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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Philip Johnson, Architecture, and the Rebellion of the Text: 1930-1934
PHILIP JOHNSON, ARCHITECTURE, AND THE REBELLION OF THE TEXT: 1930-1934 The architect Philip Johnson, intermittently famous for provocative buildings— his modernist Glass House, 1949, and the Postmodern AT&T (now Sony) Building, 1984—will be remembered less for his architecture than for his texts. He first made a reputation as co-author (with Henry Russell Hitchcock) of the 1932 book The Interna- tional Style, which presented the European Modern Movement as a set of formal rules and documented its forms in photographs. In 1947, on the verge of a career in archi- tectural practice, Johnson authored the first full-length monograph on Mies van der Rohe. To these seminal texts in modernism’s history in America should be added a number of occasional writings and lectures on modern architecture. In addition, the exhibitions on architecture and design Johnson curated for the Museum of Modern Art (MoMA), beginning with the seminal Modern Architecture in 1932, should also be considered texts, summarizing, or reducing, architectural experience through selected artifacts and carefully crafted timelines. In the course of a very long career, Johnson was under almost constant fire for de-radicalizing modernism, for reducing it to yet another value-free episode in the history of style, or even of taste. The nonagenarian Johnson himself cheerfully con- fessed to turning the avant-garde he presented to America into “just a garde” (qtd. in Somol 43). Yet in 1931 Johnson described the spirit of his campaign for modernism as “the romantic love for youth in revolt, especially in art, universal today” (Johnson, Writings 45). -
On a Gently Sloping Site in New Canaan, Sanaa Designed Spaces Text Photos for Public Gatherings in the Form of a Meandering River
164 Mark 59 Long Section Sanaa New Canaan — CT — USA 165 Si!ing Lightly on the Land On a gently sloping site in New Canaan, Sanaa designed spaces Text Photos for public gatherings in the form of a meandering river. Michael Webb Iwan Baan 166 Mark 59 Long Section Sanaa New Canaan — CT — USA 167 In essence, the building of glass, concrete, steel and wood is a single long roof that seems to float above the surface of the ground as it twists and turns across the landscape. &e amphitheatre in the foreground seats 700. A few kilometres from Philip Johnson’s Glass House in New Canaan, Connecticut, Sanaa has created a structure that is even more transparent and immaterial. Aptly named the River, it comprises a canopy of Douglas fir, supported on slender steel poles, that descends a gentle slope in a series of switchbacks, widening at five points to embrace rounded glass enclosures that seem as insubstantial as soap bubbles. From one end to the other is 140 m, but it is tucked into a space half that length. From above, the gently bowed roof of anodized aluminium panels picks up the light as though it were a watercourse, and constantly shi$ing perspectives give it a sense of motion. %is linear shelter was commissioned by the non-profit Grace Farms Foundation to house its non-denominational worship space, as a gathering place for the communi& and as a belvedere from which to observe a 32-hectare nature preserve. %eir first impulse was to save this last undeveloped plot of countryside in Fairfield Coun&. -
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
Unclear Vision: Architectures of Surveillance
78 79 Engrneered Transparency Engineered Transparency Essays Essays Unclear Vision: Archi1ec1ures of Surveillance Beatm Colom1na Unclear Vision: Architectures of Surveillance Beatriz Colomrna The relationship between glass and technologies of communication has been an ongoing inspiration in my research. The history of the modern window is a history of communication: Le Corbusier's horizontal window is unthinkable outside of cin ema. The Eames House is unthinkable outside of the color slide. And the picture fig. 1 I Strip w indow at Villa le Lac, built by Le Corbus ier for his mother, 1924 window at midcentury is unthinkable outside of television. I figs.1-3 In each case, the ambition of modern architecture to dissolve the line between inside and out side is realized by absorbing the latest realities of communication. ~ If communication is basically about bringing the outside in (as when read -. i · II ing a newspaper to bring wo1·ld events into your life) and getting the inside out (as 1f_ .~ I when sending a letter) then glass unambiguously represents the act of communi ·· fl. .,- · ~u-~ ~ rJ I / I \ , ~tJt ... ~ it cation. It is as if glass literally takes over more and more of a building as the sys t;;;•<f<-< ' )Y!f. - · ~ - . tems of communication became more and more fluid. Having dissolved the walls ~ ~·"'- . ~ into glass, the question has become how to dissolve glass itself, the last delicate I!YIIo.'f- line between inside and outside. The relentless quest for greater fluidity between To be truly modern inside and outside is no longer simply a drive toward transparency. -
