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Trump Signals Restraint on Possible Iran Strike
NATION NFL TELEVISION Vaping illnesses Backup quarterback Burns’ ‘Country Music’ top 500 in US; Minshew, defense share series includes stories 8th death reported spotlight in Jags victory of Americans at war Page 8 Back page Pages 15-18 Imelda leaves 2 dead in Texas, others stranded and trapped » Page 9 Volume 78, No. 112A ©SS 2019 CONTINGENCY EDITION SATURDAY, SEPTEMBER 21, 2019 stripes.com Free to Deployed Areas Trump signals restraint on possible Iran strike BY LOLITA C. BALDOR Speaking in the Oval Office ahead of an Morrison. “Much easier to do it the other The U.S. response could Associated Press early afternoon meeting with his national way, and Iran knows that if they misbehave security team, Trump laid out new sanc- they are on borrowed time.” involve military, political WASHINGTON — President Donald tions on the Iranian central bank and said Trump spoke just before he gathered his and economic actions, and Trump signaled Friday that he’s not in- the easiest thing to do would be to launch national security team at the White House clined to authorize an immediate mili- military strikes. to discuss how to respond to the weekend the military options could tary strike on Iran in response to the “I think the strong person’s approach drone and missile attack on oil facilities in range from no action at all attacks on the Saudi oil industry, saying and the thing that does show strength Saudi Araba that the administration has he believes showing restraint “shows far would be showing a little bit of restraint,” to airstrikes or less visible blamed on Iran. -
Alexandre Nodopaka - Poems
Poetry Series Alexandre Nodopaka - poems - Publication Date: 2016 Publisher: Poemhunter.com - The World's Poetry Archive Alexandre Nodopaka(1940) Biopsy: Conceived in Ukraine, Alex Nodopaka first exhibited in Russia. Finger-painted in Austria. Studied tongue-in-cheek at the Ecole des Beaux Arts, Casablanca, Morocco. Doodles & writes with crayons on human hides. Full time artist, art instructor, judge, and self-appointed critic with pretensions to writing. Considers his past irrelevant. He seeks now reincarnations with micro acting parts in IFC movies. The secondary synopsis is that the author has been a mechanical engineer and practiced that profession between 1962 and 1998 in the San Francisco Bay Area a.k.a. Silicon Valley. Alex Nodopaka began his career with IBM in San Jose, California. He subsequently worked at Memorex and many disc drive companies in the disc drive industry. He also worked for Stanford Linear Accelerator and the Stanford Architectural Office before moving on to a variety of other engineering functions as an engineering consultant. In 1985 he had an engineering article that dealt with clean room environment specifications that was published in Machine Design, a monthly technical magazine. alexnodopaka2@ Art Editor (2013 to present) Art Editor (2010 to 2013) PUBLICATIONS dealing with artistic pursuits * Peninsula Magazine * Pacific Guest Magazine * Peninsula Guest Magazine * Livermore Times * Pleasanton Times * Dublin Independent * Menlo Park Recorder * California Today San Jose Mercury * Menlo Park Almanac * Painterskey, -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Charles “Chaz” Bojórquez Interviewed by Karen Mary Davalos on September 25, 27, and 28, and October 2, 2007
CSRC ORAL HISTORIES SERIES NO. 5, NOVEMBER 2013 CHARLES “CHAZ” BOJÓRQUEZ INTERVIEWED BY KAREN MARY DAVALOS ON SEPTEMBER 25, 27, AND 28, AND OCTOBER 2, 2007 Charles “Chaz” Bojórquez is a resident of Los Angeles. He grew up in East Los Angeles, where he developed his distinctive graffiti style. He received formal art training at Guadalajara University of Art in Mexico and California State University and Chouinard Art Institute in Los Angeles. Before devoting his time to painting, he worked as a commercial artist in the film and advertising industries. His work is represented in major private collections and museums, including the Smithsonian American Art Museum, the Museum of Contemporary Art in Los Angeles, and the De Young Museum in San Francisco. Karen Mary Davalos is chair and professor of Chicana/o studies at Loyola Marymount University in Los Angeles. Her research interests encompass representational practices, including art exhibition and collection; vernacular performance; spirituality; feminist scholarship and epistemologies; and oral history. Among her publications are Yolanda M. López (UCLA Chicano Studies Research Center Press, 2008); “The Mexican Museum of San Francisco: A Brief History with an Interpretive Analysis,” in The Mexican Museum of San Francisco Papers, 1971–2006 (UCLA Chicano Studies Research Center Press, 2010); and Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora (University of New Mexico Press, 2001). This interview was conducted as part of the L.A. Xicano project. Preferred citation: Charles “Chaz” Bojórquez, interview with Karen Davalos, September 25, 27, and 28, and October 2, 2007, Los Angeles, California. CSRC Oral Histories Series, no. 5. Los Angeles: UCLA Chicano Studies Research Center Press, 2013. -
