DOCSLIB.ORG

Christies Catalogue Front Cover.Psd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Christies Catalogue Front Cover.Psd View at www.christies.com Africa has been in my life since I handled my first diamond and marvelled at its mysterious beauty. The continent of Africa continues to suffer from poverty, illness and a lack of education for the children born on its vast land. I established FACET to help address some of these problems by giving back to the countries from where many of our magnificent diamonds originate, therefore offering opportunities to the youth of Africa. We are setting up a series of Graff Leadership Centres, the first of which is in Leribe, Lesotho, where we will run programs for youths and orphans in literacy and pre-employment skills. The centre will also serve as a hostel for 50 girls on a residential leadership program for community development. This catalogue features artwork generously donated by some of the most important contemporary artists of our time, including several from South Africa. With many thanks to Christie’s for their support in holding this fundraising auction. Laurence Graff Committee members Peter Brant, Barry Townsley CBE, Arpad Busson, Uma Thurman, Hugh Grant, Naomi Campbell, Lucia Van der Post, Dasha Zhukova Anselm Reyle Tracey Emin George Condo Banksy Do Ho Suh Raqib Shaw Ed Ruscha Richard Pettibone Jeff Koons Marc Newson Stephane Graff Toby Ziegler Marc Quinn Damien Hirst William Kentridge Deborah Bell Lionel Smit Dylan Lewis Tom Friedman Christoph Schellberg Erwin Wurm Claude Lalanne Dennis Hopper David LaChapelle Gerald Laing 1 Khotsa Nala earrings Double hoop earrings White gold, round diamond pave 17.16 Carats Estimate £60,000–£80,000 Donated by Laurence Graff Khotsa Nala Earrings ‘Khotsa Nala’ means ‘Peace’ and ‘Prosperity’, from the Lesotho National Motto ‘Khotsa Pula Nala’ (Peace Rain Prosperity) 2 Untitled PVC Foil on canvas in Plexiglas box, 2008 1 3 28 × 23 /2 × 4 /4 in (71 × 60 × 12 cm) Estimate: £15,000–£20,000 Courtesy of Almine Rech Gallery, Brussels / Paris Anselm Reyle Born: Tübingen, Germany Lives and works: Berlin, Germany Recent solo exhibitions ‘Anselm Reyle’, Galerie Almine Rech, Paris, France, 2009 ‘White Earth’, Almine Rech Gallery, Brussels, Belgium, 2008 ‘The 7th Dream’, Gavin Brown‘s enterprise, New York, USA, 2007 ‘The 5th Dream’, The Modern Institute / Toby Webster Ltd, Glasgow, Scotland, 2007 ‘The Construction of Harmony’, Galerie Almine Rech, Paris, France, 2007 Recent group exhibitions ‘Säen und Jäten – Volkskultur in der zeitgenössischen Kunst’, Städtische Galerie Ravensburg, Germany, 2009 ‘Magritte et la Lumière’, Almine Rech Gallery, Brussels, Belgium, 2009 ‘With You I Want to Live: An Exhibition of Paintings, Sculpture, and Photographs from the Collections of Gordon Locksley & George T. Shea and Francie Bishop Good & David Horvit’, Museum of Art, Fort Lauderdale, USA, 2009 ‘Diesseits der Alpen: Hunger, Jenseits der Alpen: Durst’ Hadlichstrasse 44, Berlin, Germany, 2009 ‘Constructivisme’, Almine Rech Gallery, Brussels, Belgium, 2009 3 Suffer Love lX Monoprint on paper, 2009 1 5 8 /8 × 11 /8 in (21 × 29.6 cm) Estimate: £3,000–£4,000 Courtesy of the artist and White Cube Tracey Emin Born: London, UK Lives and works: London, UK Recent Solo Exhibitions ‘Tracey Emin: Those Who Suffer Love’, White