On Stage Seacoast Repertory Theatre Join Us Before Or After the Show, Bring Your Ticket, and Receive 15% Off Your Bill

Total Page:16

File Type:pdf, Size:1020Kb

On Stage Seacoast Repertory Theatre Join Us Before Or After the Show, Bring Your Ticket, and Receive 15% Off Your Bill ON STAGE SEACOAST REPERTORY THEATRE JOIN US BEFORE OR AFTER THE SHOW, BRING YOUR TICKET, AND RECEIVE 15% OFF YOUR BILL MARTINGALEWHARF.COM DiningFind us just a onfew blocks the from water’s the theater, edge at 99 Bow Street, Suite W. Visit our website martingalewharf.com for menus and hours. 603.431.0901 THE SEACOAST REPERTORY THEATRE PRESENTS JOIN US BEFORE OR AFTER THE SHOW, BRING YOUR TICKET, AND RECEIVE 15% OFF YOUR BILL PLAYWRIGHT NAJEE BROWN MARTINGALEWHARF.COM STOKLEY & MARTIN DIRECTOR SANDI CLARK KEDDY NEVEAH'S BROTHER DIRECTOR DENISE GORDON STAGE MANAGER KATE DUGAS ASSISTANT STAGE MANAGER JAYNA WHEELER MUSIC DIRECTOR YAMICA PETERSON LIGHT DESIGNER MATTHEW BRIAN COST SOUND DESIGNER ANDREW CAMERON COSTUME DESIGNER HADLEY WITHINGTON PROPERTIES DESIGNER ELISE O'CONNELL SET DESIGNERS BEN HART & BRANDON JAMES DiningFind us just a onfew blocks the from water’s the theater, edge SCENIC ARTIST at 99 Bow Street, Suite W. KATE DUGAS Visit our website martingalewharf.com for menus and hours. 603.431.0901 The videotaping or other video or audio recording of this production is strictly prohibited Stokley and Martin Neveah's Brother Trigger Warnings Stokley and Martin • Graphic Historic Images • Strong Language Neveah's Brother • Gunshots and Police Sirens • Strong Language • Suicide Please communicate with the box office should this be something you would like to avoid THE SEACOAST REPERTORY THEATRE PRESENTS MUSIC BY BOOK & LYRICS BY TOM KITT BRIAN YORKEY DIRECTOR BRYAN KNOWLTON STAGE MANAGER KATE DUGAS ASSISTANT STAGE MANAGER HADLEY WITHINGTON MUSIC DIRECTOR ANDREW STROUT CHOREOGRAPHER BRYAN KNOWLTON LIGHT DESIGNER MATTHEW BRIAN COST SOUND DESIGNER ANDREW CAMERON COSTUME DESIGNER DW PROPERTIES DESIGNER ELISE O'CONNELL SET DESIGNERS BEN HART & BRANDON JAMES SCENIC ARTIST KATE DUGAS NEXT TO NORMAL Presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI (mtishows.com) The videotaping or other video or audio recording of this production is strictly prohibited THE SEACOAST REPERTORY THEATRE PRESENTS ORIGINAL BROADWAY PRODUCTION PRODUCED BY DAVID STONE, JAMES L NEDERLANDER, BARBARA WHITMAN, PATRICK CATULLO AND NEW YORK PREMIERE PRODUCED BY SECOND STAGE THEATRE, NEW YORK. FEBRUARY 2008, CAROLE ROTHMAN, ARTISTIC DIRECTOR ELLEN RICHARD, EXECUTIVE DIRECTOR DEVELOPED AT VILLAGE THEATRE, ISSAQUAH, WA ROBB HUNT, EXECUTIVE PRODUCER STEVE TOMKINS, ARTISTIC DIRECTOR 'NEXT TO NORMAL' WAS SUBSEQUENTLY PRODUCED BY ARENA STAGE IN NOVEMBER 2008 AN EARLIER VERSION WAS PRESENTED IN THE 2005 NEW YORK MUSICAL THEATRE FESTIVAL. SUPPORT FOR THE DEVELOPMENT OF "NEXT TO NORMAL" WAS PROVIDED BY THE JONATHAN LARSON FOUNDATION. Next to Normal Trigger Warnings • Depictions of mental health • Intense loss • Attempted suicide • Drug use Please communicate with the box office should this be something you would like to avoid ________________________________ Below you will find organizations/resources regarding Mental Health, Mental Illness and Recovery Programs within the region: Seacoast Mental Health Center 603-431-6703 NH Community Behavioral Health Association (603) 225-6633 NH Department of Health and Human Services (800) 852-3345 NH Division of Child and Family Services (603) 433-8300 NH Division Juvenile Justice (603) 271-6200 NH Bureau of Behavioral Health (603) 271-5000 NH Bureau of Drug and Alcohol Services (603) 225-7060 If you or someone you know is at risk for suicide, please call our crisis-suicide prevention hotline at (603) 