in 1978, to be bestowed to the Musée Matisse Practical art workshop for children aged 6-10 years Nice. This tremendous donation brought the mu- F These practical art workshops are intended to introduce children to the works of Matisse, and to seum’s number of three-dimensional works to 58, Légendes : modern and contemporary art. The children will practice different techniques including drawing, comprising one of the most complete collections A Henri Matisse dans son atelier (Le Serf a encore ses bras) painting, gouache paper collages, etching and sculpture, to develop their creative potential and of the artist’s three-dimensional pieces, bearing Photographie de Hans Purrmann, v. 1904 - Reproduction d’une photographie stimulate their imagination. d’archives. Original : Archives Henri Matisse / D. R. in mind that the number of sculptures produced Workshop schedule: 10.00 a.m. [Lasts 1hr 30] by Henri Matisse comes to a total of 84. The ex- B st Masque « Bombo » Enrolment fee for 5 sessions: �40 [To be paid at the beginning of the 1 session] hibition of the Jean Matisse Donation took place Royaume Kuba, République Démocratique du Congo Transforming shapes through the techniques of monotype, etching and sculpture: on 25 June 1979 at the Musée Matisse Nice. XIXe - début XXe siècle Masque, bois, fi bres textiles, coquillages, perles Spring Workshop 1: on the following Wednesdays: 18/03 - 25/03 - 01/04 - 08/04 - 29/04 The Musée Matisse Nice’s collection represents Ancienne collection Henri Matisse a comprehensive catalogue of Matisse’s sculp- Musée Matisse, Nice Photo : François Fernandez HISTORY OF ART tural work, and offers a unique panorama that C Educational tour for ages 9 - 14 extends from 1894 to 1950, and includes master- Henri Matisse Learn about the work of Matisse, the times in which he lived and various different topics, while pieces like the Jeannette I to V and Henriette I to Jeune femme à la pelisse sur fond rouge, 1944 Huile sur toile carrying out simple research projects within the museum and the workshop. III series, and Back II and III. Donation Alice Tériade, 2000 Musée départemental Matisse, Le Cateau-Cambrésis Tour schedule: 2.00 p.m. [Lasts 2 hrs] The Matisse Metamorphoses exhibition offers © Succession H. Matisse / Photo : Enrolment fee per session: �8 [To be paid at each session] Musée départemental Matisse - Philip Bernard the chance to study the treasures of this collec- Spring school holidays 2020: History of tion and learn about the process of transforming D Friday 24/04 Matisse peignant Femme assise et le torse grec (La Gandoura) MATISSE the subject through a series of iterations. Photographie de Pierre Boucher, 1938 It creates a natural dialogue by juxtaposing © Fonds Pierre Boucher MATISSE SKETCHING sculptures with paintings, drawings and pho- E Sketching tour for ages 12 - 16 METAMORPHOSES tographs from the collection, as well as with Henri Matisse IN PARTNERSHIP WITH THE KUNSTHAUS ZÜRICH MUSEUM Grand nu assis, 1922-1929 Discover the works of Matisse through observation games, with various on-the-spot drawing 14 FEBRUARY > 4 MAY 2020 non-Western works of art, to which Matisse Bronze

Musée départemental Matisse, Le Cateau-Cambrésis techniques (using pencils, charcoal and pastels). 164, AVENUE DES ARÈNES DE CIMIEZ Fernandez. : François – Photo H. Matisse - © Succession Paris. - Musée d’Orsay, Nice 1978, pour dépôt au musée Matisse, à l’État, Don de Mme Jean Matisse , 1909, bronze, attached particular importance. © Succession H. Matisse / Photo : Adam Rzepka Schedule: 10.30 a.m. [Lasts 1hr 30] The paper cut-outs, which included Blue Nude IV, MUSEE-MATISSE-NICE.ORG F Enrolment fee per session: �8 [To be paid at each session] La Serpentine the masterpiece from the collection, of course Ensemble de sculptures en bronze de Matisse, boulevard Montparnasse, Paris, s. d. - Reproduction d’une photographie d’archives. Spring school holidays 2020: Visit the Matisse Metamorphoses exhibition © Ville de Nice - PM / SD 12/2019 de Nice © Ville have a remarkable resonance here, as this Original : Archives Henri Matisse / D. R. Thursday 16/04 and Friday 24/04 Henri Matisse, mode of expression was so dear to Matisse and To book a place on any of these workshops or tours, please email: [email protected] without doubt the best example of a technique [Workshops require a minimum of 3 participants to run] Matisse was one Kongo-Vili statue in 1906. In 1908, he already Henri Matisse was born in Cateau-Cambrésis in 1912: for his final exhibition at New York’s Gal- of the first artists owned two dozen pieces from various origins. 