Molina 2-25.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Molina 2-25.Indd Dr. Moore’s sponsors include Pearl Drums/Adams Musical Instruments, REMO Drumheads, The Percussion Music of Marc Mellits SABIAN Cymbals, Black Swamp Percussion, and Vic Firth sticks and mallets. Featuring the Ninkasi Percussion Group Gregory Lyons is Associate Professor of Music and the James Alvey Smith Endowed Professor at Louisiana Tech University where he teaches applied percussion, directs the percussion ensemble, Smith Recital Hall coaches the drum line, and coordinates the area of instrumental music education. Formerly, he was an assistant band director in the Missouri public schools where he taught percussion and Tuesday, February 25, 2020 conducted beginning and intermediate bands. He earned the Doctor of Musical Arts degree 4:30 p.m. in percussion performance from The Ohio State University, the Master of Music degree in percussion performance from Central Michigan University, and the Bachelor of Music Education degree from the Wheaton College Conservatory. MARC MELLITS This Side of Twilight (2010) As a solo and ensemble performer, Dr. Lyons has made appearances in Missouri, Arkansas, (b. 1966) Illinois, Ohio, Texas, Louisiana, Oklahoma, Michigan, and California. He has performed at the Red (2008) Percussive Arts Society International Convention’s Technology Day (2014) and the National I. Moderately funky Conference on Percussion Pedagogy (2013, 2016, 2017). He was a semi-fi nalist in the Southern II. Fast, aggressive, vicious California International Marimba Competition (2009). He has performed with the West Shore III. Moderate, with motion Symphony Orchestra (Muskegon, MI), the Lansing Symphony Orchestra (Lansing, MI), the IV. Slow, with motion Monroe Symphony Orchestra (Monroe, LA), the Shreveport Symphony Orchestra (Shreveport, V. Moderate, with motion LA), and the Texarakana Symphony Orchestra (Texarakana, TX). He performs regularly VI. Fast, obsessive, bombastic, red as principal percussionist with the Rapides Symphony Orchestra (Alexandria, Louisiana) where he was recently the featured soloist on composer Michael Daughtery’s newest percussion Ninkasi (2015/2018) concerto, Dreamachine. Stick (2010) Since 2016, Lyons has been the co-coordinator and co-founder of New Music on the Bayou, a summer festival that brings contemporary composers and musicians to the communities of Black (2008/2016) north Louisiana. He is also the coordinator of the North Louisiana Youth Percussion Ensemble Festival, an annual event at Louisiana Tech that has hosted an assortment of prominent guest Gravity (2013) artists and clinicians since 2012. Dr. Lyons served as treasurer (2016-2019) and president (2013-2016) of the Louisiana Chapter of the Percussive Arts Society. He is a proud endorser of Grover Pro Percussion, Vic Firth Sticks and Mallets, SABIAN Cymbals, and Majestic Percussion. Sponsored By Yamaha Music USA Pearl/Adams Musical Instruments Majestic Percussion REMO Drumheads Vic Firth Sticks and Mallets Salyers Percussion Grover Pro Percussion Black Swamp Percussion SABIAN Cymbals Composer Marc Mellits is one of the leading American composers of his generation, enjoying As an active soloist and chamber ensemble musician Dr. Molina seeks new literature from hundreds of performances throughout the world every year, making him one of the most composers and commissions new works. He has joined several consortiums including composers performed living composers in the United States. From Carnegie Hall and the Kennedy Center, Alejandro Viñao, Baljinder Sekhon, Steven Snowden, Ivan Treviño, and Marc Mellits. Dr. Molina to prestigious music festivals in Europe and the US, Mellits’ music is a constant mainstay on has teamed up with Dr. Joe W. Moore III to form the Omojo Percussion Duo. The duo was programs throughout the world. His unique musical style is