A Current Listing of Contents
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
WHY WE ARE FEMINISTS by Lierre Keith GET INVOLVED
DEEP GREEN RESISTANCE (DGR) IS A MOVEMENT BASED PARTLY ON THE BOOK, BY DERRICK JENSEN, LIERRE KEITH, AND ARIC MCBAY CALLED DEEP GREEN RESISTANCE: STRATEGY TO SAVE THE PLANET. DGR HAS A PLAN OF ACTION FOR ANYONE DETERMINED TO WHY WE ARE FIGHT FOR THIS PLanet—and WIN. SUBSCRIBE TO THE WEBSITE, GIVE FEEDBACK, AND LET OTHERS KNOW. TAKE ACTION. START OR JOIN A DGR FEMINISTS ACTION GROUP. VOLUNTEER. BY GET INVOLVED Website: deepgreenresistancenewyork.wordpress.com LIERRE KEITH Facebook.com/dgrnewyork Phone: (917) 830-3595 E-mail: [email protected] deepgreenresistance.org WHY WE ARE FEMINISTS: • Langford, Rae and June D. Thompson. Mosby’s Handbook of Dis- eases, 3rd Edition. St. Louis, MO: Elsevier Health Sciences, 2005. THE FEMINIST FRAMEWORK OF DGR • Lenskyj, Helen. “An Analysis of Violence Against Women: A Manu- BY LIERRE KEITH al for Educators and Administrators.” Toronto: Ontario Institute for Studies in Education, 1992. • Jeffreys, Sheila. “Sado-Masochism: The Erotic Cult of Fascism.” Q: Is DGR a feminist organization? Lesbian Ethics 2, No. 1, Spring 1986. A: Unconditionally yes. • Smedley, Audrey. Race in North America: Origin and Evolution of a Worldview. Boulder, CO: Westview Press, 2007. In the words of Andrea Dworkin, “Feminism is the political • “UN calls for strong action to eliminate violence against wom- en.” UN News Centre. http://www.un.org/apps/news/story. practice of fighting male supremacy in behalf of women as asp?NewsID=16674&Cr=&Cr1=. a class.”1 SUGGESTED READING • Andrea Dworkin. Life and Death. New York: The Free Press, 1997. Let’s start with the phrase “women as a class.” From a radical • Cordelia Fine. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Missing from the Map: Feminist Theory and the Omission of Jewish Women Jennifer Roskies Researcher, ISGAP and Bar-Ilan Universit
1 Missing from the Map: Feminist Theory and the Omission of Jewish Women Jennifer Roskies Researcher, ISGAP and Bar-Ilan University [email protected] The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series. Working Paper Roskies 2010 ISSN: 1940-610X © The Institute for the Study of Global Antisemitism and PolicyISBN: 978-0-9819058-6-0 Series Editor Charles Asher Small ISGAP 165 East 56th Street, Second Floor New York, NY 10022 United States www.isgap.org 2 ABSTRACT This paper examines an apparent omission within feminist theory. Feminists of diverse cultural backgrounds have developed theoretical models which articulate their respective standpoints in relation to the sexism of their racial/ethnic groups on the one hand, and what has been termed “mainstream” or “white” feminism on the other. This is not the case when it comes to multicultural and ethnographic research regarding Jewish women, notwithstanding the involvement of many Jewish women in the feminist movement generally, including as leading theorists. Would a body of scholarship which examines Jewish women’s experiences from this dual perspective uncover a distinct theoretical model? How would such a “feminist Jewish women’s standpoint” address their concerns within the Jewish world as well as within the world of mainstream feminism – such as expressions within the mainstream women’s movement that pertain to Jewish issues or Israel? In examining the possible origins of the existing asymmetry, as well as its implications, this paper explores the possibility of adding new dimensions to understanding of multicultural feminism, identity studies and the study of Jewish identity. -
Poet Sister Artist Comrade: in Celebration of Thulani Davis
