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SILENT FILM with the Mighty Wurlitzer Organ and Sound Effects

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SILENT FILM with the Mighty Wurlitzer Organ and Sound Effects SILENT FILM with the Mighty Wurlitzer Organ and Sound Effects Alice’s Egg Plant Alice the Peacemaker Steamboat Willie Walt Disney Monday, February 22 at 11:00am The Paramount Theatre WELCOME LETTER Dear Educator, Thank you for choosing the Silent Film and Mighty Wurlitzer Lecture Demonstration at The Paramount as one of your student field trips. In this teacher guide you will find information about the history of The Paramount Theatre, the Mighty Wurlitzer Organ, Walt Disney and more! For those who wish to participate, we will have a costume contest, those who dress up as a Newsboy/Newsgirl, Mickey or Minnie will receive a prize! We hope your students join the dress up fun! Here is a little information about the films- Alice’s Egg Plant is the story of a young girl trying to fulfill an egg order, but she encounters chicken’s on strike. Alice the Peacemaker, is the story of two newsboys who can’t seem to get along, young Alice tries to help ease the tension and form a friendship between the newsies. Steamboat Willie, the film that made Mickey Mouse famous is the story of a mouse pretending to be a steamboat captain who starts playing music using objects and things surrounding him. I sincerely hope you enjoy the films as much as I have! Let’s keep history alive by teaching our future generations about the beauty of silent treasures! For student matinee or study guide questions, please feel free to contact me directly at [email protected]. Marisol Best STG’s Education Programs Manager 206.467.5510 x 1127 ABOUT SEATTLE THEATRE GROUP STG Mission: Making performances and arts education in the Pacific Northwest enriching, while keeping Seattle's historic Paramount, Moore and Neptune Theatres healthy and vibrant. About Education: Seattle Theatre Group Education and Community programs extend beyond the Paramount, Moore and Neptune Theatre stages and into the lives of the greater Seattle community. Each season, STG offers over 800 education engagements impacting over 42,000 students and community members from diverse ages and backgrounds. These programs: DEEPEN significance to performances through opportunities to engage with artists. INSPIRE youth and local artist through training and performance opportunities. PROVIDE exposure to the arts through access initiatives. SILENT FILM The dawn of silent films went hand-in-hand with the rising popularity of vaudeville entertainment in the 1920’s. Vaudeville shows consisted of a wide variety of random acts including music, dance, comedy, feats of acrobatic strength, magic shows, and eventually short movies. As these short films gained popularity among audiences, they became longer and more polished. They developed more complex storylines, characters, settings and costumes. Filmmakers soon realized that without sound to accompany the film, the use of live music provided by an organ could serve as a voice to tell the story. A talented organist would create mood and atmosphere with his music, and the organs were equipped with realistic sound effects to bring certain elements of the story to life. Because there was no spoken dialogue, titles would appear onscreen in the middle of a scene to explain the action or present the dialogue to be read by the audience. Without the use of their voices, actors would have to use expressive body language and facial gestures to tell their story. By the end of the 1920’s, when technical advancements made “talking pictures” possible, silent films soon disappeared as an art form. MIGHTY WURLITZER ORGAN (PAGE 1) The Paramount’s Mighty Wurlitzer organ harkens back to Seattle’s role as a hub of vaudeville entertainment during the 1920’s. Built in 1927 at a cost to the theatre of $46,500, the organ was used to accompany live vaudeville performances as well as to provide the soundtrack to silent films. At one time, pipe organs were considered standard equipment in all theatres showing silent movies in the 1920’s. Today, the Paramount Wurlitzer remains the only organ still playing in its original home. (continue next page) MIGHTY WURLITZER ORGAN (PAGE 2) Organs such as the Wurlitzer are built very differently from church or concert-hall organs, because they serve a different purpose. They can produce a much wider variety of sounds - including realistic sound effects such as train whistles, birdcalls, thunder, and horse hoofs – in order to accompany the movie. In effect, the organist must help tell the story and bring a silent film to life with the instrument. For more info on the organ, click here. Photo by BOB CERELLI Today, the Wurlitzer organ is regularly featured as the star of the Paramount Theatre’s Silent Movie Mondays series. Restoration on the organ is ongoing, and the instrument is currently