<001> Reporter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Secondary Ticketing
BRIEFING PAPER Number 4715, 11 September 2020 By Lorraine Conway Secondary ticketing Contents: 1. Introduction 2. Consumer protection 3. Reviews: secondary ticketing 4. Enforcement action 5. FIFA files a criminal complaint against Viagogo 6. Parliamentary question and debate 7. Appendix: chronology of past initiatives www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 Secondary ticketing Contents Summary 3 1. Introduction 4 2. Consumer protection 5 3. Reviews: secondary ticketing 8 3.1 Professor Waterson’s review 8 3.2 Government response to the Waterson report 9 3.3 CMA review 10 3.4 The Culture, Media and Sport (CMS) Committee 11 3.5 Investigation by Which? 13 4. Enforcement action 14 4.1 Action taken by ASA 14 4.2 Action taken by CMA 15 Independent review of Viagogo’s compliance 17 CMA action against StubHub 18 5. FIFA files a criminal complaint against Viagogo 19 6. Parliamentary question and debate 20 7. Appendix: chronology of past initiatives 21 Cover page image copyright Holidays: Day 15 by Lachlan Hardy. Licensed under CC BY 2.0 / image cropped. 3 Commons Library Briefing, 11 September 2020 Summary The online resale of tickets (the secondary ticketing market) applies to recreational, sporting or cultural events in the UK. Secondary ticketing, especially pricing, is a subject that attracts much public interest. Recently, there have been various investigations of this sector resulting in some enforcement activity. Following the introduction of the Consumer Rights Act 2015 (CRA 2015), the Government commissioned an independent report by Professor Michael Waterson to explore the effectiveness of consumer protection measures concerning online secondary ticketing facilities. -
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
Competition Issues in the UK TV Advertising Trading Mechanism
Redacted version for publication Competition issues in the UK TV advertising trading mechanism ITV plc response to Ofcom Consultation of 10 June 2011 REDACTED VERSION FOR PUBLICATION REDACTIONS ARE MARKED BY A [] SYMBOL 3 August 2011 508948521 CONTENTS EXECUTIVE SUMMARY 1 1. Introduction 1 2. Industry Background 1 3. No reasonable grounds for reference 2 4. Discretion not to refer 6 PART A - NO REASONABLE GROUNDS FOR SUSPECTING COMPETITIVE HARM 9 5. The market for TV advertising cannot be viewed in isolation 9 6. The TV advertising market is highly competitive 18 7. No evidence of harm to advertisers 21 8. No evidence of harm to consumers – as viewers 25 9. No evidence of harm to consumers – as purchasers of advertised goods 28 10. The current trading model 30 11. International comparison 40 PART B - OFCOM SHOULD IN ANY EVENT EXERCISE DISCRETION NOT TO REFER 46 12. Ofcom discretion 46 13. Scale of the problem 47 14. No reasonable chance that remedies will be available 48 15. Prolonged uncertainty 52 16. Disproportionate impact on advertising funded broadcasters 53 17. Timing is wholly inappropriate – market is changing anyway 56 18. Conclusions 61 Annex A – Cross reference table to responses to Ofcom questions 63 Annex B – The Growth of Digital Marketing 65 1. Introduction 65 2. Technological changes 66 3. Key features of consumer usage of online and mobile technology and information services 70 4. Key implications of these changes 76 Annex C – The Markets for Viewers and Content 84 1. The UK market for viewers is highly competitive 84 2. Viewers particularly value original UK TV content 85 3. -
Final Undertakings
COMPLETED ACQUISITION BY PUG LLC (viagogo) OF THE STUBHUB BUSINESS OF EBAY INC. Final Undertakings given by PUGNACIOUS ENDEAVORS, INC., PUG LLC, and StubHub, Inc., StubHub (UK) Limited, StubHub Europe S.à.r.l., StubHub India Private Limited, StubHub International Limited, StubHub Taiwan Co., Ltd., StubHub GmbH, and Todoentradas, S.L. (StubHub Group) to the Competition and Markets Authority pursuant to section 82 of the Enterprise Act 2002 Background A. On 13 February 2020, PUG LLC (PUG), a subsidiary of Pugnacious Endeavors, Inc. (viagogo) purchased the entire issued share capital of StubHub, Inc., StubHub (UK) Limited, StubHub Europe S.à.r.l., StubHub India Private Limited, StubHub International Limited, StubHub Taiwan Co., Ltd., StubHub GmbH, and Todoentradas, S.L. (together, StubHub Group) (the Merger). B. On 7 February 2020, the Competition and Markets Authority (the CMA) made an initial enforcement order (IEO) pursuant to section 72(2) of the Enterprise Act 2002 (the Act) for the purpose of preventing pre-emptive action in accordance with that section. On 30 March 2020, the CMA issued directions under the IEO for the appointment of a monitoring trustee in order to monitor and ensure compliance with the IEO. C. On 25 June 2020, the CMA, in accordance with section 22(1) of the Act, referred the Merger to a group of CMA panel members (the Reference) to determine, pursuant to section 35 of the Act: (i) whether a relevant merger situation has been created; and (ii) if so, whether the creation of that situation has resulted, or may be expected to result, in a substantial lessening of competition (SLC) in any market or markets in the United Kingdom (UK) for goods or services. -
