PHOTOGRAPHIES Paris, 29 Juin 2021

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PHOTOGRAPHIES Paris, 29 Juin 2021 PHOTOGRAPHIES Paris, 29 juin 2021 9 AVENUE MATIGNON 75008 PARIS PHOTOGRAPHIES VENTE 29 juin 2021 - 16h 9, avenue Matignon 75008 Paris EXPOSITION PUBLIQUE Samedi 26 juin 10h - 18h Dimanche 27 juin 14h - 18h Lundi 28 juin 10h - 18h Mardi 29 juin 10h - 16h COMMISSAIRE-PRISEUR Camille de Foresta couverture lot 92 deuxième de couverture lot 45 CODE ET NUMÉRO DE VENTE quatrième de couverture lot 10 Pour tous renseignements ou ordres d’achats, veuillez rappeler la référence 20077 – FANNIE CONDITIONS DE VENTE La vente est soumise aux conditions générales imprimées en fin de catalogue. Il est vivement conseillé aux acquéreurs potentiels de prendre connaissance des informations importantes, AVERTISSEMENT avis et lexique figurant également en fin de catalogue. Ce catalogue contient des images susceptibles de heurter The sale is subject to the Conditions of Sale printed at the end of the catalogue. Prospective buyers are kindly advised to read as well the important information, notices and explanation la sensibilité des mineurs. of cataloguing practice also printed at the end of the catalogue. WARNING Certains lots ne sont pas vendus encadrés, merci de consulter le rapport de condition. This catalog contains images Unless otherwise stated in the condition report, all works are sold unframed. that are potentially harmfull to minors. Le département remercie Morgane Cornu pour son aide précieuse. Veuillez noter que Christie’s Paris sera exceptionnellement fermé au public le jeudi 1er Juillet 2021. Nos équipes vont accueilleront de nouveau dès le 2 juillet aux horaires habituels. Participez à cette vente avec Enregistrez-vous sur www.christies.com jusqu’au 29 juin à 8h30 CHRISTIE’S FRANCE SNC Agrément no. 2001/003 Consultez le catalogue et les résultats CONSEIL DE GÉRANCE de cette vente en temps réel sur votre Cécile Verdier, Gérant iPhone, iPod Touch ou iPad Julien Pradels, Gérant François Curiel, Gérant 1 CHRISTIE’S FRANCE INFORMATIONS POUR LA VENTE Élodie Morel-Bazin Jude Hull Directrice du département, Spécialiste senior Europe Directrice de la vente Tel: +33 (0) 1 40 76 84 16 Tel: +44 (0) 20 7389 2315 [email protected] [email protected] CÉCILE VERDIER JULIEN PRADELS Présidente Directeur Général [email protected] [email protected] Tél: +33 (0)1 40 76 85 59 Tél: +33 (0)1 40 76 85 64 Léa Miranda Nathalie Hammerschmidt Valentine Legris Catalogueur Contact acheteur Contact vendeur +33 (0)1 40 76 84 41 +33 (0)1 40 76 83 61 +33 (0)1 40 76 86 25 [email protected] [email protected] [email protected] ANIKA GUNTRUM PIERRE MARTIN-VIVIER SIMON DE MONICAULT Vice Présidente, Directrice Internationale, Vice Président, Deputy Chairman, Vice Président, Directeur International, INTERNATIONAL Art Impressionniste et Moderne Arts du XXe siècle Arts décoratifs [email protected] [email protected] [email protected] Tél: +33 (0)1 40 76 83 89 Tél: +33 (0)1 40 76 86 27 +33 (0)1 40 76 84 24 SERVICES POUR CETTE VENTE, PARIS Darius Himes Rebecca Jones Joslin Van Arsdale Directeur International Spécialiste Spécialiste Tel: +1 212 636 2326 ORDRES D’ACHAT RELATIONS CLIENTS SERVICES APRÈS-VENTE du département Tel: +1 212 636 2567 Tel: +1 212 636 2324 [email protected] [email protected] ET ENCHÈRES CLIENT ADVISORY POST-SALE SERVICES [email protected] TÉLÉPHONIQUES Fleur de Nicolay Isabelle Feng ABSENTEE AND [email protected] Coordinatrice d’après-vente TELEPHONE BIDS Tél: +33 (0)1 40 76 85 52 Paiement, Transport et Retrait des lots Payment, shipping and collections Tél: +33 (0)1 40 76 84 13 RÉSULTATS DES VENTES Tél: +33 (0)1 40 76 84 10 Fax: +33 (0)1 40 76 85 51 SALES RESULTS Fax: +33 (0)1 40 76 84 47 christies.com Paris : +33 (0)1 40 76 84 13 [email protected] Londres : +44 (0)20 7627 2707 SERVICES À LA CLIENTÈLE New York : +1 212 452 4100 BUSINESS MANAGER Philippe Garner Matthieu Humery CLIENTS SERVICES christies.com Virginie Dulucq Consultant Consultant [email protected] +44 207 389 2853 Tél: +33 (0)1 40 76 85 85 [email protected] Fax: +33 (0)1 40 76 85 86 Crédits photographiques : Juan Cruz Ibañez, Nina Slavcheva, Marina Gadonneix, Anna Buklovska, Guillaume Onimus, Studio Shapiro, Emilie Lebeuf Maquette : Aurélie Ebert 2 3 TOM FELS Les cyanotypes de Tom Fels sont issus d’un long engagement Tom Fels’ cyanotypes stem from a lengthy engagement with a personnel envers un sujet : les ombres d’un arbre de son single subject: the shadows cast on his house by a tree in his jardin projetées sur sa maison. Il tente d’abord de capturer ces garden. Initially attempting to capture these shadows through dernières par le biais de dessins au crayon et de photographies, pencil drawings and photographs, this did not satisfy