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Winston Churchill's the Second World War: Metanarrative, Markets, and the Politics of Memory
WINSTON CHURCHILL'S THE SECOND WORLD WAR: METANARRATIVE, MARKETS, AND THE POLITICS OF MEMORY By DAVID J. GOSSEN B.A., The University of Lethbridge, 1979 L.L.B., The University of Victoria, 1982 M.A., The University of British Columbia, 1994 A THESIS SUBMITTED LN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming 4p the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2001 © David James Gossen, 2001 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver, Canada DE-6 (2/88) 11 ABSTRACT The potency of memoirs to shape collective memory makes it important to seek a critical understanding of their political and historical functions. Memoirs offer insights into the character, motives, and influence of political leaders, yet many scholars question this genre's ability to produce accurate history, insightful political analysis, or literature of merit. However, to the extent that memoirs contribute to our knowledge and understanding of the past they deserve closer study. Memoirs mediate remembrance of the recent past by functioning primarily in the interval between contemporary political discourse and professional historiography, where their reception molds historical memory. -
Factors Affecting the German Decision Not to Invade the Iberian Peninsula, 1940-1945
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1958 Factors affecting the German decision not to invade the Iberian peninsula, 1940-1945 Gerard F. Rutan The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Rutan, Gerard F., "Factors affecting the German decision not to invade the Iberian peninsula, 1940-1945" (1958). Graduate Student Theses, Dissertations, & Professional Papers. 2310. https://scholarworks.umt.edu/etd/2310 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. FACTORS AFFECTING THE GERMAN DECISION NOT TO INVADE THE IBERIAN PENINSULA, 1940-1945 by Gerard Francis Rutan B. A. Montana State University, 1957 Presented in partial fulfillment of the requirements for the degree of Master of Arts MONTANA STATE UNIVERSITY 1958 Approved by: Chairman, Board of Examiners Dean, Graduate School AUG 1 81958 Date UMI Number: EP34253 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI UMI EP34253 Copyright 2012 by ProQuest LLC. -
Read This Issue
Look to the rock from which you were hewn Vol. 26, No. 2, Spring 2002 chicago jewish historical society chicago jewish history IN THIS ISSUE Carl Fox and Rabbi Moshe Wolf: From Berlin to Jewish Firefighter and Fire Dept. Chicago: “Lucky” Chaplain Address CJHS Meeting Molecular Biologist Gunther Stent On Sunday, May 5, the Society held an open meeting at the Family Memoir: Chicago Fire Academy, 558 West “The Street” by De Koven Street––built on the site Harriet Karm Berman (legend has it), where the Great Fire of 1871 began. We met there to From the Archives: hear Carl H. Fox lecture on Chicago Jewish Music– “Chicago Jewish Firefighters.” The Empire Room In view of the horrific events of September 11, and the focus of Fragments of attention on our nation’s fire- Chicago’s Jewish fighters, Mr. Fox’s subject had a Architectural History special relevance and poignancy. What compelled a “nice Jewish The Selfhelp Home boy” to want to become a fireman? Oral History Project: Carl Fox attended Shepard School Sophie Manes at Francisco and Fillmore, across the street from a fire station, and that’s Report on CJHS where he became a fire buff. Program: Ida Crown Firefighter Carl Fox. Atlas Arms fire, Mr. Fox was one of the Jewish Academy Niles, Illinois, February 19, 1973. founding members of the volunteer Collection of Carl Fox. Chicago Civil Defense Fire and Rescue Service in 1957. He worked as a copy boy for the Sun-Times, a police beat reporter for the City News CJHS Bureau, and an insurance salesman for Met Life, until he fulfilled his dream of becoming a professional firefighter. -
An Analysis of the Narrow Front Plan and the Factors Affecting Its Success
University of Nebraska at Omaha DigitalCommons@UNO Student Work 5-1-1973 The narrow front versus the broad front: An analysis of the narrow front plan and the factors affecting its success Bobbie G. Pedigo University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Recommended Citation Pedigo, Bobbie G., "The narrow front versus the broad front: An analysis of the narrow front plan and the factors affecting its success" (1973). Student Work. 373. https://digitalcommons.unomaha.edu/studentwork/373 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. THE NARROW FRONT VERSUS THE BROAD FRONT: AN ANALYSIS OF THE NARROW FRONT PLAN AND THE FACTORS AFFECTING ITS SUCCESS A Thesis Presented to the Department of History and the Faculty of the Graduate College University of Nebraska at Omaha In Partial Fulfillment of the Requirements for the Degree Master of Arts by Bobbie G. Pedigo May 1973 UMI Number: EP73011 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation: WbiisMng UMI EP73011 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. -
A Performance History of Christopher Marlowe's Edward II on the British Stage and Screen from 1903-1991