Poet Sister Artist Comrade: In Celebration of Thulani Davis Jessica Hagedorn: "It was a freaky-deaky time, in a freaky-deaky city..." By Jessica Hagedorn December 8, 2020 Thulani Davis has been my poet sister artist comrade for nearly 50 years. We met in San Francisco one night in either 1971 or 1972—young poets with flash and sass, opinionated and full of ourselves. We were reading at the Western Addition Cultural Center with several other poets, fiery types like Roberto Vargas, Serafin Syquia, Miz Redbone, maybe even Avotcja and Marvin X. Buriel Clay, a local writer and community activist, had organized the program and brought us all together. I was new at doing readings and didn’t know anyone there. I remember being nervous and excited. There wasn’t much of an audience, but being a part of this dynamic group felt like a very big deal. Dim lights. A podium, a mic, rickety folding chairs. Thulani was one of the last to read. The quiet, incantatory power of her voice and the bravado of her poem got me. I am Brown I am a child of the third world my hair black n long my soul slavetraded n nappy yellow brown-Safronia in this world, illegitimate seed… On her way out the door that night, Thulani made a cryptic comment about the tattered, patched-up jeans I had on. Whatever she said made me laugh. We became friends—hung out at her place on Oak Street, smoked Kools and Gitanes, and talked. Talk, talk, and more talk. We were curious and passionate about everything, from Jimi Hendrix to Anna May Wong to Jean- Luc Godard and Tennessee Williams. -
A Classification of Feminist Theories Karen Wendling
Document généré le 28 sept. 2021 15:45 Les ateliers de l'éthique The Ethics Forum A Classification of Feminist Theories Karen Wendling Volume 3, numéro 2, automne 2008 Résumé de l'article Une analyse critique de la description des théories politiques féministes révèle URI : https://id.erudit.org/iderudit/1044593ar qu’une classification alternative à celle de Jaggar permettrait de répertorier DOI : https://doi.org/10.7202/1044593ar plus adéquatement les différents courants féministes qui ont évolués au cours des dernières décennies. La nouvelle cartographie que nous proposons Aller au sommaire du numéro comprend deux familles de féminisme : activiste et académique. Cette nouvelle manière de localiser et situer les féminismes aide à comprendre pourquoi il n’y a pas de féminisme radical à l’extérieur de l’Amérique du Nord et aussi Éditeur(s) pourquoi il y a si peu de féministes socialistes en Amérique du Nord. Dans ce nouveau schème, le féminisme de la « différence » devient une sous-catégorie Centre de recherche en éthique de l’Université de Montréal du féminisme activiste car ce courant a eu une influence importante sur le féminisme activiste. Même si les courants de féminisme académique n’ont pas ISSN de rapports directs avec les mouvements activistes, ils jouent un rôle important dans l’énonciation et l’élaboration de certaines problématiques qui, ensuite, 1718-9977 (numérique) peuvent s’avérer cruciales pour les activistes. Nous concluons en démontrant que cette nouvelle classification représente plus clairement les différents Découvrir la revue féminismes et facilite la compréhension de l’évolution du féminisme et des enjeux qui ont influencé le féminisme. -
Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 10 #223 LETTERS & ANNOUNCEMENTS FEATURE PERFORMANCE REVIEWS KARINNE KEITHLEY & SARA JANE STONER REVIEW LEAR JAMES COPELAND REVIEWS A THOUGHT ABOUT RAYA BRENDA COULTAS REVIEWS RED NOIR KEN L. WALKER INTERVIEWS CECILIA VICUÑA POEMS DEANNA FERGUSON CALENDAR BRANDON BROWN REVIEWS AARON KUNIN, LAUREN RUSSELL, JOSEPH MASSEY & LAUREN LEVIN TIM PETERSON REVIEWS JENNIFER MOXLEY DAVID PERRY REVIEWS STEVE CAREY JULIAN BROLASKI REVIEWS NATHANAËL (NATHALIE) STEPHENS BILL MOHR REVIEWS ALAN BERNHEIMER DOUGLAS PICCINNINI REVIEWS GRAHAM FOUST ERICA KAUFMAN REVIEWS MAGDALENA ZURAWSKI MAXWELL HELLER REVIEWS THE KENNING ANTHOLOGY OF POETS THEATER ROBERT DEWHURST REVIEWS BRUCE BOONE $5? 02 APR/MAY 10 #223 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Corrine Fitzpatrick PROGRAM ASSISTANT: Arlo Quint MONDAY NIGHT COORDINATOR: Dustin Williamson MONDAY NIGHT TALK SERIES COORDINATOR: Arlo Quint WEDNESDAY NIGHT COORDINATOR: Stacy Szymaszek FRIDAY NIGHT COORDINATORS: Nicole Wallace & Edward Hopely SOUND TECHNICIAN: David Vogen BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Nicole Wallace INTERNS: Sara Akant, Jason Jiang, Nina Freeman VOLUNTEERS: Jim Behrle, Elizabeth Block, Paco Cathcart, Vanessa Garver, Erica Kaufman, Christine Kelly, Derek Kroessler, Ace McNamara, Nicholas Morrow, Christa Quint, Lauren Russell, Thomas Seeley, Logan Strenchock, Erica Wessmann, Alice Whitwham The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. Checks should be made payable to The Poetry Project, St. -
