What's Inside
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Boston Baseball Dynasties: 1872-1918 Peter De Rosa Bridgewater State College
Bridgewater Review Volume 23 | Issue 1 Article 7 Jun-2004 Boston Baseball Dynasties: 1872-1918 Peter de Rosa Bridgewater State College Recommended Citation de Rosa, Peter (2004). Boston Baseball Dynasties: 1872-1918. Bridgewater Review, 23(1), 11-14. Available at: http://vc.bridgew.edu/br_rev/vol23/iss1/7 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Boston Baseball Dynasties 1872–1918 by Peter de Rosa It is one of New England’s most sacred traditions: the ers. Wright moved the Red Stockings to Boston and obligatory autumn collapse of the Boston Red Sox and built the South End Grounds, located at what is now the subsequent calming of Calvinist impulses trembling the Ruggles T stop. This established the present day at the brief prospect of baseball joy. The Red Sox lose, Braves as baseball’s oldest continuing franchise. Besides and all is right in the universe. It was not always like Wright, the team included brother George at shortstop, this. Boston dominated the baseball world in its early pitcher Al Spalding, later of sporting goods fame, and days, winning championships in five leagues and build- Jim O’Rourke at third. ing three different dynasties. Besides having talent, the Red Stockings employed innovative fielding and batting tactics to dominate the new league, winning four pennants with a 205-50 DYNASTY I: THE 1870s record in 1872-1875. Boston wrecked the league’s com- Early baseball evolved from rounders and similar English petitive balance, and Wright did not help matters by games brought to the New World by English colonists. -
Boston Guide
Ü >ÌÜ >ÌÊ ÌÌÊ ``Ê UUÊ Ü iÀiÜ iÀ iÊ ÌÌÊ }}Ê UUÊ Ü >ÌÜ >ÌÊ ÌÌÊ Ãii September 7–20, 2009 INSIDERSINSIDERS’ GUIDEto BOSTON INCLUDING: -} ÌÃii} / i ÃÌ ÃÌ >` Ì i 9Õ ½Ì i} LÀ ` Àii` /À> Ü Õ`ià E >«Ã NEW WEB bostonguide.com now iPhone and Windows® smartphone compatible! Johanna Baruch G:8:EI>DC L>I= I=: 6GI>HI H:E EB 6GI :M=>7>I H:E ID D8I oyster perpetual gmt-master ii CJB>CDJH D>A DC E6C:A 60" M 44" European Fine Arts Furnishings, Murano Glass, Sculptures, Paintings, Leather, Chess Sets, Capodimonte Porcelain OFFICIALROLEXJEWELER ROLEX OYSTER PERPETUAL AND GMT-MASTER II ARE TRADEMARKS. H:K:CIN C>C: C:L7JGN HIG::I s 7DHIDC B6HH68=JH:IIH telephone s LLL <6AA:G>6;ADG:CI>6 8DB 6 91, " , 9 "/" */ *** -/ 1 * ,* /" 9 *" ,"9 ,/ , **"/ 8 - *1- 1 / 1 E , , , - "/" contents COVER STORY 10 The Boston You Don’t Know Everything you didn’t know you wanted to know about the Hub DEPARTMENTS 8 hubbub 54 around the hub Cambridge Carnival 54 CURRENT EVENTS 62 ON EXHIBIT 18 calendar of events 66 SHOPPING 73 NIGHTLIFE 20 exploring boston 76 DINING 20 SIGHTSEEING 31 FREEDOM TRAIL 33 NEIGHBORHOODS 47 MAPS WATER UNDER THE BRIDGE: The seemingly mis- named Harvard Bridge spans the ``ÊÌ iÊ*iÀviVÌÊ >` Ì i *iÀviVÌ >` Charles River, connecting the Back Bay with the campus of the ÜÜܰ Àii°V Massachusetts Institute of Technology. Refer to story, page 10. PHOTOBY ,58,58"/.$'2%%. "/.$ '2%%. C HRISTOPHER W EIGL *%7%,29 7!4#(%3 ')&43 s 3).#% on the cover: {£È ÞÃÌ -ÌÀiiÌ "-/" ȣǮ ÓÈȰ{Ç{Ç A statue of famed patriot Paul Revere stands along the * ,* // 1 , ,/ , 8 - *1- 1 / ,,9 "/, >V , , - "/" **"/ >Þ LiÌÜii À}Ì >` iÀiiÞ -ÌÀiiÌ® Freedom Trail near the Old North Church in the North End. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
PDF SVA Handbook 2020–21
2020/2021 SVA Handbook SVA • 2020 / 2021 20 /21 SVA Handbook CONTENTS President’s Letter 2 The College 3 Academic Information 9 Student Information 23 Faculty Information 44 General Information 55 Standards, Procedures, Policies and Regulations 69 SVA Essentials 93 2020–2021 Academic Calendar 113 Index 119 SVA.EDU 1 THE SVA HANDBOOK provides faculty, students and administrative staff with information about the College, its administration, services and processes. In addition, the Handbook contains policies mandated by federal and state regulations, which all faculty, students and administrative staff need be aware of. In this regard, I would especially like to call your attention to the sections on attendance (pages 12 and 46), the Family Educational Rights and Privacy Act (FERPA) (page 85), Student Disruptive and Concerning Behavior (page 74), Title IX procedures (page 84) and the SVA policy on alcohol and drugs (page 70). We look forward to the 2020–2021 academic year. Our students, this year from 45 states, one U.S. territory and 49 countries, will once again pursue their studies with the focused guidance of our renowned professional faculty. DAVID RHODES President August 2020 2 SVA HANDBOOK THE COLLEGE Board of Directors 4 Accreditation 4 SVA Mission Statement 4 SVA Core Values 4 History of SVA 5 Academic Freedom 6 First Amendment Rights 6 SVA Student Profile 7 SVA.EDU 3 BOARD OF DIRECTORS The Interior Design program leading to the Brian Palmer Bachelor of Fine Arts in Interior Design is ac- Joseph F. Patterson credited by the Council for Interior Design Anthony P. Rhodes Accreditation (accredit-id.org), 206 Grand- David Rhodes ville Avenue, Suite 350, Grand Rapids, MI Lawrence Rodman 49503-4014. -