cared for and maintained by the Puget Sound Theatre Organ Society. Check out this video about the Paramount’s Mighty Wurlitzer organ on STGtv. Click here. TEDDE GIBSON ORGANIST Tedde Gibson is one of a few musicians able to play not only classical and theatre pipe organ, but also jazz and gospel organ on the Hammond and piano. He integrates all of these styles into his playing of the Wurlitzer theatre pipe organ and classical pipe organ which for him are the ultimate vehicles to showcase his talents. A native of Tacoma, Washington, Tedde began playing piano at age four. He later studied pipe organ with the late Dr. Edward Hansen, president of the American Guild of Organists and organ professor at the University Of Puget Sound (UPS). He also studied piano and has studied classical improvisation While attending UW, he studied pipe organ. Tedde has also coached with international theatre organists. He is able to play not only classical and theatre pipe organ, but also jazz and gospel organ on the Hammond and piano. He integrates all of these styles into his playing of the Wurlitzer theatre pipe organ and classical pipe organ which for him are the ultimate vehicles to showcase his talents. PAUL HANSEN SOUND EFFECTS Paul has been active as one of the top percussionists in Seattle's music and theater circles for thirty years, having performed with many popular talents such as Johnny Mathis, Quincy Jones, Idina Menzel, and Michael Feinstein to name just a very few. As a concert musician he performs regularly with the Seattle Symphony Orchestra, the Pacific Northwest Ballet and Auburn Symphony. In Musical Theater he has been a mainstay in Seattle's top pit orchestras at the Paramount and Fifth Avenue Theaters with over 120 musicals to his credit, and is a busy recording musician in jingles, and film soundtracks. He has also composed film and stage scores for his wife, filmmaker and director Janice Findley. THE PARAMOUNT THEATRE During the “Roaring Twenties,” particularly before the first “talkies” were invented in 1927, vaudeville and silent movies were the dominant form of national and local entertainment. Seattle alone had more than 50 movie palaces, the finest grouped together on 2nd Avenue. On March 1, 1928, Seattle Theatre opened. Since 2002, the not-for-profit organization, Seattle Theatre Group, has operated The Paramount Theatre and continues to ensure the theater is kept alive and vibrant. THE PARAMOUNT THEATRE What The Paramount Theatre looks like today. Photo by BOB CERELLI ABOUT ALICE SHORTS Disney's Alice Comedies were a series of short films released during the 1920s. They featured Alice and Julius (a cat) in a cartoon world. These shorts were produced by Walt Disney through Laugh-O-Gram studios, produced in Kansas City. Unfortunately in 1923, the company filed for bankruptcy. Fifty-six Alice Comedies were produced between 1923 and 1927. By the time Alice the Peacemaker was in production in 1924, Disney had built a studio staff that included animators and camera crew. Over the years 4 different young actresses - Virginia Davis, Dawn O'Day, Margie Gay, and Lois Hardwick - portrayed Alice. Virginia Davis, from Kansas City, first began working for Walt when she was just 6-years-old. She appeared in the first 13 titles of the Alice Comedies. She became a Disney Legend in 1998. Alice Comedies proved to be a major stepping stone in Walt’s career. WALT DISNEY Walter Elias "Walt" Disney was born on December 5, 1901, in Hermosa, Illinois. He and his brother Roy co- founded Walt Disney Productions, which became one of the best-known motion-picture production companies in the world. Disney was an innovative animator and created the cartoon character Mickey Mouse. He won 22 Academy Awards during his lifetime, and was the founder of theme parks Disneyland and Walt Disney World. Disney was in High School when he started attending the Chicago Art Institute. When Disney was 16, he dropped out of school to join the Army but was rejected for being underage. Instead, he joined the Red Cross and was sent to France for a year to drive an ambulance. When Disney returned from France in 1919, he moved back to Kansas City to pursue a career as a newspaper artist. His brother Roy got him a job at the Pesmen-Rubin Art Studio, where he met cartoonist Ubbe Eert Iwerks, better known as Ub Iwerks. During this time, Walt started exploring with his own animation business. While working in an ad he met and recruited Fred Harman, as his first employee. WALT DISNEY’S LIFE In 1923, however, the studio had become burdened with debt, and Disney was forced to declare bankruptcy. Disney and his brother Roy soon pooled their money and moved to Hollywood. Iwerks also relocated to California, and there the three began the Disney Brothers' Studio. During this time, they invented Oswald the Lucky rabbit which unfortunately the rights were stolen by two past acquaintances.
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