433-5270, option 1. If you are calling from outside of New Hampshire, please call (800) 273-TALK (8255). THE SEACOAST REPERTORY THEATRE PRESENTS BOOK BY MUSIC BY TOM JONES HARVEY SCHMIDT LYRICS BY TOM JONES BASED ON LES ROMANESQUES BY EDMOND ROSTAND DIRECTORS BEN HART & BRANDON JAMES STAGE MANAGER ZACHARY AHMAD-KAHLOON ASSISTANT STAGE MANAGER JAYNA WHEELER MUSIC DIRECTOR TIM GOSS CHOREOGRAPHERS JASON FARIA, ALYSSA DUMAS LIGHT DESIGNER MATTHEW BRIAN COST SOUND DESIGNER ANDREW CAMERON COSTUME DESIGNER DW PROPERTIES DESIGNER ELISE O'CONNELL SET DESIGNERS BEN HART & BRANDON JAMES SCENIC ARTIST KATE DUGAS THE FANTASTICKS Presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI (mtishows.com) The videotaping or other video or audio recording of this production is strictly prohibited Many Thanks To The Block all of our volunteers - There are too many of you to list, and we would hate to miss anyone. So we are just going to say a HUGE THANK YOU to every single volunteer. Volunteers come in many forms from ushers, to committee members, to stage hands, crew members, carpenters, artists, performers, and more. We could not do what we do without you. You are loved! Your Neighborhood Apple Experts The Technology Partner of the Seacoast Rep Bowl-o-rama Plaza, Route 1, Portsmouth, NH www.MacEdge.com MEMBERS Seacoast Repertory Theatre is deeply grateful for the support from the following corporate, private, government, and family foundations. Geoffrey E. Clark and Martha Fuller Clark Fund of the New Hampshire Charitable Foundation IBM Internation Foundation The Provident Community Foundation Thoresen and Werner Families Fund of the New Hampshire Charitable Foundation Autodesk Foundation Fidelity Charitable Dana Romney Memorial Philanthropic Fund of the Jewish Communal Fund Give with Liberty Foundation Match & Employee Donation Wendy L Klodt Give with Liberty Employee Donation Joseph G. and Jean E. Sawtelle Fund of the New Hampshire Charitable Foundation Richard A Morton Endowment for Theatre By The Sea The Rep gratefully acknowledges the following donors for their support. If your name has been omitted from this list, please contact us and we will make a correction in the next program. Producer $5000+ Patron $200-$499 Cast Member $100-$199 Alan & Susan Gold Lea & Nick Aeschliman Ann & Ron Ablowich Paul & Helen Goransson Frank Anthony Don & Abbie-Jane Anderson Rose Marie Bailey Gillian M. Aguilar Larry Brown & Elaine Burnham Elisabeth Sturges Linda Conforti-Brown Tish Campbell Cindy & Rick Dumont, Joan & Dave Corwin Paul Canfield Rosemont Engineering Jonathan & Polly Davie Ronald Charland Katelyn Kwoka & Rebecca Perkins Kyrstin Dias Gay & John Clauson Gail Drobnyk Sue & Bob Thoresen Susan & Bob Dumas Roland Cote Wayne & Marie Gagnon Andrew & Michelle Douglass Director Mark & Julie Geller Jennifer Dunn & Mike Morgan Brian Gibb & Chris Williams Susan Gile Maria & Dave Emanuel Jan Hansen Bonnie & William Estey Jo Lynne & David Johnson Designer $1000-$2499 Steven Krusemark Keith Eveland Kevin & Janet McCann Bob LeGros & Barbara Franzoso Jeanne Fuller Peggy & David Connors Patrick Lott Judy Gagnon Mary Jane Solomon Brad & Carol Meade Jennifer & Bruce Goodwin Karen & Chris Erikson Sammi Moe Rebecca Gould Robin Lurie-Meyerkopf & Mary-Jo Monusky & Peter N. Carey Roger Goun Rick Meyerkopf Paula O'Brien Frances Green Paul & Pam Ockert Joseph Gross & Renee Heinzen Stage Manager $500-$999 Christine & Jennifer Parent Geno Hardee Ben & Clarice Andreozzi Kevin & Carol Rodenberg Sean Hartnett Tatiana Carvajal & Bill & Jill Schoonmaker Laurence Smith Donald & Maureen Hawkins Randall Mikkelsen Art & Sherry Hoffman The Cochrane Family William Smith Geoffrey & Nancy Day Sandra Sweeney Anna Howard Jo Haskell Simonida & Christopher