The Making of a Conservationist: Audubon's Ecological Memory
Journal of Ecocriticism 5(2) July 2013 The Making of a Conservationist: Audubon’s Ecological Memory Christian Knoeller (Purdue University)* Abstract While Audubon’s exploits as consummate artist, accomplished naturalist, and aspiring entrepreneur are widely recognized, his contributions as author and nascent conservationist remain less fully appreciated. Extensive travels observing and documenting wildlife as an artist-naturalist gave him a unique perspective on how human-induced changes to the landscape impacted wildlife. He lamented the reduction in range of many species and destruction of historic breeding grounds, as well as declining populations caused by overhunting and habitat loss. His understanding of changing landscapes might be thought of in terms of ecological memory reflected in his narratives of environmental history. He described the destruction of forests and fisheries as well as the shrinking ranges of species including several now extinct such as the Passenger Pigeon, Carolina Parakeet, and Ivory-billed Woodpecker. Quadrupeds of North America and the Missouri River Journals depict the impact of environmental destruction he witnessed taking place in the first half of the 19th century. While these later works suggest a growing interest in conservation, Audubon had already voiced such concerns frequently in his earlier writings. Copious journals kept throughout his career in the field on America’s westering frontier reveal a keen appreciation for environmental history. By the time he arrived on the Upper Missouri in 1843, his values regarding the preservation of wildlife and habitat had been forged by writing for decades about his observations in the wild. What began as a quest to celebrate the natural abundance of North America by documenting every species of bird took on new dimensions as he expressed increasing concerns about conservation having recognized the extent of development and declines in wildlife during his lifetime. -
Charles William Brebner (1852-1922)
Charles William Brebner (1852-1922) Charles Brebner was a well-known ship captain of Jamaican descent. I had a letter in October from his grandson, John L. Brebner in Mauritius, parts of which are excerpted below with my own additional footnotes and commentary. “May I introduce myself, I am also John Brebner from the island of Mauritius. Last week my daughter Stephanie and I were talking about my late Grand Dad Charles William Brebner Master Mariner FRGS – FRSA, a Catholic and a Freemason, he was also the first Brebner to set foot and settled here….” “On my side our roots came to a dead end in Jamaica, but I am sure it goes beyond the shores of Jamaica. Based on local experience, I believe that in the distant past a British European colonizer, a Brebner, settled in Jamaica, married or lived in concubinage with a native woman there and gave his name to his offspring and my Grand Dad was his descendent. I do not believe that a name like Brebner could be an ancestral native name of Jamaica.”i “I have not known my Grand Dad, as per his photograph I could see that he was a strong well built coloured Guy, most of his children and great grand children have fair complexions with blue/grey eyes…” “Charles William Brebner was born in 1852ii in the County of Cornwall, Lucea, Jamaica. He died in Mauritius on the 5th June 1922 and was buried at Port Louis West Cemetery, Grave Section 11 N. 318”. “As the story goes when he was a child his parents immigrated to the United States, one day he and his little sister were playing in the back garden. -
Group Sales and Benefits
