Mark Felt – the Man Who Brought Down the White House
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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Thematic Review: American Gay Rights Movement Directions and Obje
Name:_____________________________________ Class Period:______ Thematic Review: American Gay Rights Movement Although the topic of homosexuality continues to ignite passionate debate and is often omitted from history discussions due to the sensitivity of the topic, it is important to consider gays and lesbians when defining and analyzing modern American identity. The purpose of this activity is to review the struggle for respect, dignity, and equal protection under the law that so many have fought for throughout American history. Racial minorities… from slaves fighting for freedom to immigrants battling for opportunity… to modern-day racial and ethnic minorities working to overcome previous and current inequities in the American system. Women… fighting for property rights, education, suffrage, divorce, and birth control. Non- Protestants… from Catholics, Mormons, and Jews battling discrimination to modern day Muslims and others seeking peaceful co-existence in this “land of the free.” Where do gays and lesbians fit in? Once marginalized as criminals and/or mentally ill, they are increasingly being included in the “fabric” we call America. From the Period 8 Content Outline: Stirred by a growing awareness of inequalities in American society and by the African American civil rights movement, activists also addressed issues of identity and social justice, such as gender/sexuality and ethnicity. Activists began to question society’s assumptions about gender and to call for social and economic equality for women and for gays and lesbians. Directions and Objectives: Review the events in the Gay Rights Thematic Review Timeline, analyze changes in American identity, and make connections to other historically significant events occurring along the way. -
Eastwood, Dicaprio Try to Capture First FBI Director's Life in 'J. Edgar'
09 November 2011 | voaspecialenglish.com Eastwood, DiCaprio Try to Capture First FBI Director's Life in 'J. Edgar' AP From left, Leonardo DiCaprio, Armie Hammer and director Clint Eastwood at the premiere of "J. Edgar" last week in Los Angeles (You can download an MP3 of this story at voaspecialenglish.com) DOUG JOHNSON: Welcome to AMERICAN MOSAIC in VOA Special English. (MUSIC) I’m Doug Johnson. Today we play music from American Idol winner Scotty McCreery ... And we answer a question about American whiskey ... But first, it is history at the movie theater where a new film opens about former law enforcement chief J. Edgar Hoover. "J. Edgar" DOUG JOHNSON: The movie "J. Edgar" opens across America today. The film is about J. Edgar Hoover, the first director of the Federal Bureau of Investigation. Hoover was a complex and powerful man. He helped develop the FBI into an efficient and effective crime solving agency. However, in later years, many people 2 questioned the methods used by Hoover and his investigators. Bob Doughty tells more about the man and the movie. BOB DOUGHTY: Clint Eastwood directed the movie "J. Edgar." He grew up in the time when, in his words, "Hoover was always top cop." Eastwood said he had heard different stories about the former FBI director. Some of them were very critical. But Eastwood said anybody who stays in a job as long as Hoover did is going to create some enemies. J. Edgar Hoover was the leader of the FBI and the agency it developed from for almost fifty years. -
Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work
