Hdnet Movies October 2012 Program Highlights -Version 1
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Hannah Wells Designated Survivor
Hannah wells designated survivor Continue © 2020 ABC Entertainment's Margaret quigley (Maggie) FBI Agent (previously terminated) Presidential Emissary CIA Analyst First Appearance Pilot #identity/crisis Hannah Wells was a former FBI agent who investigated the U.S. Capitol during the President of the Richmond State Of the Union Address. She was played by Maggie Kew. Under the leadership of Tom Kirkman, Hannah became the lead investigator in the case of the terrorist attack that killed everyone present in the Capitol (except Peter McLeish, as it was later discovered). During the events of the first season, Hannah was the one who eventually found that Peter McLeish, the survivor of the Capitol bombing, was hiding in a bomb shelter near the Capitol and that he was connected to the conspirators responsible. She also discovered the identity of another conspirator named Catalan. Eventually, she was able to expose the conspirators who called themselves true believers and thus led to their downfall. She was working on an investigation into the murder of Eric Little, who was bribed by Alex Kirkman's mother. Which in the end, Alex Kirkman won, but then died in a car accident. She was working on an investigation against Andrea Frost, whom she believed to be a hacker known as Gamin, who was responsible for hacking NASA, the Washington, D.C.-based power grid, the president of Kirkmans Tape Therapy, and other hacks, resulting in several deaths, including Damian Renneth. She publicly humiliated Andrea Frost, accusing her of doing so and sabotaging President Kirkman after the president told her to find concrete evidence, and Frost admitted in a private conversation at a cabinet hearing against Kirkmans' ability to remain in office. -
Why Call Them "Cult Movies"? American Independent Filmmaking and the Counterculture in the 1960S Mark Shiel, University of Leicester, UK
Why Call them "Cult Movies"? American Independent Filmmaking and the Counterculture in the 1960s Mark Shiel, University of Leicester, UK Preface In response to the recent increased prominence of studies of "cult movies" in academic circles, this essay aims to question the critical usefulness of that term, indeed the very notion of "cult" as a way of talking about cultural practice in general. My intention is to inject a note of caution into that current discourse in Film Studies which valorizes and celebrates "cult movies" in particular, and "cult" in general, by arguing that "cult" is a negative symptom of, rather than a positive response to, the social, cultural, and cinematic conditions in which we live today. The essay consists of two parts: firstly, a general critique of recent "cult movies" criticism; and, secondly, a specific critique of the term "cult movies" as it is sometimes applied to 1960s American independent biker movies -- particularly films by Roger Corman such as The Wild Angels (1966) and The Trip (1967), by Richard Rush such as Hell's Angels on Wheels (1967), The Savage Seven, and Psych-Out (both 1968), and, most famously, Easy Rider (1969) directed by Dennis Hopper. Of course, no-one would want to suggest that it is not acceptable to be a "fan" of movies which have attracted the label "cult". But this essay begins from a position which assumes that the business of Film Studies should be to view films of all types as profoundly and positively "political", in the sense in which Fredric Jameson uses that adjective in his argument that all culture and every cultural object is most fruitfully and meaningfully understood as an articulation of the "political unconscious" of the social and historical context in which it originates, an understanding achieved through "the unmasking of cultural artifacts as socially symbolic acts" (Jameson, 1989: 20). -
Cast Bios Lacey Chabert