Global Feminism, Comparatism, and the Master's Tools
15 Compared to What? Global Feminism, Comparatism, and the Master's Tools SUSAN SNIADER LANSER And rain is the very thing that you, just now, do not want, for you are thinking of the hard and cold and dark and long days you spent working in North America (or, worse, Europe), earning some money so that you could stay in this place (Antigua) where the sun always shines and where the climate is deliciously hot and dry ...and since you are on your holiday, since you are a tourist, the thought of what it might be like for someone who had to live day in, day out in a place that suffers constantly from drought ...must never cross your mind. And you leave, and from afar you watch as we do to ourselves the very things you used to do to us. And you might feel that there was more to you than that, you might feel that you had understood the meaning of the Age of Enlightenment (though, as far as I can see, it has done you very little good); you loved knowl edge, and wherever you went you made sure to build a school, a library (yes, and in both of these places you distorted or erased my history and glorified your own). As for what we were like before we met you, I no longer care. No periods of time over which my ancestors held sway, no doc umentation of complex civilisations, is any comfort to me. Even if I really came from people who were living like monkeys in trees, it was better to be that than what happened to me, what I became after I met you. -
Smith Alumnae Quarterly
ALUMNAEALUMNAE Special Issueue QUARTERLYQUARTERLY TriumphantTrT iumphah ntn WomenWomen for the World campaigncac mppaiigngn fortififorortifi eses Smith’sSSmmitith’h s mimmission:sssion: too educateeducac te wwomenommene whowhwho wiwillll cchangehahanngge theththe worldworlrld This issue celebrates a stronstrongerger Smith, where ambitious women like Aubrey MMenarndtenarndt ’’0808 find their pathpathss Primed for Leadership SPRING 2017 VOLUME 103 NUMBER 3 c1_Smith_SP17_r1.indd c1 2/28/17 1:23 PM Women for the WoA New Generationrld of Leaders c2-50_Smith_SP17.indd c2 2/24/17 1:08 PM “WOMEN, WHEN THEY WORK TOGETHER, have incredible power.” Journalist Trudy Rubin ’65 made that statement at the 2012 launch of Smith’s Women for the World campaign. Her words were prophecy. From 2009 through 2016, thousands of Smith women joined hands to raise a stunning $486 million. This issue celebrates their work. Thanks to them, promising women from around the globe will continue to come to Smith to fi nd their voices and their opportunities. They will carry their education out into a world that needs their leadership. SMITH ALUMNAE QUARTERLY Special Issue / Spring 2017 Amber Scott ’07 NICK BURCHELL c2-50_Smith_SP17.indd 1 2/24/17 1:08 PM In This Issue • WOMEN HELPING WOMEN • A STRONGER CAMPUS 4 20 We Set Records, Thanks to You ‘Whole New Areas of Strength’ In President’s Perspective, Smith College President The Museum of Art boasts a new gallery, two new Kathleen McCartney writes that the Women for the curatorships and some transformational acquisitions. World campaign has strengthened Smith’s bottom line: empowering exceptional women. 26 8 Diving Into the Issues How We Did It Smith’s four leadership centers promote student engagement in real-world challenges. -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Revolution by the Book
AK PRESS PUBLISHING & DISTRIBUTION SUMMER 2009 AKFRIENDS PRESS OF SUMM AK PRESSER 2009 Friends of AK/Bookmobile .........1 Periodicals .................................51 Welcome to the About AK Press ...........................2 Poetry/Theater...........................39 Summer Catalog! Acerca de AK Press ...................4 Politics/Current Events ............40 Prisons/Policing ........................43 For our complete and up-to-date AK Press Publishing Race ............................................44 listing of thousands more books, New Titles .....................................6 Situationism/Surrealism ..........45 CDs, pamphlets, DVDs, t-shirts, Forthcoming ...............................12 Spanish .......................................46 