1 Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work Melissa Poll Abstract Heir to the écriture scénique introduced by theatre’s modern movement, director Robert Lepage’s scenography is his entry point when re-envisioning an extant text. Due to widespread interest in the Québécois auteur’s devised offerings, however, Lepage’s highly visual interpretations of canonical works remain largely neglected in current scholarship. My paper seeks to address this gap, theorizing Lepage’s approach as a three-pronged ‘scenographic dramaturgy’, composed of historical-spatial mapping, metamorphous space and kinetic bodies. By referencing a range of Lepage’s extant text productions and aligning elements of his work to historical and contemporary models of scenography-driven performance, this project will detail how the three components of Lepage’s scenographic dramaturgy ‘write’ meaning-making performance texts. Historical-Spatial Mapping as the foundation for Lepage’s Scenographic Dramaturgy In itself, Lepage’s reliance on evocative scenography is inline with the aesthetics of various theatre-makers. Examples range from Appia and Craig’s early experiments summoning atmosphere through lighting and minimalist sets to Penny Woolcock’s English National Opera production of John Adams’s Dr. Atomic1 which uses digital projections and film clips to revisit the circumstances leading up to Little Boy’s release on Hiroshima in 1945. Other artists known for a signature visual approach to locating narrative include Simon McBurney, who incorporates digital projections to present Moscow via a Google Maps perspective in Complicité’s The Master and Margarita and auteur Benedict Andrews, whose recent production of Three Sisters sees Chekhov’s heroines stranded on a mound of dirt at the play’s conclusion, an apt metaphor for their dreary futures in provincial Russia. -
Issue 17 Ausact: the Australian Actor Training Conference 2019
www.fusion-journal.com Fusion Journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), Fusion Journal publishes refereed articles, creative works and other practice-led forms of output. Issue 17 AusAct: The Australian Actor Training Conference 2019 Editors Robert Lewis (Charles Sturt University) Dominique Sweeney (Charles Sturt University) Soseh Yekanians (Charles Sturt University) Contents Editorial: AusAct 2019 – Being Relevant .......................................................................... 1 Robert Lewis, Dominique Sweeney and Soseh Yekanians Vulnerability in a crisis: Pedagogy, critical reflection and positionality in actor training ................................................................................................................ 6 Jessica Hartley Brisbane Junior Theatre’s Abridged Method Acting System ......................................... 20 Jack Bradford Haunted by irrelevance? ................................................................................................. 39 Kim Durban Encouraging actors to see themselves as agents of change: The role of dramaturgs, critics, commentators, academics and activists in actor training in Australia .............. 49 Bree Hadley and Kathryn Kelly ISSN 2201-7208 | Published under Creative Commons License (CC BY-NC-ND 3.0) From ‘methods’ to ‘approaches’: -
Suspect Until Proven Guilty, a Problematization of State Dossier Systems Via Two Case Studies: the United States and China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Fall 2009 Suspect Until Proven Guilty, a Problematization of State Dossier Systems via Two Case Studies: The United States and China Kenneth N. Farrall University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, Communication Technology and New Media Commons, International and Intercultural Communication Commons, and the Social Influence and oliticalP Communication Commons Recommended Citation Farrall, Kenneth N., "Suspect Until Proven Guilty, a Problematization of State Dossier Systems via Two Case Studies: The United States and China" (2009). Publicly Accessible Penn Dissertations. 51. https://repository.upenn.edu/edissertations/51 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/51 For more information, please contact [email protected]. Suspect Until Proven Guilty, a Problematization of State Dossier Systems via Two Case Studies: The United States and China Abstract This dissertation problematizes the "state dossier system" (SDS): the production and accumulation of personal information on citizen subjects exceeding the reasonable bounds of risk management. SDS - comprising interconnecting subsystems of records and identification - damage individual autonomy and self-determination, impacting not only human rights, but also the viability of the social system. The research, a hybrid of case-study and cross-national comparison, was guided in part by a theoretical model of four primary SDS driving forces: technology, political economy, law and public sentiment. Data sources included government documents, academic texts, investigative journalism, NGO reports and industry white papers. The primary analytical instrument was the juxtaposition of two individual cases: the U.S. -