‘FAMILY FOR CHRISTMAS’ CAST BIOS LACEY CHABERT (Hannah Dunbar/Hannah Matthews) – Lacey Chabert is regarded as one of the best young actresses of her generation. From an early age, she was exposed to dramatic and musical performances in and around her hometown of Purvis, Mississippi. Chabert received her first break in a cough syrup commercial before successfully auditioning for the Broadway production of Les Miserables, in which she played young Cosette for two years. In 1998, she made her feature film debut as Penny Robinson in “Lost in Space.” Chabert’s resume is as extensive as it is versatile. Consistently delivering memorable performances, she has become one of Hollywood’s most sought-after talents. Chabert is best known for her role as Claudia on the Golden Globe Award®-winning FOX television series “Party of Five,” and can currently be seen on ABC Family’s “Baby Daddy.” She has appeared on “All My Children” as well as in several made-for-TV movies, including “Gypsy” starring Bette Midler, “A Little Piece of Heaven” with Cloris Leachman, Lifetime’s “What If God Were The Sun?” starring opposite Gena Rowlands, and the Hallmark Channel Original Movies “All of My Heart” with Edward Asner, “Matchmaker Santa” opposite Florence Henderson, and “A Royal Christmas” alongside Jane Seymour and John Ratzenberger. Chabert also starred in the Hallmark Movies & Mysteries Original “The Color of Rain,” which was the highest rated and most watched original film in the network’s history. Chabert’s feature film credits include Warner Brother’s “Ghosts of Girlfriend’s Past,” starring opposite Jennifer Garner and Matthew McConaughey, box office hit “Mean Girls,” for which she received outstanding reviews and an MTV Movie Award, “Daddy Day Care,” starring as Anjelica Huston’s daughter, and A&E’s “The Brooke Ellison Story,” playing the lead in Christopher Reeve’s final directorial project. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Speaking Flyer for February 2013
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB AND EDWIN BOOTH’S CLUB THE PLAYERS, NEW YORK CITY PAUL DICKSON Monday, February 25 How many of our familiar words and phrases originated in the White House? What lexicographer PAUL DICKSON has to report will astonish you. Acclaimed for his authoritative BASEBALL DICTIONARY, now in its third edition, Mr. Dickson has also treated us to THE NATIONAL ARTS CLUB CONGRESS DICTIONARY: The Ways and Meanings of Capitol Hill , JOURNALESE: A Dictionary for Deciphering 15 Gramercy Park South Manhattan the News, LABELS FOR LOCALS: What to Call People from Abilene to Zimbabwe, and DRUNK: The Definitive Drinker’s Program 7:30 p.m. Dictionary. An former editor for Merriam-Webster publi- Reservations Requested cations, Mr. Dickson has appeared frequently on All Things Considered and other NPR programs, and he was an occasional contributor to the late William Safire’s popular “On Language” column for The New York Times Magazine. Copies of WORDS FROM THE WHITE HOUSE will be on hand for purchase and inscription following Mr. Dickson’s interview with John Andrews. THOMAS KEITH Tuesday, March 26 This date marks the 102nd birthday of a playwright whose evocative dialogue has been compared to that of such immortals as Chekhov and Shakespeare. Thomas Lanier “Tennessee” Williams (1911-83) enriched our repertory not only with Cat on a Hot Tin Roof, which is once again riveting Broadway audiences, NATIONAL ARTS CLUB but with classics like A Streetcar Named Desire, Camino 15 Gramercy Park South Real, Orpheus Descending, Summer and Smoke, Sweet Manhattan Bird of Youth, The Glass Menagerie, The Night of the Iguana, and The Rose Tattoo. -
Press Kit Composite.Indd
