Un/Books - Section F C[Hica.Go (Rribnnt Book World Section 7 July 28

Total Page:16

File Type:pdf, Size:1020Kb

Un/Books - Section F C[Hica.Go (Rribnnt Book World Section 7 July 28 ,... ([hica.go (rrlbunt Sunday, July 28. 1974 Arts un/Books - Section f C[hica.go (rribnnt Book World Section 7 July 28. 1974 Special Rex Stout Issue After68 books, Nero's creatorisstillgoingstrong Triple Zeck And now a word or A Nero Wolfe Omnibus By Rex Stout two with the master VIking. 502 pages, $8.95 By Timothy Dickinson , Reviewed by Nelson Polsby and Rhoda Koenig If any reader doubts that Arnold Zeck is the It may disappoint his millions of readers. but worst fiend Nero Wolfe, the fat detective, has Rex Stout does not live in a West 35th Street ever encountered, he should pause to brownstone topped by a greenhouse filled consider three pieces of evidence: with orchids. He lives in Brewster, N_Y.. the l 1) Zeck <aused a machine gunner to be home of one of his lesser known detectives, stationed in the building across the street Tecumseh Fox. Nor does Stout's appearance from Wolfe's brownstone for the purpose live up to his name, or to the seventh of a ton of shattering the glass greenhouses on carried about by Nero Wolfe: he is short and Wolfe's roof. thereby exposing Wolfe's slender, with a straggly \\'hite beard that prize-winning orchid collection to the resembles Ho Chi Minh's. unwholesome rigors of New York City air. The resemblances to Wolfe, however, are <2) Zeck caused Wolfe to leave the house many. Stout's favorite color is yellow: he is on business. an enthusiastic and excellent cook: and (3) In order to accomplish Zeck's altho he does not cultivate orchids. his house undoing, it became necessary for Wolfe to and grounds contain 187 species of iris and go on a diet. more than 100 kinds of other flowering plants. All of these remarkable events and He shares Wolfe's love of order: His bedroom much more are contained in Triple Zeck, a is a model of shelves, hooks, closets, and repackaging between hard covers of three compartments that would delight Agatha classic Wolfe chronicles dating from the late O.ristie's Hercule Poirol. that passion~e 1940s. when Rex Stout was at the height of geometrician who Y(ishes that eggs could be his inventive powers. In the light of Stout's cubic. His small study contains translations longevity and fertility as a writer of Nero of the Wolfe novels (in 281anguages>. books Wolfe stories-68 of them in 40 years­ on orchids, and Practical Fingerprinting, there should be sufficient late-arriving but e!f1phatically not a copy of Webster's Nero Wolfe fans amply to justify the Third, which Wolfe, in Gambit. shredded publication of this collection. I regret only and threw on the fire, enraged that it the cheesiness of the binding, which will countenances the use or ''infer" to mean probably cause the book to fall apart long "imply." -=-- --~~ ~----~~----~~--------- before shalTnave the pieasur4toffending Like Wolfe. Stout is a voracious and it to my grandchildren, and that_, Viking opinionated reader ( ''Montaigne was a great Press is no way to treat a classic. man"; ''1 doubt very much if any Italian ever And' make no mistake, the Wolfe series wrote anything worth reading") He admires has classic dimensions. This is true not Conan Doyle. but with reservations ("Oh, he merelv because of its sheer bulk, or that of created great characters. of course: Sher- its hero. Wolfe's adventures are unadul­ ? lock Holmes is probably the most widely terated chronicles of detection. meant to be ~ known fictional character in the world. But read straight thru, for amusement Stout ~ a.c- a storyteller Conan Doyle was a joke'') drops no brand names. indulges in no And he has nothing but good to say about ethnic stereotyping, provides no torrid ! Jane Austen (''Anyone can put you in digressions into sexual monkey business. l suspense having you wonder is ~e going to It is probably Significant that there is no kill her. or is she going to sleep w1th h1m. b~t ~ero Wolfe television series. There is, in she has you on the edge of yoor chair short. a purity about the enterprise-that is wondering if Mr Woodhouse is going to tremendouslY appealing. Wolfe does not merely stumble upon clues; stands to reason: High-priced detectives remember to put his goddam shawl on"). What makes Nero Wolfe a great he leaves that for the police and for his and extortionists are likely to prey upon detective? Three things. First. his chroni­ We sat in the living room of High Meadow. bareroot empiricist assistant, Archie the same clientele. In two out of these three cles resonate beautifully with some of the a sprawling house modeled on a palace Stout Goodwin. No. lik~ the