an eclectic combination of driving formed in 2013 and they have presented clinics and performed recitals throughout the United rhythms, soaring lyricism, and colorful orchestrations that all combine to communicate directly States. with the listener. Mellits’ music is often described as being visceral, making a deep connection Dr. Molina endorses Yamaha Percussion, Vic Firth Sticks and Mallets, Remo Drum Heads, with the audience. “This was music as sensual as it was intelligent; I saw audience members SABIAN Cymbals, and Black Swamp Percussion. His professional affi liations include the swaying, nodding, making litt le motions with their hands” (New York Press). He started Percussive Arts Society, College Music Society, National Association for Music Education, composing very early, and was writing piano music long before he started formal piano lessons National Society for Steel Band Educators, and Pi Kappa Lambda Music Honor Society. at age 6. He went on to study at the Eastman School of Music, Yale School of Music, Cornell University, and Tanglewood. Mellits often is a miniaturist, composing works that are comprised Dr. Gustavo Miranda has taught masterclasses in renowned universities in Brazil, Panama of short, contrasting movements or sections. His music is eclectic, all encompassing, colorful, and and the United States. He served as Adjunct Professor to both Southern University of Baton always has a sense of forward motion. Rouge and McNeese State University. He is currently the percussion professor of Nicholls State University. He was the director of the Louisiana Youth Orchestra percussion ensemble as well as Mellits’ music has been played by major ensembles across the globe and he has been an instructor of the Performing Arts Academy at LSU. commissioned by groups such as the Kronos Quartet, Orpheus Chamber Orchestra, Royal Concertgebouw Orchestra (Holland), Duo Assad, Bang On A Can All-Stars, Eliot Fisk, Canadian As a soloist, Dr. Miranda has performed with the Louisiana State University Symphony as well Brass, Nexus Percussion, Debussy Quartet, Third Coast Percussion, Real Quiet, New Music as with professional orchestras in Brazil, including the Orquestra Sinfonica da Paraiba and Detroit, Four-In-Correspondence (National Symphony Orchestra), Musique En Roue Libre Orquestra Sinfonica do Recife. As an orchestral percussionist, Dr. Miranda has played in several (France), Fiarì Ensemble (Italy), Percussions Claviers de Lyon (France), Talujon, the Society orchestras in Brazil and the United States including the Orquestra Sinfonica Virtuosi, Louisiana for New Music, Syracuse Symphony Orchestra, and the Albany Symphony’s Dog’s Of Desire. Philharmonic Orchestra, Acadiana Symphony and Baton Rouge Symphony. As a chamber Additionally, Mellits’ music has been performed, toured, and/or recorded by members of the musician, he is a member of the Black Sheep Percussion along with percussionist Dr. Joe W. Detroit Symphony, Atlanta Symphony, Boston Symphony, Chicago Symphony, Minneapolis Moore III, Sam Trevathan and Tim Shuster. Dr. Miranda is also a member of the PercSounDuo Symphony, Brooklyn Philharmonic, eighth blackbird, Chamber Music Society of Lincoln Center, with the versatile percussionist Ismark Nascimento (Brazil). In addition, he has founded the New Millennium Ensemble, Da Capo Chamber Players, and the American Modern Ensemble, Dynamic Duo, a duo of percussion and violin with his wife Deborah Ribeiro. among many others. Dr. Miranda has published an article with the Percussive Arts Society journal, Percussive Notes. On fi lm, Mellits has composed numerous scores, including the PBS mini-series “Beyond The He is committ ed to teaching and promoting a variety of musical styles to the next generation of Light Switch” which won a 2012 Dupont-Columbia award, the most prestigious award in young percussionist. He has commissioned