Ruby P Tartt Views on Folk Music
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The Free State of Winston"
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2019 Rebel Rebels: Race, Resistance, and Remembrance in "The Free State of Winston" Susan Neelly Deily-Swearingen University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Deily-Swearingen, Susan Neelly, "Rebel Rebels: Race, Resistance, and Remembrance in "The Free State of Winston"" (2019). Doctoral Dissertations. 2444. https://scholars.unh.edu/dissertation/2444 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. REBEL REBELS: RACE, RESISTANCE, AND REMEMBRANCE IN THE FREE STATE OF WINSTON BY SUSAN NEELLY DEILY-SWEARINGEN B.A., Brandeis University M.A., Brown University M.A., University of New Hampshire DISSERTATION Submitted to the University of New Hampshire In Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy in History May 2019 This dissertation has been examined and approved in partial fulfillment of the requirements for the degree of Ph.D. in History by: Dissertation Director, J. William Harris, Professor of History Jason Sokol, Professor of History Cynthia Van Zandt, Associate Professor of History and History Graduate Program Director Gregory McMahon, Professor of Classics Victoria E. Bynum, Distinguished Professor Emeritus of History, Texas State University, San Marcos On April 18, 2019 Original approval signatures are on file with the University of New Hampshire Graduate School. -
Alan Lomax: Selected Writings 1934-1997
ALAN LOMAX ALAN LOMAX SELECTED WRITINGS 1934–1997 Edited by Ronald D.Cohen With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye ROUTLEDGE NEW YORK • LONDON Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” All writings and photographs by Alan Lomax are copyright © 2003 by Alan Lomax estate. The material on “Sources and Permissions” on pp. 350–51 constitutes a continuation of this copyright page. All of the writings by Alan Lomax in this book are reprinted as they originally appeared, without emendation, except for small changes to regularize spelling. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lomax, Alan, 1915–2002 [Selections] Alan Lomax : selected writings, 1934–1997 /edited by Ronald D.Cohen; with introductory essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew Kaye. -
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM. -
Afro-American Blues and Game Songs AFSL4
THE LIBRARY OF CONGRESS * MUSIC DIVISION ARCHIVE OF AMERICAN FOLK SONG 16A. 1. I DON'T MIND THE WEATHER. Sang by Jim Henry, Parchman, Mississippi, 1937. 2. DIAMOND JOE. Sung by Charlie Butler, Parchman, Mississippi, 1937. 3. JOE THE GRINDER. Sung by Irvin Lowry, Gould, Arkansas, 1939. Recorded by John A. Lomax. The lonely Negro worker piling up dirt on the levees, plowing in the cotton fields, at work in the lonely mist of the riverbottoms; the convict leaning on his hoe; the worker walking home across the fields in the purple evening- heve poured their feelings into songs like these. The songs are addressed to the sun and the choking dust, to the stubborn mules, to the faithless woman of the night before, to the herd-driving captain ; and they concern the essential loneliness of man on the earth. Out of this singing style, which is perhaps the most primitive of all the Afro-American styles current in the United States, has developed the blues. The listener will notice the same use of falsetto stops, the same drop of the voice at the end of lines, that characterize the blues. The aingsrs generally do not refer to these work -songs as sung at all. They say they are "just hollerin'." The words are. improvised each time the songs are sung, the lines coming out of a stock of phrases and verses thet heve been sung before or else directly out of the immediate thoughts of the aingsr. Each singer generally has his own personal melody or "holler"; but these melodies are so free thet each time the song is enunciated it is a new re-creation of the singer's feelings at the moment of performance. -
Folklife Today March 2020: on the Road with Alan Lomax, a “By the People” Campaign from the Library of Congress
