Steven Knight
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Nomination Press Release
Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin -
Redemption – Identità Nascoste
Presenta Diretto da Steven Knight Con Jason Statham Agata Buzek Uscita Cinema 26 Settembre 2013 Durata: ‘100 Ufcio Stampa Carmen Danza [email protected] +39 06 57011900 REDEMPTION – IDENTITÀ NASCOSTE REDEMPTION – IDENTITÀ NASCOSTE segna il debutto come regista dello sceneggiatore, candidato all’Oscar, Steven Knight (La promessa dell'assassino, Piccoli afari sporchi). Tratto da una sceneggiatura dello stesso Knight, il film è prodotto dal produttore, candidato all’Oscar, Paul Webster (Anna Karenina, Il pescatore di sogni, La promessa dell'assassino, Espiazione) e da Guy Heeley, tramite la loro società di produzione, la Shoebox Films, una partnership tra loro e il regista Joe Wright. REDEMPTION – IDENTITÀ NASCOSTE è stato finanziato e distribuito dalla IM Global, mentre Stuart Ford, Brian Kavanaugh-Jones e Joe Wright ne sono i produttori esecutivi. Jason Statham (Parker, Safe, Killer Elite, I mercenari - The Expendables, Crank, La rapina perfetta, Transporter) è Joey, un ex militare delle forze speciali traumatizzato, intrappolato nel mondo della malavita londinese, ma che si trasforma in angelo vendicatore quando ha la possibilità di assumere l’identità di un altro uomo. REDEMPTION – IDENTITÀ NASCOSTE è un thriller brutale, ma allo stesso tempo sorprendentemente dolce, in cui un uomo credendosi lontano dalla redenzione, cerca una sua versione personale della giustizia e viene premiato, anche se solo fugacemente, con l’amore. La bravissima attrice polacca Agata Buzek, vincitrice del premio Shooting Star alla Berlinale del 2010 e interprete di The reverse di Borys Lankosz e Nightwatching di Peter Greenaway, interpreta Suor Cristina. Il cast si completa con Vicky McClure, vincitrice del BAFTA come migliore attrice per la serie TV This is England ‘86, Benedict Wong (Prometheus), Ger Ryan e Dai Bradley (Kes). -
Phoenix Films 1999-2019/20 Sorted by Film Title 10
Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73 -
Locke Director: Steven Knight Country
Locke Director: Steven Knight Country: UK Date: 2013 A review by Olly Richards for Empire online: The film you think of when you hear the description “Tom Hardy on his own in a car for 90 minutes” is almost certainly not what this is. That synopsis conjures images of a thriller, lots of noisy chasing, perhaps a heist gone wrong, and almost definitely somebody at some point being called a slag. None of that happens. Actually, someone is called a slag, but in slightly different words and with different intent. And if this is to some degree a thriller, insofar as a man’s entire life as he knows it is in the balance, it is a thriller of whispers and terrible silences, of inaction rather than action. Its biggest set-piece involves dropping a folder. Hardy is Ivan, a construction worker (also unaccountably and a little distractingly Welsh), who leaves a building site the night before a huge project as a valued worker and beloved family man. He then locks himself in his car and drives through the night, during which time his career, wife and two sons will gradually slip away from him. Or rather he will gradually push them away as he unburdens his conscience over a series of phone calls and heads toward the biggest mistake of his life. Steven Knight’s first film as director was the dreadful Hummingbird, a movie that fudged an interesting idea (Jason Statham as a damaged, homeless soldier) with a complete lack of subtlety and a slow slip onto the rails of near-enough every other Jason Statham film. -
May 2016 Calendar
May Calendar EXHIBITS In the Karen and Ed Adler Gallery 5 Thursday 10 Tuesday 17 Tuesday 24 Tuesday JOAN MILLER: Lyrical Abstractions. FREE ONLINE RESOURCES THAT HYPERTENSION SCREENING: Free MEET REBECCA SCHIFF. The Bed “PAWN SACRIFICE” (2015-116 min.). May 3 through 30. ANYONE CAN USE! Media librarian blood pressure screening conducted by Moved offers a singular view of grow- American chess prodigy Bobby Fischer Tony Traguardo offers a look at some St. Francis Hospital. 11 a.m. to 2 p.m. ing up (or not) and finding love (or (Tobey Maguire) finds himself caught In the Vogel Photography Gallery of the best free online research, ref- not). Sponsored by the Friends of the between two Cold War superpowers. erence, freeware, entertainment and WINTER BROOK: “What Is Medium- Library. 