several new works for percussion solo with world- documentaries. Mellits also directs and plays keyboards in his own unique ensemble, the Mellits renowned composers including David Stock and Liduino Pitombeira. Consort. He was awarded the prestigious 2004 Foundation for Contemporary Arts Award. On CD, there are over 50 recorded works of Mellits’ music that can be found on Black Box, Joe W. Moore III currently serves as Assistant Professor of Percussion at Benedict College in Endeavour Classics, Cantaloupe, CRI/Emergency Music, Santa Fe New Music, Innova, & Dacia Columbia, SC. Prior to this he was Assistant Professor at the University of Texas Rio Grande Music. Marc Mellits is an Associate Professor of music at the University of Illinois at Chicago. He Valley. Moore received the Bachelor of Music degree from the University of Central Florida, the lives in Chicago with his wife and two daughters and spends signifi cant time in Romania. Master of Music degree from the University of South Carolina, and the Doctor of Musical Arts degree with a minor in composition from Louisiana State University. His primary percussion Performer Bios teachers include Jeff Moore, Kirk Gay, Scott Herring, Jim Hall, Brett Dietz and Troy Davis. His composition teachers include Jay Batz ner, Brett Dietz , and Dinos Constantinides. Dr. Oliver Molina is an Assistant Professor of Music and Assistant Director of Bands at Northwestern State University of Louisiana. At NSU, he teaches the marching band percussion Active as a soloist and chamber musician, Moore performs as a member of the Omojo Percussion section, applied percussion lessons, an introduction to music education, conducts a concert band, Duo, 2x2 Percussion, the Black sheep Percussion Quartet, and Dead Resonance. His recent and co-directs the percussion ensemble. performances have included the Sugarmill Music Festival, the UTRGV Marimba
Recommended publications
  • The PAS Educators' Companion
    The PAS Educators’ Companion A Helpful Resource of the PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE Volume VIII Fall 2020 PERCUSSIVE ARTS SOCIETY 1 EDUCATORS’ COMPANION THE PAS EDUCATORS’ COMPANION PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE ARTICLE AUTHORS DAVE GERHART YAMAHA CORPORATION OF AMERICA ERIK FORST MESSIAH UNIVERSITY JOSHUA KNIGHT MISSOURI WESTERN STATE UNIVERSITY MATHEW BLACK CARMEL HIGH SCHOOL MATT MOORE V.R. EATON HIGH SCHOOL MICHAEL HUESTIS PROSPER HIGH SCHOOL SCOTT BROWN DICKERSON MIDDLE SCHOOL AND WALTON HIGH SCHOOL STEVE GRAVES LEXINGTON JUNIOR HIGH SCHOOL JESSICA WILLIAMS ALABAMA STATE UNIVERSITY EMILY TANNERT PATTERSON CAMBRIDGE UNIVERSITY PRESS How to reach the Percussive Arts Society: VOICE 317.974.4488 FAX 317.974.4499 E-MAIL [email protected] WEB www.pas.org HOURS Monday–Friday, 9 A.M.–5 P.M. EST PERCUSSIVE ARTS SOCIETY 1 TABLE OF CONTENTS BUILDING A STRONG FOUNDATION OF THE SNARE DRUM FULCRUM 3 by Dr. Dave Gerhart CONSISTENCY MATTERS: Developing a Shared Vernacular for Beginning 6 Percussion and Wind Students in a Heterogeneous Classroom by Dr. Erik M. Forst PERFECT PART ASSIGNMENTS - ACHIEVING THE IMPOSSIBLE 10 by Dr. Joshua J. Knight TOOLS TO KEEP STUDENTS INTRIGUED AND MOTIVATED WHILE PRACTICING 15 FUNDAMENTAL CONCEPTS by Matthew Black BEGINNER MALLET READING: DEVELOPING A CURRICULUM THAT COVERS 17 THE BASES by Matt Moore ACCESSORIES 26 by Michael Huestis ISOLATING SKILL SETS, TECHNIQUES, AND CONCEPTS WITH 30 BEGINNING PERCUSSION by Scott Brown INCORPORATING PERCUSSION FUNDAMENTALS IN FULL BAND REHEARSAL 33 by Steve Graves YOUR YOUNG PERCUSSIONISTS CRAVE ATTENTION: Advice and Tips on 39 Instructing Young Percussionists by Jessica Williams TEN TIPS FOR FABULOUS SNARE DRUM FUNDAMENTALS 46 by Emily Tannert Patterson ADDITIONAL RESOURCES 49 2 PERCUSSIVE ARTS SOCIETY EDUCATORS’ COMPANION BUILDING A STRONG FOUNDATION OF THE SNARE DRUM FULCRUM by Dr.
