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Day 1 The Smiths Alternative Rock 1 6:48 Death Day Dark Wave 1 4:56 The KVB Dark Wave 1 4:11 Suuns Dark Wave 6 35:00 Tropic of Cancer Dark Wave 2 8:09 DIIV Indie Rock 1 3:43 HTRK Indie Rock 9 40:35 TV On The Radio Indie Rock 1 3:26 Warpaint Indie Rock 19 110:47 Joy Division Post-Punk 1 3:54 Lebanon Hanover Post-Punk 1 4:53 My Bloody Valentine Post-Punk 1 6:59 The Soft Moon Post-Punk 1 3:14 Sonic Youth Post-Punk 1 4:08 18+ R&B 6 21:46 Massive Attack Trip Hop 2 11:41 Trip-Hop 11:41 Indie Rock 158:31 R&B 21:46 Post-Punk 22:15 Dark Wave 52:16 Alternative Rock 6:48 Day 2 Blonde Redhead Alternative Rock 1 5:19 Mazzy Star Alternative Rock 1 4:51 Pixies Alternative Rock 1 3:31 Radiohead Alternative Rock 1 3:54 The Smashing Alternative Rock 1 4:26 Pumpkins The Stone Roses Alternative Rock 1 4:53 Alabama Shakes Blues Rock 3 12:05 Suuns Dark Wave 2 9:37 Tropic of Cancer Dark Wave 1 3:48 Com Truise Electronic 2 7:29 Les Sins Electronic 1 5:18 A Tribe Called Quest Hip Hop 1 4:04 Best Coast Indie Pop 1 2:07 The Drums Indie Pop 2 6:48 Future Islands Indie Pop 1 3:46 The Go! Team Indie Pop 1 4:15 Mr Twin Sister Indie Pop 3 12:27 Toro y Moi Indie Pop 1 2:28 Twin Sister Indie Pop 2 7:21 Washed Out Indie Pop 1 3:15 The xx Indie Pop 1 2:57 Blood Orange Indie Rock 6 27:34 Cherry Glazerr Indie Rock 6 21:14 Deerhunter Indie Rock 2 11:42 Destroyer Indie Rock 1 6:18 DIIV Indie Rock 1 3:33 Kurt Vile Indie Rock 1 6:19 Real Estate Indie Rock 2 10:38 The Soft Pack Indie Rock 1 3:52 Warpaint Indie Rock 1 4:45 The Jesus and Mary Post-Punk 1 3:02 Chain Joy Division Post-Punk -
Collective Community Chicago Who We Are
Collective Community Chicago Who We Are .. Them Flavors connects curious and open mined creatures with new and progressive forms of art, music, and creation - Giving individuals an inviting environment to reflect, examine and grow one’s perspectives and personalities. … What we do them Flavors is a full-production event collective, both producing and promoting on the rise musicians and artists with club nights, underground parties, record releases, and community involvement. ’ve Been .. Where We As a Chicago-based collective, we pride ourselves on what motivates and moves our fellow beings in the midwest region, but are also mindful of the art and movements of other regions of the great planet we all share as one. Chicago Them flavors were early responders to the footwork movement - the offspring of the native genre, juke. we stay rooted in chicago house music and celebrate its legacy in almost every Event we promote. Detroit we pay homage to our sister, Detroit often with promoting techno music and underground parties. In May 2016, we collaborated with Detroit-local hip hop promoters 777 Renegade , and paired their programming with a bit of chicago footwork, Producing a cross-region and cross - genre function. Texas Marfa, Frontiers red bull Each guest was a result of a thoughtful and hand picked curation process led by t he team at Red Bull to identify those powerful agents of change who are emerging as the disruptors and innovators in their respective cities. Each day was a series of conversations with sciences, academics, and professionals in a variety of disciplines to push innovation and creative thinking, wth the goal of catalyzing new ideas and opportunities in nightlife. -
Am 01. April Im Theater Des Westens: Take That Bei the BAND – DAS MUSICAL