7:30 p.m. The cast also includes Peter Sarsgaard, PCLI: 37th Annual Exhibition. May 4 money-saving resources. He will reveal ship?” 7:30 p.m. Michael Stuhlbarg, Lily Rabe, Robin through 31. “Musical Images,” a multi- techniques that can help you to weed Weigert and Liev Schreiber as Boris media presentation, will be featured on out inaccurate and non-authoritative Spassky. Steven Knight scripted for di- Wednesday, May 11 at 7:30 p.m. results from your online searches. New rector Edward Zwick. 7:30 p.m. computer users are welcome, but at- tendees with some computer and in- 18 Wednesday ternet experience will get the most out 11 Wednesday REGISTRATIONS of this fun, information-packed pre- GREAT BOOKS: Italo Calvino’s The sentation. 3 p.m. FICTION BOOK DISCUSSION: The Non-Existent Knight. -
Son of Rambow 4.Qxd
Son of Rambow “Son of Rambow” är filmen om de omaka pojkarna Will inte tillåter anhängarna att se på film. och Lee. I 80-talets Storbritannien träffas de båda poj- Under ett tidigt möte mellan pojkarna får Will av en karna i skolans korridor. De finner varandra genom att slump se Lees piratinspelning av "Rambo: First Blood". de brinner för att berätta historier och har samma strä- van efter att bryta sig loss och växa upp. Filmen utspe- Det får verkligen fart på Wills livliga fantasier och han lar sig under 80-talet med stor detaljkänsla. Det hand- erbjuder sig att med villkorslöst engagemang och stor lar om religiös tro, om vänskap och utanförskap och glädje hjälpa Lee med hans hemmafilm. Han spelar Ram- om styrkan i den kreativa kraften. bos son och visar prov på stort mod när han utför alla stunttrick framför kameran. Ett arbete som förenar och Rekommenderad från åk 4 skänker stor glädje dem emellan. Båda pojkarna dras in i en värld av heroiska bedrifter och farliga fantasifulla EN FILMHANDLEDNING AV sagor. I takt med att filminspelningen fortskrider lockas JULIA GRANATH fler killar och tjejer att vara med i filmen. Killarnas vän- skap samt själva arbetet med filmen sätts också på prov då den populära franska utbytesstudenten Didier vill vara med i filmen. Han är en originell och synnerligen karis- Handling matisk person som anländer till skolan tillsammans med sina andra franska klasskamrater. Han vänder upp och "Son of Rambow" utspelar sig i Storbritannien under det ner på de flesta engelska skolbarnens världsbild. Killarna tidiga 1980-talet. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
Moviefone Blog 12/15/10 2:41 AM
The 50 Best Movies of 2008 - The Moviefone Blog 12/15/10 2:41 AM AOL Mail Sign in / Register Help Feedback Movie Times Movies DVD Trailers Reviews Blog Enter ZIP/Postal Code - Search Movies LOCATION: Set Your Location FAVORITE THEATERS: Add Theaters Download Apps Call Moviefone The 50 Best Movies of 2008 By Moviefone Staff (Subscribe to Moviefone Staff's posts) 647 Comments Posted Dec 19th 2008 6:00PM Filed under: Features, Best Movies Ever, Best and Worst Like 17 likes. Sign Up to see what your friends | Email like. ADVERTISEMENT Follow Us Newsletter Facebook Twitter RSS Hot Topics Most movie critics make it an annual tradition to rank their top 10 films of the year. Coming Soon DVDs Fall Movies Free Movies Online New Releases Reviews We think that's way too limiting -- what with instantly classic superhero flicks ('The Dark Knight,' 'Iron Man'), top-notch comedies ('Tropic Thunder,' 'Role Models'), Trailers and Clips Weekend Guide fantastic family fare ('WALL-E,' 'Kung Fu Panda') and must-see Oscar contenders ('Milk,' 'Slumdog Millionaire') all in the running. Believe it or not, we've got 42 more where those came from ... Presenting our third Most Popular Articles annual list of the year's 50 best movies. 'Narnia: Dawn Treader' Barely Treads 50. 'Indiana Jones and the Kingdom of the Crystal Water, Wins Weak Box Office Skull' The alien-themed plot (not to mention that scene where Shia LaBeouf channels Tarzan) incurred the wrath of some diehard Indy fans -- and earned the flick a hilariously controversial send-up courtesy of Tom Hardy Is Moviefone's Breakout Star 'South Park.' But at its essence, 'Crystal Skull' keeps of 2010 up with the previous 'Jones'es, delivering a long- awaited, and whip-cracking, fourth dose of our http://blog.moviefone.com/2008/12/19/best-movies-of-2008/ Page 1 of 18 The 50 Best Movies of 2008 - The Moviefone Blog 12/15/10 2:41 AM favorite globe-trotting archaeologist. -