systematic,. if stories. Zeck appears only as an offstage saw m Tunis. He designed and built the hallowed traditions of the genre: Wolfe eccentric inquirer into human behavior threat; in the third. finally. Wolfe is forced himself is a character patterned after house-as well as all the furniture in it-in that he is. Wolfe frames and pursues to deal with him directly. This provides a 1930. The style is thirties avant-garde. which Mycroft Holmes. Sherlock's fat brother. hypotheses. armchair work, to be sure, but nice dramatic structure to the collection as He unmasks criminals in soul-satisfying has since settled down to being haymish. absolutelv necessary to bring coherence a whole. cJimactic confrontations with the entire Stout poured Sauvignon Blanc and benignly into the contrived confusion that clever In the first story, I am bound to say. no offered both of us cigars. cast of characters present; there is the · criminals leave behind them when they do matter how mtellectually satisfying IS theme of rivalry with the local homicide After a brisk preliminary rally !on the their work. And this makes Wolfe enor­ Wolfe's solution to the murder of Cyril detectives. things like that. rarity of Scots Quakers. the state of a mutual mous fun to watch as he sits there doing hls Orchard (poor fellow. he dr~nk a sof~­ friend's eyesight, the connection between Second, Wolfe has a nwnber of valuable detections drink laced with cyanide durmg a radio inflation and Federal Reserve policies>. he props and quirks that give him some life of Readers should be warned. however. talk show). I doubt that a jury would have • was. with great difficulty and many d~shes his 0\\-'11: He has a somewhat mysterious life that owing to the presence of th~t convicted the culprit. The fact is. Wolfe for the undergrowth-'1'he point of mter­ history, for example, including hints of early extraordinarv menace. Arnold Zeck, m sometimes loses interest in a case once he views is for me to find out something about work in the Intelligence service of the this omnibus-. Wolfe is driven to vary his gets the right answer. But any reasonably Austro-Hungarian empire, {erociou!, prej­ these people who come to see me" methods quite drastically in one of these competent defense lawyer cool~ ~ave -persuaded to talk about himself and his udices about food and people, compulsive stories. Curiously, the active Wolfe is by no littered the trail that led to Orchard s k11ler work. We succeeded only because we out­ habits that carry over from.year to year and means as plausible a figure as the familiar with reasonable doubts, extenuating cir­ to numbered him. book book. sedentary genius. cumstances. and puzzling coincidence~. Rex Todhunter Stout was bom on Dec. 1, Third, and I suppose most important, Most Wolfe stones are about murder, and in my opinion would have gotten h1s Continued on page 4 and these are about murder and black­ client off. Nelson Polsby's forthcoming book of mail Zeck. a chieftain of organized crime, I strongly urge that readersc<l!"sider_the Timothy Oicktnson and Rhcx:Ja Koemg are essays, Political Promises, contains many crosses Wolfe's path primarily because of question themselves. and at the1r earhest mysteries and few solutions. his activities as a wholesale extortionist. It opportunity. on the staff of Harper's magazine. ,- . And now, after 68 book~, a ~ Continued from page 1 invested his money in the stoc~ market. The 1886, in Noblesville, Ind., into a Quaker next year. of course, brought what Stout calls family of 11. They later moved to Kansas, "the economic disillusionment," and things where. at five, he was more than a match for did not look cheerful. But matters improved the local school system. soon enough. Stout met and married Pola, "The teacher asked me one day what was and, in 1934, with the appearance of the color of the ocean. Well, I hadn't done the Fer-de-Lance, he became the literary agent for that promising new writer, Archie lesson, and I said 'pink.' She let me know Goodwin. As far as anyone can tell, he seems what she thought of that answer. Well, for a to have lived happily ever after. year I read everything I could find about the ocean, and at the end of it I showed that Stout, claiming not to be on speaking terms teacher a list of all the colors the ocean with his unconscious, literally waves away was-'wine·dark' and so on. So she apolo­ all questions about the origin of Nero Wolfe. gized to me. She said, 'Now I seewhyyousaid "pink.'' You thought the ocean could be any "I don't know where he came from. color.' Ha." Absolutely no idea. You know, I think it's a waste of time for writers to be talking about After two weeks at the University of their o"'n writing.