S T A G E E N T E R T A I N M E N T P R E S S E I N F O R M A T I O N Am 01. April im Theater des Westens: Take That bei THE BAND – DAS MUSICAL Fototermin und Präsentation am 01.4.2019: Die Weltstars von Take That - Gary Barlow, Mark Owen und Howard Donald - besuchen die Proben ihres Musicals THE BAND in Berlin. Berlin, 12. März 2019. Wenige Tage vor der ersten internationalen Premiere ihres Musicals THE BAND kommen Take That am 1. April nach Berlin und besuchen die Proben im Stage Theater des Westens. Zu einem Fototermin und der anschließenden Präsentation von THE BAND - DAS MUSICAL laden wir Sie herzlich ein. Weitere Details auf Seite 2 dieser PM. Aktuelles Pressematerial, Fotos und Videos finden Sie zusammengefasst in unserer Pressemappe unter: https://bit.ly/2IHPrBs Mit THE BAND kommt ein neuer Musical-Hit nach Deutschland. Die Show ist seit über einem Jahr der große Publikumserfolg in Großbritannien. Keine Musical-Tournee war dort jemals schneller ausverkauft. Stage Entertainment präsentiert die deutschsprachige Erstaufführung ab dem 11. April im Berliner Theater des Westens. Unter den 24 Darstellern sind auch TV-Star Heike Kloss und DSDS-Superstar Prince Damien, der bei THE BAND sein Musicaldebüt feiert! THE BAND – DAS MUSICAL über Freundschaft und wiederentdeckte Jugendträume THE BAND – DAS MUSICAL handelt von fünf Mädchen, die in den 90er Jahren aufwachsen. Ihr Vernarrtheit in die Idole einer Boygroup stellt ihr junges Leben auf den Kopf, bis ein Schicksalsschlag ihre Freundschaft abrupt zerschlägt. -
HEADLINE NEWS • 5/17/07 • PAGE 2 of 6
SECOND WORK FOR INVASOR HEADLINE ...p6 NEWS For information about TDN, DELIVERED EACH NIGHT BY FAX AND FREE BY E-MAIL TO SUBSCRIBERS OF call 732-747-8060. www.thoroughbreddailynews.com THURSDAY, MAY 17, 2007 THE OCHO FOR STREET SENSE PASSING THE TEST GI Kentucky Derby hero Street Sense (Street Cry She hadn=t been out since defeating an assembly of {Ire}), looking to take the next step toward Triple colts in the G1 Criterium de Saint-Cloud last November Crown glory, will break and she suffered an abscess on from post 8 in Satur- her epiglottis as she prepped for day=s GI Preakness S. her return, but once-beaten Pas- The three-year-old, 7-5 sage of Time (GB) (Dansili {GB}) on the morning line, ar- dispelled any doubts with a rived at Pimlico yester- measured neck victory in the day afternoon. Trainer G3 Tattersalls Musidora S. at Carl Nafzger, who York yesterday. It was plain brought Unbridled to sailing for the homebred in her Maryland after his 1990 all-important prep for the G1 Derby score, only to see Epsom Oaks, and she confirmed him run second to Sum- that she will be the one to beat mer Squall, wouldn=t in the June 1 Classic. AI have Passage of Time (right) have shipped Street trained her for the Oaks and Getty Images Horsephotos Sense if he had not been now she has had a race and can come right,@ trainer pleased with the colt=s Preakness preparations. AHe=s Henry Ceil told Racing Post. AShe needed a race today. -
NEITHER QUEER NOR THERE; Categories, Assemblages, Transformations
NEITHER QUEER NOR THERE; Categories, Assemblages, Transformations TEXT/MATT MORRIS Big false eyelashes being batted and white rose and Ryan Lewis' chart-topping gay rights hip- ics full of risqué same-sex desire and endlessly blossoms planted high in a naked man's but- hop anthem), these artists were the ones who fanciful permutations of gender expressions tocks. Vivid gender fiuidity and non-normative compelled my photographer friend Michael running through layered musical sensibilities sexual practices. Bearded ladies, anime, and Reece to say that this cultural moment is what that draw from LiF Kim's hard femme bitch- Billie Holiday. Confident passes through club he'd been waiting for his whole life. Friends and ery and richly textured cloud rap. But while scenes and across dance floors. Twerking, strip- colleagues across the country concurred. my approach to this music is a queer one, my ping, voguing. Haute couture and the superhe- Lelf, Mykki Blanco, House of LaDosha, Cakes research into these various artists and discus- roic erotic futurism of BCALLA fashions. Lelf's Da Killa, and Big Momma are among a bur- sions with them reveal certain tensions with otherworldly pronouncement: "This mattress geoning new wave of artists who have been queer identification. If these musical projects is