NATIONAL YOUTH GANG INFORMATION CENTER If You Have Issues Viewing Or Accessing This File Contact Us at NCJRS.Gov
If you have issues viewing or accessing this file contact us at NCJRS.gov. 146833 U.S. Department of Justice National Institute of Justice This document has been rfiprod:Jced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this copyrighted material has been granted by California Department of Justice to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner. NATIONAL YOUTH GANG INFORMATION CENTER 4301 North Fairfax Drive, Suite 730 Arlington, Virginia 22203 1-800-446-GANG • 703-522-4007 NYGIC Document Number: Permission Codes: Bes series publicizes the findings of projl~ts undertaken by the Attorney General's Office in collaboration with scholars from academic institutions THE SOCIAL across the nation. Through this collaborative STRUCTURE program, the DcparunentofJustice supports private OFSTREE1~ academicians to undertake research on policy issues of DRUG DEALING current interest. Jerome H. Skohlick with Theodore Correl Elizabeth Navarro RogerRabb Center for the Study of Law and Society University of Cali£orilla, Berkeley Office of the Attorney General State of California/Department of Justice/Division of Law Enforcement Criminal Identification and Information Branch Bureau of Criminal Statistics and Special Servi~s COLLABORATIVE RESEARCH PROGRAM In an effort to increase the comprehensiveness and quality of criminal jus'Hce research in California, the Attorney General developed the Collaborative Research Program within the Bureau of Criminal Statistics (BCS). -
Promising Young Woman
Promising Young Woman Written and Directed by Emerald Fennell 1 INT. SWEET SIXTEEN’S DANCEFLOOR - NIGHT A super-depressing dancefloor on a Thursday night. 2-For-1 shots and a sticky floor. The kind of last-resort place people end up after work having accidentally nailed ten “just one” drinks. A bored DJ plays the DROELOE remix of “Boys” by Charlie XCX, while the thin and kind of tragic crowd dances. We linger on the men dancing in particular, their bodies, the sweat running down their backs as they grind and thrust. The slow-mo, the lascivious pan-up, the sort of erotic gaze normally reserved for oiled-up music-video hotties. Except we’re looking at regular dudes in chinos with absolutely no dancing ability. INT. SWEET SIXTEEN’S UPSTAIRS BAR - NIGHT By the bar, is a group of guys still in their work suits, ties loosened. They’re mostly good-looking, in their early- thirties, bantering and eyeing up the diminishing talent pool. Among them are JEZ, a shy, sweet guy who is clearly dying to leave, and PAUL, a sweaty Alpha-bro whose super- fragile masculinity is always one rejection away from shattering to pieces. PAUL Fuck her, man. It’s how things are done. It’s just a fucking round of golf! You’d think we were taking clients to a strip club or something- JIM -which we can’t anymore- PAUL -Exactly we can’t even do that anymore because of last year’s Christmas party. JEZ I think it’s because the golf club doesn’t let women play there. -
Text Production Oral Presentation Spoken Word Performance Text Production Oral
Text Production Oral Presentation Spoken Word Performance Text Production Oral Purpose To provide you with the opportunity to: Demonstrate and understanding of the interplay between what authors present in texts and the experiences, ideas, values, and beliefs of readers. Demonstrate and use language skills and techniques to create personal, persuasive texts that address the meaning and intention of the task. Description of assessment The aim the task is to convey your thoughts on a topic of particular personal interest; this can be small or large. Words and stories have the power to effect people and in a spoken word piece the speaker is emotionally involved with their material and as a result presents in a very personal and powerful way. Persuasive language aims to manipulate the audience into accepting a particular point of view or prompt them to react in a particular way; the approach to the subject is often subjective. Create and present a Spoken Word Performance on a topic negotiated with me. A key part of this piece will be how you present – the way you use your voice as a tool. You may support your oral with a multimedia presentation if you wish; this could be PowerPoint, video, www.voicethread.com or some other form. Assessment conditions An oral presentation up to a maximum of 6 minutes. Please hand up a recording (audio or video), transcript of your presentation and the PowerPoint thumbnails/Voicethread etc link if used. Some guidelines Begin with an opening/line/image/introduction which grabs the reader, sets the tone, or strongly conveys your point of view. -