Recommended publications
  • Rodney Leighton, #11 Branch Road, R.R. #3, TATAMAGOUCHE, Nova
    The Life of Rodney … Year 64 #1 Page 1 and it must have stood out for him; I was disappointed that there was Rodney Leighton, very little about his time in Canada, or North America for that matter. With help from Jake Shannon, the book is intended as a sort of wrestling #11 Branch Road, Email biography of one of the best of all time while providing some history of catch and avoiding almost all the controversy. It succeeds. I still don't R.R. #3, [email protected] think he could have been Karl Gotch, although he says he could have, but TATAMAGOUCHE, because of their friendship he never tried. I think they could have Nova Scotia, B0K 1V0, doubled or tripled the size of the book with no problem and still be of interest. At 144 pages it's fairly small. It's the only thing I have seen in Canada some time that I read basically straight through and wished were larger. As far as I know, only 2 people who have an interest in “real” pro Paper copies sent in return for review items; gifts and perhaps because I feel wrestling will read this; one is 80 something and not liable to buy a book like it. This should also be available at www.efanzines.com – all going well. of this nature, the other recently told me he had acquired a truck load of Distributed under the Creative Commons Attribution-NonCommercial- wrestling books cheaply and sometime later said that he had not read any ShareAlike 3.0 Unported Licence.
    [Show full text]
  • Rex Stout Does Not Belong in Russia: Exporting the Detective Novel
    Wesleyan University The Honors College Rex Stout Does Not Belong in Russia: Exporting the Detective Novel by Molly Jane Levine Zuckerman Class of 2016 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in the Russian, East European, and Eurasian Studies Program Middletown, Connecticut April, 2016 Foreword While browsing through a stack of Russian and American novels in translation on a table on Arbat Street in Moscow in 2013, I came across a Russian copy of one of my favorite books, And Be a Villain, by one of my favorite authors, Rex Stout. I only knew about this author because my father had lent me a copy of And Be a Villain when I was in middle school, and I was so entranced by the novel that I went out to Barnes & Noble to buy as many as they had in stock. I quickly ran out of Stout books to read, because at the time, his books were out of print in America. I managed to get hold of most copies by high school, courtesy of a family friend’s mother who had died and passed on her collection of Stout novels to our family. Due to the relative difficulty I had had in acquiring these books in America, I was surprised to find one lying on a book stand in Moscow, so I bought it for less than 30 cents (which was probably around the original price of its first printing in America).
    [Show full text]
  • Sherlock Holmes Print Study Guide
    STUDY GUIDE IntroductionTABLE OF CONTENTSPg. 3 Pg. 4 Top Ten Things to Know About Going to the Theatre Cast and Creative Team Credits Pg. 5 Stout, Wolfe and Goodwin Pg. 6 Inside Vertigo Theatre- An Interview with Joseph Goodrich Pg. 8 Pre-Show Projects and Discussion Questions Pg. 10 Dynamic Duos 1950's Manhattan Food! Your Burning Questions Pre-Show Activities- To Get You Up On Your Feet Pg. 15 The Perfect Team Spotting a Liar Post Show Discussion Questions Pg. 20 The Art of The Theatre Review Pg. 21 About Vertigo Theatre Pg.22 Vertigo Theatre is committed to creating a welcoming atmosphere for schools and to assisting teachers and parent chaperones with that process. It is our wish to foster and develop our relationship with our student audience members. It is our intention to create positive theatre experiences for young people by providing study guides and post-show talk backs with our actors and theatre personnel, in order to enrich students’ appreciation of theatre as an art form and enhance their enjoyment of our plays. IntroductionWelcome to the Study Guide for Vertigo Theatre’s production of Might As Well Be Dead adapted by Joseph Goodrich, from the novel by Rex Stout. In this guide, you will find information about Rex Stout and his creations, Nero Wolfe and Archie Goodwin. It also includes information about the creative team and performers involved in the production, as well as a variety of activities to do with your class before and after the show. There are topics suitable for class discussion, individual writing projects, as well as games and exercises that get students moving around and learning on their feet.