Folklife Today March 2020: On the Road With Alan Lomax, a “By the People” Campaign from the Library of Congress Announcer (00:01): From the Library of Congress in Washington, D C W.H. Stepp plays fiddle (00:13): Stephen Winick (00:28): Welcome to the Folklife Today podcast. I'm Stephen Winick, the writer and editor in the American Folklife Center of the Library of Congress. And I'm here with John Fenn, the Head of Research and Programs at the Center. John Fenn: Hello. We are excited to tell you about an initiative in which the Library of Congress is crowdsourcing transcriptions of manuscript pages. Stephen Winick: That doesn't actually sound like it has much to do with folklife, but we promise you that it does. John Fenn: Right. And that's because some of the manuscripts we're talking about are the fieldnotes and other handwritten or typewritten papers of Alan Lomax. Stephen Winick: So let's begin by setting the stage a little. Alan Lomax spent almost 70 years as a folklorist and ethnographer collecting, archiving, and analyzing folk music. His career began in 1933 when his father, John Lomax, was asked to be the new head of the Archive of American Folk Song, which had been established here at the Library of Congress in 1928. And That's the archive that now belongs to the American Folklife Center, where John and I work. John Fenn (01:24): Yes. And in this role as head of the archive, John Lomax took charge of a large repository of manuscripts and cylinder recordings. -
The Ballad Hunter: Lectures on American Folk Music: Parts 9 and 10
Record No. AFS L 53 THE BALLAD HUNTER Song Ti t l e and Singer PART IX THE BLO OD DONE SIGN MY NAME . Sung by Enoch Brown at Livingston, Alabama, 1940. Recor ded by J ohn A. and Ruby T. Lomax. SOON ONE MORNING. Sung by Dock Reed and Vera Hall at Li vi ngston, Al abama, 1940. Recorded by John A. and Ruby T. Lomax. GOING WALK AROUND IN JORDAN , TELL THE NEWS. Sung by Clabe and Mary Amerson, Matti e Belland Mardy Tartt at Boyd, Alabama, 1940. Recorded by John A. and Ruby T. Lomax. JUBILEE. Sung by Rev. B. D. Hall, J oe and Johnny Hall at Livingston, Alabama, 1940. Recorded by John A. and Ruby T. Lomax. STEAMBOAT LOAD ING. Explanation and holler by Richard Amerson at Livingston, Alabama, 1940. Recorded by J ohn A. and Ruby T. Lomax. DOG CAUGHT A HOG . Played on mouth har p by Richard Amerson at Livingst on, Al abama, 1940. Recorded by John A. and Ruby T. Lomax. SERMON ON J OB. Spoken by Richard Amerson, with moaning by Hettie Godfrey and Li l l ie Polk at Livingston, Alabama, 1940. Recorded by John A. and Ruby T. Lomax. J OB , J OB. Sung by Dock Reed and Vera Hall at Livingston, Alabama, 1940 . Recorded by John A. and Ruby T. Lomax. PART X PICK A BALE O'COTTON . Sung by James (Ir on Head) Baker, Will Crosby, R. D. Al len , and Mose (Clear Rock) Platt at Central State Farm, Sugarland, Texas , 193 3. Recorded by John A. -
Download and Goals the Same
Winter / Spring 2010 MOSAICThe magazine of the Alabama Humanities Foundation Still Learning from Mockingbird Behind the V-2 missile Celebrate Black History Month with a Road Scholar presentation ahf.net Alabama Humanities Foundation Board Our kudzu philosophy: of Directors At AHF, we think we have a lot to learn from kudzu, or at least its concept. Bob Whetstone*, Chair, Birmingham Like it or hate it, kudzu is truly a ubiquitous Jim Noles, Vice Chair, Birmingham Danny Patterson, Secretary, Mobile feature of Alabama as well as our Southern John Rochester, Treasurer, Ashland neighbors. No matter who you are, Lynne Berry*, Huntsville where you’re from or how deeply you’re Calvin Brown*, Decatur rooted in the humanities, if you know Marthanne Brown*, Jasper Alabama, you know kudzu. Pesky as it may Malik Browne, Eutaw Rick Cook, Auburn be, the plant is common to everyone. Kudzu Cathy Crenshaw, Birmingham spreads and grows, links and connects. And David Donaldson, Birmingham much like the rich humanities in our state, Kathleen Dotts, Huntsville kudzu can be found, well, everywhere. Reggie Hamner, Montgomery Janice Hawkins*, Troy Kay Kimbrough, Mobile John Knapp, Birmingham Lisa Narrell-Mead, Birmingham Robert Olin, Tuscaloosa Carolyn Reed, Birmingham Guin Robinson, Birmingham archaeology art history classics film studies history Nancy Sanford, Sheffield Lee Sentell*, Montgomery Dafina Ward, Birmingham Wyatt Wells, Montgomery Billie Jean Young, Marion *denotes governor’s appointee jurisprudence languages literature philosophy & ethics theatre history Alabama Humanities The Alabama Humanities Foundation (AHF), founded in 1974, is the state nonprofit affiliate of the National Endowment for the Humanities. Foundation Staff Bob Stewart, Executive Director The Alabama Humanities Foundation. -
Tributaries on the Name of the Journal: “Alabama’S Waterways Intersect Its Folk- Ways at Every Level
