Harmony and discord within the English ‘counter-culture’, 1965-1975, with particular reference to the ‘rock operas’ Hair, Godspell, Tommy and Jesus Christ Superstar McGowan, Christopher John For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/2525 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact
[email protected] Harmony and discord within the English ‘Counter- Culture’, 1965-1975, with particular reference to the ‘Rock Operas’ Hair, Godspell, Tommy and Jesus Christ Superstar. Christopher John McGowan This thesis is submitted for the degree of Doctor of Philosophy at Queen Mary, University of London 1 Declaration The work presented in this thesis is my own. This thesis consists of 99,999 words, inclusive of footnotes and excluding bibliography. Signed: Christopher John McGowan 20 November 2011 2 Abstract This thesis considers the discrete, historically-specific theatrical and musical sub- genre of ‘Rock Opera’ as a lens through which to examine the cultural, political and social changes that are widely assumed to have characterised ‘The Sixties’ in Britain. The musical and dramatic texts, creation and production of Hair (1967), Tommy (1969), Godspell (1971), Jesus Christ Superstar (1970) and other neglected ‘Rock Operas’ of the period are analysed. Their great popularity with ‘mainstream’ audiences is considered and contrasted with the overwhelmingly negative and often internally contradictory reaction towards them from the English ‘counter-culture’. This examination offers new insights into both the ‘counter- culture’ and the ‘mainstream’ against which it claimed to define and differentiate itself.