    [Show full text]
  • PASIC 2010 Program
    201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
    [Show full text]
  • 5-Stepcoordination Challenge Pat Travers’ Sandy Gennaro Lessons Learned Mike Johnston Redefining “Drum Hero”
    A WILD ZEBRA BLACK FADE DRUMKIT FROM $ WIN DIXON VALUED OVER 9,250 • HAIM • WARPAINT • MIKE BORDIN THE WORLD’S #1 DRUM MAGAZINE APRIL 2014 DARKEST HOUR’S TRAVIS ORBIN BONUS! MIKE’S LOVES A GOOD CHALLENGE 5-STEPCOORDINATION CHALLENGE PAT TRAVERS’ SANDY GENNARO LESSONS LEARNED MIKE JOHNSTON REDEFINING “DRUM HERO” MODERNDRUMMER.com + SABIAN CYMBAL VOTE WINNERS REVIEWED + VISTA CHINO’S BRANT BJORK TELLS IT LIKE IT IS + OLSSON AND MAHON GEAR UP FOR ELTON JOHN + BLUE NOTE MASTER MICKEY ROKER STYLE AND ANALYSIS NICKAUGUSTO TRIVIUM LEGENDARYIT ONLYSTARTS BEGINS TO HERE.DESCRIBE THEM. “The excitement of getting my first kit was like no other, a Wine Red 5 piece Pearl Export. I couldn’t stop playing it. Export was the beginning of what made me the drummer I am today. I may play Reference Series now but for me, it all started with Export.” - Nick Augusto Join the Export family at pearldrum.com. ® CONTENTS Cover and contents photos by Elle Jaye Volume 38 • Number 4 EDUCATION 60 ROCK ’N’ JAZZ CLINIC Practical Independence Challenge A 5-Step Workout for Building Coordination Over a Pulse by Mike Johnston 66 AROUND THE WORLD Implied Brazilian Rhythms on Drumset Part 3: Cô co by Uka Gameiro 68 STRICTLY TECHNIQUE Rhythm and Timing Part 2: Two-Note 16th Groupings by Bill Bachman 72 JAZZ DRUMMER’S WORKSHOP Mickey Roker Style and Analysis by Steve Fidyk EQUIPMENT On the Cover 20 PRODUCT CLOSE˜UP • DW Collector’s Series Cherry Drumset • Sabian 2014 Cymbal Vote Winners • Rich Sticks Stock Series Drumsticks • TnR Products Booty Shakers and 50 MIKE JOHNSTON Little Booty Shakers by Miguel Monroy • Magnus Opus FiBro-Tone Snare Drums Back in the day—you know, like ve years ago—you 26 ELECTRONIC REVIEW had to be doing world tours or making platinum records Lewitt Audio DTP Beat Kit Pro 7 Drum to in uence as many drummers as this month’s cover Microphone Pack and LCT 240 Condensers star does with his groundbreaking educational website.
    [Show full text]
  • Guest Ensemble Recital: the Mellits Consort
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 9-17-2016 Guest Ensemble Recital: The elM lits Consort The elM lits Consort Kevin Gallagher Danny Tunick Christina Buciu Elizabeth Simkin See next page for additional authors Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation The eM llits Consort; Gallagher, Kevin; Tunick, Danny; Buciu, Christina; Simkin, Elizabeth; and Mellits, Marc, "Guest Ensemble Recital: The eM llits Consort" (2016). All Concert & Recital Programs. 2104. http://digitalcommons.ithaca.edu/music_programs/2104 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Authors The eM llits Consort, Kevin Gallagher, Danny Tunick, Christina Buciu, Elizabeth Simkin, and Marc Mellits This program is available at Digital Commons @ IC: http://digitalcommons.ithaca.edu/music_programs/2104 The Mellits Consort Kevin Gallagher, electric guitar Danny Tunick, amplified marimba Cristina Buciu, amplified violin Elizabeth Simkin, amplified cello Marc Mellits, keyboard Hockett Family Recital Hall Saturday, September 17th, 2016 8:15 pm Program Opening Marc Mellits (b. 1966) Broken Glass Mellits paranoid cheese Mellits The Misadventures of Soup Mellits Lefty's Elegy Mellits Machine IV Mellits Intermission Srećan Rođendan, Marija! Mellits Troica Mellits Mara's Lullaby Mellits Dreadlocked Mellits Machine III Mellits Machine V Mellits The Mellits Consort The Mellits Consort is an ensemble devoted to the music of Marc Mellits. It is an amplified group consisting of amplified Violin, amplified Cello, Electric Guitar, amplified Marimba, and Keyboard.