Sale of Tickets Bill 2021
Regulatory Impact Analysis Sale of Tickets (Cultural, Entertainment, Recreational and Sporting Events) Bill 2021 Table of Contents 1 Summary of RIA 3 2 Policy context 7 3 Legal context and background to Bill 121 4 Public consultation and pre-legislative scrutiny 20 5 Policy objectives of Bill 22 6 Policy options: costs, benefits and impacts 27 7 Enforcement and compliance 33 8 Review mechanism 34 9 Publication 34 —— 2 1 Summary of RIA Summary of Regulatory Impact Analysis (RIA) Department/Office: Department of Title of Legislation: Sale of Tickets Enterprise, Trade and Employment (Cultural, Entertainment, Recreational and Sporting Events) Bill 2021 Stage: Text of Bill Date: April 2021 Related Publications: https://enterprise.gov.ie/en/Consultations/Consultation-Resale-of- Tickets-Entertainment-Sporting-Events.html Available to view or download at: www.oireachtas.ie/en/bills Policy Objectives The Bill seeks to promote fairer access to event tickets by prohibiting the sale, or advertising for sale, for a price exceeding the original sale price of tickets for events in designated venues or for designated events. It sets out the conditions and procedures that will apply to the designation of venues and events, the refusal of applications for designation and the revocation of designations. The Bill specifies the information that must be provided when tickets for events in designated venues or for designated events are sold, or advertised for sale, by primary ticket sellers or are sold, or offered for sale, by secondary ticket sellers. It further prohibits the unauthorised sale of tickets for matches and official events during EURO 2020 in line with a commitment given by Government to UEFA as part of the bid for staging a number of matches in the tournament in Dublin. -
Concert Tickets, Touting and Cultural Value. International Journal of Cultural Policy 2018
Behr A, Cloonan M. Going Spare: Concert tickets, touting and cultural value. International Journal of Cultural Policy 2018 Copyright: This is an Accepted Manuscript of an article published by Taylor & Francis in International Journal of Cultural Policy on 30th January 2018, available online: https://doi.org/10.1080/10286632.2018.1431224 Date deposited: 13/02/2018 Embargo release date: 30 July 2019 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence Newcastle University ePrints - eprint.ncl.ac.uk Going spare? Concert tickets, touting and cultural value Author Names: Adam Behr International Centre for Music Studies, Newcastle University, Newcastle-Upon-Tyne, United Kingdom Provide full correspondence details here including e-mail for the corresponding author International Centre for Music Studies (ICMuS) – School of Arts and Cultures Armstrong Building Newcastle University Newcastle upon Tyne NE1 7RU Tel: +44 (0) 191 208 3478 [email protected] Adam Behr is a Lecturer in Contemporary and Popular Music at the International Centre for Music Studies, Newcastle University. He is a director of the knowledge exchange body Live Music Exchange. His interests include the intersection of music and politics and his research has included work on the cultural value of live music, digitisation, copyright and musical practice and the relationships between venues, musicians and policy-makers. Martin Cloonan Turku Institute for Advanced Studies, University of Turku, Finland [email protected] Martin Cloonan is Director of the Turku Institute for Advanced Studies, University of Turku. His research interests focus on the political economy of the music industries and he is the co- author (with John Williamson) of Players’ Work Time: A History of the British Musicians’ Union (Manchester University Press, 2016). -
Celebrity Privacy and the Development of the Judicial Concept of Proportionality
Celebrity privacy and the development of the judicial concept of proportionality: How English law has balanced the rights to protection and interference Robin Callender Smith Queen Mary University of London Centre for Commercial Law Studies Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy Date submitted: 11 August 2014 Examined by viva 6 November 2014 External examiner: Professor Ian Lloyd (Southampton University) Internal examiner: Dr. Andrew Scott (London School of Economics) Passed without corrections Statement of Originality I, Robin Callender Smith, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Robin Callender Smith 11 August 2014 2 Details of collaboration and publications R Callender Smith, Press Law (Sweet & Maxwell 1978). -
The Frustrations of Ticket Scalping and the Realities of Its Solutions, 84 Brook