him, and sans en être jamais satisfait. La découverte du papier cyanotype the discovery of the availability of large-scale cyanotype paper en grand format s’impose alors comme une évidence et lui fait took the experience in a new direction. prendre un tout autre tournant dans son travail d’expérimentation Cyanotypes are cameraless photographs. There is no negative; avec les ombres. λ1 ■ƒ2 each is unique. The prints are life-sized, 1:1 scale renderings WALEAD BESHTY (NÉ EN 1976) PROVENANCE: TOM FELS (NÉ EN 1946) Les cyatonypes sont des photographies sans appareil photo. of their natural subject matter, obtained directly, outdoors. Untitled Fold, 2007 China Art Objects Galleries, Los Angeles Catalpa 9-16-19 —1,2,6, 2019 Il n’y a pas de négatif, chaque tirage est unique. Ils sont grandeur The result of a technical process dependent on light and Acquis directement auprès de celle-ci nature, à l’échelle 1 : 1 de leur sujet et sont obtenus directement, chemistry alone, Fels has said “they can be regarded on one tirage chromogénique, monté sur support par le propriétaire actuel, en 2011 tryptique de cyanotypes cartonné initiales ‘T. F.’ et daté au crayon (chaque verso) en extérieur. Ils sont le résultat d’un processus technique qui level as simply unmanipulated records of the organic world, annoté 'WB 27587' au crayon (montage, verso) CHROMOGENIC PRINT, MOUNTED ON chaque image/feuille : 91 x 60 cm. (35æ x 23¬ in.) utilise uniquement de la lumière et de la chimie. Fels déclare : on another they are richly suggestive, capturing a deeply image/feuille : 25.3 x 20.2 cm. (10 x 8 in.) BOARD; ANNOTATED 'WB 27587' IN PENCIL ensemble : 99.6 x 205.8 cm. (39º x 81 in.) « ils peuvent être considérés d’une part comme de simples evocative sense of motion and form.” Cyanotype is a medium montage : 35.8 x 30.5 cm. (14 x 12 in.) (MOUNT, VERSO) Cette œuvre est unique. Cette œuvre est unique. enregistrements non manipulés du monde organique, et d’autre with which Fels was familiar through his work with 19th century €4,000-6,000 US$4,900-7,300 €5,000-7,000 US$6,200-8,600 £3,500-5,200 part comme des images très suggestives et profondément photographs as an independent curator and writer specialising £4,400-6,100 évocatrices, presque sensorielles, du mouvement et de la forme ». in American culture, photography, and art. He has collaborated CYANOTYPE TRIPTYCH; INITIALLED ‘T. F.’ AND Le cyanotype est un medium que connait bien Tom Fels grâce with a number of museums, including the Canadian Centre for DATED IN PENCIL (EACH VERSO); THIS WORK IS UNIQUE à son travail sur la photographie du XIXe siècle en tant que Architecture, the J. Paul Getty Museum, and the Metropolitan conservateur et écrivain indépendant, spécialisé dans la culture Museum of Art. américaine, la photographie et l’art. Il collabore avec un certain nombre de musées comme le Centre Canadien d’Architecture, le J. Paul Getty Museum ainsi que le Metropolitain Museum of Art. PHOTOGRAPHIES λ3 ADAM BROOMBERG & OLIVER CHANARIN (NÉS EN 1970 & 1971) Magic and the State 8, 2012 unique photocollage de 2 tirages argentiques découpés, monté sur support cartonné annoté 'A+0 41881' au crayon (montage, verso); signé à l’encre rouge par L’Estate Broomberg & Chanarin sur certificat d'authenticité portant le titre et la date image : 18.7 x 28 cm. (7¡ x 10√ in.) feuille : 20 x 29 cm. (7√ x 11¡ in.) montage : 25 x 34 cm. (9√ x 13¡ in.) Cette œuvre est unique. €3,000-5,000 US$3,700-6,100 £2,600-4,300 PROVENANCE: Paradise Row, Londres Acquis directement auprès de celle-ci par le propriétaiure actuel, en 2012 UNIQUE PHOTOCOLLAGE OF TWO GELATIN SILVER PRINTS, MOUNTED ON BOARD; ANNOTATED 'A+O 41881' IN PENCIL (MOUNT, VERSO); SIGNED IN RED INK BY 'ESTATE BROOMBERG & CHANARIN', TYPED TITLE AND DATE ON ACCOMPAGNING CERTIFICATE OF AUTHENTICITY ƒλ4 AWOISKA VAN DER MOLEN (NÉE EN 1972) #381-14, 2015 tirage argentique signé, titré, daté, numéroté ‘3/7’ et annoté ‘hand print by artist’ à l’encre sur une étiquette (dos du cadre) image/feuille : 47 x 58.7 cm. (18Ω x 23¿ in.) Ce tirage est le numéro trois d'une édition de sept exemplaires. €2,000-3,000 US$2,500-3,700 £1,800-2,600 PROVENANCE: Artiste Purdy Hicks Gallery, Londres Acquis directement auprès de celle-ci par le propriétaire actuel GELATIN SILVER PRINT; SIGNED, TITLED, DATED, NUMBERED ‘3/7’ AND ANNOTATED ■λ5 ‘HAND PRINT BY ARTIST' IN INK ON A LABEL ADAM FUSS (NÉ EN 1961) PROVENANCE: (FRAME BACKING BOARD) Untitled, 2006 Galerie Daniel Blau, Munich Acquis directement auprès de celle-ci photogramme Cibachrome, monté par le propriétaire actuel, en 2009 signé des initiales 'AF' et annoté '3915' au crayon (dos du cadre) UNIQUE CIBACHROME PHOTOGRAM, image/feuille : 100.5 x 75.5 cm.
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