Rethinking Heroin: Use, Addiction and Policy in 'Austerity Britain'

Total Page:16

File Type:pdf, Size:1020Kb

Rethinking Heroin: Use, Addiction and Policy in 'Austerity Britain' Rethinking Heroin Use, Addiction and Policy in ‘Austerity Britain’ A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 Stephen Wakeman School of Law Centre for Criminology and Criminal Justice Contents Abstract p. 4 Declaration p. 5 Copyright p. 6 About the Author p. 7 Acknowledgements p. 8 Prelude: The ‘Alternative Submission’ Format p. 10 Part One Introduction p. 13 Literature Review p. 26 Methodology p. 65 Part Two Article One p. 92 Fieldwork, Biography and Emotion: Doing Criminological Autoethnography Article Two p. 119 The Moral Economy of Heroin: Reconstituting the Social in ‘Austerity Britain’ Article Three p. 141 Prescribing Heroin for Addiction: Some Untapped Potentials and Unanswered Questions Article Four p. 163 ‘No One Wins. One Side Just Loses More Slowly’: The Wire and Drug Policy 2 Part Three Rethinking Heroin p. 190 Conclusions p. 216 References p. 223 Appendices: Appendix i: Participant Profiles p. 242 Appendix ii: Information Sheet for Prospective Participants p. 243 Total Word Count: 86,177 3 Abstract A thesis submitted to The University of Manchester By Stephen Wakeman For the degree of Doctor of Philosophy In 2014 Rethinking Heroin: Use, Addiction and Policy in ‘Austerity Britain’ This thesis is concerned with heroin. Its use, addiction to it, and the policy measures that have come to surround both in what is now commonly known as ‘austerity Britain’. It provides a set of interlinked arguments around these topics through the presentation of four journal articles and related theoretical engagement with data gleaned from an ethnographic exploration of heroin use in a deprived area of North-West England. Whilst the arguments here are diverse, they share one common thread; the need to rethink what we know about heroin at this particular point in time. To this end the thesis makes original contributions to criminological knowledge surrounding the ways in which drug addiction is researched; the socio- economic role(s) of heroin in marginalised communities; heroin assisted treatment techniques; and the ways in which drug policy problems, and some potential solutions to them, have been culturally (re)presented. Following this, the thesis then teases out some of the links between the above and in so doing, offers a unique and progressive theory of heroin addiction in the UK today alongside some tentative suggestions around the future directions of national drug policy. The potentials and limitations of the above, along with the areas revealed to be in need of future research, are discussed to close. 4 Declaration No portion of the work referred to in the thesis has been submitted in support of an application for another degree or qualification of this or any other university or other institute of learning. 5 Copyright Statement The author of this thesis (including any appendices and/or schedules to this thesis) owns certain copyright or related rights in it (the “Copyright”) and s/he has given The University of Manchester certain rights to use such Copyright, including for administrative purposes. Copies of this thesis, either in full or in extracts and whether in hard or electronic copy, may be made only in accordance with the Copyright, Designs and Patents Act 1988 (as amended) and regulations issued under it or, where appropriate, in accordance with licensing agreements which the University has from time to time. This page must form part of any such copies made. The ownership of certain Copyright, patents, designs, trade marks and other intellectual property (the “Intellectual Property”) and any reproductions of copyright works in the thesis, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property and/or Reproductions. Further information on the conditions under which disclosure, publication and commercialisation of this thesis, the Copyright and any Intellectual Property and/or Reproductions described in it may take place is available in the University IP Policy (see http://documents.manchester.ac.uk/DocuInfo.aspx?DocID=487), in any relevant Thesis restriction declarations deposited in the University Library, The University Library’s regulations (see http://www.manchester.ac.uk/library/aboutus/regulations) and in The University’s policy on Presentation of Theses. 