Oral History of Edward Charles Bassett
ORAL HISTORY OF EDWARD CHARLES BASSETT Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 1992 Revised Edition Copyright © 2006 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Preface to Revised Edition v Outline of Topics vi Oral History 1 Selected References 149 Curriculum Vitae 150 Index of Names and Buildings 151 iii PREFACE On January 30, 31, and February 1, 1989, I met with Edward Charles Bassett in his home in Mill Valley, California, to record his memoirs. Retired now, "Chuck" has been the head of design of Skidmore, Owings and Merrill's San Francisco office from 1955-1981. Those twenty-six years were a time of unprecedented growth and change to which Chuck not only bore witness but helped shape. Chuck Bassett was one of the SOM triumvirate of the postwar years: he was the West Coast counterpart of Gordon Bunshaft in New York and William Hartmann in Chicago. In 1988 the California Council of the American Institute of Architects awarded SOM, San Francisco, a 42-year award for "...the genuine commitment that the firm has had to its city, to the profession and to both art and the business of architecture." Although Chuck prefers to be known as a team player, his personal contribution to this achievement is unmistakable in the context of urban San Francisco since 1955. -
Introducing Tokyo Page 10 Panorama Views
Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N. -
William D. Kendall, FAIA (1942 - 2013)
CITINGS / SUMMER 2013 William D. Kendall, FAIA (1942 - 2013) BY ROBERT A.M. STERN WILLIAM D. KENDALL, FAIA, WAS BORN IN SHATTUCK, Oklahoma, on March 17, 1942, and died in Houston on Monday, February 25, 2013. For over two decades Bill was both a close friend and a valued professional collab- orator of mine and I am pleased and honored to tell his story. Bill earned a Bachelor of Science degree in 1966 and Bachelor of Architecture degree cum laude in 1967 from the University of Houston, where he received the Alpha Rho Chi Medal. He received his Master of Architecture de- gree in 1970 from Rice University. After work- ing at several fi rms during his college years, Bill joined Wilson, Morris, Crane & Anderson (later S.I. Morris Associates) in 1968, where he became a partner in 1973. In 1978 Bill and Hal Weatherford founded KWA after they had the opportunity with their predecessor fi rm to collaborate as associated architects with Philip Johnson on Gerald Hines’s land- mark Pennzoil Place. Bill and Hal had moved to New York to work on the Pennzoil project in Philip’s offi ce. Bill recognized an opportu- James Heaton and William Kendall. nity when he saw one, and with this project as a model he developed his vision of an architectural chitects on projects including over 100 corporate tect on projects including the Alice Pratt Brown Hall practice organized specifi cally to provide technical headquarters, offi ce buildings, and cultural, institu- for the Shepherd School of Music at Rice University, collaboration with design architects. -
Awaik Across Campus
:" ' , ..~. .' , .. : " scholastic Vol. 119, No.4, November 4, 19'77 Notre ,Dame, Indiana, FEATURES 4 The People Place Clare Leary 7 31 Ways to Leave Your Hunger Liz Donovan 10 Attractions and Distractions , J. P. Morrissey 14 The Music Man Mark Kulyk and Paul Peralta 16 Free Agents: A Million Dollar Investment Ted Robinson 18 A Walk Across Campus Joseph W. Evans 22 The Man After Hours Peggy McGuire 24 Untapped Resources Tom BaJcerek 26 A Rinkside View Ray O'Brien 28 ND Nine Weather Fall Season John Delaney REGULARS CREDITS , Rhonda Kornfeld Illustrations: Therese Kenney 10, 11, 12, 13 21 People At ND I Lee Hendricks 18. Photographs: Tom Everman 3, 5, 6, 7, 8, 9, 29' ,Letter to the Editor " "Fritz Marti 21, 23, 24, 25 / Gary Mills 14 I Bill Ehmann 30 The Last Word Kathleen McElroy 26, 27, 28. Cover: Tom Everman Editor Staff Kathleen McElroy Chuck Sweeney, Clare Leary, Dave Beno, Leo J. Mulcahey" Teri, Thompson, Barb .Frey, Managing Editors' Cole Finegan,Steve Fadul, Dan' Lombardi, MarY DeRoche, Theresa Rebeck, John ,Delaney, Mark J. On dash Fran Gilbert, Rhonda Kornfeld, Sue