August, 2005 Re: The Evolution of The Pilates Method: The Fletcher Work™ To Whom It May Concern, The Fletcher Work is the authentic evolution of the Pilates’ method. To be accurate and legitimate, any journalistic inquiry into contemporary Pilates must necessarily include this dynamic contribution. On behalf of The Ron Fletcher Company, I encourage you to take time to review the enclosed materials. Pilates is more than a contemporary fitness phenomenon. It is an extraordinarily effective conditioning method — nearly a century in development — whose time has finally come. Joseph Pilates’ original principles were absolutely sound, yet his wife, Clara, referred to her husband’s original work as “just the tip of the iceberg.” The development and evolution of the Pilates method over the last 35 years has been, in large part, the result of the work and vision of Ron Fletcher, their protégé and student for nearly three decades. Since Joseph PIlates’ death in 1968, no other individual has played a more pivotal role in the evolution and popularity of the Pilates method. Now in his eighties, Mr. Fletcher is one of only three such masters still teaching the Work. Should you have any questions regarding the enclosed information, or should you wish to pursue a related project, please do not hesitate to contact me. In addition to being one of the great luminaries of the Pilates world, Ron Fletcher is also very much alive, well and active… and he’s a great interview. Sincerely, Kyria Sabin encl The Ron Fletcher Company™ . POB 64971 . Tucson, AZ 85728-4971 . 520.323.7070 . -
Carnival Row Ii
McKinney Macartney Management Ltd DARRAN TIERNAN ISC - Director of Photography FOUNDATION Director: Rupert Sanders. Producer: Macdara Kelleher. Starring: Jared Harris and Lee Pace. Skydance Television / Apple TV+. STAR TREK: PICARD Directors: Douglas Aarniokoski, Hannelle M. Culpepper, Johnathan Frakes and Maja Vrvilo. Producers: Michael Chabon, James Duff and Akiva Goldsman. Starring: Patrick Stewart, Santiago Cabrera and Isa Briones. CBS. PERRY MASON Director: Timothy van Patten. Producer: Peter Feldman. Starring: Matthew Rhys, Eric Lange and Tatiana Maslany. HBO. THE HUNT Director: Craig Zobel. Producers: Jason Blum and Damon Lindelof. Starring: Emma Roberts, Justin Hartley and Betty Gilpin. Universal Pictures. $1 Director: Craig Zobel. Producer: Alexandre Dauman, Matt DeRoss, Jason Mosberg, Craig Zobel Starring: John Carroll Lynch, Leslie Odom Jr. Nathaniel Martello-White Anonymous Content / CBS WESTWORLD Directors: Lisa Joy. Producer: J.J. Abrams, Bryan Burk, Lisa Joy, Jonathan Nolan Starring: Evan Rachel Wood, Thandie Newton, James Marsden, Ed Harris, Anthony Hopkins Warner Bros. Kilter Films, Bad Robot, Jerry Weintraub Productions Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 DARRAN TIERNAN Contd … 2 DESIGNATED SURVIVOR Directors: Mike Listo and Frederick E. O. Toye. Producers: Michael Russell Gunn, Richard Klein and Dana Ledoux Miller. Starring: Kiefer Sutherland, Natasha McElhone, Kal Penn, Maggie Q, Adan Canto and Italia Ricci. Netflix. AMERICAN GODS Directors: Craig Zobel, Vincenzo Natali, Adam Kane and Floria Sigismondi. Producer: Mark O’Neill. Starring: Emily Browning, Gillian Anderson and Ian McShane. Freemantle Media North America / Starz! CONVICTION (Pilot) Director: Liz Friedlander. -
L3702 LETHAL WEAPON 2 (USA, 1989) (Other Titles: Arma Lethale 2; Arme Fatale 2; Brennpunkt L.A.; Dodbringende Veben 2)
L3702 LETHAL WEAPON 2 (USA, 1989) (Other titles: Arma lethale 2; Arme fatale 2; Brennpunkt L.A.; Dodbringende veben 2) Credits: director, Richard Donner ; writer, Jeffrey Boam. Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland. Summary: Police thriller set in contemporary Los Angeles. Detectives Riggs (Gibson) and Murtaugh (Glover) must guard a free-wheeling witness (Pesci) in a drug money laundering scheme run by South African diplomats. A comedy of car chases, gun battles, and under-water escapes. Ansen, David. “The arts: Movies: Gibson and Glover return: ‘Lethal weapon 2’ serves up sadism with a smile” 114 Newsweek (Jul 17, 1989), p. 53. [Reprinted in Film review annual 1990] Avins, Mimi. “Shot by shot” Premiere 2/12 (Aug 1989), p. 72-6. Baumann, Paul D. “Screen: Scorching