LGBT History
LGBT History Just like any other marginalized group that has had to fight for acceptance and equal rights, the LGBT community has a history of events that have impacted the community. This is a collection of some of the major happenings in the LGBT community during the 20th century through today. It is broken up into three sections: Pre-Stonewall, Stonewall, and Post-Stonewall. This is because the move toward equality shifted dramatically after the Stonewall Riots. Please note this is not a comprehensive list. Pre-Stonewall 1913 Alfred Redl, head of Austrian Intelligence, committed suicide after being identified as a Russian double agent and a homosexual. His widely-published arrest gave birth to the notion that homosexuals are security risks. 1919 Magnus Hirschfeld founded the Institute for Sexology in Berlin. One of the primary focuses of this institute was civil rights for women and gay people. 1933 On January 30, Adolf Hitler banned the gay press in Germany. In that same year, Magnus Herschfeld’s Institute for Sexology was raided and over 12,000 books, periodicals, works of art and other materials were burned. Many of these items were completely irreplaceable. 1934 Gay people were beginning to be rounded up from German-occupied countries and sent to concentration camps. Just as Jews were made to wear the Star of David on the prison uniforms, gay people were required to wear a pink triangle. WWII Becomes a time of “great awakening” for queer people in the United States. The homosocial environments created by the military and number of women working outside the home provide greater opportunity for people to explore their sexuality. -
The Social and (Counter)Cultural 1960S in the USA, Transatlantically Mckay, GA
The social and (counter)cultural 1960s in the USA, transatlantically McKay, GA Title The social and (counter)cultural 1960s in the USA, transatlantically Authors McKay, GA Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/2288/ Published Date 2005 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. The social and (counter)cultural 1960s in the USA, transatlantically George McKay The movement was a loose coalition, and alliances often defined it. Students, clergy, intellectuals often marched first, and later they were joined by many others, from ecologists to hippies to women’s liberationists.… [W]hen cultural activists in Ann Arbor, Michigan, met [in 1969] to discuss drugs in the city representatives appeared from the White Panthers, Black Berets, God’s Children Motorcycle Club, the Sunnygoode Street Commune, and Congolian Maulers, a ‘commune of art, music, and general freaks’. Terry H. Anderson, The Movement and the Sixties (1995, xi) Hippies … constituted themselves as walking critiques of bureaucratic rationality.… By the late 1960s ‘freakified’ youth were exploring new aspects of self-hood which they had never previously thought existed. Indulgence in drug experiences, sex, communal activities, be-ins, sit-ins, demonstrations, riots, busts, trips with no destination in particular, not only gave subculture members a set of common experiences, but also opened up vast new capacities of self-hood for exploration. -
William B. Kaplan CAS
Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B. -
NILES HERALD -SPECTATOR How-To Fest Teaches Tons
