17-18 Student Handbook (2-5-2018)
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Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
On Certainty (Uber Gewissheit) Ed
Ludwig Wittgenstein On Certainty (Uber Gewissheit) ed. G.E.M.Anscombe and G.H.von Wright Translated by Denis Paul and G.E.M.Anscombe Basil Blackwell, Oxford 1969-1975 Preface What we publish here belongs to the last year and a half of Wittgenstein's life. In the middle of 1949 he visited the United States at the invitation of Norman Malcolm, staying at Malcolm's house in Ithaca. Malcolm acted as a goad to his interest in Moore's 'defence of common sense', that is to say his claim to know a number of propositions for sure, such as "Here is one hand, and here is another", and "The earth existed for a long time before my birth", and "I have never been far from the earth's surface". The first of these comes in Moore's 'Proof of the External World'. The two others are in his 'Defence of Common Sense'; Wittgenstein had long been interested in these and had said to Moore that this was his best article. Moore had agreed. This book contains the whole of what Wittgenstein wrote on this topic from that time until his death. It is all first-draft material, which he did not live to excerpt and polish. The material falls into four parts; we have shown the divisions at #65, #192, #299. What we believe to be the first part was written on twenty loose sheets of lined foolscap, undated. These Wittgenstein left in his room in G.E.M.Anscombe's house in Oxford, where he lived (apart from a visit to Norway in the autumn) from April 1950 to February 1951. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Approval Page
ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. This group of figures is depicted journeying from one level or realm of the universe to another by using objects argued to bridge more than one plane of existence at a time. They travel by holding onto or riding objects familiar to the ancient Maya that held other-world or afterlife symbolic significance and that are connected to events related to birth, death, and leadership. This group of figures (the "travelers"), represented across time and space and on wide ranging media, provides insight and broadens what is currently understood about the ancient Maya view of life and death by indicating a persistent belief in the ability to move from one realm to another in the afterlife. -
The Moody Blues Tour / Set List Project - Updated April 9, 2006
The Moody Blues Tour / Set List Project - updated April 9, 2006 compiled by Linda Bangert Please send any additions or corrections to Linda Bangert ([email protected]) and notice of any broken links to Neil Ottenstein ([email protected]). This listing of tour dates, set lists, opening acts, additional musicians was derived from many sources, as noted on each file. Of particular help were "Higher and Higher" magazine and their website at www.moodies- magazine.com and the Moody Blues Official Fan Club (OFC) Newsletters. For a complete listing of people who contributed, click here. Particular thanks go to Neil Ottenstein, who hosts these pages, and to Bob Hardy, who helped me get these pages converted to html. One-off live performances, either of the band as a whole or of individual members, are not included in this listing, but generally can be found in the Moody Blues FAQ in Section 8.7 - What guest appearances have the band members made on albums, television, concerts, music videos or print media? under the sub-headings of "Visual Appearances" or "Charity Appearances". The current version of the FAQ can be found at www.toadmail.com/~notten/FAQ-TOC.htm I've construed "additional musicians" to be those who played on stage in addition to the members of the Moody Blues. Although Patrick Moraz was legally determined to be a contract player, and not a member of the Moody Blues, I have omitted him from the listing of additional musicians for brevity. Moraz toured with the Moody Blues from 1978 through 1990. From 1965-1966 The Moody Blues were Denny Laine, Clint Warwick, Mike Pinder, Ray Thomas and Graeme Edge, although Warwick left the band sometime in 1966 and was briefly replaced with Rod Clarke. -
Skipping Is an Activity That Usually Goes on in a Group, Although It Can Be Done Alone