Tributaries On the name of the journal: “Alabama’s waterways intersect its folk- ways at every level. Early settlement and cultural diffusion conformed to drainage patterns. The Coastal Plain, the Black Belt, the Foothills, and the Tennessee Valley re- main distinct traditional as well as economic regions today. The state’s cultural landscape, like its physical one, features a network of “tributaries” rather than a single dominant mainstream.” —Jim Carnes, from the Premiere Issue JournalTributaries of the Alabama Folklife Association Joey Brackner Editor 2002 Copyright 2002 by the Alabama Folklife Association. All Rights Reserved. Issue No. 5 in this Series. ISBN 0-9672672-4-2 Published for the Alabama Folklife Association by NewSouth Books, Montgomery, Alabama, with support from the Folklife Program of the Alabama State Council on the Arts. The Alabama Folklife Association c/o The Alabama Center for Traditional Culture 410 N. Hull Street Montgomery, AL 36104 Kern Jackson Al Thomas President Treasurer Joyce Cauthen Executive Director Contents Editor’s Note ................................................................................... 7 The Life and Death of Pioneer Bluesman Butler “String Beans” May: “Been Here, Made His Quick Duck, And Got Away” .......... Doug Seroff and Lynn Abbott 9 Butler County Blues ................................................... Kevin Nutt 49 Tracking Down a Legend: The “Jaybird” Coleman Story ................James Patrick Cather 62 A Life of the Blues .............................................. Willie Earl King 69 Livingston, Alabama, Blues:The Significance of Vera Ward Hall ................................. Jerrilyn McGregory 72 A Blues Photo Essay ................................................. Axel Küstner Insert A Vera Hall Discography ...... Steve Grauberger and Kevin Nutt 82 Chasing John Henry in Alabama and Mississippi: A Personal Memoir of Work in Progress .................John Garst 92 Recording Review ........................................................ -
Martha Moon Fluker Local and State History Collection
Martha Moon Fluker Local and State History Collection Drawer 1: A & B Folder 1: Actors Item 1: “‘Gomer Pyle’ Comes Home,” By Wayne Greenhaw (Jim Nabors, “Gomer Pyle”) The Advertiser Journal Alabama, January 16, 1966 Item 2: “Montevallo recognizes TV actress,” (Polly Holliday) The Tuscaloosa News, January 26, 1983 Item 3: “Wayne Rogers Keeping Cool About Series,” By Bob Thomas, (Wayne Rogers). The Birmingham News, February 13, 1975 Folder 2: Agriculture Item 1: “Agriculture income up $94 million,” By Thomas E. Hill. The Birmingham News, January 11, 1976. Item2: “Alabama Agribusiness Vol. 18, NO. 2” - “Introduction to Farm Planning, Modern Techniques,” By Sidney C. Bell - “Enterprise Budgeting,” By Terry R. Crews and Lavaugh Johnson - “On Farm Use of Computers and Programmable Calculators,” By Douglas M. Henshaw and Charles L. Maddox Item 3: “Beetle and Fire ant still big problem,” By Ed Watkins. The Tuscaloosa News, October 10, 1979. Item 4: “Hurricane damaged to timber unknown.” The Meridian Star, October 1, 1979. Item 5: “Modern Techniques in Farm Planning,” Auburn University, January 23-24, 1980 Item 6: “October 1971 Alabama Agricultural Statistics,” (Bulletin 14) Item 7: “1982 Census of Agriculture,” (Preliminary Report) Folder 3: Alabama – Census Item 1: Accent Alabama, (Vol. 2, No. 2, June, 1981). [3] - “1980 Census: Population Changes by Race” Item 2: “Standard Population Projections,” August, 1983 (Alabama Counties). [5] Item 3: “U.S. Census of population Preliminary – 1980” Folder 4: Alabama – Coat of Arms Item 1: “Alabama Coat of Arms.” The Advertiser – Journal, Sunday, January 3, 1965. Item 2: “Alabama’s New Coat of Arms.” The Birmingham News, Sunday, April 23, 1939. -
Alabama Historical Association Montgomery, Alabama • April 14-16, 2016 TABLE of CONTENTS
VOLUME 31 Alabama ISSUE 1 Historical SPRING 2016 Association Join us for the 69th Annual Meeting of the Alabama Historical Association Montgomery, Alabama • April 14-16, 2016 TABLE OF CONTENTS 3 President’s Message AHA Executive Committee PRESIDENT 4-5 69th Annual Meeting Overview Debbie Pendleton, Alabama Department of Archives and History VICE PRESIDENT Jeff Jakeman, Auburn 6-9 “City of Montgomery: A Mark of SECRETARY Distinction,” Richard Bailey Mark Wilson, Auburn University MEMBERSHIP SECRETARY 10-11 Schedule of Events Maiben Beard, Auburn University TREASURER 12-13 Map and Accommodations Valerie Burnes, University of West Alabama AHA Editors THE ALABAMA REVIEW 14 Thursday Afternoon Workshops and R. Volney Riser, University of West Alabama Tours AHA Newsletter Mark Wilson, Auburn