NILES HERALD -SPECTATOR M HOME. M LocAL NEWS SINCE 1951. S Thursday, September 18, 2014 niles.suntimes.com AWRAPRTS company A CHICAGO SUN-TLMES.,pubication : I EDUCA1ON Nues North celebrating 50 years PAGE 12 GO Commons ofPensacola' at Northlight PAGE 30 How-to fest teaches tons MOMMY -' N Bear down with these fun activities Library draws crowd hungry to learn crafts, square dancing and tons in between PAGE 6 PAGE34 Nues Herald-Spectator ©2014 Sun-Times Media All rights reserved To Do List: TODAY i . Call your travel agent. Ask for the best deal with Funjet Vacations. Reserve your seat for only $50 per person. Tell your friends. Flights now available for 2014 and 2015! 923 Waukegan Rd. MoRon Grove, IL 60053 gOCTLO9'il 1IH , d 847-966.0800 OC 00 00 LS NoL)lV0t0969 competeMamerdech.net 000OOO 6tO 9ZS1t .t 6T001 THURSDAY EPTEMBER 18 2014 A PIONEER PRESS PUBLICATION NIL MARINO REALTORS 5800 Dempster-Morton Grove (847) 967-5500 (OUTSIDE ILLINOIS CALL i - 800 253 - 0021) r MLS The GoEd Standard a www.century2l marino.com ELEGANT BRICK CAPE COD! "KINGSTON ESTATES" TOWNHOME! SUPER SHARP CONDO! Skokie. NewListing!Sought-afterDevonshireSchoolSkokie..FirstOffer!Spacious Kingston estates endunitSkokie.. New on the Market! Charming, sunny corner unit District 68! Hardwood floors, living rm with gas fireplace &3-storytownhome. 3 brs, master bed/bath suite with whirlpoollocated near downtown Skokie, bus & train! Spacious with separate formal dining rm. Updated kitchen & 1/2 bath. Newtub, separate shower, walkincloset & vaultedceiling.2 brs & i ½ ceramic baths. Newer vinyl windows, beautiful windows & central air. French door from dining rm to kitchen.2,448 sq ft. -
Simon Changer Oct 2019
SIMON CHANGER www.simonchanger.com | [email protected] | +44 7900 000 008 FILM|TELEVISION DEVS | FX Network Alex Garland| Ben Salisbury Music Editor The Witcher | Netflix Various | Giona Ostinelli | Sonya Belosouva Supr. Music Editor Dumbo | Disney Pictures Tim Burton | Danny Elfman Music Editor Chernobyl | HBO Johan Renck | Hildur Guðnadóttir Temp Music Editor Tomb Raider | MGM Roar Urthaug | Tom Holkenborg Music Editor Wonder Woman | Warner Bros Patty Jenkins | Rupert Gregson Wiliams Music Editor* King Arthur | Warner Bros. Guy Ritchie | Daniel Pemberton Music Editor* The Crown | Netflix Peter Morgan | Hans Zimmer | Rupert Gregson Williams Supr. Music Editor Mission Impossible 5 | Paramount Chris McQuarrie | Joe Kraemer Music Editor* Man From U.N.C.L.E. | Warner Bros. Guy Ritchie | Daniel Pemberton Music Editor Monuments Men | Sony Pictures George Clooney | Alexandre Desplat Music Editor Captain Philips | Sony Pictures Paul Greengrass | Henry Jackmann Music Editor The Dark Knight | Warner Bros. Chris Nolan | Hans Zimmer | Newton Howard Temp Music Editor Batman Begins | Warner Bros Chris Nolan | Hans Zimmer | Newton Howard Music Editor Troy | Warner Bros. Wolfgang Peterson | Gabriel Yared Temp Music Editor Kingdom of Heaven | 20th Century Fox Ridley Scott | Harry Gregson-Williams Music Prog Wallace & Gromit | DreamWorks Nick Park | Hans Zimmer | Julian Nott Music Editor* The Da Vinci Code | Sony Pictures Ron Howard | Hans Zimmer Music Editor Yardie | Studio Canal Idris Elba | Dickon Hinchlliffe Music Editor Patrick Melrose | Sky -
Period Feature Film
www.setdecor.com Congratulations to the entire team for each film & television show honored! The SDSA particularly acknowledges the set decorator’s contributions for these outstanding productions and invites you to read our coverage at www.setdecor.com PERIOD FEATURE FILM FORD v FERRARI Production Designer François Audouy Set Decorator Peter Lando SDSA THE IRISHMAN Production Designer Bob Shaw Set Decorators Regina Graves SDSA, Lisa Scoppa, Barbara Peterson SDSA (Florida) JOJO RABBIT Production Designer Ra Vincent SDSA Set Decorator Nora Sopková SDSA JOKER Production Designer Mark Friedberg Set Decorator Kris Moran 1917 Production Designer Dennis Gassner Set Decorator Lee Sandales ONCE UPON A TIME IN HOLLYWOOD *Award* Production Designer Barbara Ling Set Decorator Nancy Haigh 1 of 11 www.setdecor.com FANTASY FEATURE FILM AD ASTRA Production Designer Kevin Thompson Set Decorator Karen O'Hara SDSA ALADDIN Production Designer Gemma Jackson Set Decorator Tina Jones SDSA AVENGERS: ENDGAME *Award* Production Designer Charles Wood Set Decorator Leslie Pope SDSA DUMBO Production Designer Rick Heinrichs Set Decorator John Bush MALEFICENT: MISTRESS OF EVIL Production Designer Patrick Tatopoulos Set Decorator Dominic Capon STAR WARS: THE RISE OF SKYWALKER Production Designers: Rick Carter, Kevin Jenkins Set Decorator Rosemary Brandenburg SDSA 2 of 11 www.setdecor.com CONTEMPORARY FEATURE FILM A BEAUTIFUL DAY IN THE NEIGHBORHOOD Production Designer Jade Healy Set Decorator Merissa Lombardo SDSA JOHN WICK: CHAPTER 3 - PARABELLUM Production Designer