6 About the Author Stephen Wakeman is a sociologist interested in drugs. He has a BSc in Criminology and Counselling Skills, an MA in Crime and Justice, and an MRes in Criminology and Socio-Legal Studies. Before entering Higher Education in 2006 he was training to be a counsellor and working in drug rehabilitation centres, homeless hostels, mental health drop-in centres, and at a ‘problem’ youth project. At a number of these institutions he is also an ex-service user. He has taught criminology and sociology at the Universities of Manchester and Chester, and has recently taken up a post as lecturer in criminology at Liverpool John Moores University. His research interests span the sociology of intoxication, but are primarily focused upon heroin and crack cocaine, cultural representations of drugs and drug policy, and drug-using identities/subjectivities. His first book, Corporeality: The Body and Society (co-edited with Cassandra Ogden), was published by Chester University Press in 2013 and he has recently published articles in The British Journal of Criminology and Theoretical Criminology. He tweets as @Steve_Wakeman and keeps a Boston terrier named Lennon that sometimes bites him. 7 Acknowledgements I would like to thank my supervisors Toby Seddon and Judith Aldridge for all their help, support and guidance over the course of the last three years. Their impact upon me as a scholar has been immeasurable and will last for many years to come. I would also like to thank everyone in the Centre for Criminology and Criminal Justice at the University of Manchester for making my time there so enjoyable, especially Dave Gadd and Jo Deakin who were always so supportive of me and my ideas. Finally my biggest debts of gratitude are to my dog Lennon for reminding me that play is important, and to my wife Lisa for making everything matter. 8 I’m on my time with everyone, I have very bad posture Kurt Cobain 9 Prelude: The ‘Alternative Submission’ PhD This PhD thesis follows the ‘alternative submission’ format in that some of its content – indeed, the majority of its content – is submitted in a form suitable for publication in academic journals. The rationale for this was simple, the research questions lent themselves to this format in that they were concerned with two distinct yet similar and interrelated areas: the nature of heroin use in ‘austerity Britain’ and the potentials to be found in alternative drug policy interventions. As such it was agreed upon early in the first year of study that the alternative format would be used. This short prelude will give the reader an overview of the structure of the thesis in terms of its presentation in this format. A traditional introduction covering the content and problematic(s) of the PhD follows below. The thesis is broken down into three main components: Parts One, Two, and Three. Part One contains all the material the University of Manchester’s guidelines stipulate as requirements of any PhD. It contains an introduction which contextualises the research and provides its rationale, a review of the previous literature in this field, and a methodology chapter. Following this, Part Two is a results section containing four ‘chapters’ presented in the form of stand-alone journal articles. Three of these articles have been submitted to peer-reviewed journals, with two having been published at this time. A cover page provides some basic information for each article including the journal it has been (or will be) submitted to, along with its full bibliographic details if already published. As per the guidelines, each article has its own pagination and reference list; the sources cited in these articles are not listed again in the main reference list at the end of the thesis. Other than this no further details are presented around these articles, each is included exactly as it was last submitted to/published by the journal indicated. In the latter sections of the thesis Articles One and Four are cited as Wakeman ‘2014a’ and ‘2014b’ respectively due their published status, the remaining two are cited as ‘Article Two’ and ‘Article Three’. Finally, Part Three then presents a substantial chapter drawing the articles together followed by a conclusions chapter. It is in the former of these that the most significant claims of this work are made. In essence, this chapter is the analytical core of the thesis where the contentions of 10 the articles are incorporated into a coherent body of arguments surrounding heroin use and drug policy today. In closing however there is one potential drawback to using the alternative format that must be noted here – it does regrettably cause some repetition across the thesis as a whole. As journal articles require their own literature reviews and methods sections, the reader will find short sections of Chapter Two reproduced in the literature reviews of Articles Three and Four. Moreover, Articles One, Two and Three have virtually identical methodology sections that are in turn derived directly from Chapter Three. This is both recognised and permitted by the University’s guidelines as a feature of the alternative format, but I have endeavoured to keep it to a minimum throughout – repetition/reproduction never totals more than a few introductory paragraphs in the early parts of the articles.