Smoking Presentation Trends in U.S. Movies 1991-2008
Smoking Presentation Trends in U.S. Movies 1991-2008 Kori Titus, MBA Jonathan R. Polansky Stanton Glantz, PHD BREATHE CALIFORNIA of SACRAMENTO-EMIGRANT TRAILS and the CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO San Francisco, California February 2009 EXECUTIVE SUMMARY Tobacco presentations in commercial motion pictures are of serious public health concern because cumulative exposure to this imagery causes large numbers of adolescents to start smoking.1 An estimated 52% of adolescent smoking initiation is attributed to this exposure.2,3 To examine trends in the number of tobacco presentations over time, by Motion Picture Association of America age-classification and North American distributor, we surveyed a large sample of films released to U.S. theaters 1991-2008 to trace the proportion of smoking and smokefree films, incidence of tobacco imagery in films with smoking, tobacco impressions (incidents times paid admissions) delivered to theater audiences, and tobacco brand display. Policy advocacy aimed at reducing adolescent exposure to tobacco in youth-rated (G, PG and PG13) films by modernizing the rating system to rate smoking movies R, with some specific exceptions,4 has been directed at the major studio distributors and their parent corporations since 2001. Some companies have adopted public stances that reflect growing public concern over the issue of smoking in youth-rated films. We pay particular attention to smoking trends in youth-rated films over recent years. KEY FINDINGS Analysis of 1,769 films released over the past 18 years established that: • Most youth exposure to on-screen smoking occurs in youth-rated films, par- ticularly PG13. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Download (2020-Screen-Actors-Guild-Awards
LOGOUT VOTER INSTRUCTIONS VOTING GUIDE Final Review OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE Actor Title Change JOAQUIN PHOENIX JOKER Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE Actor Title Change RENÉE ZELLWEGER JUDY Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE Actor Title Change JOE PESCI THE IRISHMAN Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE Actor Title Change MARGOT ROBBIE BOMBSHELL Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE Title Actors Change THE IRISHMAN BOBBY CANNAVALE, ROBERT DE NIRO, STEPHEN Edit GRAHAM, HARVEY KEITEL, AL PACINO, ANNA PAQUIN, JOE PESCI, RAY ROMANO * Vote for Maximum 1 candidate(s). OUTSTANDING ACTION PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE Title Change FORD v FERRARI Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES Actor Title Change JARED HARRIS CHERNOBYL Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES Actor Title Change MICHELLE WILLIAMS FOSSE/VERDON Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A DRAMA SERIES Actor Title Change DAVID HARBOUR STRANGER THINGS Edit * Vote for Maximum 1 candidate(s). OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A DRAMA SERIES Actor Title Change HELENA BONHAM CARTER THE CROWN Edit * Vote for Maximum 1 candidate(s). -
Channel 4 and British Film: an Assessment Of
Channel 4 and British Film: An Assessment of Industrial and Cultural Impact, 1982-1998 Laura Mayne This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 i Abstract This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contribution to film and television studies. In order to better understand this interdependence, this thesis will offer some original ideas about the relationship between film and television, examining the ways in which Channel 4’s funding methods led to new production practices. Aside from the important part the Channel played in funding (predominantly low-budget) films during periods when the industry was in decline and film finance was scarce, this partnership had profound effects on British cinema in the 1980s and 1990s. In exploring these effects, this thesis will look at the ways in which the film funding practices of the Channel changed the landscape of the film industry, offered opportunities to emerging new talent, altered perceptions of British film culture at home and abroad, fostered innovative aesthetic practices and brought new images of Britain to cinema and television screens.