    [Show full text]
  • THIRD COAST PERCUSSION with Notre Dame Vocale, Carmen-Helena Téllez, Director PRESENTING SERIES TEDDY EBERSOL PERFORMANCE SERIES SUN, JAN 26 at 2 P.M
    THIRD COAST PERCUSSION with Notre Dame Vocale, Carmen-Helena Téllez, director PRESENTING SERIES TEDDY EBERSOL PERFORMANCE SERIES SUN, JAN 26 AT 2 P.M. LEIGHTON CONCERT HALL DeBartolo Performing Arts Center University of Notre Dame Notre Dame, Indiana AUSTERITY MEASURES Concert Program Mark Applebaum (b. 1967) Wristwatch: Geology (2005) (5’) Marc Mellits (b. 1966) Gravity (2012) (11’) Thierry De Mey (b. 1956) Musique de Tables (1987) (8’) Steve Reich (b. 1936) Proverb (1995) (14’) INTERMISSION Timo Andres (b. 1985) Austerity Measures (2014) (25’) Austerity Measures was commissioned by the University of Notre Dame’s DeBartolo Performing Arts Center and Sidney K. Robinson. This commission made possible by the Teddy Ebersol Endowment for Excellence in the Performing Arts. This engagement is supported by the Arts Midwest Touring Fund, a program of Arts Midwest, which is generously supported by the National Endowment for the Arts with additional contributions from the Indiana Arts Commission. PERFORMINGARTS.ND.EDU Find us on PROGRAM NOTES: Mark Applebaum is a composer, performer, improviser, electro-acoustic instrument builder, jazz pianist, and Associate Professor of Composition and Theory at Stanford University. In his TED Talk, “Mark Applebaum, the Mad Scientist of Music,” he describes how his boredom with every familiar aspect of music has driven him to evolve as an artist, re-imagining the act of performing one element at a time, and disregarding the question, “is it music?” in favor of “is it interesting?” Wristwatch: Geology is scored for any number of people striking rocks together. The “musical score” that tells the performs what to play is a watch face with triangles, squares, circles and squiggles.
    [Show full text]
  • Missouri Music Educators 78Th Annual In-Service Workshop/Conference
    MISSOURI MUSIC EDUCATORS 78TH ANNUAL IN-SERVICE WORKSHOP/CONFERENCE - - 1 probably a tan tar a ad here? or nafme something or other 2 TABLE OF CONTENTS From the President .................................................................................4 Conference Schedule Wednesday ............................................................................................5 Thursday .................................................................................................7 All State Rehearsal Schedule ............................................................... 17 Friday .................................................................................................. 22 Saturday .............................................................................................. 37 All-State Concert Programs .................................................................. 40 Leadership MMEA Board of Directors/Administrative Personnel ............................44 MMEA Advisory Council .......................................................................45 District Leadership ...............................................................................46 Affliate Organizations .........................................................................49 Supporting Organizations ...................................................................50 Schedule of Organization Business Meetings .....................................51 MMEA Past Presidents .........................................................................52 Awards
    [Show full text]
  • Concert: Ithaca College Contemporary Ensemble Ithaca College Contemporary Ensemble
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-15-2013 Concert: Ithaca College Contemporary Ensemble Ithaca College Contemporary Ensemble Jorge Grossmann Jeffery Meyer Ivy Walz Wendy Mehne See next page for additional authors Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Contemporary Ensemble; Grossmann, Jorge; Meyer, Jeffery; Walz, Ivy; Mehne, Wendy; Faria, Richard; Birr, Diane; and Hayghe, Jennifer, "Concert: Ithaca College Contemporary Ensemble" (2013). All Concert & Recital Programs. 2504. https://digitalcommons.ithaca.edu/music_programs/2504 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Authors Ithaca College Contemporary Ensemble, Jorge Grossmann, Jeffery Meyer, Ivy Walz, Wendy Mehne, Richard Faria, Diane Birr, and Jennifer Hayghe This program is available at Digital Commons @ IC: https://digitalcommons.ithaca.edu/music_programs/2504 Ithaca College Contemporary Ensemble Jorge Grossmann and Jeffery Meyer, co-directors Featuring: Ivy Walz, mezzo-soprano Wendy Mehne, flute Richard Faria, clarinet Diane Birr, piano Jennifer Hayghe, piano Jeffery Meyer, conductor and piano Hockett Family Recital Hall Monday April 15th, 2013 8:15 pm Program Spam (1995) Marc Mellits (b. 1966) Maya Holmes, flute James Conte, clarinet Laura Sciavolino, violin Jacqueline Georgis, cello Jeffery Meyer, piano* Richard Faria, conductor* From Piano Etudes David Rakowski No. 40 Strident - Stride piano étude (2002) (b. 1958) No. 15 The Third, Man - Étude on thirds (1997) No. 68 Absofunkinlutely - Funk étude (2005) Diane Birr, piano* Mento (1995) David Rakowski I.