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Criminal Justice Graduate Program Review
    2015- 2020 CRIMINAL JUSTICE GRADUATE PROGRAM REVIEW Prepared by Gale Iles and the Criminal Justice Faculty of the Department of Social, Cultural, and Justice Studies, the University of Tennessee at Chattanooga TABLE OF CONTENTS List of Figures 3 List of Tables 3 Preface/History 4 Part 1: Learning Objectives (Outcomes) 5 Part 2: Curriculum 11 Part 3: Student Experience 16 Part 4: Faculty 20 Part 5: Learning Resources 28 Part 6: Support 36 1 LIST OF FIGURES 3.1 Student Enrollment: Gender, Ethnicity 16 3.2 Enrollment Trends 18 4.1 Student Credit Hours 21 4.2 Gender 22 4.3 Race/Ethnicity 22 LIST OF TABLES 1.1 Abbreviated Student Evaluation for Fall 2018 10 2.1. Past Three Years of Course Offerings 13 2.2 Summary of Program Learning Outcome 15 4.1 Educational Background of Faculty Members 23 6.1 Class Enrollments for the Last Three Years 33 2 PREFACE/HISTORY Departmental Structure Criminal Justice is part of the Department of Social, Cultural, and Justice Studies, in the College of Arts and Sciences at the University of Tennessee at Chattanooga. The program offers a Masters of Science Degree, which prepares students for leadership and management positions across the field. Courses are available in the evening and online, and provide students with opportunities to study a wide range of subjects from police, courts and corrections to victimology to terrorism. i.1 Organizational Chart Randy Boyd Interim President of the University of Tennessee System Steve Angle Chancellor of the University of Tennessee at Chattanooga Jerald L. Hale Provost and Senior Vice Chancellor for Academic Affairs Joe Wilferth Interim Dean of the College of Arts and Sciences Lynn Purkey Interim Head of the Department of Social, Cultural, and Justice Studies Karen McGuffee Associate Head of the Department of Social, Cultural, and Justice Studies Gale Iles Graduate Program Coordinator Mission The mission of the Department of Social, Cultural, and Justice Studies is to prepare students for professional and personal success in the context of a strong liberal arts education.
    [Show full text]
  • Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
    i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
    [Show full text]
  • The Wire the Complete Guide
    The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr.
    [Show full text]
  • INSTITIMON Deakin Univ., Victoria (Australia)
    DOCUMENT RESUME ED 384 707 CE 067 996 TITLE Literacies am the Workplace: A Collection of Original Essays. EAE646 Language and Literacies: Contexts and Challenges in the Workplace. INSTITIMON Deakin Univ., Victoria (Australia). SPONS AGENCY Victorian Education Foundation. REPORT NO ISBN-0-7300-1923-3 PUB DATE 94 NOTE 196p. AVAILABLE FROM Adult and Workplace Education, Faculty of Education, Deakin University, Geelong, Victoria, Australia 3217 ($20 Australian). PUB TYPE Guides Classroom Use Instructional Materials (For Learner) (051) EDRS :MICE MF01/PC08 Plus Postage. DESCRIPTORS Adult Basic Education; *Adult Literacy; Classroom Techniques; Competency Based Education; Educational Needs; Educational Objectives; Educational Practices; *Education Work Relationship; *English (Second Language); Essays; Foreign Countries; *Literacy Education; Second Language Instruction; Second Language Learning; Teaching Methods; *Technological Literacy; Unemployment IDENTIFIERS *Australia; Great Britain; Japan; United states; *Workplace Literacy ABSTRACT This book is part of the study materials for the distance education course, Language and Literacies: Contexts and Challenges in the Workplace, in the Open Campus Program at Deakin University. It contains five essays about literacies in the workplace. The "Introduction" (Mike Brown) discusses the following topics: literacies in the workplace: competing discourses in TAFE curriculum; the competency agenda; planning and competency-based training (CBT); reviewing a self-paced professional development package on
    [Show full text]
  • Connection to Purpose