THE SINGING GAMES OF MUNSTER CHILDREN JOHN BUCKLEY Skipping--A Definition Skipping is an activity that usually goes on in a group, although it can be done alone. Skipping is usually associated with girls, but boys also join in depending on the context and circumstances. A shorter rope can be used if only one person is skipping while a longer rope is used for group skipping. The beat or rhythm of the rhyme dictates the rhythm of the skip or jump. The rhythm or pace of the jump or skip is also influenced by the beat of the rope against the surface of the ground that's being skipped on. This relationship between the rhythm of the rhyme and the turning of the rope is very important because if the coordination between the two is lost, the flow is interrupted causing the rope to be tripped up thereby stopping proceedings. The Language of Skipping Girls have their own terminology associated with skipping. For instance, in Cork City, if you are not skipping but instead are turning the rope for those skipping, you are known to be "on the rope." If, while skipping, a girl causes the rope to stop, the term used is that she has "downed the rope." When the suggestion in a group is announced to skip, or to "play skipping," shouts of "begs not on" (again heard by Cork children) might be heard, which means that the person doesn't want to be one of the group to turn the rope for the others to skip. There can also be pre-skipping rituals, such as the reciting of a counting-out rhyme or the wrapping of the rope with the bend between the thumb and first finger being one end and just above a bent elbow of one group members being the other end for the rope to be wrapped. -
Travels with Jottings. from Midland to the Pacific. Letters by E.D. Holton
Travels with jottings. From midland to the Pacific. Letters by E.D. Holton. Written for, and published chiefly, as souvenirs to personal acquaintances and friends TRAVELS WITH JOTTINGS. FROM MIDLAND TO THE PACIFIC. LETTERS BY E. D. HOLTON. Written for, and Published, Chiefly, as Souvenirs to Personal Acquaintances and Friends. MILWAUKEE: Trayser Brothers, Printers, 62 Oneida Street, Grand Opera House. 1880. LETTER I. Canon City—Journey Across Iowa and Kansas. Travels with jottings. From midland to the Pacific. Letters by E.D. Holton. Written for, and published chiefly, as souvenirs to personal acquaintances and friends http://www.loc.gov/resource/calbk.096 CANON CITY, Colorado, December 16, 1879. Three weeks to-morrow marks the time since, with my wife and little grandson (a lad six years old), I left our good city on a tramp to the Pacific Coast with no other object—save some considerations of health for the little boy—than to mark with one's own eyes, the marvelous strides which our republican civilization has made between the shores of Lake Michigan and the coast of the Pacific Ocean and the fortieth and forty-fifth degree of north latitude, within that period of time when in my young manhood I became a citizen of the then little village of Milwaukee now so grand, so strong, and beautiful a city. Our first stop was made at Delavan, where we took our thanksgiving dinner with the large family of one hundred and fifty mute children—and a happier family you will seldom find. In passing, I am happy to say that the improvised buildings made by the trustees of this Institution since the great calamity of the fire, were so far in use as to promise safety and comfort to the large number of inmates, and afford almost undiminished facilities for the prosecution of the great purposes for which the institution was founded, to-wit: the education of this unfortunate but deeply interesting class of children of the State, who cannot be educated in the public schools. -
An Autoethnography of Leadership, Personal Transformation, and Music Therapy in Humanitarian Aid in Bosnia Herzegovina Alpha M
Antioch University AURA - Antioch University Repository and Archive Student & Alumni Scholarship, including Dissertations & Theses Dissertations & Theses 2015 Tapestry of Tears: An Autoethnography of Leadership, Personal Transformation, and Music Therapy in Humanitarian Aid in Bosnia Herzegovina Alpha M. Woodward Antioch University - PhD Program in Leadership and Change Follow this and additional works at: http://aura.antioch.edu/etds Part of the Eastern European Studies Commons, Leadership Studies Commons, and the Music Therapy Commons Recommended Citation Woodward, Alpha M., "Tapestry of Tears: An Autoethnography of Leadership, Personal Transformation, and Music Therapy in Humanitarian Aid in Bosnia Herzegovina" (2015). Dissertations & Theses. 192. http://aura.antioch.edu/etds/192 This Dissertation is brought to you for free and open access by the Student & Alumni Scholarship, including Dissertations & Theses at AURA - Antioch University Repository and Archive. It has been accepted for inclusion in Dissertations & Theses by an authorized administrator of AURA - Antioch University Repository and Archive. For more information, please contact [email protected], [email protected]. TAPESTRY OF TEARS: AN AUTOETHNOGRAPHY OF LEADERSHIP, PERSONAL TRANSFORMATION, AND MUSIC THERAPY IN HUMANITARIAN AID IN BOSNIA HERZEGOVINA ALPHA M. WOODWARD A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy November, 2014 This is to -
Student Handbook 2021-2022 Academic Year