Cube, London, 2009 ‘Tracey Emin 20 Years’, Kunstmuseum Bern, Switzerland, 2009 ‘Tracey Emin 20 Years’, Centro de Arte Contemporáneo, Málaga, Spain, 2008 ‘Tracey Emin: 20 Years’, Scottish National Gallery of Modern Art, Edinburgh, Scotland, 2008 ‘Tracey Emin: You Left Me Breathing’, Gagosian Gallery, Beverly Hills, USA, 2007 Recent Group Exhibitions ‘Eat Me, Drink Me’, Goss-Michael Foundation Collection, Dallas, USA, 2009 ‘Once Upon a Time…Artists and Storytelling’, Courtauld Institute of Art, Somerset House, London, UK, 2009 ‘Talk Dirty to Me’, Larissa Goldston Gallery, NY, USA, 2009 ‘Swingtime: Freestyle’, Charlotte Fogh Contemporary, Aarhus, Denmark, 2009 ‘Tracey Emin, Guy Limone, DeAnna Maganias, Jorge Pardo, Angelo Plessas’, Rebecca Camhi Gallery, Athens, Greece, 2009 ‘Being British’, Stephen Lawrence Gallery, London, UK, 2009 4 Young Girl with Makeup Oil on canvas, 2007 32 × 28 in (81.28 × 71.12 cm) Estimate: £30,000–£40,000 Courtesy of the artist, Luhring Augustine, New York and Simon Lee Gallery, London George Condo Born: Concord, New Hampshire, USA Lives and works: New York, USA Recent solo exhibitions ‘George Condo: The Lost Civilization’, Musee Maillol, Paris, France, 2009 ‘George Condo’, Xavier Hufkens, Brussels, Belgium, 2009 ‘George Condo: Drawings,’ Sprüth Magers, Berlin, Germany, 2008 ‘George Condo’, Gary Tatintsian Gallery, Inc., Moscow, Russia, 2008 ‘Christ: The Subjective Nature of Objective Representation’, Luhring Augustine, New York, USA, 2008 Recent group exhibitions 'The living and the dead’, Gavin Brown’s Enterprise, New York, USA, 2009 ‘Against All Odds: Keith Haring in the Rubell Family Collection’, Palm Springs Art Museum, Palm Springs, CA, USA, 2008 ‘Hansel and Gretel: Never Eat A House’, The Metropolitan Opera, New York and Indianapolis Museum of Contemporary Art, Indianapolis, USA, 2008 ‘It’s Not Over Yet’, Invisible-Exports, New York, USA, 2008 ‘God & Goods: Spirituality and Mass Confusion’, Villa Manin Centre for Contemporary Art, Passariano – Codroipo, Italy, 2008 5 Heavy Weaponry Acrylic and spray enamel on canvas, 2003 36 × 46 in (91.4 cm × 121.9 cm) Signed on the reverse, stamped with the artist’s tag insignia on right-hand turnover edge This lot is authenticated by a certificate of authenticity from Pest Control Office Estimate: £30,000–£40,000 Donated by Lazarides Gallery, London Banksy Born: Bristol, UK Lives and works: UK and internationally Recent solo exhibitions ‘Banksy vs Bristol Museum’, Bristol Museum, Bristol, UK, 2009 ‘Village Pet Store And Charcoal Grill’, New York, USA, 2008 ‘Barely Legal’, Downtown Warehouse, LA, USA, 2006 ‘Turf War’, Dalston, London, UK, 2003 ‘Existencilism’, 33 1/3 Gallery, LA, USA, 2002 Alternate view 6 Karma Paint on paper, 2007 3 41 × 54 /4 in (104 × 151.7 cm) Estimate: £20,000–£30,000 Courtesy of the artist and Lehmann Maupin Gallery, New York Do Ho Suh Born: Seoul, Korea Lives and works: New York, USA Recent solo exhibitions Lehmann Maupin Gallery, New York, USA, 2007 Sun Gallery, Sun Art Center, Seoul, Korea, 2006 The Fabric Workshop and Museum, Philadelphia, USA, 2005 Hermes, Tokyo, Japan, 2005 Galeria Soledad Lorenzo, Madrid, Spain, 2005 Sackler Gallery of Art, Washington, D.C., USA, 2005 Recent group exhibitions ‘KAFA Awards Exhibition’, Seoul National University Museum, Seoul, Korea, 2009 ‘Papertrail v. 