    Toxico-Economics: “Narconomics” SCOTT PHILLIPS, MD, FACP, FACMT, FAACT WASHINGTON POISON CENTER SEATTLE WA Disclosures Nothing to declare. Drugs for Cash Previously the norm. Cash sniffing dogs have altered the way profits are returned to Drug Producers Drugs Cash Transnational Crime (2017) Drug Trafficking & Transnational Crime Drug dollars are converted into other things of value and are Intricately involved ◦ Art ◦ Antiquities ◦ Coins ◦ Gold and precious metals ◦ Vehicles ◦ Yachts, etc. Retail Price per Kilogram of Substance* Drug Retail Price (kg) Fentanyl $1 Million Heroin $53,000-$85,000 Oxycodone $1,000 Cocaine $120,000 Methamphetamine $45,000-$100,000 MDMA $120,000 *Prices may vary 5 Year Drug Cost for Addiction* Drug Cost/5 year Heroin (10 x day) $318,500 Oxycodone (80 mg daily) $132,405 Cocaine (1 gram a day) $112,840 Cigarettes (1/2-1 ppd) $5000 Alcohol (10 beers per day) $14,000 *Omits associated costs (health care, crime, lost wages, family, etc Data Cautions Reported drug prices vary widely ◦ Source of price estimate ◦ Purity of product with supply chain ◦ Formulation Crack versus powdered cocaine (Crack $20-$80 Powder $20-$100) ◦ Location ((Cocaine powder in El Paso $60 and Dallas $100) Price v Purity ◦ Guatemala $12.70/gm for 80% ◦ US $90.00/gm for 56% ◦ Canada $51.00/gm for 68% Demand Influence Cocaine Price v Purity Source of US Supply of Cocaine Cocaine Production Estimates 1,000,000 kg X $120,000 = $120,000,000,000 Fentanyl analogues Heroin Border entry Heroin Source Heroin Price v Purity over time Fentanyl Path CBP Drug Seizures Transnational cash Flow of Drug Money www.UNODC.org Examples of Drugs of Abuse and Economics Freakonomics The Wire Breaking Bad The Wire (HBO Series 2002-2008) Used at Harvard, Duke and Univ.
    [Show full text]
  • Hearing Voices
    FINAL-1 Sat, Dec 28, 2019 5:50:57 PM tvupdateYour Weekly Guide to TV Entertainment For the week of January 5 - 11, 2020 Hearing voices Jane Levy stars in “Zoey’s Extraordinary Playlist” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 In an innovative, exciting departure from standard television fare, NBC presents “Zoe’s Extraordinary Playlist,” premiering Tuesday, Jan. 7. Jane Levy (“Suburgatory”) stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Skylar Astin (“Pitch Perfect,” 2012), Mary Steenburgen (“The Last Man on Earth”). John Clarence (“Luke Cage”), Peter Gallagher (“The O.C.”) and Lauren Graham (“Gilmore Girls”) also star. WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS ✦ 40 years in business; A+ rating with the BBB. ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLEWANTED1 x 3” We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS Score More CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car Sales This Winter at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA CALL (978)946-2000 TO ADVERTISE PRINT • DIGITAL • MAGAZINE • DIRECT MAIL Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Dec 28, 2019 5:50:58 PM COMCAST ADELPHIA 2 Sports Highlights Kingston CHANNEL Atkinson Sunday 11:00 p.m.
    [Show full text]
  • Prose in Poor Taste
    PRO SE IN PO O R TA STE Editors Ben John Smith ~ Arthur Graham Copyright © 2017 by Horror Sleaze Trash ISB N -13: 978-1975745523 IS B N -1 0 : 19 7 5 7 4 5 5 2 3 /is book is a work of 3ction. Names, characters, business organizations, places, events, and incidents either are the product of the authors’ im agination or are used 3ctitiously. /e use of nam es of actual persons (living or dead), places, and characters is incidental to the purposes of the plot, and is not intended to change the entirely 3c tio n a l c h a ra c te r o f th e w o rk . No part of this work may be reproduced, stored in a retrieval system , o r tran sm itted b y an y m ean s w ith o u t the w ritten perm ission of the authors or publisher, with the exception of short excerpts used in articles and critical review s. Foreword HST isn’t run w ith any real sense of consistency or urgency. O r professionalism for that fucking m atter. It’s run from the oddity-crow ded spare room in a house in W estmeadow s, M elbourne. It’s ran w ith a scream ing one year old running dow n the hallw ay banging on a pot lid with a wooden spoon. It’s ran in conjunction w ith a full-tim e job as a sandblaster w ith a m ortgage. It’s patched together w ith saliva and claret.