    [Show full text]
  • Band Instrument Full-Line Product Guide
    JUPITER | XO | AZUMI | MAPEX | MAJESTIC BAND INSTRUMENT FULL-LINEBAND INSTRUMENT 12020 Volunteer Blvd., Mt. Juliet, TN 37122 CUSTOMER SERVICE: Hours: Monday-Friday / 8:00 a.m. to 6:00 p.m. CST Tel: 1-800-283-4676 Fax: 1-615-773-9975 PRODUCT GUIDE E-Mail: [email protected] BAND INSTRUMENT FULL-LINE Consumer Web Sites: altusflutes.com, azumiflutes.com, herculesstands.com, jupitermusic.com, majesticpercussion.com, quantummarching.com, usa.mapexdrums.com, xobrass.com School Music Full-Line | 3.5M JAN18 Look for Us on Facebook: Altus Handmade Flutes, Hercules Stands, Jupiter Band Instruments, Majestic & Mapex Concert Percussion, Mapex & Majestic Marching Percussion, Mapex USA, XO Brass Follow Us on Twitter: @AltusFlutes, @AzumiFlutes, @JupiterWinds, @MajesticPerc, @MapexDrumsUSA, PRODUCT GUIDE @MapexMarching, @XOBrass Follow us on Instagram: @AltusFlutes, @JupiterBandInstruments, @MajesticPercussion, @MapexMarching, @MapexDrums © 2018 KHS America, Inc. All rights reserved. Hercules™, Thru-Flo™, Tourlite™, SONIClear™, Waveline™ are trademarks of KHS America, Inc. Monoposto/Biposto®, AIRlift™, Articulating Back Support ABS™, Stadium Hardware™, and Contour Hinge™ are trademarks of Randall May International. Remo®, Fiberskyn3™, Ambassador™, Renaissance™, Remo Coated Diplomat™, Skytone™, UM™, UT Clear™ and UX Clear™ are trademarks of Remo, Inc. Printed in USA If music teaches us one all-important lesson, it’s that we are more successful when we work together. It takes a community which includes performers, educators, parents, music retailers, and instrument makers to collectively bring music to life. The KHS America Academic Alliance is designed to support this community by fostering the relationships that are key to our common purpose. One facet of this is recognizing educators for their passion and commitment to improving the lives of students through music education.
    [Show full text]
  • Myra Melford and John Zorn
    PROGRAM NOTES MUSICNOW: MYRA MELFORD AND JOHN ZORN Marc Mellits OCTET (2010) Duration: 14 minutes Instrumentation: String Octet Commissioned by the Syracuse Symphony Orchestra Premiered by the Syracuse Symphony Orchestra String Quartet & the Syracuse Symphony Youth Orchestra String Quartet on March 14 2010 at the John H. Mulroy Civic Center in Syracuse, New York Copyright/Publisher: Dacia Music The composer writes: “I composed my Octet during the winter of 2009-10. The majority of the music was written at the Banff Music Center, where I was invited to be an artist-in-residence in January 2010. The incredibly beautiful mountainous surroundings of the Banff Centre had a profound impact on me. My composing studio overlooked the Canadian Rockies, pristine and covered with snow and ice. The weather was brutal, with a level of cold I had never felt. This, juxtaposed with the astounding frozen beauty all around me, provided the inspiration for the music. My studio had a glorious enormous picture window that overlooked the Rockies. The music came quick and it came easy; before I knew it I had material for all four movements. The outer movements are aggressive and have the biting cold I felt, while the second and third movements reflect more of the warmth I felt inside, sharing my thoughts with a wide range of artists who were also in residence.” About the composer: Composer Marc Mellits is one of the leading American composers of his generation, enjoying hundreds of performances throughout the world every year, making him one of the most performed composers in the United States.