    [Show full text]
  • {PDF EPUB} the First Rex Stout Omnibus Featuring Nero
    Read Ebook {PDF EPUB} The First Rex Stout Omnibus Featuring Nero Wolfe And Archie Goodwin The Doorbell Rang The Second The First Rex Stout Omnibus: Featuring Nero Wolfe And Archie Goodwin: " The Doorbell Rang " " The Second Confession " And " More Deaths Than One " by Rex Stout. TimeSearch for Books and Writers by Bamber Gascoigne. American author, who wrote over 70 detective novels, 46 of them featuring eccentric, chubby, beer drinking gourmet sleuth Nero Wolfe, whose wisecracking aide and right hand assistant in crime solving was Archie Goodwin. Stout began his literary career by writing for pulp magazines, publishing romance, adventure, some borderline detective stories. After 1938 he focused solely on the mystery field. Rex Stout was born in Noblesville, Indiana, the son of John Wallace Stout and Lucetta Elizabeth Todhunter. They both were Quakers. Shortly after his birth, the family moved to Wakarusa, Kansas. Stout was educated at Topeka High School, and at University of Kansas, Lawrence, which he left to enlist in the Navy. From 1906 to 1908 he served as a Yeoman on President Theodore Roosevelt's yacht. The following years Stout spent writing freelance articles and working in odd jobs – as an office boy, store clerk, bookkeeper, and hotel manager. With his brother he invented an astonishing savings plans, the Educational Thrift Service, for school children. The system was installed in 400 cities throughout the USA, earning Stout about $400,000 and making him financially secure. In 1916 Stout married Fay Kennedy of Topeka, Kansas. They separated in 1931 – according to a story, she eloped with a Russian commissar – and Stout married Pola Hoffman, a fabric designer.
    [Show full text]
  • German Titles of Rex Stout's Nero Wolfe Stories
    German Titles of Rex Stout's Nero Wolfe Stories (Thank you Christian Hoffman) book book story story German story title number number 1 Fer-de-Lance 1 Fer-de-Lance Die Lanzenschlange 2 League of Frightened 2 League of Frightened Men, The Die Liga der furchtsamen Männer Men, The 3 Rubber Band, The 3 Rubber Band, The Die Gummibande 4 Red Box, The 4 Red Box, The Die rote Schatulle 5 Too Many Cooks 5 Too Many Cooks Zu viele Köche 6 Some Buried Caesar 6 Some Buried Caesar Der rote Bulle 7 Over My Dead Body 7 Over My Dead Body Über meine Leiche 8 Where There's a Will 8 Where There's a Will Kennzeichen wilde Rose 9 Black Orchids 9 Black Orchids Schwarze Orchideen 9 Black Orchids 10 Cordially Invited to Meet Death Der Tod gibt sich die Ehre 10 Not Quite Dead Enough 11 Not Quite Dead Enough Das blaue Halstuch 10 Not Quite Dead Enough 12 Booby Trap Die explosive Ananas 11 Silent Speaker, The 13 Silent Speaker, The Mord im Waldorf-Astoria 12 Too Many Women 14 Too Many Women Zu viele Frauen 13 And Be A Villain 15 And Be A Villain Aufruhr im Studio 14 Second Confession, The 16 Second Confession, The Das zweite Geständnis 15 Trouble in Triplicate 17 Before I Die Blei ist ungesund 15 Trouble in Triplicate 18 Help Wanted, Male Sie werden demnächst sterben 15 Trouble in Triplicate 19 Instead of Evidence - 16 Curtains for Three 20 Bullet for One Alibi nach Maß 16 Curtains for Three 21 Gun with Wings, The Der geflügelte Revolver 16 Curtains for Three 22 Disguise for Murder - 17 Three Doors to Death 23 Man Alive - 17 Three Doors to Death 24 Omit Flowers Die
    [Show full text]
  • Rex Stout (1886-1975)
    REX STOUT (1886-1975) FEATURING ALL THE NERO WOLFE TITLES In 1959, at age 73, Rex Stout received the Mystery Writers of America’s Grand Master Award. At the time, he had published 32 books featuring Nero Wolfe and Archie Goodwin, his most enduring characters, including classics such as THE LEAGUE OF FRIGHTENED MEN (1935), SOME BURIED CEASAR (1939), and AND BE A VILLAIN (1948). Not surprisingly, given his outspoken left-wing political views, particularly on civil liberties, Stout had also created one of the earliest female private investigators, Theolinda “Dol” Bonner, in THE HAND IN GLOVE (1937), and a part-Native American farmer-turned-detective, Tecumseh Fox, in DOUBLE FOR DEATH (1939). Having been named a Grand Master, however, hardly meant Stout’s career was done. Fifteen years of writing still lay ahead of him, including two of his