University 15 Friday Featured Speaker: Mary Ann AHA Board of Directors 2015-2016 Neeley David Alsobrook, Mobile Jim Baggett, Birmingham Public Library Donna Cox Baker, Alabama Heritage 16 Banquet Keynote: Dolores Hydock Ann Chambless, Jackson County Heritage Association James Cox, Grove Hill 17-18 “Memories of the 1956 Annual Jim Day, University of Montevallo Meeting,” Chriss H. Doss Ralph Draughon, Jr., Alabama Historical Commission James E. Foshee, Huntsville Staci Glover, Gardendale 19-23 2015 Historical Markers John C. Hall, Tuscaloosa Guy Hubbs, Birmingham Southern College John Kvach, University of Alabama in Huntsville Jay Lamar, Alabama Bicentennial Commission Susanna Leberman, Huntsville-Madison County Public Library Herbert J. Lewis, Birmingham Debra Love, Fairfield William Melton, Evergreen Rebecca Minder, Alabama Heritage Dan Puckett, Troy University-Montgomery Doug Purcell, Eufaula Marlene Rikard, Hoover David Robb, Huntsville Jean Till Styles, Minter Gayle Thomas, Abbeville Parliamentarian/Counsel Chriss Doss, Birmingham The AHA Newsletter is designed and printed by Davis Direct, Montgomery, Alabama. -
John Jones, Virginian
UNIVERSITY OF PITTSBURGH Dar. Rra. CS71 B9575 1913 LIBRARIES % The Johes-BurgWin Family History By Walter Burgwyn Jones Digitized by the Internet Archive in 2010 with funding from University of Pittsburgh Library System http://www.archive.org/details/johnburgwyncarolOOjone JOHN BURGWIN From the Painting by John S. Copley, 1783 John Burgwin, Carolinian John Jones, Virginian Their Ancestors and Descendants BY Walter Burgwyn Jones of Montgomery, Alabama 1913 Privately Printed Preface The accompanying brief sketch of my ancestors and kindred is an effort to preserve, for present and future family use, in convenient form, such facts and data as could be ascertained with the limited time and means at the writer's disposal. None realizes more keenly than he the many imperfections of the book. As the sketch is not intended for the public no explanation need be addressed to them. To those interested he might give many reasons in favor of the preservation of family histories and genealogies, but it will suffice to mention only a few of them. Veneration of honorable ancestry is a just instinct and won- derfully ennobling in its influences. An affectionate regard for the memory of those who have gone before is most natural and cannot justly yield anything to the animadversion of the cynic. It is also true that there are many today, descendants of honorable and interesting families, who find the virtues and character of utter strangers far more interesting than those of their own kindred. They seemingly little realize that a study of their forbears' useful and honorable careers would inspire them with far more self-respect and create in them a stronger desire to emulate the virtues of their worthy progenitors than would the study of lives of others with different blood. -
Working-Class Women's Literature: an Introduction to Study
ISSN: 1941-0832 Working-Class Women’s Literature: An Introduction to Study by Paul Lauter RADICAL TEACHER 62 http://radicalteacher.library.pitt.edu No. 100 (Fall 2014) DOI 10.5195/rt.2014.152 riting ‒ and indeed thinking ‒ about working- In dealing with working-class culture, and especially class literature presents a number of unique with women’s literature, we are confronted by a problem W problems. To begin with, what do we mean more fundamental than that of definition. It can be seen in by “working-class literature”? Literature about working- a poem by Bertolt Brecht, “A Worker Reads History": class people, literature by them, or literature addressed to Who built the seven gates of Thebes? them? If we use the first definition, should we include works that are ignorant of or hostile to the working-class The books are filled with names of kings. people they write about like some turn of-the-century Was it kings who hauled the craggy blocks of stone? “industrial” novels? If we focus on writing by working people, do we include pieces that do not deal with their And Babylon, so many times destroyed, lives or even with their real concerns, like some “popular” songs? Should we include, say, literature by people of Who built the city up each time? In which of Lima’s working-class origins, like D. H. Lawrence? To complicate houses, the issue still further, there is the question of audience or, perhaps more accurately, of the differing functions of That city glittering with gold, lived those who built it? works with differing audiences.