Atlantis." Bougie, rächet, skag drag. House of contentiously identified with a turn toward are adamant about portraying their own sex- LaDosha's frankly forceful "It's not just bitches, "queer rap" over the past several years. The ualities and sexual fantasies, there is also the it's witches/The seventh layer of Bushwick/ phantasmagoria called into being by this refusal to be delimited only to the homosexu- They ride a wicked dick, they keep it light as group is built from a wild web of references alities that "queer" is commonly used to con- a feather and stiff as a board." Further neopa- that imagines new directions for rap and hip- note. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
Madonna's Postmodern Revolution
Journal of Literature and Art Studies, January 2021, Vol. 11, No. 1, 26-32 doi: 10.17265/2159-5836/2021.01.004 D DAVID PUBLISHING The Rebel Madame: Madonna’s Postmodern Revolution Diego Santos Vieira de Jesus ESPM-Rio, Rio de Janeiro, Brazil The aim is to examine Madonna’s revolution regarding gender, sexuality, politics, and religion with the focus on her songs, videos, and live performances. The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender, promote gender deconstruction and sexual multiplicity, create political sites of resistance, question the Catholic dissociation between the physical and the divine, and bring visual and musical influences from multiple cultures and marginalized identities. Keywords: Madonna, postmodernism, pop culture, sex, gender, sexuality, politics, religion, spirituality Introduction Madonna is not only the world’s highest earning female entertainer, but a pop culture icon. Her career is based on an overall direction that incorporates vision, customer and industry insight, leveraging competences and weaknesses, consistent implementation, and a drive towards continuous renewal. She constructed herself often rewriting her past, organized her own cult borrowing from multiple subaltern subcultures, and targeted different audiences. As a postmodern icon, Madonna also reflects social contradictions and attitudes toward sexuality and religion and addresses the complexities of race and gender. Her use of multiple media—music, concert tours, films, and videos—shows how images and symbols associated with multiracial, LGBT, and feminist groups were inserted into the mainstream. She gave voice to political interventions in mass popular culture, although many critics argue that subaltern voices were co-opted to provide maximum profit. -
View / Open OURJ Spring 2018 Lelkins.Pdf
Oregon Undergraduate Research Journal 13.1 (2018) ISSN: 2160-617X (online) blogs.uoregon.edu/ourj Spitting Bars and Subverting Heteronormativity: An Analysis of Frank Ocean and Tyler, the Creator’s Departures from Heteronormativity, Traditional Concepts of Masculinity, and the Gender Binary Lizzy Elkins*, International Studies and Women’s, Gender and Sexuality Studies ABSTRACT This paper seeks to investigate an emerging movement of rap and pop artists who actively subvert structures of the gender binary and heteronormativity through their music. The main artists considered in this research are pop/rap/R&B artist Frank Ocean and rap artist Tyler, the Creator, both of whom have claimed fame relatively recently. Artists like Ocean and Tyler make intentional departures from heteronormativity and the gender binary, combat concepts such as ‘toxic masculinity’, and hint at the possibilities for normalization and destigmatization of straying from the gender binary through lyrics, metaphysical expressions, physical embodiments of gender, expression of fluid/non-heteronormative sexualities, and disregard for labels in their sexual and gendered identities. I will discuss the history and context around music as an agent for social change and address privileging of the black heterosexual cisgender man as the central voice to pop/rap/R&B in the following research. This project will draw on Beauvoirian philosophy regarding gender as well as contemporary sources of media like Genius, record sale statistics, and album lyrics. By illustrating and evaluating how these artists subvert traditional concepts of gender and sexuality, I hope to also shine a light on how their music, which reaches millions of people who are less aware of or accepting of gayness, catalyzes social change and is significant in this current political moment, which is an era of increasing public tolerance of queer ideas and less binary gender expression. -