Group Sales and Benefits 2019–2020 SEASON Mutter by Bartek Barczyk / DG, Tilson Thomas by Spencer Lowell, Ma by Jason Bell, WidmannCover by photo Marco by Jeff Borggreve, Goldberg Wang by / Esto. Kirk Edwards, This page: Uchida Barenboim by Decca by Steve / Justin J. Sherman, Pumfrey, Kidjo Terfel by Sofia by Mitch Jenkins Sanchez / DG, & Mauro Muti Mongiello. by Todd Rosenberg Photography, Kaufmann by Julian Hargreaves / Sony Classical, Fleming by Andrew Eccles, Kanneh-Mason by Lars Borges, Group Benefits Bring 10 or more people to any Carnegie Hall presentation and enjoy exclusive benefits. Daniel Barenboim Tituss Burgess Group benefits include: • Discounted tickets for selected events • Payment flexibility • Waived convenience fees • Advance reservations before the general public Sir Bryn Terfel Riccardo Muti More details are listed on page 22. Calendar listings of all Carnegie Hall presentations throughout the 2019–2020 season are featured Jonas Kaufmann Renée Fleming on the following pages, including many that have discounted tickets available for groups. ALL GROUPS Save 10% when you purchase tickets to concerts identified with the 10% symbol.* Sheku Kanneh-Mason Anne-Sophie Mutter BOOK AND PAY For concerts identified with the 25% symbol, groups that pay at the time of their reservation qualify for a 25% discount.* STUDENT GROUPS Michael Tilson Thomas Yo-Yo Ma Pay only $10 per ticket for concerts identified with the student symbol.* * Discounted seats are subject to availability and are not valid on prior purchases or reservations. Selected seats and limitations apply. Jörg Widmann Yuja Wang [email protected] 212-903-9705 carnegiehall.org/groups Mitsuko Uchida Angélique Kidjo Proud Season Sponsor October Munich Philharmonic The Munich Philharmonic returns to Carnegie Hall for two exciting concerts conducted by Valery Gergiev. -
Ana Menéndez and Alberto Rey
College of the Holy Cross CrossWorks Spanish Department Faculty Scholarship Spanish Department 5-2009 The Memories of Others: Ana Menéndez and Alberto Rey Isabel Alvarez-Borland College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/span_fac_scholarship Part of the Modern Languages Commons, and the Spanish and Portuguese Language and Literature Commons Required Citation Alvarez-Borland, Isabel. "The Memories of Others: Ana Menéndez and Alberto Rey." Review: Literature and Arts of the Americas 42.1 (2009) : 11-20. This Article is brought to you for free and open access by the Spanish Department at CrossWorks. It has been accepted for inclusion in Spanish Department Faculty Scholarship by an authorized administrator of CrossWorks. THE MEMORIES of OTHERS: ANA MENÉNDEZ AND ALBERTO REY Isabel Alvarez Borland “I live between two worlds, like a photograph that is always developing, never finishing, always in transition or perhaps translation, between past and present, English and Spanish, Cuba and the United States, the invisible and the visible, truths and lies.” María de los Angeles Lemus 1 How are the discourses of memory produced, conveyed, and negotiated within particular communities such as heritage Cuban American artists? A literature born of exile is a literature that by force relies on memory and imagination since the cultural reality that inspires it is no longer available to fuel the artists’ creativity. This is especially true of U.S. Cuban heritage writers who are twice -
Arbon, Anthony Lyle PRG 1190/11 Special List ______
___________________________________________________________________ Arbon, Anthony Lyle PRG 1190/11 Special List ___________________________________________________________________ Outsize illustrations of ships 750 illustrations from published sources. These illustrations are not duplicated in the Arbon-Le Maiste collection. Sources include newspaper cuttings and centre-spreads from periodicals, brochures, calendar pages, posters, sketches, plans, prints, and other reproductions of artworks. Most are in colour. Please note the estimated date ranges relate to the ships illustrated, not year of publication. See Series 11/14 for Combined select index to Series 11 arranged alphabetically by ships name. REQUESTING ITEMS: Please provide both ships name and full location details. Unnumbered illustrations are filed in alphabetical order under the name of the first ship mentioned in the caption. ___________________________________________________________________ 1. Illustrations of sailing ships. c1780-. 230 illustrations. Arranged alphabetically by name of ship. 2. Illustrations mainly of ocean going motor powered ships. Excludes navy vessels (see Series 3,4 & 5) c1852- 150 illustrations. Merchant shipping, including steamships, passenger liners, cargo vessels, tankers, container ships etc. Includes a few river steamers and paddleboats. Arranged alphabetically by name of ship. 3. Illustrations of Australian warships. c1928- 21 illustrations Arranged alphabetically by name of ship. 4. Australian general naval illustrations, including warship badges, -
AMRC Journal Volume 21