Hart, Peggy McGuire, liz Donovan, Rick LaBelle, Karen Caruso ' W. Ben Elliot, Tom Westphal, Betsy Birch, Mary Ann Pelczar, John Stavirioha, Susan Art Director Spilman, Bridget Berry, Kathy Leaman,' James Jordan, Therese Phillips, Gabrielle Pentz, Sharon Simon Bill Ehmann, Greg G. Gregory. Production Manager, Julie Runkle, News Editor Hall Representatives: Kim Gumz, Jim Moran; Greg Skranzds,' Sheila Gavan; Wendy For all the games ... running .. tennis, basket:. "No one knows the athlete's foot like lisa Michels Fencl, Paul Peralta, Joe Lauch, Ed Rodgers, Brian Glade, Don Orban, Dave Carrier, Jim Culture Editors Jordan, Paul Coppola, Tom Browne, Russ O'Brien, Ruth Hohl, Andy Smith, Brian Donnelly. -
Ii. Name Historic: Mercantile Bank Building And/Or Common: Date: 1943-I ~58 12
I DallasLandmarkLandmarkNominationCommissionForm Ii. Name historic: Mercantile Bank Building and/or common: date: 1943-i ~58 12. Location address: 1704 am Street location/neighborhood: Downtown/Central Business District block: 135/96 lots: 5-8, So. 20’ of 4&9 land survey: tract size: 0.551 acre 13. Current Zoning current zoning: CA-i 14. Classification Category Ownership Status Present Use ~_building(s) ~private •.~.......unoccupied x commercial in progress Public Accessibility Acquisition specify progress considered ~ 5. Ownership Current Owner: Mercantile Complex LP Contact: Gary Pitts, Beeler, Guest Owens Architects Phone: 214-520-8878 Address: 4245 N. Central Expressway, #300 City: Dallas State: TX Zip: 75205 6. Form Preparation Date: June 15,2005 Name & Title: Robert Mawson, Vice President Organization: Heritage Consulting Group 1120 NW Northrup Street, Portland, OR 97209 Contact: John Tess, President Phone: 503-228-0272 [~Representation on Existing Surveys Alexander Survey (citywide) local state national National Register H.P.L Survey (CBD) A B C D Recorded TX Historic Ldmk Oak Cliff TX Archaeological Ldmk Victorian Survey Dallas Historic Resources Survey, Phase ____ — high — medium — low For Office Use Only Date Rec’d:______ Survey Verified: Y N by:____ Field Check by:_____ Petitions Needed: Y N Nomination: Archaeological Site Structure(s) Structure & Site District 18. Historic Ownership I original owner: Mercantile National Bank significant later owner(s): 19. Construction Dates I original: 1943 alterations/additions: 1958/1963 110. Architect I original construction: Walter W. Ahlschlager alterations/additions: Broad & Nelson ii. Site Features I natural: None urban design: High-rise urban 112. Physical Description I Condition, check one: Check one: — excellent deteriorated — unaltered x original site ~_ good — ruins ~••~_ altered _moved(date______ _fair ..._......unexposed Describe present and original (ifknown) physical appearance. -
Bordersville Building •O^IIBBBSQEIQEI Completed New Office/Retail Space in the Heart of the Rice Village 28,000 SQ.FT
Cite Winter 1985-1986 UH Architecture Building To Be Dedicated HOUSTON CUSTOM FURNITURE) 909 West 22nd • Suite A • Houston, Texas 77008 • (715)880-8987f Jilt t 3ns l l Have a kadi oar rresk kerb Atrium, University of Houston College of Architecture Building, John Ouisie's • Open Tuesday thru Saturday Burgee Architects with Philip Johnson and Morris»Aubry, architects 8 Sunset Boulevard • Houston • 713/528-2 (Photo by Paul Hester) The University of Houston's College of Beyond compilation of the final punch Architecture will celebrare 40 years of list, prededication activities include a architectural education with an academic major student social event and the festival, scheduled for }-9 February 1986, opening of a gallery exhibition to be kicked off by the dedication of its documenting the history of the College of new-old building (John Burgee Architects Architecture. Dedication is scheduled for 3 with Philip Johnson and Morris*Aubry February, with a week of lectures, Architects). With move-in scheduled for symposiums, and social events to follow. the Christmas-New Year's break and A special announcement of Dedication spring classes to begin in the Johnson Week events will be sent to all interested building, anticipation of the events is individuals. To have one's name placed on rising, with planning lagging somewhat the mailing list, telephone the College of behind. Architecture at 713/749-1187. Peter Wood BROADCASTING UH Texas Studio The Leader in Professional Sound & • Investigates American Villages Communications since 1958. • Public Address, Paging, Intercom Sound Masking Emergency Evacuation Peter J. Zweig, director of the Texas • Environmental Music by Muzak and YESCO Studio, and 10 graduate students from UH will collaborate with Charles W.