INFORMATION TO USERS This manuscript has been teprioduced from the micrdilm master. UMI films the text directly from the orQinal or s&nitW. Thu, son18 thesis and dissertation copies are in typefaœ, mile others may be from any type of cornputer prinder, The quality of this mQrodudon h ckpend.nt upon the qurlïty of the copy submiüeâ. Broken or indisond print, odored w poor quali iiîustrabions and photographs, print bksdthrough, substandard margins, and improper alignment cm adversely affect reproducüon. In the unlikely event that the author did not send UMI a complete manusaïpt and there are missing pages, these will be nuW. Also, if unauaiorired copflght matefial had to be removed, a note will indicats the deletion. Oversize materials (e.g., maps, drawings, char%) are reproduced by sectiming the original, beginning at the upper Mt-hmd corner and mtinuing fmm left to right in equal sections with small werlaps. Photographs included in the^ original manuscript have been reproduœd xerographically in this copy- Hïgher qualii 6. x grnblack and white photographie pnnts are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI diriedly to order. Bell & HoweII Information and Leamino 300 North Zeeb Road, Ann Arbor, MI 48106.1346 USA 800-521-0600 A PERFORMANCE HISTORY OF CHRISTOPHER MARLOWE'S EDWAIU> II ON THE BRITISH STAGE AND SCREEN FROM 1903-199 1 Daum Michelle Scovell A thesis submitted in confonnity with the requirements for the degree of Doctor of Philosophy Graduate Centre for Study of Drama University of Toronto Q Copyright by Dalm Michelle Scovell 1999 Acquisitions and Acquisitions et Bibliographi Services services bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distriiute or sell reproduire, prêter, distribuer ou coptes of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. -
Graven with Diamonds: the Many Lives of Thomas Wyatt: Courtier, Poet, Assasin, Spy Free
FREE GRAVEN WITH DIAMONDS: THE MANY LIVES OF THOMAS WYATT: COURTIER, POET, ASSASIN, SPY PDF Nicola Shulman | 355 pages | 05 Apr 2012 | Short Books Ltd | 9781780720883 | English | London, United Kingdom Nicola Shulman - Alchetron, The Free Social Encyclopedia Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled Assasin your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. She lives with her family in London and in Yorkshire. Time that with this strange excuse Pardoned Kipling and his views, And will pardon Paul Claudel, Pardons him for writing well. Auden wrote these verses to commemorate the events of Januarythe Poet that W. Yeats departed life and Auden, England and her coming wars. He later took them out on grounds of tact; but he left in the famous parting shot that liberated poets from their political responsibilities. What poets should do, is write well. These words, and the ones Assasin, kept recurring all the time I was making this book about Sir Thomas Wyatt. It was partly because there are just comparisons to be made between Auden and Wyatt. Time has never had a soft spot for language. In our own reading lifetimes especially, it has turned on language as if with the dedicated aim of proving Poet wrong. Writing styles that seemed to us supple and exact only 20, 30 years ago begin to coarsen and sag; they even develop the very same look of faintly shameful grotesquerie that human Spy assumes in decay. -
PRISONERS of WAR—COLD WAR ALLIES: the ANGLO-AMERICAN RELATIONSHIP with WEHRMACHT GENERALS a Dissertation by DEREK RAY MALLETT
PRISONERS OF WAR—COLD WAR ALLIES: THE ANGLO-AMERICAN RELATIONSHIP WITH WEHRMACHT GENERALS A Dissertation by DEREK RAY MALLETT Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2009 Major Subject: History PRISONERS OF WAR—COLD WAR ALLIES: THE ANGLO-AMERICAN RELATIONSHIP WITH WEHRMACHT GENERALS A Dissertation by DEREK RAY MALLETT Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Arnold P. Krammer Committee Members, Joseph G. Dawson III David Vaught Adam R. Seipp James Hannah Head of Department, Walter Buenger August 2009 Major Subject: History iii ABSTRACT Prisoners of War—Cold War Allies: The Anglo-American Relationship with Wehrmacht Generals. (August 2009) Derek Ray Mallett, B.A., Culver-Stockton College; M.A.; M.A., Truman State University Chair of Advisory Committee: Dr. Arnold P. Krammer This study examines the relationship between British and American officials and the fifty-five Wehrmacht general officers who were held as prisoners of war in the United States during World War II. This relationship transformed as the war developed and new national security concerns emerged in the immediate postwar era. As largely evidenced by the records of the United States War Department and the British War Office, the transformation of this relationship illustrates two important points. First, despite some similarities, the respective priorities of British and American authorities regarding their POW general officers differed significantly. British officials consistently interrogated and eavesdropped on all of their senior officer prisoners, primarily seeking operational and tactical intelligence to aid the Allied war effort. -
Harmony and Discord Within the English 'Counter- Culture', 1965-1975, with Particular Reference to the 'Rock Operas'