the screen” Commonweal 116 (Oct 6, 1989), p. 529-30. Blair, Iain. “Movies: Mel’s lethal appeal: He’s got killer looks, but shucks, Gibson’s just one of the guys” Chicago tribune (Jul 9, 1989), Arts, p. 4. Blois, Marco de. “Lethal weapon II” 24 images 44-45 (autumn 1989), p. 109. Broeske, Pat H. “A high-caliber Danny Glover” Los Angeles times (Jul 11, 1989), Calendar, p. 1. “Business: Talk about placements” Newsweek 114 (Jul 31, 1989), p. 50. Carr, Jay. “Three stooges with guns” Boston globe (Jul 7, 1989), Arts and film, p. 41. Christensen, Johs H. “Dodbringende veben 2” Levende billeder 5 (Sep 1989), p. 47. Clark, Mike. “‘Lethal 2’ is loaded with bang and blanks” USA today (Jul 7, 1989), p. 1D. Cliff, Paul. “Movie trax” Film monthly 1 (Dec 1989), p. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Exploring Movie Construction & Production
SUNY Geneseo KnightScholar Milne Open Textbooks Open Educational Resources 2017 Exploring Movie Construction & Production: What’s So Exciting about Movies? John Reich SUNY Genesee Community College Follow this and additional works at: https://knightscholar.geneseo.edu/oer-ost Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Reich, John, "Exploring Movie Construction & Production: What’s So Exciting about Movies?" (2017). Milne Open Textbooks. 2. https://knightscholar.geneseo.edu/oer-ost/2 This Book is brought to you for free and open access by the Open Educational Resources at KnightScholar. It has been accepted for inclusion in Milne Open Textbooks by an authorized administrator of KnightScholar. For more information, please contact [email protected]. Exploring Movie Construction and Production Exploring Movie Construction and Production What's so exciting about movies? John Reich Open SUNY Textbooks © 2017 John Reich ISBN: 978-1-942341-46-8 ebook This publication was made possible by a SUNY Innovative Instruction Technology Grant (IITG). IITG is a competitive grants program open to SUNY faculty and support staff across all disciplines. IITG encourages development of innovations that meet the Power of SUNY’s transformative vision. Published by Open SUNY Textbooks Milne Library State University of New York at Geneseo Geneseo, NY 14454 This book was produced using Pressbooks.com, and PDF rendering was done by PrinceXML. Exploring Movie Construction and Production by John Reich is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Dedication For my wife, Suzie, for a lifetime of beautiful memories, each one a movie in itself. -
First Friday News & Views
MARCH 2007 First Friday VOLUME 12 News & Views ISSUE 3 THE MONTHLY NEWSLETTER OF THE A Haggard Miracle FIRST FRIDAY by Jonathan Wilson BREAKFAST CLUB, INC. fter three weeks of intense counseling, the not-so-Reverend Ted Haggard would have folks believe he’s 100% heterosexual. If such success is to be be- lieved, his counselors have something they need to take on the road. I think INSIDE Ted’ll be an excellent show pony so long as they keep him on a short leash and away from temptation. They dare not turn their backs on him. “Dreamgirls” Movie Re- 2 view by Gary Kaufman When interviewed, even the head of Exodus International, a group that touts the idea that homosexuality can be “cured,” doubted Ted’s conversion. No matter that the knowledgeable, even those who want to believe, doubt the account. We need to keep in mind the audience Hag- February Speaker Review 3 by Bruce Carr gard is playing to. These are people who profess to believe the earth is about 6000 years old; Methuselah lived 900 years; Jonah lived seven days in the belly of a whale, and survived; and Jesus was born of a virgin and went on to walk on water, turn water into wine, raise the dead, Briefs & Shorts 3 cure leprosy, and restore sight to the blind. In the ranks of the gullible, these folks are the crème From the Editor 4 de la crème. For them, Haggard’s conversion from gay to straight in record time would be no more than a minor miracle.