5: Intimate Gestures’, Judi Rotenberg Gallery, Boston, USA, 2009 ‘The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection’, Mori Art Museum, Tokyo, Japan, 2009 ‘Your Bright Future, Los Angeles County Museum of Art’, Los Angeles, USA, (travelling to Museum of Fine Arts, Houston, 2009) ‘Bizarre Perfection’, curated by Susan Landau, The Israel Museum, Jerusalem, Israel, 2008 Comparative Figure (Detail) Do Ho Suh, Karma, 2007 Image: Courtesy of the Artist and Lehmann Maupin Gallery, New York 7 The Mild-Eyed Melancholy of the Lotus Eater Mixed media on paper, 2009 1 50 × 36 /2 in (127 x 92.7 cm) Estimate: £80,000–£120,000 Courtesy of the artist Raqib Shaw Born: Calcutta, India Lives and works: London, England Recent solo exhibitions ‘Absence of God’, Karlsplatz Project Space, Kunsthalle Wien, Wien, Austria, 2009 ‘Absence of God’, White Cube Hoxton, London, UK, 2009 ‘Raqib Shaw’, Metropolitan Museum of Art, New York, USA, 2008 ‘Garden of Earthly Delights’, Museum of Contemporary Art, Miami, USA, 2006 ‘Art Now: Raqib Shaw’, Tate Britian, London, UK, 2006 Recent group exhibitions ‘The Power of Ornament’, Belvedere (Orangery, Lower Belvedere), Vienna, Austria, 2009 ‘Panic Room - Works from The Dakis Joannous Collection’, Deste Foundation, Centre for Contemporary Art, Athens, Greece 2007 ‘6th Gwangju Biennale’, Gwangju, South Korea, 2006 ‘Without Boundary: Seventeen Ways of Looking’, The Museum of Modern Art, New York, USA, 2006 ‘Around the World in Eighty Days’, Institute of Contemporary Arts, London, UK, 2006 8 Uh Oh Acrylic on grass-cloth paper, 2008 3 1 7 /4 × 10 /4 in (19.7 × 26.4 cm) Estimate: £20,000–£30,000 Courtesy of the artist and Gagosian Gallery Ed Ruscha Born: Omaha, USA Lives and works: Los Angeles, USA Recent solo exhibitions ‘Ed Ruscha: 50 Years of Painting’, Hayward Gallery Pavilion, London, UK, 2009 ‘Paintings’, Gagosian Gallery, London, UK, 2008 ‘Busted Glass’, Gagosian Gallery, London, UK, 2007 ‘Drawings’, Gagosian Gallery, New York, USA, 2006 ‘Then & Now’, Gagosian Gallery, Beverly Hills, USA, 2005 Recent Group Exhibitions ‘Stages’, Galerie Emmanuel Perrotin, Paris, France, 2009 ‘Summer Exhibition 2009’, Royal Academy of Arts, London, UK, 2009 ‘Magritte and Light’, Almine Rech Gallery, Brussels, Belgium, 2009 ‘Wall Rockets: Contemporary Artists and Ed Ruscha’, FLAG Art Foundation, New York, USA, 2009 ‘Artist Rooms: The d’Offay Donation’, Tate Modern, London, UK, 2009 9 Andy Warhol, ‘Soup Can, Turkey Noodle’, 1962 Silkscreen & oil on canvas, 1990–2009 1 3 5 /4 × 3 /4 in (13.3 x 9.5 cm) Estimate: £10,000–£15,000 Courtesy of Richard Pettibone and the Leo Castelli Gallery Richard Pettibone Born: Los Angeles, USA Lives and works: New York, USA Recent solo exhibitions ‘Richard Pettibone: Paintings of Sculptures’, Leo Castelli Gallery, New York, USA, 2008 ‘Miniaturizing Modernism’, Neuberger Museum of Art, Purchase, New York, USA, 2007 ‘Richard Pettibone - A Retrospective’, Laguna Art Museum, Laguna Beach, USA, 2006 ‘Richard Pettibone. Sixty-four Campbell’s Soup Cans’, Leo Castelli
Load more

Recommended publications
  • Source and Stimulus Press Release FINAL