most highly regarded Nero Wolfe novels, DEATH OF A DOXY (1966) and A FAMILY AFFAIR (1975). When Stout passed away at the age of 88, the Nero Wolfe series consisted of 77 titles, including novels, novellas, and short stories. Stout scholar and biographer John McAleer has described the Nero Wolfe mysteries as “an epic that ultimately would encompass more than ten thousand pages.” No wonder, as the 20th century drew to a close, that mystery and detective writers and aficionados at Bouchercon XXXI in September of 2000 nominated Rex Stout for Writer of the Century and the Nero Wolfe mysteries as Series of the Century. From the publication of FER-DE-LANCE, the first Nero Wolfe novel in 1934, the Wolfe mysteries have always been a unique blend of golden age whodunit and hardboiled crime.
    [Show full text]
  • Twentieth Century Paperbacks Collection MSS 219 3.5 Linear Feet
    Twentieth Century Paperbacks Collection MSS 219 3.5 linear feet Background Writing in Hardboiled America: The Lurid Years of Paperbacks, Geoffrey O’Brien summarizes the rise of the modern American paperback book: Cheap reprints and books bound in paper arose and flourished sporadically in America from the nineteenth century onwards. Although most of these were purely commercial efforts, a significant percentage were associated with a zeal for bringing culture to the masses. Nevertheless, and despite the obvious practicality of cheap mass printing, no one had been able to give that kind of publishing any permanence until June 19th, 1939, when the first ten releases of Pocket Books saw the light of day. Robert DeGraff, the company’s founder, may have been influenced by the success of Penguin Books, which had begun publishing several years earlier in England (33). Commenting on the cover art, Mr. O’Brien wrote: What surprises in the end is how much of paperback art of the Forties and Fifties conveys a sense of reality and a warmth of emotion. Even the fantasies have a homespun texture, and the most unreal of them are brought down to earth, if only by the crudeness of their execution. Today’s spell-casters have more elaborate tools at their disposal for imparting a magical aura to the every more efficient packaging. The success story of the media has culminated in a kind of computerized aesthetics not programmed for loose ends, in which considerations like corporate image and demographics are part of every image. When the bright lights and synthesized soundtracks of today’s conglomerate marketing merge into a single vast blur, it is comforting to rest a while in the clear lines of the ramshackle porch on the cover of Erskine Caldwell’s Journeyman, or to sit with Studs Lonigan in the park on a warm summer night.
    [Show full text]
  • A Chronology of Crimes ~ Rt R by Stephen F
    • • TheJournal of The Wolfe Pack • Premier Issue Winterl979 ~ I· A Chronology of Crimes ~ rt r By Stephen F. Schultheis and ij Patricia A. Dreyfus ~; PINPOINTING THE TIME of death is a routine part of any murder investi­ gation, yet for chroniclers of the Nero Wolfe stories, it is often easier to identify the hour of death than the year. Careful readers will note a number of dis­ crepancies, for example, when they compare the dates given by WilliamS. Baring-Gould in Nero Wolfe of West Thirtyfifth Street with accounts of events by fictional characters or by actual newspapers. The circumstances involving Hickory Caesar Grind on [CAES], for instance, : must have occurred in September 1937, not September 1938 as Baring-Gould , says. When Wolfe solved the case in [LEAG], which could not have taken place ' any later than November 1934 since it saw magazine publication in June-July ' 19'35, Archie had been working for him and living in the old brownstone for seven years. At the time of the affair of [BAND] (October 1935), Archie had ·been with Wolfe for eight years. In other words, their association must have · begun in 1927. Thus when Archie remarks in [CAES] that he has been study­ ing Wolfe's face for ten years, there is consistent evidence for dating the case no later than 1937. Once we have the correct date for [CAES], we can properly place both [bult] and [inst] in October 1944. In [bult] Archie says of Lily Rowan, whom he meets for the first time in [CAES] that he "had only known her seven years." :.