1869 and started painting around 1890. He took lery 291, he puts the emphasis on sculpture by MATISSE METAMORPHOSES in France to take This interest in primitive art corresponds with a several art classes before going to the École des exhibiting six bronzes, five plaster casts and one an aesthetic and clear determination to find new ways to repre- Beaux-Arts (School of Fine Art) in Paris in 1895. clay sculpture. The second of Grafton Galleries’ Curated by : artistic interest in sent the human body. He found it to be a new 1894: birth of Marguerite from Henri Matisse’s post-impressionist exhibitions in London includes Claudine Grammont, director of the Musée Matisse Nice art from Africa and source of inspiration and sought to understand relationship with the model Caroline “Camille” eight sculptures, among which are the Back I plas- Sandra Gianfreda, curator at the Kunsthaus Zürich to collect it. At the the structural principles of these pieces, which Joblaud. The plaster medallion he created featuring ter cast and the four first busts from the Jeannette time he started to he was able to relate to the classical style: Camille’s profile was his first sculpture. series. Exhibition at the Matisse Museum from 14 February to 4 May 2020 B purchase these “Compared to European sculpture, which is 1899: his first son is born, Jean, from his marriage 1913: Matisse shows his plaster cast of Back I at In partnership with the Kunsthaus Zürich pieces from outside Europe, far from being always based on describing the muscle and to Amélie Parayre. In Paris, Matisse takes evening the exhibition (which took place in considered works of art, they had wound up in form of the subject, these African statues were classes in sculpture. He acquires a plaster cast of New York, Chicago and Boston). Thirteen sculp- th Matisse is recognised as one of the greatest painters of the first half of the 20 century, but Henri the collections of ethnography museums or in created with the material as the starting point, the bust of Henri Rochefort by Rodin, from the art tures, including Jeannette I to III, are shown at his Matisse the sculptor is yet to be discovered. With a wealth of pieces numbering 84 in total, which second-hand shops and antique shops, with contours and proportions that were the dealer Ambroise Vollard. He meets Rodin that same Bernheim-Jeune exhibition. were produced between 1900 and 1950, this body of work covers every period of his artistic journey. like the Père Sauvage boutique, Au Vieux Rouet, invention of the artist” (Matisse to Pierre year. 1914: in October, the artist visits the sculptor Matisse’s sculptures were created alongside his paintings, and the two go hand in hand. in Rennes, where Matisse purchased a small Courthion, 1941). 1900: birth of Pierre, his younger son. Matisse visits Raymond Duchamp-Villon’s studio. Even though painting remains his primary form of expression, Henri Matisse is one of those the studio of Antoine Bourdelle, who was collabo- 1918: Matisse moves to Nice permanently. At the multi-disciplinary artists who explored a variety of mediums. Matisse’s sculpture represents a body In the 1930s, he would photograph the painting and modify it rating with Rodin at the time. He very likely visits the Nice School of Decorative Arts, he works from the th of work in its own right, to be viewed on a par with the works of the great sculptors of the 20 Matisse began to once again during the next session: “The reaction Rodin exhibition at the Pavillon de L’Alma, during plaster casts of Michelangelo’s The Night and The century who came after . work in a new way, to one stage is as important as the subject. [...] the Paris Exposition. Aurora. The starting point for the exhibition is the artist’s creative method and the way he worked to trans- which enabled him during each stage, I find a balance, a conclusion. 1904: Matisse commissions Eugène Druet to take 1922: begins working on Grand nu assis ( Large form faces and silhouettes through a series of iterations. The exhibition also includes an extensive to evolve his pain- At the following session, if I find that there is a pictures of his works. He shows his sculptures for seated nude ). Works on Henriette I, based on collection of non-Western sculptures from the artist’s own collection, which were a source of inspi- ting by reflecting weakness in my arrangement, I re-enter my pain- the first time at the Autumn Salon, namely the Serf Henriette Darricarrère, the artist’s favourite model ration for him, and intersperses them with Matisse’s work to create a dialogue between them. on his composi- ting through this weakness - I go once more unto and Madeleine I plaster casts. from 1920 to 1927. Begins working with the bronze and therefore escape the restriction as well as tions while they the breach - and I re-create the whole painting. 1905: he spends the summer with André Derain founder, Claude Valsuani. the rhetoric that the latter could never completely were in progress. As a result, everything finds its rhythm again. in Collioure, where he visits in 1928: eleven sculptures, including six bronzes, are At the end of each Each element is just one part of the energy of the Banyuls-sur-Mer, as well as George-Daniel de shown at the 16th Venice Biennale. The Cahiers extricate itself from. In 1900, Matisse was also C a pupil of Antoine Bourdelle at his studio on the stage of a painting, painting...” (Matisse to Tériade, 1936). Monfreid, with whom he discovers Paul Gauguin’s d’art publish more images of the artist’s sculptures. Impasse du Maine, while Bourdelle was still Ro- wooden sculptures. 