Brooklyn Law Review Volume 84 | Issue 1 Article 23 Fall 10-1-2018 A Fixed Game: The rF ustrations of Ticket Scalping and the Realities of Its Solutions Dylan C. Porcello Follow this and additional works at: https://brooklynworks.brooklaw.edu/blr Part of the Consumer Protection Law Commons, Entertainment, Arts, and Sports Law Commons, Internet Law Commons, and the Marketing Law Commons Recommended Citation Dylan C. Porcello, A Fixed Game: The Frustrations of Ticket Scalping and the Realities of Its Solutions, 84 Brook. L. Rev. (2018). Available at: https://brooklynworks.brooklaw.edu/blr/vol84/iss1/23 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Law Review by an authorized editor of BrooklynWorks. A Fixed Game THE FRUSTRATIONS OF TICKET SCALPING AND THE REALITIES OF ITS SOLUTIONS “Ticketing, to put it bluntly, is a fixed game.”1 INTRODUCTION In the wake of Hurricane Sandy, renowned musicians including Billy Joel and Bruce Springsteen performed for free in order to raise funds for relief efforts.2 Unfortunately, for many fans of these world-famous performers the closest they got to the stage was from the seat of their couch, as ticket scalpers quickly hijacked the ticket market through predatory purchasing and inflated prices.3 Although the show appeared to be sold out within minutes, days before the show hundreds of seats were available through the secondary ticket market at prices “rang[ing] from $790 to $6,500, many times their face value.”4 This was not the only time in recent history that New Yorkers 1 N.Y. -
Secondary Ticketing Report
Secondary ticketing Recommendations to government for improving consumer protection August 2021 © Crown copyright 2021 You may reuse this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit www.nationalarchives.gov.uk/doc/open-government- licence/ or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected]. Contents Page Summary .................................................................................................................... 4 1. Overview of the secondary ticket sector ............................................................. 12 2. Compliance concerns in the secondary tickets sector and action taken to address them ................................................................................................................... 24 3. Addressing ongoing problems in the secondary tickets sector ........................... 33 4. Who should address ongoing issues in the secondary tickets sector? ............... 50 3 Summary 1. The CMA and Trading Standards have dedicated significant enforcement resource to tackling non-compliance in the UK uncapped secondary tickets market (where tickets are resold at any price that the seller chooses) for almost a decade, and there have been marked improvements in compliance as a result. The CMA’s enforcement has resulted in viagogo and StubHub, the two major platforms in the uncapped market, gathering key information about tickets from ticket resellers and displaying it to consumers. National Trading Standards (NTS) has secured convictions for fraudulent trading in a criminal case against two professional resellers. 2. Despite this significant enforcement action by the CMA and Trading Standards and the Coronavirus (COVID-19) pandemic resulting in nearly all live events being cancelled or postponed for a period of over a year, the sector still generates considerable concern from the public, Parliamentarians and campaigners. -
The Secondary Market: a Model of Misdirection
Backstage Pass Volume 1 Issue 1 Article 16 2018 The Secondary Market: A Model of Misdirection Joe DeMars University of the Pacific, [email protected] Joe DeMars (2018) is pursuing a degree in Music Industry Studies. This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Music Commons Recommended Citation DeMars, Joe (2018) "The Secondary Market: A Model of Misdirection," Backstage Pass: Vol. 1 : Iss. 1 , Article 16. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol1/iss1/16 This Opinion & Analysis is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. DeMars: The Secondary Market: A Model of Misdirection The Secondary Market: A Model of Misdirection By Joe DeMars In Spring of 2016, eclectic NYC disco-punk icon LCD Soundsystem announced to its fan base that despite the hullabaloo surrounding their “goodbye” performance at Madison Square Garden in 2012, the band would be reuniting for a new album and tour. Fans rejoiced and prepared for the coveted first concerts to appear; demand would no doubt be sky high. -
ANNUAL REPORT PURSUANT to SECTION 13 OR 15(D) of the SECURITIES EXCHANGE ACT of 1934 for the Fiscal Year Ended December 31, 2019
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2019. OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Transition Period from to . Commission file number 001-37713 eBay Inc. (Exact name of registrant as specified in its charter) Delaware 77-0430924 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 2025 Hamilton Avenue San Jose , California 95125 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (408) 376-7008 Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading symbol Name of exchange on which registered Common stock EBAY The Nasdaq Global Select Market 6.00% Notes due 2056 EBAYL The Nasdaq Global Select Market Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☒ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.