CULVER ACADEMIES Student Handbook 2021-2022 Academic Year 1 Table of Contents Welcome to Culver The development of character is a central component in Culver’s mission. Culver assists students in becoming responsible citizens and leaders through an education in the classic virtues – wisdom, courage, moderation, and justice. Leadership classes, opportunities to lead, and a culture that embraces our Code of Conduct and Honor Code complement the broader Culver curriculum, all of which provides the fertile environment for your individual growth. The Culver Mission Culver educates students for leadership and responsible citizenship in societ by developing and nurturing the whole individual – mind, spirit and body – through an integrated curriculum that emphasizes the cultivation of character. The Culver Code of Conduct My aim in life is to become the best person I can be. To this end I will strive always to develop my potential to its fullest – physically, intellectually, morally and spiritually; to make wise choices, exercise self-discipline, and accept responsibility for my actions; to treat everyone as I would have them treat me; to fulfill the ideal of service to others; to place duty before self; to lead by example and take care of those I lead; and to live by the Culver Honor Code: I will not lie, cheat, or steal, and I will discourage others from such actions. Mutual Respect in a Diverse Community The Student Diversity Council has generated the diversity statement to highlight students’ individual and collective responsibility to the community. Upon matriculation, students become members of a community in which everyone is expected to exemplify the diversity statement. -
Édith Piaf: a Cultural History
ÉDITH PIAF: A CULTURAL HISTORY ÉDITH PIAF A Cultural History David Looseley LIVERPOOL UNIVERSITY PRESS Édith Piaf: A Cultural History First published 2015 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2015 David Looseley The right of David Looseley to be identified as the author of this book has been asserted by him in accordance with the Copyright, Design and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available print ISBN 978-1-78138-257-8 epdf ISBN 978-1-78138-425-1 Typeset by Carnegie Book Production, Lancaster Printed in the UK by CPI Group (UK) Ltd, Croydon CR0 4YY. Contents CONTENTS Acknowledgements vii Chronology 1 Introduction 15 part i: narrating piaf 1 Inventing la Môme 27 2 Piaf and her public 45 3 A singer at war 65 part ii: piaf and chanson 4 A new Piaf 83 5 High art, low culture: Piaf and la chanson française 97 6 Ideology, tragedy, celebrity: a new middlebrow 113 part iii: afterlives 7 Losing Piaf 135 8 Remembering Piaf 153 9 Performing Piaf 171 Conclusion 185 Notes 193 References 233 Index 243 v For my granddaughter Elizabeth (Lizzie) Looseley-Burnet, with love Acknowledgements Acknowledgements would like to express my gratitude to the following, who in I various ways have helped me with the research for this book: Jacques d’Amboise, Ewan Burnet, Erica Burnham of the University of London in Paris, Di Holmes, Jim House, John and Josette Hughes, the late Tony Judt, Rhiannon Looseley, Bernard Marchois of the Musée Édith Piaf, Sue Miller, Cécile Obligi of the Bibliothèque nationale’s Département des arts du spectacle, Cécile Prévost-Thomas, Keith Reader, Philip Tagg, Florence Tamagne and Vera Zolberg. -
Genius of Women: Giving Meaning to Lay Ecclesial Leadership Mary K
University of St. Thomas, Minnesota UST Research Online Education Doctoral Dissertations in Leadership School of Education 2017 Genius of Women: Giving Meaning to Lay Ecclesial Leadership Mary K. Bungert University of St. Thomas, Minnesota, [email protected] Follow this and additional works at: https://ir.stthomas.edu/caps_ed_lead_docdiss Part of the Education Commons Recommended Citation Bungert, Mary K., "Genius of Women: Giving Meaning to Lay Ecclesial Leadership" (2017). Education Doctoral Dissertations in Leadership. 84. https://ir.stthomas.edu/caps_ed_lead_docdiss/84 This Dissertation is brought to you for free and open access by the School of Education at UST Research Online. It has been accepted for inclusion in Education Doctoral Dissertations in Leadership by an authorized administrator of UST Research Online. For more information, please contact [email protected]. Running Head: GENIUS OF WOMEN: GIVING MEANING TO LAY ECCLESIAL LEADERSHIP GENIUS OF WOMEN: GIVING MEANING TO LAY ECCLESIAL LEADERSHIP MARY KATHRYN BUNGERT UNIVERSITY OF ST. THOMAS ST. PAUL, MINNESOTA A dissertation submitted to the Education Faculty of the University of St. Thomas in partial fulfillment of requirements for the degree Doctor of Education April 4, 2017 GENIUS OF WOMEN: GIVING MEANING TO LAY ECCLESIAL LEADERSHIP i GENIUS OF WOMEN: GIVING MEANING TO LAY ECCLESIAL LEADERSHIP ii ABSTRACT The development of lay ecclesial ministry in the Catholic Church as a career field began prior to the Second Vatican Council (Vatican II) with a burgeoning lay apostolate, but professionalization of various ministries coincided with a decline of ordained (priests) and vowed religious (nuns and monks) beginning in the 1960s. Today 39,000 lay ecclesial ministers (LEMs) provide ministry in U.S.