1931: large-scale sculpture exhibition at the The depiction of interested Matisse, who was both a painter and a din’s sculptural assistant. A little later, during his 1906: Matisse acquires his first African sculpture, Brummer Gallery in New York, where Matisse also sculpture is part sculptor. He introduces sculpture into his painting visits to Collioure from 1905 onwards, he became a Kongo-Vili statue which he shows to Picasso shows the bronze bas-relief, Back I and - of classical icono- time and again, to signify that he is both a painter friends with Aristide Maillol, who had a studio in at a dinner with the American collectors Léo and for the first time together - the five busts from the graphy in painting and a sculptor. Usually his own sculptures are Banyuls. Matisse admired his ascetic lifestyle as Gertrude Stein on Rue de Fleurus. Jeannette series. and in Art. It is also depicted, but sometimes also casts or works from well as his “love of things that are handmade, this 1908: opens an academy in Montparnasse which 1949: the great Lucerne retrospective includes traditionally a way his personal collection, as is the case for Seated need to feel the imprint of mankind in all things” includes a sculpture studio. It would close its doors 36 sculptures. of representing a Figure and the Greek Torso (La Gandoura) and (Matisse to Pierre Courthion, 1941). Matisse in 1910. The first version of Nu de dos (Back), which 1950: exhibition of recent works in Paris, as well as paragon. The dia- Interior With The Slave. compared the sensual abundance of Maillol’s is now only known from a photograph, would be 51 bronzes at the Maison de la Pensée française lectical relationship art to Renoir’s painting: “like Renoir’s paintings, D followed by four more versions between 1909 and (Museum of French Thought). between art forms A Maillol’s sculpture evokes the ripening of a beau- 1930. 1953: the Tate Gallery exhibits 49 bronzes in London. Henri Matisse started creating sculptures while tiful piece of fruit that you want to reach out and 1909: Matisse goes to Berlin for the first major re- A touring exhibition follows (taking in Copenhagen, In 1918, shortly of the tomb of Lorenzo de’ Medici by Michelan- he was a student at the École des Beaux-Arts touch” (Matisse to Pierre Courthion, 1941). And trospective exhibition of his work at Paul Cassirer’s Helsinki, Oslo, Rotterdam, Ottawa and Houston). after he moves gelo, The Aurora and The Night: “I hope to imbue (School of Fine Art), then continued at the various yet artistically, Matisse and Maillol do not speak gallery. Eleven sculptures were shown, including The Curt Valentin Gallery in New York exhibits to Nice, Matisse myself with the clear and complex conception of independent academies he attended in the 1900s. the same language: “Maillol worked from the body ten bronzes. He moves to Issy-les-Moulineaux. 38 sculptures. goes to the School Michelangelo’s construction” (Matisse to Camoin, Initially, his first attempts at sculpture are clearly of matter like the ancients, and I in the Arabesque 1910: the Grafton Galleries in London shows eight of of Decorative Arts 1918). At the same time as making these copies, influenced by the works of Auguste Rodin, who style, like the artists of the Renaissance. Maillol Matisse’s bronzes at their group exhibition, “Manet Henri Matisse dies on 3 November 1954 in Cimiez, every day, which he has his model Henriette take on the pose of he visited at this time. But he very quickly sought did not like risks, whereas I was drawn to them” and the Post-Impressionists”. In Issy-les-Mouli- where he is buried. was headed by a Michelangelo’s figures, which are characterised to go beyond the Rodin model, based on a more (Matisse to Raymond Escholier, 1956). The two neaux, his neighbour Jeanne Vaderin poses for the former classmate by a dynamic tension of the body. This reclined abstract approach to form and texture, notably de- artists remained friends, at a time when Maillol’s first two stages in the series of five busts of Jean- 1956: the Back II plaster cast is discovered in the from the School of nude pose subsequently undergoes many varia- claring his opposition to the literal representation profile was still in the ascendancy, and especially nette, which Matisse would finish six years later. artist’s studio. The National Museum of Modern Art E Fine Art. He works tions, both in his paintings and drawings, and in of movement. Matisse’s sculptural works, contrary following the death of Bourdelle in 1929. Around this time, he acquires the plaster cast of a exhibits the four versions of Back together for the to those of Rodin, do not have a high public profile from plaster casts his sculptures. kouros, which would occupy a prominent position first time. They are also reunited in the sculpture in his garden at Issy and later in his Nice studio. garden at the Museum of Modern Art.