    [Show full text]
  • Semi-Private Eyes
    Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1982 Volume I: Society and the Detective Novel Semi-Private Eyes Curriculum Unit 82.01.05 by Anthony F. Franco Benny sits in the cafeteria, opens his carton of milk, and prepares to devour his government-subsidized fried chicken. Within moments several other boys join him with their lunch trays at the table. A few minutes later there are no less than six other boys and several girls jockeying for position at the now crowded table. Benny is captain of the basketball team, good-looking, well-mannered, and adequately intelligent. His popularity is well-deserved. He is adored by students and well-liked by his teachers. Benny will say very little at the table today. The conversation concerns the school’s basketball game of the previous afternoon. Should he agree with the jabbering analysis, it will be looked upon as formal certification of all that transpires. If he should disagree with the minutest detail concerning the game, the conversation will immediately take a different turn. Benny uses his foils well. Tricia is an extremely attractive co-ed at the same school as Benny. Tricia has attained academic honors throughout the year. Each morning a crowd of students surrounds Tricia’s desk as she brushes her hair and freshens her makeup. Throughout the day Tricia is never unaccompanied to class. Her usual companions are a bevy of other girls who do not approach Tricia’s appearance or intelligence. These same girls usually sit near Tricia in her classes and are attentive to every word she says.
    [Show full text]
  • From Confession to Exposure Transitions in 1940S Anticommunist Literature Alex Goodall
    chapter 6 From Confession to Exposure Transitions in 1940s Anticommunist Literature Alex Goodall On August 23, 1939, the Soviet regime signed the pact with Nazi Germany that ripped apart the Popular Front alliance of communists and left-wing progressives that had dominated radical politics in the second half of the 1930s. The betrayal was especially painful for the radical American artists who had believed themselves to be working on the “cultural front,” and their tools of trade ensured that they were well placed to give cogent expres- sion to their feelings.1 The result was a literature of alienation in the early 1940s that formed a precursor to the larger shift toward anticommunism in American culture in the Cold War. Since ex-communists and disappointed fellow travelers moved across the political spectrum over the coming decade, their influence was felt in left- wing, liberal, and conservative circles alike. Politicians and public figures of all stripes in the Cold War deployed arguments that had been initially artic- ulated by these disappointed radicals. Nevertheless, the initial literary prod- ucts of what Alfred Kazin called the “Great Disillusionment” were written at a time when anticommunism had not yet become an all-consuming cul- tural force in American life.2 The United States and Soviet Union fought as allies between 1941 and 1945, and while there was little love for communism in the American mainstream, Nazism and Japanese militarism were seen as greater dangers to world peace. New Deal liberals highlighted the work that the Red Army was doing to hold back the Nazis.
    [Show full text]
  • Rex Stout Papers 1907-1980 (Bulk 1930-1975) MS.1986.096
    Rex Stout papers 1907-1980 (bulk 1930-1975) MS.1986.096 http://hdl.handle.net/2345/1132 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Biographical note ........................................................................................................................................... 6 Scope and Contents ........................................................................................................................................ 7 Arrangement ................................................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 8 I: Literary Life ............................................................................................................................................. 8 II: Personal
    [Show full text]
  • Rex Stout's Archie-Wolfe Duo and Detective Fiction's Conventional Form" (2006)
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2006-06-15 Controversial Politics, Conservative Genre: Rex Stout's Archie- Wolfe Duo and Detective Fiction's Conventional Form Ammie Cannon Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation Cannon, Ammie, "Controversial Politics, Conservative Genre: Rex Stout's Archie-Wolfe Duo and Detective Fiction's Conventional Form" (2006). Theses and Dissertations. 469. https://scholarsarchive.byu.edu/etd/469 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. CONTROVERSIAL POLITICS, CONSERVATIVE GENRE: REX STOUT’S ARCHIE-WOLFE DUO AND DETECTIVE FICTION’S CONVENTIONAL FORM by Ammie Sorensen Cannon A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University August 2006 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Ammie Sorensen Cannon This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. ______________________________ ____________________________________ Date Stephen L. Tanner, Chair
    [Show full text]