    LÉVY GORVY PRESENTS EXHIBITION FEATURING SIGMAR POLKE, ROY LICHTENSTEIN, AND GERALD LAING AND THEIR USE OF THE BEN-DAY DOT First exhibition to explore the greater transatlantic impact of the Ben-Day dot, focusing on the practice of Pop Art icons in Germany, the United States, and the United Kingdom Source and Stimulus: Polke, Lichtenstein, Laing 6 March – 21 April 2018 Opening Reception: 5 March 2018, 6–8pm 22 Old Bond Street, London, W1S 4PY London, UK, January 2018— In the late 19th century, the American illustrator and publisher Benjamin Day developed a cost-effective printing technique that used dots in different densities to reproduce images on a mass scale. This process, named after its inventor, matured over the next century and was utilised to print newspapers, advertisements, and pulp comic books in the 1950s and 60s. Sigmar Polke (Germany, 1941–2010), Roy Lichtenstein (United States, 1923–1997), and Gerald Laing (United Kingdom, 1936–2011)— along with the rest of the world—devoured this imagery daily, and chose to reconfigure it in their works. Sigmar Polke, Freundinnen (Girlfriends), 1965/1966, Dispersion paint on canvas, 59 × 74 3⁄4 inches (150 × 190 cm). Froehlich Collection, Stuttgart, © Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany Opening 6 March at Lévy Gorvy’s London location, Source and Stimulus: Polke, Lichtenstein, Laing is an exhibition devoted to the Ben-Day dot. Featuring exceptional works by the trio of legendary artists, this is the first exhibition to connect them on the basis of their manipulation of the dot, transforming imagery from the commercial sphere into fine art.
    [Show full text]
  • Tate Report 08-09
    Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • Análise De Processos De Framing Na Cobertura Jornalística De Escândalos Bancários - O Caso Do BES, Lehman Brothers , HSBC
    METRADO EM CIÊNCIAS DA COMUNICAÇÃO – ESTUDOS DE MÉDIA E JORNALISMO Análise de processos de framing na cobertura jornalística de escândalos bancários - O caso do BES, Lehman Brothers , HSBC Rafaela Vieira Santos M 2017 Rafaela Vieira Santos Dissertação realizada no âmbito do Mestrado em Ciências da Comunicação – Variante de Estudos dos Media e Jornalismo, orientada pela Professora Doutora Helena Lima Análise de processos de framing na cobertura jornalística de escândalos bancários O caso do BES, Lehman Brothers, HSBC Faculdade de Letras da Universidade do Porto Setembro 2017 Análise de processos de framing na cobertura jornalística de escândalos bancários O caso do BES, Lehman Brothers, HSBC Rafaela Vieira Santos Dissertação realizada no âmbito do Mestrado em Ciências da Comunicação – Variante de Estudos dos Media e Jornalismo, orientada pela Professora Doutora Helena Lima Membros do Júri: Presidente: Professor Doutor Paulo Frias da Costa Faculdade Letras da Universidade do Porto Vogais: Professora Doutora Helena Lima Faculdade de Letras da Universidade do Porto Professora Doutora Suzana Margarida Dias dos Santos Cavaco Faculdade de Economia da Universidade do Porto Classificação obtida: 18 valores ÍNDICE Agradecimentos ...................................................................................................... 1 Resumo .................................................................................................................... 2 Abstract ..................................................................................................................
    [Show full text]
  • General Interest
    GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice.