Interactivity and Community in Video Game Live Streams
Twitch TV Uncovered – Interactivity and Community in Video Game Live Streams A thesis presented to the faculty of the Scripps College of Communication of Ohio University and the Institute for Communication and Media Studies of Leipzig University In partial fulfillment of the requirements for the degrees Master of Science in Journalism (Ohio University), Master of Arts in Global Mass Communication (Leipzig University) Chris J. Vonderlind December 2019 © 2019 Chris J. Vonderlind. All Rights Reserved. This thesis titled Twitch TV Uncovered – Interactivity and Community in Video Game Live Streams by CHRIS J. VONDERLIND has been approved for the E.W. Scripps School of Journalism, the Scripps College of Communication, and the Institute for Communication and Media Studies by Veronika Karnowski Associate Professor of the Institute for Communication and Media Studies Scott Titsworth Dean, Scripps College of Communication, Ohio University Christian Pieter Hoffman Director, Institute for Communication and Media Studies, Leipzig University ii Abstract CHRIS J. VONDERLIND, M.S., Journalism; M.A., Global Mass Communication, December 2019 3709740 Twitch TV Uncovered – Interactivity and Community in Video Game Live Streams Director of Thesis: Veronika Karnowski Committee Members: Veronika Karnowski, Jatin Srivastava, Rosanna Planer Online media is continuing to transform the media consumption habits of today’s society. It encompasses various forms of content, modes of consumption and interpersonal interactions. Live-streaming is one of the less observed but growing forms of new media content. It combines aspects of online video entertainment and user content creation such as YouTube, and social media such as Instagram, in a live setting. The goal of this thesis is to explore this phenomenon by looking at the video game streaming platform Twitch, and, more specifically, the interactions taking place during the live streams. -
Sob X Rbe Album Download 2017 Lil Sheik Drops New ‘Still Remember’ Mixtape
sob x rbe album download 2017 Lil Sheik Drops New ‘Still Remember’ Mixtape. SOB x RBE is on fire this year, with solo members like Yhung T.O and DaBoii dropping tapes left and right. Now, Lil Sheik, who's heavily affiliated with the ascendant Bay Area crew, has released his new solo tape Still Remember, and it's a clean listen from top to bottom. Cop it on iTunes or stream it via Spotify below. T.O and Alabama-bred spitter OMB Peezy are featured on the tape, which features traces of soulful samples like Zapp & Roger's "Computer Love" and The Brothers Johnson's "Strawberry Letter 23." Sheik also dropped a video for the intro, directed by BJ Cooper. Watch the visual for the standout cut below. SOB x RBE's Slimmy B and Lul G are both planning to drop their respective solo tapes, Problem Child and Yhung Nigga World, soon, so look out for those, and peep SOB x RBE's incredible tape from January if you missed it. Lil Sheik's Still Remember Tracklist. 1. "P Talk" Feat. Flexcitystreets & Yhung T.O (prod. by Fly Guy Veezy) 2. "Cannon" Feat. Benny & Iceeapher (prod. by Dre Day) 3. "Freestyle" (prod. by Don Juan) 4. "Ride 2" (prod. by Wavy Tre) 5. "That's Real" Feat. Lil Noonie (prod. by Yall Out Beats) 6. "Touchdown" (prod. by Trevv) 7. "Paid My Dues" Feat. OMB Peezy & Flexcitystreets (prod. by Big Lank on the Track) 8. "No More" (prod. by Don Juan) 9. "Would You" Feat. Lul G (prod. -