    [Show full text]
  • An Analysis and Performance Guide of Steve Reich's Mallet
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 AN ANALYSIS AND PERFORMANCE GUIDE OF STEVE REICH’S MALLET QUARTET Francisco S. Perez University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.050 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Perez, Francisco S., "AN ANALYSIS AND PERFORMANCE GUIDE OF STEVE REICH’S MALLET QUARTET" (2018). Theses and Dissertations--Music. 109. https://uknowledge.uky.edu/music_etds/109 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Chamber Music Concert
    Brooklyn College of CUNY School of Visual, Media and Performing Arts Michelle J. Anderson, President Maria Conelli, Dean Conservatory of Music Marianne Gythfeldt, Director CHAMBER MUSIC CONCERT: Music of Wadada Leo Smith and Marc Mellits Douglas Cohen, Andrés León, and Frank Cassara, Coordinators Wednesday, May 26, 2021 at 7 p.m. Program Notes CHAMBER MUSIC CONCERT: Tight Sweater Remix: Exposed Zipper, Trans Fatty Acid’s Rein—Mellits Marc Mellits is an American composer and musician. Born in Baltimore, Maryland, he studied at the Eastman School of Music, the Yale School of Music of Wadada Leo Smith Music, Cornell University, and Tanglewood. His composition instructors include Joseph Schwantner, Samuel Adler, Martin Bresnick, Bernard and Marc Mellits Rands, Christopher Rouse, Roberto Sierra, Jacob Druckman, Paul Ruders, and Steven Stucky. Mellits’s music is influenced by minimalist Douglas Cohen, Andrés León, and Frank Cassara, Coordinators and rock music, and has been identified with the postminimalist stylistic trend. He often composes for electric guitar and other amplified instruments. His commissions include pieces for the Orpheus Chamber Wednesday, May 26, 2021 at 7 p.m. Orchestra, Bang on a Can All-Stars, Assad Duo, Kronos Quartet, and the Meridian Arts Ensemble. His music has also been arranged by guitarist Dominic Frasca and the experimental music group Electric Kompany. from Tight Sweater Remix MARC MELLITS Mellits is a founding member of Common Sense Composers’ Collective, I. Exposed Zipper (b.1966) which focuses on new and alternative ways of collaborating with II. Trans Fatty Acid’s Rein performance ensembles. He is also the artistic director and keyboard player in his ensemble, the Mellits Consort.
    [Show full text]
  • 2010 Music for All National Festival Program Book
    presented by March 4-6, 2010 Indianapolis, Indiana Programs of Music for All Greetings from the President & CEO March 4, 2010 Greetings, Welcome to Indianapolis and the 2010 Music for All National Festival, presented by Yamaha. It is my pleasure to welcome you to this premier event, recognized as the epitome of music festivals, and to congratulate you for being recognized as one of the finest school music programs in America. 2010 marks the 35th anniversary of Music for All’s Bands of America and my 26th L. Scott McCormick year as the executive director of the organization. For the past 34 years, we have been able to provide positively life-changing experiences to over 1.25 million young people and educators. Today, more than ever, I am encouraged by what lies on the horizon and at the same time looking at current challenges that we have not previously experienced. Today, we have greater evidence than we have ever had about the impact that music and the arts have on preparing our young people for the new creative society. And yet we face more and more schools looking at budget cuts that, unfortunately, too often look at the wrong places to cut. It is time to grow the largest community of advocates in our history. With the army of alumni that this organization has, we all need to reach out to engage each of our respective school’s alumni and come together with a single message. If you read this, like so many parents and teachers have in the past, and say, these budget cuts and issues will not affect our program, I know of several nationally recognized music programs’ parents and teachers who were of the same opinion a year ago.
    [Show full text]