Ride of a Lifetime Cars Are a Form of Expression
Lifestyle Ride of a Lifetime Cars are a form of expression. They are associated with nightlife, fashion, luxury and are a direct image of their owners. Car enthusiasts with money to splurge are in a never-ending market for the posh amenities. Platinum Motorsports, the brainchild of Gevork and Hakop Keshishyan, has cultivated a global brand and lifestyle with its upscale car restylings. George and Jack, as they are known in the business world, have been featured in innumerable magazines from every corner of the world. When the two brothers sat down with Yerevan Magazine for an interview in its “Automobile Issue,” they were genuinely honored . Text Manouk Аkopyan | Photo Tigran Tovmasyan 2012 July/August | 63 Lifestyle he last 12 years have driven by faster than any one of the the bathroom floors. After putting school on the backburner Texotic sports cars George and Jack Keshishyan have ever owned. for good, they went full throttle into an idea that had been Over those years, the Platinum Motorsports brand has evolved brewing between them: starting their own automobile from a concept and design to a successful enterprise and a boutique where they’d accessorize everything from wheels, lifestyle simply branded as PML. In every car enthusiast’s body kits, interior and stereo systems. Armen, who had circle, the Los Angeles-based automobile restyling company immigrated from Yerevan (Aresh) in 1979 and made a living is known to be the premiere one-stop car shop. With around- as a mechanic, invested in the future career of his two teenage the-clock work, dedication and tenacity, they deliver to high- sons with the initial funds. -
Felicity Aston Put to Women from Around the Commonwealth, As She Set out to Create the Most International All-Female Expedition Ever to the Pole
That was the challenge that British adventurer Felicity Aston put to women from around the Commonwealth, as she set out to create the most international all-female expedition ever to the Pole. The team would not be experienced explorers but ‘ordinary’ women who wanted to inspire others to follow their dreams or make a change for the better in their lives. She received more than 800 applications. ‘What is skiing?’ asked someone in Ghana. At the close of 2009, Felicity led a team from places as diverse as Jamaica, India, Singapore and Cyprus – some of whom had never even seen snow or spent the night in a tent before joining the expedition – on one of the toughest journeys on the planet. ‘An uplifting and enthralling feat; I take my fur hat off to all those who answered this call of the white. An inspiring tale which will stir the hearts of women and men around the world’ Benedict Allen EIGHT WOMEN ONE UNIQUE EXPEDITION £8.99 Front cover photograph © Robert Hollingworth Back cover photograph © Kaspersky Lab Commonwealth Antarctic Expedition www.summersdale.com Felicity Aston CALL OF THE WHITE Copyright © Felicity Aston, 2011 All photographs © Kaspersky Lab Commonwealth Antarctic Expedition unless otherwise stated. Quotation from Icewalk on p. 35 reprinted by kind permission of Robert Swan. All rights reserved. No part of this book may be reproduced by any means, nor transmitted, nor translated into a machine language, without the written permission of the publishers. The right of Felicity Aston to be identifi ed as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
The Hilltop 4-12-2002
Howard University Digital Howard @ Howard University The iH lltop: 2000 - 2010 The iH lltop Digital Archive 4-12-2002 The iH lltop 4-12-2002 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_0010 Recommended Citation Staff, Hilltop, "The iH lltop 4-12-2002" (2002). The Hilltop: 2000 - 2010. 67. https://dh.howard.edu/hilltop_0010/67 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 2000 - 2010 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • The Student Voice of Howard University • VOLUME 85, NO. 50 FRIDAY, APRIL 12, 2002 • • emem er1n r1nce ection • HUSA Organizes Mem~rial To Commemorate ate S lll Slain Student's Birthday By JENNIFER CUMMINGS a ance Hilltop Staff Writer rince Jones would have celebrated Candidates, Administrators his 27th birthday March 30. Howev er, the Howard student, who tragical Favor Another Spring Election ly killed in Sept. 2000 by a Prince George's County Police officer, in what family, students, the NAACP and Amnesty , 'ltl International say was a blatant case of racial pro 3 candidates. The percentage gained filing. By KERRY-ANN HAMILTON by each slate is generally not true Lawyers for Jones' family are currently pursu Hilltop Staff Writer representative of the voting popula ing criminal charges against the officer, Carlton tion, so I ~!ways encourage election Jones, who fired sixteen bullets from his gun Sep The uncertainty surrounding the chairs to factor in a run-off election tember 1,2000, killing this son of Howard.