Robbie Williams
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 53 Germany / United Kindom / U S A Robbie Williams No. of Titles Positions Robert Peter Williams (born 13 February 1974) Peak Tot. T10 #1 Tot. T10 #1 is an English singer-songwriter and entertainer. 1 40 13 3 459 68 8 He found fame as a member of the pop group 1 40 31 7 523 89 11 Take That from 1989 to 1995, but achieved 53 2 -- -- 23 -- -- greater commercial success with his solo career, beginning in 1997. 1 43 32 10 1.005 157 19 ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Freedom 08/1996 10 11 1208/1996 2 16 2 Old Before I Die 04/1997 37 8 04/1997 2 14 2 3 Lazy Days 08/1997 90 1 07/1997 8 8 1 4 South Of The Border 09/1997 14 5 5 Angels 12/1997 9 22 51212/1997 4 42 11/1999 53 19 6 Let Me Entertain You 03/1998 3 15 4 7 Millennium 09/1998 41 9 09/1998 1 1 28 4 06/1999 72 4 8 No Regrets / Antmusic 12/1998 60 10 12/1998 4 19 1 9 Strong 03/1999 45 11 03/1999 4 12 1 10 She's The One / It's Only Us 11/1999 27 15 11/1999 1 1 21 3 11 Rock DJ 08/2000 9 12 2508/2000 1 1 24 12 Kids 10/2000 47 10 10/2000 2 22 3 ► Robbie Williams & Kylie Minogue 13 Supreme 12/2000 14 14 12/2000 4 15 2 14 Let Love Be Your Energy 04/2001 68 3 04/2001 10 16 1 15 Eternity / The Road To Mandalay 07/2001 7 19 4507/2001 1 2 22 16 Somethin' Stupid 12/2001 2 18 1012/2001 1 3 12 4 ► Robbie Williams & Nicole Kidman 17 Mr.Bojangles 03/2002 77 3 18 Feel 12/2002 3 18 8412/2002 4 17 19 Come Undone 04/2003 16 9 04/2003 4 14 1 20 Something Beautiful 07/2003 46 9 08/2003 3 8 2 21 Sexed Up 11/2003 53 10 11/2003 10 9 1 22 Radio 10/2004 2 9 2310/2004 1 1 8 23 Misunderstood 12/2004 20 12 12/2004 8 8 1 24 Tripping 10/2005 1 3 17 7610/2005 2 17 25 Advertising Space 12/2005 10 16 2112/2005 8 11 26 Sin Sin Sin 06/2006 18 16 06/2006 22 7 27 Rudebox 09/2006 1 1 13 5209/2006 4 11 28 Lovelight 11/2006 21 9 11/2006 8 9 1 29 She's Madonna 03/2007 4 18 7 03/2007 16 3 ► Robbie Williams With Pet Shop Boys 30 Close My Eyes 04/2009 33 6 ► Sander Van Doorn vs. -
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lifestyle WEDNESDAY, DECEMBER 3, 2014 MUSIC & MOVIES (From left) The Edge, Larry Mullen Jr., Bruce Springsteen, Carrie Underwood, Kayne West, Coldplay’s Chris Martin and Adam Clayton of U2 greet the audience during the World AIDS Day (RED) concert in Times BruceSquare in New York. Springsteen (Right) Kanye West performs on stage. — AFP photos fills in at surprise U2 AIDS show ruce Springsteen and Coldplay’s shows since a 2009-2011 tour, Leaving behind his usual guitar, referring to the start of the annual Chris Martin tried to replace announced the free show in Times Springsteen cast a surprisingly similar commemoration. BBono’s legendary vocal cords Square with several hours of notice to physical appearance to Bono as he “We are going to win this fight,” Monday in a surprise U2 concert in raise awareness and funding on World grabbed the microphone, with The Clinton said. Clinton pointed to US New York to rally support for fighting AIDS Day. But with frontman Bono Edge audibly driving the music. Also anti-AIDS efforts as an example of AIDS. U2, which has played only select injured in a bicycle incident last performing were country singer cooperation across political lines. His month, the Irish superstars offered the Carrie Underwood and hip hop star successor George W. Bush spearhead- microphone to two of the rare vocal- Kanye West, who energetically blend- ed the so-called PEPFAR program, ists who rival U2 in celebrity. ed hits such as “Stronger” and “Touch which now supports anti-retroviral “Dreams come true for all old and the Sky”-while noting that he had to medication for 7.7 million people, in young people alike,” a humbled condense his set for the sake of tele- large part in sub-Saharan Africa.