Thurber Gayle & Bob Hylen Don & Karen Irving Janis Wolak Doreen & Lawrence Jamieson Larry & Carolyn Johansen Alison Johnston George & Debbie Long Clark Knowles Catherine and Eugene Lynch Sue Megan Ken & Jean Kriedberg John Heath & Michael Meserve Sandy Labranche & Dane & Christine Peters Jackie Sherwin Anne Romney & Tim Hayes Mary Ann & Russell West MEMBERS cont. Cast Member $100-$199 Intern $50-$99 Seath & Nicole Love Crandall Jessica Levine & David Backstrom Mary Beth Mahoney Josef Mohrenweiser Vicky Barrette Becky Marden Bill & Andrea Lott Susan Berg Denise Martel Lisa Martin Henry & Linda Masciocchi Cynthia Cable & Friends Robert Morley Jeffrey Masors Mary Caulfield Ann Mowers Sue & John Mellin Laurie Clark Brian Mullane Judy Miller & Arthur Carakatsane Ellen Cohn David Nelson Dana Mordini Mary Dombrowski Dorothy Moretti Heather and Jimmy Noucas Mary & Jim Noucas David & Linda Dow John & Mary-ann Peachey Kim Oates Linda & Mark Edwards Bibian & Deborah Plante Victoria Oberlin Greta Evans Karen Smith Gordon & Carolyn Page Cari Feingold & Todd Creamer Dennis & Ann Souto Pamela Racicot Ron Fortier Patrice & Stephen Rasche Lou & Sharon Stamas Kathy Richard Michael & Barbara Gagne Eugene Straussberg Peter Riley Lea Gottfredson Janet Sullivan Linda Runnals Craig & Stephanie Green David Sullivan Susan Scannell & Kevin Fleming Bernie Harper Andrew and Cristy Tripp Jane Shanahan John Hart Jeff & Genie Smith Martha Walsh Lucinda Spaney Cynthia Harvell Janice Witham Richard Stevens Gerrie Holden Donna & Gary Woods Spencer & Marjory Stonemetz Estelle Hrabak Amy & Nathan Woodsmith Bill & Bella Swayze Joseph & Marisa Janack Scott & Regan Zimmermann Dianne & Henry Theberge Eileen & Carl Kackenmeister Mary Tremblay Karen Uebele Howard & Joanne Kalet Elizabeth S. Warner Katherine O'Shea Robert and Diane Weir Dianne Keidaisch Melissa Koren Wilson Michiyo Lameyer Cynthia Wojcicki Robert Lima Nancy Zadravec Chuck & Laura Zercher John Bohenko & Nancy London FAQ: What is the difference between a Subscriber and a Member? A subscription is a season ticket. It gets you tickets to every (or almost every) show. You get to pick your seats well in advance and get a hefty 20% discount off of single-ticket
Recommended publications
  • Audience Insights Table of Contents
    GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11
    [Show full text]
  • Terms and Lingo – the Roadie’S Lexicon for the Layman
    Terms and Lingo – The Roadie’s Lexicon for the Layman A handy and fun selection of Terms and Lingo used throughout the industry, some serious, and some not so! ACOUSTICS – the science of sound; invented to make otherwise good sound men look like complete fools. AIR IMPEDANCE – also known as not plugged in. APRON – front edge of stage. BACKLOUNGE – rear section of a tour bus, generally the smoking area. BACKLINE – band equipment which is not an actual instrument, but some type of reinforcement equipment, for example Amplifiers. BAND ENGINEER – person who mixes the group. BEST BOY – movie term for the lead assistant electrician answering to the gaffer. BOAT ANCHOR – a piece of heavy equipment which isn’t performing to expectations and has been presumed dead, or is otherwise obsolete. BUMPERS – sturdy frames from which speakers are hung. BUS FACTOR – the degree to which bad movies improve due to extended bus rides. Lower bus factor is better, but requires better movies. Formula: B = DMN/S Where: B = Bus factor, D = Bus time (# days on bus), M = Distance (# miles), N = Number of passengers on bus, S = Bus stock (# gallons of alcoholic beverages). BUS STOCK – consumables stored in the bus. BUS SURFING – the art of walking and/or standing upright on a moving bus. BUS HAIR – what you get if you go to sleep with wet hair. Stagecraft Technical Services Ltd. Tel: 0845 838 2015 Email: [email protected] Fax: 0845 838 2016 Website: www.stagecraft.co.uk CABLE MONKEY – an entry level roadie position, one who wrangles cables. CABLE RAMP – neither actually, a portable trough used to place cable to allow traffic to cross a cable run.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • Technical Crew Information Performance Dates: October 20 (3 & 7 PM) October 21 (3 PM)