American Music Research Center Jo urnal Volume 21 • 2012 Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder The American Music Research Center Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Dominic Ray, O. P. (1913 –1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music Eric Hansen, Editorial Assistant Editorial Board C. F. Alan Cass Portia Maultsby Susan Cook Tom C. Owens Robert Fink Katherine Preston William Kearns Laurie Sampsel Karl Kroeger Ann Sears Paul Laird Jessica Sternfeld Victoria Lindsay Levine Joanne Swenson-Eldridge Kip Lornell Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25 per issue ($28 outside the U.S. and Canada) Please address all inquiries to Eric Hansen, AMRC, 288 UCB, University of Colorado, Boulder, CO 80309-0288. Email: [email protected] The American Music Research Center website address is www.amrccolorado.org ISBN 1058-3572 © 2012 by Board of Regents of the University of Colorado Information for Authors The American Music Research Center Journal is dedicated to publishing arti - cles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and proposals from the scholarly community, ranging from 3,000 to 10,000 words (exclud - ing notes). All articles should be addressed to Thomas L. Riis, College of Music, Uni ver - sity of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. Each separate article should be submitted in two double-spaced, single-sided hard copies. -
The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal
Kathmandu Valley, Nepal Valley, Kathmandu River, Biological Regionalism: Bagmati The Complexities of Water The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal Alberto Rey Jason Dilworth The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal Alberto Rey Jason Dilworth The Complexities of Water Biological Regionalism: Bagmati River, Kathmandu Valley, Nepal Alberto Rey Jason Dilworth This marigold chain was strung around a shrine between Pashupatinath and Guheswori Temples in Kathmandu. Marigolds symbolize trust in the Gods and their power to overcome obstacles and evils. The strong odor also keeps flies from the offerings. www.BagmatiRiverArtProject.com Dedicated to the Nepali People g]kfnL hgtfk|lt ;dlk{t Published by: Canadaway Press Fredonia, New York 14063 © 2016 Alberto Rey Charts and figures taken from the Bagmati River Expedition 2015. Nepal River Conservation Trust & Biosphere Association. Translation from English to Nepali by Prashant Das Project made possible with the support of the Kathmandu Contemporary Art Centre, Kathmandu, Nepal Text and Images unless otherwise noted: Alberto Rey Printed in China Onthemark LLC 75-5660 Kopiko St #C7 – 105 Kailua-Kona, HI 96740 ISBN: 978-0-9979644-0-0 Contents Project background Water, Water, Everywhere, 4 Nor Any Drop to Drink 114 Land of Contradictions Moving forward 18 129 Nepal and Kathmandu Valley Project Timeline 27 150 The Bagmati River in Kathmandu Valley Project Leaders 38 161 Bagmati River Expedition 2015 References 57 165 Detailed View of Four Sites from the Bagmati River Expedition 72 The Bagmati River Art Project could not have happened without the the Siddhartha Gallery in Kathmandu, Nepal. -
Readers of This Family History Forum May Remember Seeing an Article About an Omission to the Eyemouth War Memorial and How
John Willis and the “Cutty Sark” Tea Clipper By Walter V. Holden Readers of this Family History Forum may remember seeing an article about an omission to the Eyemouth War Memorial and how the writer Joan McGiveron (née Spouse) was proposing to visit the unveiling of the correction in July 2008, some 90 years after her grandfather John Spouse had been Killed in Action at Arras on the 21st.July 1918. Joan had researched her grandfather’s career, from when he was born in Eyemouth, to his death in World War 1. The omission was spotted by Joan's cousin David Spouse of Duns. David, after consultation with Joan and with the assistance of the British Legion, made it his duty to correct this omission. Fortuitously, there was sufficient room on the memorial inscriptions. Joan made the journey from Vancouver to Eyemouth to honour her grandfather’s name with the help of friends, relations and the British Legion, she fulfilled her duty on that July date. The unveiling ceremony was reported in the Berwick Advertiser at the time. Joan McGiveron is a keen family historian and without a doubt her expertise helped her fulfil her promise to the grandfather she never knew. However behind her fulfilment, she unearthed a more unique piece of maritime history when a query arrived from a descendant of John Willis Sr. of Eyemouth , asking Joan if there was a family connection. This story deserves to be recorded on the Burnmouth Community family history forum. Joan’s Great Great Great Grandparents were William Willis and Mary Maltman both of Eyemouth.