and other items, please visit us Recent & Recommended .........14 Theory .........................................47 online: Selected Backlist ......................16 Vegan/Vegetarian .....................48 http://www.akpress.org AK Press Gear ...........................52 Zines ............................................50 AK Press AK Press Distribution Wearables AK Gear.......................................52 674-A 23rd St. New & Recommended Distro Gear .................................52 Oakland, CA 94612 Anarchism ..................................18 (510)208-1700 | [email protected] Biography/Autobiography .......20 Exclusive Publishers CDs ..............................................21 Arbeiter Ring Publishing ..........54 ON THE COVER : Children/Young Adult ................22 -
Radfem 2013 Programme
Radfem 2013 Programme CONFERENCE THEMES Each conference day has three themes. Saturday’s themes are: Eliminating Violence Against Women. Multiple-Oppressions of Women Under Patriarchy. Abolishing Prostitution and Supporting Survivor Activism. Sunday’s themes are: Building sisterhood and women’s community. The Lesbian Heresy: Sisters ending compulsory heterosexuality and promoting lesbianism in the face of hostility. A critique of post-modernism, identity politics and queer theory. For each theme, throughout the day we will: Listen to specific sisters who will speak to the whole conference about their experiences and their political perspectives. Debate and discuss what we’ve heard in smaller break out workshops Take action Plan and strategise for the future, to ensure we move forward beyond the conference. Programme Timetable SATURDAY, 8 JUNE TIME / DESCRIPTION ACTIVITY 8.30 – 9.00 Arrive, sign in, optional activities. 9.00 – 9.10 Vita and Lakha Mahila Welcome 9.10 – 9.40 Choose one of the following: Connecting with A. LIVING LIBRARY: TELLING OUR STORIES - RADFEM STORY Sisters BOOKS We all have a herstory and we are all unique with empowering stories to tell about how we are survivors of patriarchy. Come and be a story book and/or listen to other story books about our struggles and our survival. A couple of examples are: “I live in a women’s community” or “I am a political lesbian”. Decide on at least one story before you arrive to this workshop and we’ll help you do the rest. Radfem story books will be told throughout the 2 days and you can tell as many stories as you like to as many women as you like. -
9781134588374.Pdf
Black Celebrity, Racial Politics, and the Press Shifting understandings and ongoing conversations about race, celebrity, and protest in the twenty-fi rst century call for a closer examination of the evolution of dissent by black celebrities and their reception in the public sphere. This book focuses on the way the mainstream and black press have covered cases of controversial political dissent by African American celeb- rities from Paul Robeson to Kanye West. Jackson considers the following questions: (1) What unique agency is available to celebrities with racialized identities to present critiques of American culture? (2) How have journalists in both the mainstream and black press limited or facilitated this agency through framing? What does this say about the varying role of journalism in American racial politics? (3) How have framing trends regarding these fi gures shifted from the mid-twentieth century to the twenty-fi rst century? Through a series of case studies that also includes Eartha Kitt, Tommie Smith and John Carlos, Sister Souljah, and Mahmoud Abdul-Rauf, Jackson illustrates the shifting public narratives and historical moments that both limit and enable African American celebrities in the wake of making public politicized statements that critique the accepted racial, economic, and mili- tary systems in the United States. Sarah J. Jackson is an Assistant Professor of Communication Studies at Northeastern University. Her research examines the construction of social identities in national debates about citizenship, inequality, and social change. Jackson’s research has appeared in The International Journal of Press Poli- tics and Feminist Media Studies. Routledge Transformations in Race and Media Series Editors: Robin R.