    Technical Crew Information Performance Dates: October 20 (3 & 7 PM) October 21 (3 PM) Thank you for your interest in being on the Tech Crew for the McDuffee Music Studio 2018 Musical Theatre Production of Disney’s The Little Mermaid Jr. There are 5 different possible Crew positions available for students in 5th – 12th grades at any school, up to 15 people max. Each crew position is vital to the success of a show and the responsibilities should be taken seriously. Sign ups are open now and will close when all the spots are filled, on a first-come, first-served basis. Being part of any production requires commitment and hard-work. I compare theater to a team-sport: EVERYONE is important and necessary. I have told the cast that Sea Urchin #3 is every bit as important as Ariel in this production. The Technical Crew is just as important as the people on the stage as well. BEFORE YOU SIGN UP, PLEASE CONSIDER ALL OF THE FOLLOWING: DATES/TIME COMMITTMENT: Please double check family, school, and extra-curricular calendars against the schedule below. You need to be at all of the above rehearsals for their full times. Crew members need to be at ALL of the following rehearsals: • 10/10 (Wed) 5 – 8 PM at Faith United Church of Christ (Faith UCC – 4040 E Thompson Rd) o 5 - 6: we will meet and discuss the positions and answer any questions o 6 – 8: we watch the run of the show so that the crew can start to become familiar with the production.
    [Show full text]
  • Next to Normal ______
    PRESS KIT: Next to Normal _____________________________________________________________________________________ FOR IMMEDIATE RELEASE – 06/15/2013 Next to Normal By Tom Kitt & Brian Yorkey Directed by Glenda ManWaring July 11 – 27, 2013 Thurs. – Sat. 8pm Sun. 3pm Next to Normal is best described as a “feel everything” rock musical. Playwright and lyricist Brian Yorkey employs humor through funny lines and situations to balance and lighten the play’s serious and painful situations of human life. The music by Tom Kitt provides pleasure in itself. The music connects to the audience’s emotions in ways that simple spoken words cannot. Bringing these two masters together birthed this extraordinary, award winning masterpiece. Its story concerns a mother who struggles with worsening bipolar disorder and the effect that her illness has on her family. The musical also addresses such issues as grieving a loss, suicide, drug abuse, ethics in modern psychiatry, and love-- both old and new. Next to Normal was nominated for 11 Tony Awards when it opened and was awarded 3 Tony Awards for Best Original Score, Best Orchestration, and Best Performance by a Leading Actress in a Musical. In addition, it also won the 2010 Pulitzer Prize for Drama, becoming just the eighth musical in history to do so. Centre Stage is partnering with the Greenville Health System in presenting two panel discussions during the run of this musical. The first discussion will be held after the 3PM matinee performance on Sunday, July 14 and the second one will be a 12PM Lunch & Learn on Friday, July 19th. Both of these panel discussions are titled, “Let’s Talk About Mental Illness” and will include local doctors, psychologists, psychiatrists, clinicians and guests from NAMI (National Alliance on Mental Illness).