Harmony and discord within the English ‘Counter- Culture’, 1965-1975, with particular reference to the ‘Rock Operas’ Hair, Godspell, Tommy and Jesus Christ Superstar. Christopher John McGowan This thesis is submitted for the degree of Doctor of Philosophy at Queen Mary, University of London 1 Declaration The work presented in this thesis is my own. This thesis consists of 99,999 words, inclusive of footnotes and excluding bibliography. Signed: Christopher John McGowan 20 November 2011 2 Abstract This thesis considers the discrete, historically-specific theatrical and musical sub- genre of ‘Rock Opera’ as a lens through which to examine the cultural, political and social changes that are widely assumed to have characterised ‘The Sixties’ in Britain. The musical and dramatic texts, creation and production of Hair (1967), Tommy (1969), Godspell (1971), Jesus Christ Superstar (1970) and other neglected ‘Rock Operas’ of the period are analysed. Their great popularity with ‘mainstream’ audiences is considered and contrasted with the overwhelmingly negative and often internally contradictory reaction towards them from the English ‘counter-culture’. This examination offers new insights into both the ‘counter- culture’ and the ‘mainstream’ against which it claimed to define and differentiate itself. The four ‘Rock Operas’, two of which are based upon Christian scriptures, are considered as narratives of spiritual quest. The relationship between the often controversial quests for re-defined forms of faith and the apparently precipitous ‘secularization’ and ‘de-Christianization’ of British society during the 1960s and 1970s is considered. The thesis therefore analyses the ‘Rock Operas’ as significant, enlightening prisms through which to view many of the profound societal debates – over ‘faith’ and ‘belief’ in the widest senses, sexuality, the Vietnam war, generational conflict, drugs and ‘spiritual enlightenment’, and race – which were, to some considerable extent, elevated onto the national, political agenda by the activities of the broadly- defined ‘counter-culture’. -
The Royal Court Theatre 1968-1975: Fraught and Fruitful Years
i The Royal Court Theatre 1968-1975: Fraught and Fruitful Years S A Healy Doctor of Philosophy 2018 ii The Royal Court Theatre 1968-1975: Fraught and Fruitful Years Susan Ann Healy A thesis submitted in partial fulfilment of the requirements of the University of Lincoln for the degree of Doctor of Philosophy February 2018 iii DECLARATION I declare that this thesis is my own work, and has not been submitted in substantially the same form for a higher degree elsewhere. Copyright © 2018 Susan Ann Healy All Rights Reserved iv Acknowledgements I am sincerely grateful for the guidance I received at the University of Lincoln, specifically from my supervisors Dr. Jacqueline Bolton, Dr. James Hudson and Professor Dominic Symonds. I am thankful for their intellectual support and their generosity in the time and care taken in responding to my work throughout the course of my PhD research. I would also like to extend my heartfelt thanks to Professor Mark O’Thomas of the University of Greenwich for his earlier involvement in my supervision and his encouragement and feedback as I launched my journey. I am grateful to the Fund for Women Graduates (FfWG) for their grant during the final year of this research, and the University of Lincoln for their award of a fees scholarship which partially enabled this research. I am appreciative of the time kindly provided by those who agreed to be interviewed and particularly grateful to Jim Haynes for making me so welcome in Paris. A very special thank you to Donald Howarth for his generosity in granting me access to his extensive personal archive and for having me in his home so frequently, and to Graham Whybrow for facilitating that access. -
Hair, Godspell, Tommy and Jesus Christ Superstar Mcgowan, Christopher John
Harmony and discord within the English ‘counter-culture’, 1965-1975, with particular reference to the ‘rock operas’ Hair, Godspell, Tommy and Jesus Christ Superstar McGowan, Christopher John For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/2525 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] Harmony and discord within the English ‘Counter- Culture’, 1965-1975, with particular reference to the ‘Rock Operas’ Hair, Godspell, Tommy and Jesus Christ Superstar. Christopher John McGowan This thesis is submitted for the degree of Doctor of Philosophy at Queen Mary, University of London 1 Declaration The work presented in this thesis is my own. This thesis consists of 99,999 words, inclusive of footnotes and excluding bibliography. Signed: Christopher John McGowan 20 November 2011 2 Abstract This thesis considers the discrete, historically-specific theatrical and musical sub- genre of ‘Rock Opera’ as a lens through which to examine the cultural, political and social changes that are widely assumed to have characterised ‘The Sixties’ in Britain. The musical and dramatic texts, creation and production of Hair (1967), Tommy (1969), Godspell (1971), Jesus Christ Superstar (1970) and other neglected ‘Rock Operas’ of the period are analysed. Their great popularity with ‘mainstream’ audiences is considered and contrasted with the overwhelmingly negative and often internally contradictory reaction towards them from the English ‘counter-culture’. This examination offers new insights into both the ‘counter- culture’ and the ‘mainstream’ against which it claimed to define and differentiate itself.