    [Show full text]
  • The Art of Anselm Reyle
    001 009 019 027 Untitled, 2000 Untitled, 2000 Untitled, 2002 Untitled, 2001 Acrylic on canvas, 120 x 103 cm Acrylic on canvas, 120 x 103 cm Acrylic on canvas, 67 x 56 cm Acrylic on canvas, 135 x 114 cm Private collection Collection Marcel Brient, Paris Collection of the artist Mimi Dusselier, Belgium Courtesy Galerie Giti Nourbakhsch, Courtesy Galerie Giti Nourbakhsch, Courtesy Galerie Giti Nourbakhsch, Berlin Berlin Berlin Untitled, 2002 Found object, metal, 700 x 250 cm Untitled, 1999 Untitled, 1999 Courtesy Gagosian Gallery, New York Believe, 2002 Acrylic on canvas, 135 x 114 cm Acrylic on canvas, 135 x 114 cm Found object, neon tubes Collection of the artist DekaBank-Kunstsammlung des 320x410x11 cm 21. Jahrhunderts, Frankfurt on the Main Courtesy of the artist Courtesy Galerie Giti Nourbakhsch, 021 Berlin Exhibition view Trust, Galerie IIC Jennifer Ray, Paris, 2002 (solo show) Untitled, 1999 029/031 Acrylic on canvas, 88.5 x 79 cm From left to right: Exhibition view beyond, Pat and Juan vergez Collection, on Galerie Giti Nourbakhsch, Berlin, Buenos Aires Exhibition view Luftgitarren, Lamp, 2002 2001 (solo show) Courtesy Galerie Giti Nourbakhsch, Marienstraße 1a, Berlin, 2000 Found object, stroboscope light Berlin (solo show) 80x50 cm From left to right: Courtesy of the artist Daimler Art Collection, Stuttgart /Berlin Courtesy Galerie Giti Nourbakhsch, Hay Wagon, 2001 Berlin Found object (fragment), neon lacquer 004 200x140x160 cm Untitled, 2000 022 Trust, 2001 Boros Collection, Berlin Acrylic on canvas, 120 x 103 cm Exhibition view,
    [Show full text]
  • Contributing to Communities Alternative Investment Management Association — 1
    44 — Contributing to Communities Alternative Investment Management Association — 1 AIMA Alternative Investment CONTRIBUTING TO COMMUNITIES Management Association A global review of charitable and philanthropic activities www.aima.org by the hedge fund industry Alternative Investment Management Association — 3 Table of contents Foreword EXECUTIVE SUMMARY ........................................................... 06 I am delighted to introduce Contributing to Communities, industries. We should not forget that the hedge fund industry the first review of its kind of the charitable and philanthropic is itself a fairly small community. We have estimated that activities of the hedge fund industry worldwide. around 100,000 people are employed directly by managers in SECTION 1 ...................................................... 08 the industry worldwide, which, if it were a single company, The report has been produced by the Alternative Investment would still fail to make Fortune’s list of the 50 biggest Overview of hedge fund Management Association (AIMA), the global hedge fund corporations in terms of employees. Suffice to say, and given charitable activities by region industry association. One of our objectives traditionally has its size, the hedge fund industry does — and quite rightly — been to draw attention to the value the hedge fund industry make a real contribution to communities. brings to society as a whole, from the role that hedge funds play in stabilising financial markets to the benefits of capital We also recognise the limitations of charity and philanthropy preservation and diversification that they offer to their itself. Altruistic gestures are features of compassionate investors, the majority of whom today comprise socially- societies. But they should not be a substitute for addressing SECTION 2 .....................................................
    [Show full text]
  • The Films of Murray Grigor for IOT
    Atelier e.B + PAnel Present steel uPon the swArd the Films of Murray Grigor for IOT. II 9/10 & 30 MAy 12 rose street GlAsGow FilM theAtre Glasgow G3 6rB saturday 9 May: CumbernAuld hit & The demarCo diMension (edited by rob Kennedy) sunday 10 May: steel uPon the swArd & E.P. SculPtor saturday 30 May: Mackintosh T& he FAll And rise oF Mackintosh Murray Grigor is an independent Scottish filmmaker, writer and exhibition curator. Winning international acclaim for his ongoing contribution to the arts spanning over 40 years, The Inventors of Tradition II presents a series of three double bills in partnership with Glasgow Film Theatre that celebrate his work. The selected films highlight Grigor’s interest in Scottish artistic life and bring focus to the complex connections between architecture, creative practice and cultural identity prevalent in his pioneering works. steel uPon the swArd Saturday 9 May 2015 Saturday 30 May 2015 3pm proGraMMe 3pm Cinema 2 Cinema 2 Sunday 10 May 2015 CuMbernauld HIT (edited by Rob Kennedy) MaCkInToSH 3pm Sponsored by Cumbernauld Development Corporation, Cinema 2 Mackintosh (1968), Murray Grigor’s first independent and Cumbernauld Hit (1977) is an original take on ‘promotional’ seminal film won five international awards, helping to re- films produced for Scotland’s New Towns during the STeel upon THe SWard establish the reputation of the architect and designer, now 1970s. Footage selected from Grigor’s original feature, by From the 1970s Grigor made art and architecture a celebrated world-wide as one of the most creative figures artist Rob Kennedy, creates a new work that is at once a focus of his filmmaking.