    [Show full text]
  • The Golden Age Exposed: the Reality Behind This Romantic Era
    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all.
    [Show full text]
  • Next to Normal: a Costume Design Based in Psychological Research
    University of Northern Iowa UNI ScholarWorks Honors Program Theses Honors Program 2014 Next to normal: a costume design based in psychological research Grace R. Kinser University of Northern Iowa Let us know how access to this document benefits ouy Copyright © 2014 Grace R. Kinser Follow this and additional works at: https://scholarworks.uni.edu/hpt Part of the Mental and Social Health Commons, Psychology Commons, and the Theatre and Performance Studies Commons Recommended Citation Kinser, Grace R., "Next to normal: a costume design based in psychological research" (2014). Honors Program Theses. 187. https://scholarworks.uni.edu/hpt/187 This Open Access Honors Program Thesis is brought to you for free and open access by the Honors Program at UNI ScholarWorks. It has been accepted for inclusion in Honors Program Theses by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. NEXT TO NORMAL: A COSTUME DESIGN BASED IN PSYCHOLOGICAL RESEARCH A Thesis Submitted in Partial Fulfillment of the Requirements for the Designation University Honors with Distinction Grace R. Kinser University of Northern Iowa December 2014 Kinser 2 Next to Normal: A Costume Design Based in Psychological Research Throughout my life my two main interests have been theatre and people. When I came to UNI I found a way to pursue these interests through my education, with a psychology major and a theatre minor. I had the first idea for my thesis when I had the opportunity to take some upper level costume design classes alongside some of my upper level psychology courses, and I noticed how naturally the two areas of study fit together.
    [Show full text]
  • Properties Run Crew
    Longwood University 2013 Properties Run Crew Rehearsal Period: • Attend crew watch. • Stage management will inform you of when you need to attend rehearsal. • Come to the theatre to practice your duties on your own time. Technical and Dress Rehearsals: • Attend all technical and dress rehearsals. o Sign-in sheet on the callboard. • If the properties manager comes to you in the middle of rehearsal to make an adjustment, do so to the best of your ability. o Inform your stage manager of the change. • Make any adjustments based on the notes given to you by the stage manager and properties manager. o If you receive a note that the stage manager does not know about, tell him/her. Headset: • Be courteous and respectful while on headset. o You can never be sure who is listening. • Speak clearly and quietly into the headset. o Do not breath heavily into the headset, tap on the mic, chew gum, or make other unnecessary noises. • Enunciation will help you to be heard while speaking quietly. • You should take their cues on the word “go” and, more specifically, on the “guh” sound of that word. o Do not “go” without the stage manager’s say so. • The stage manager will signify your cues by specify “properties” or “scene change” before the cue. • The stage manager will talk-through any difficult sequences of cues before they happen. • Stage management will issue a “Warning” one page ahead of the cue in question. o After hearing a “Warning” you should be preparing for the upcoming cue in whatever way necessary.
    [Show full text]
  • 8Th Euroseas Conference Vienna, 11–14 August 2015
    book of abstracts 8th EuroSEAS Conference Vienna, 11–14 August 2015 http://www.euroseas2015.org contents keynotes 3 round tables 4 film programme 5 panels I. Southeast Asian Studies Past and Present 9 II. Early And (Post)Colonial Histories 11 III. (Trans)Regional Politics 27 IV. Democratization, Local Politics and Ethnicity 38 V. Mobilities, Migration and Translocal Networking 51 VI. (New) Media and Modernities 65 VII. Gender, Youth and the Body 76 VIII. Societal Challenges, Inequality and Conflicts 87 IX. Urban, Rural and Border Dynamics 102 X. Religions in Focus 123 XI. Art, Literature and Music 138 XII. Cultural Heritage and Museum Representations 149 XIII. Natural Resources, the Environment and Costumary Governance 167 XIV. Mixed Panels 189 euroseas 2015 . book of abstracts 3 keynotes Alarms of an Old Alarmist Benedict Anderson Have students of SE Asia become too timid? For example, do young researchers avoid studying the power of the Catholic Hierarchy in the Philippines, the military in Indonesia, and in Bangkok monarchy? Do sociologists and anthropologists fail to write studies of the rising ‘middle classes’ out of boredom or disgust? Who is eager to research the very dangerous drug mafias all over the place? How many track the spread of Western European, Russian, and American arms of all types into SE Asia and the consequences thereof? On the other side, is timidity a part of the decay of European and American universities? Bureaucratic intervention to bind students to work on what their state think is central (Terrorism/Islam)?