    [Show full text]
  • The Avon Barksdale Story
    TV/Series 4 | 2013 Écho et reprise dans les séries télévisées (II) : Re- présentations -- enjeux socio-culturels, politiques et idéologiques de la reprise Through The Wire: The Avon Barksdale Story Sébastien Lefait Electronic version URL: http://journals.openedition.org/tvseries/746 DOI: 10.4000/tvseries.746 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Sébastien Lefait, « Through The Wire: The Avon Barksdale Story », TV/Series [Online], 4 | 2013, Online since 15 December 2013, connection on 20 April 2019. URL : http://journals.openedition.org/ tvseries/746 ; DOI : 10.4000/tvseries.746 TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Through The Wire: The Avon Barksdale Story Sébastien LEFAIT Released exclusively on DVD in 2010, The Avon Barksdale Story is the first and only instalment so far of a series of docudramas called Baltimore Chronicles: Legends of the Unwired. As its title indicates, the film claims to tell the real events in the life of Baltimore drug kingpin Nathan “Bodie” Barksdale in order to expose his near namesake from HBO’s The Wire (2002-2008), Avon Barksdale, as a fictional persona. Structured around an interview of the real Barksdale by the actor impersonating him in the series, The Avon Barksdale Story presents itself as a corrigendum or as a right of reply. This so-called critical reading thus aims to debunk The Wire as a distortive rewriting of events. The film’s title, however, paradoxically acknowledges that it tells and perpetuates the legend of Avon, Nathan Barksdale’s fictional counterpart, despite the fact Nathan declares he always resented the nickname “Avon”.
    [Show full text]
  • Second Chances in the Wire: Perspectives from Psychology and the Judiciary
    University of Chicago Legal Forum Volume 2018 Article 9 2019 Second Chances in The irW e: Perspectives from Psychology and the Judiciary Rebecca R. Pallmeyer Dan P. McAdams Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Recommended Citation Pallmeyer, Rebecca R. and McAdams, Dan P. (2019) "Second Chances in The irW e: Perspectives from Psychology and the Judiciary," University of Chicago Legal Forum: Vol. 2018 , Article 9. Available at: https://chicagounbound.uchicago.edu/uclf/vol2018/iss1/9 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. Second Chances in The Wire: Perspectives from Psychology and the Judiciary The Hon. Rebecca R. Pallmeyer† & Dan P. McAdams†† ABSTRACT Playing off a scene in The Wire wherein prison inmates discuss whether Ameri- can lives have “second acts,” this essay considers psychological and legal issues at play in people’s efforts to turn their lives around, from bad to good. In the first half of the essay, a professor of psychology discusses empirical research into re- demptive life stories in which people find positive meaning in suffering and/or transform their lives from failure to relative success. While examples of redemp- tive life stories may be found in The Wire, making good on second chances seems to be a relatively rare occurrence. In the second half, a federal judge considers the issue of second chances in the American legal system, focusing on the issue of sen- tencing.
    [Show full text]
  • Female Representation in the Marvel Cinematic Universe
    Volume 10 Issue 2 (2021) AP Research Superheroines and Sexism: Female Representation in the Marvel Cinematic Universe Folukemi Olufidipe1, Ms. Yunex Echezabal1 1Doral Academy Charter High School, Miami, FL, USA DOI: https://doi.org/10.47611/jsrhs.v10i2.1430 ABSTRACT The Marvel Cinematic Universe (MCU) is the highest-grossing film franchise of all time and since the premiere of Iron Man in 2008, it has risen to fame as a source of science-fiction entertainment. Sexism in the film industry often goes brushed aside but the widespread success of Marvel Studios calls attention to their treatment of gender roles. This paper explores the progression of six female superheroes in the MCU and what effect feminist movements have had on their roles as well as upcoming productions in the franchise. This paper used an interdisciplinary, mixed- methods design that studied movie scripts and screen time graphs. 14 MCU movies were analyzed through a feminist film theory lens and whenever a female character of interest was chosen, notes were taken on aspects including, but not limited to, dialogue, costume design, and character relationships. My findings showed that females in the MCU are heavily sexualized by directors, costume designers, and even their male co-stars. As powerful as some of these women were found to be, it was concluded that Marvel lacks in female inclusivity. Marvel’s upcoming productions, many of which are female-focused, still marginalize the roles of their superheroines which is a concern for the future of the film industry. Marvel is just one franchise but this study shows how their treatment of female characters uphold patriarchal structures and perpetuate harmful stereotypes that need to be corrected in the film industry as a whole.
    [Show full text]