    [Show full text]
  • The Arts Council of Great Britain
    A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G.
    [Show full text]
  • City, University of London Institutional Repository
    City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS..........................................................................
    [Show full text]
  • Hope and Homes for Children
    Registered Company Number: 4193179 Registered Charity Number: 1089490 HOPE AND HOMES FOR CHILDREN TRUSTEES' ANNUAL REPORT and CONSOLIDATED FINANCIAL STATEMENTS For the year ended 31 DECEMBER 2015 HOPE AND HOMES FOR CHILDREN CONTENTS Legal and Administrative Information Trustees' Annual Report, including Strategic Report Independent Auditor's Report 15 Consolidated Statement of Financial Activities 17 Balance Sheets 18 Consolidated Statement of Cash Flows 19 Notes to the Financial Statements 20 HOPE AND HOMES FOR CHILDREN LEGAL AND ADMINISTRATIVE INFORMATION for the year ended 31 December 2015 Status Hope and Homes for Children is a charitable company limited by guarantee. It was incorporated on 3 April 2001 (Company number: 4193179) and registered as a charity on 26 November 2001 (Charity number: 1089490). Founder Presidents Mark Cook OBE Caroline Cook OBE Patrons Kate Adie OBE The Lady Jopling The Rt Hon The Lord Ashdown of Jay Jopling Norton-sub-Hamdon GCMG KBE PC Gordon Mclnally Martin Bell OBE The Rt Hon Sir Donald McKinnon GCVO ONZ Matt Bell Natalie Pinkham Arpad Busson Mrs Lily Safra The Rt Hon The Lord Carrington KG Dame Kristin Scott Thomas DBE General The Rt Hon The Lord Dannatt GCB CBE MC The Rt Hon The Lord Seikirk of Douglas PC QC Rick Foulsham CMG Princess Marina Sturdza David Furnish Sam Taylor-Johnson OBE Nick Hewer James Whiting Alistair Humphreys Claire Wright Trustees and Directors Natalie Acton x (resigned 21 Jo/y 2015) Andy Bilson x (appointed 5 February 2016) Lucy Caldicott *x Bridget Cluley, BEM Chris Cuthbert x
    [Show full text]
  • Consolidation in the Fund of Hedge Funds Industry
    PREQIN SPECIAL REPORT: CONSOLIDATION IN THE FUND OF HEDGE FUNDS INDUSTRY OCTOBER 2017 alternative assets. intelligent data. PREQIN SPECIAL REPORT: CONSOLIDATION IN THE FUND OF HEDGE FUNDS INDUSTRY EXECUTIVE SUMMARY he fund of hedge funds industry is in a Fig. 1: Fund of Hedge Funds Manager AUM by Region, 2007 - 2017 (As at June 2017) period of change. In recent years, the T 1,400 fund of hedge funds sector has contracted as investors broadly have moved capital 1,200 out of multi-manager vehicles in favour of 1,000 direct investment (Figs. 1 & 2). 800 798 Although most investors still maintain some exposure to funds of hedge funds, 600 563 both the proportion of investors allocating 400 to these funds (Fig. 3), as well as the amount of capital they direct to multi- 200 205 Assets under Management ($bn) Assets manager funds (Fig. 1), has declined. 0 30 As managers look to build value for institutional investors, an increasing Jun-07 Jun-08 Jun-09 Jun-10 Jun-11 Jun-12 Jun-13 Jun-14 Jun-15 Jun-16 Jun-17 number of firms now look beyond Global North America Europe Asia-Pacific & Rest of World traditional commingled vehicles to offer Source: Preqin Hedge Fund Online alternative structures, additional services beyond asset management and an since the Global Financial Crisis (GFC). KEY FACTS increasing range of strategies. Mergers Amid a changing regulatory landscape, a and acquisitions (M&A) within the fund challenging performance environment and $5.4bn of hedge funds industry has allowed a declining investor base, fund of hedge Average size of merging fund of synergistic gains and provided rapid funds managers have looked to adapt and hedge funds managers at time of deal completion.
    [Show full text]