    [Show full text]
  • Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
    SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
    [Show full text]
  • Downloaded on 2017-02-12T12:57:58Z TITLE: 'Muchos Méxicos': Widening the Lens in Rulfo's Cinematic Texts
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive Title 'Muchos Méxicos': widening the lens in Rulfo's cinematic texts Author(s) Brennan, Dylan Joseph Publication date 2015 Original citation Brennan, D. J. 2015. 'Muchos Méxicos': widening the lens in Rulfo's cinematic texts. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2014, Dylan J. Brennan. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information No embargo required Item downloaded http://hdl.handle.net/10468/1960 from Downloaded on 2017-02-12T12:57:58Z TITLE: 'Muchos Méxicos': Widening the Lens in Rulfo's Cinematic Texts. AUTHOR: Dylan Joseph Brennan, M.A. QUALIFICATION SOUGHT: PhD INSTITUTION: National University of Ireland, Cork. (University College Cork) DEPARTMENT: Centre for Mexican Studies, Department of Hispanic Studies. MONTH AND YEAR OF SUBMISSION: Originally submitted July, 2014— resubmitted after Minor Changes in February 2015 HEAD OF DEPARTMENT: Prof. Nuala Finnegan, Director of Centre for Mexican Studies. SUPERVISOR: Prof. Nuala Finnegan, Director of Centre for Mexican Studies. TABLE OF CONTENTS 1. Widening the Focus in Rulfo's Cinematic Texts – An Introduction P.1 1.1 Texts for Cinema? – Rationale and Paramaters P.1 1.2 Methodology P.7 1.3 Muchos Méxicos P.10 1.4 Widening (not shifting) the Focus P.15 1.5 Objectives P.18 2. Inframundos and Fractured Visions – El despojo and La fórmula secreta P.22 2.1 Conception and Synopsis: An Introduction to El despojo
    [Show full text]
  • Tom Kitt Brian Yorkey
    WHITBY COURTHOUSE THEATRE | 2018/19 NEXT TO NORMAL Music by Book & Lyrics by TOM KITT BRIAN YORKEY November 8-24, 2018 PROGRAM whitbytheatre.ca Whitby Centennial Building, 416 Centre St. S. | 905.668.8111 Next to Normal is presented through special arrangement with Music Theatre International (MTI). Small by design. All girls with a purpose. ALL GIRLS DAY & BOARDING GRADES 4-12 Join us Winter Open House Saturday, February 2 10 a.m. to noon 401 Reynolds Street 905.668.3358 Email us at trafalgarcastle.ca [email protected] to arrange your own personal visit. Small by design. All girls with a purpose. WHITBY COURTHOUSE THEATRE PRESENTS NEXT TO NORMAL Music by Book & Lyrics by Tom Kitt Brian Yorkey Producer Director Music Director Heather Doucette Shael Risman Nick Denis ALL GIRLS Stage Manager Assistant Director Back Stage Manager DAY & BOARDING Paul Sowerbutts Melissa Gibson Peggy Sowerbutts GRADES 4-12 Costume Design Lighting Design Set Design Sound Design Join us Rhonda Martin Greg Poulin Erastus Burley Margo Rodgers Original Broadway Production Produced by David Stone, James L. Nederlander, Winter Open House Barbara Whitman, Patrick Catullo and Second Stage Theatre. New York Premiere Produced by Second Stage Theatre, New York. February 2008 Saturday, February 2 Carole Rothman, Artistic Director Ellen Richard, Executive Director 10 a.m. to noon ‘Next To Normal’ was subsequently produced by Arena Stage in November 2008. 401 Reynolds Street Developed at Village Theatre, Issaquah, WA (Robb Hunt, Executive Producer, Steve Tomkins, Artistic Director). 905.668.3358 An earlier version was presented in the 2005 New York Musical Theatre Festival.
    [Show full text]