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  • Commemorazione Di Vera Brittain
    c/o Urban Center , Piazzetta Rossi Thiene sede legale: Piazzetta Ferrarin 1, 36016 Thiene Tel. 0445 804837 - fax 0445 804999 e-mail: [email protected] c.f. 03018920243 - c/c postale n.42840090 www.pedemontanavicentina.com Commemorazione di Vera Brittain Grande pacifista d'Europa le cui ceneri sono sparse nel cimitero di guerra britannico di Granezza (Lusiana) La manifestazione che segnerà l'avvio delle successive attività di celebrazione della Grande Guerra nel territorio della Pedemontana Veneta. LA VITA Grande pacifista d'Europa, Vera Brittain nacque il 29 dicembre 1883 a Newcastle-under- Lyme in Inghilterra. Dopo aver iniziato gli studi ad Oxford, incapace di stare a guardare attendendo con angoscia il susseguirsi degli eventi bellici da poco scopiati, come moltre altre giovani donne, sentì il bisogno di impegnarsi in prima persona e, in seguito all'arruolamento dell'amato fratello Edward e del fidanzato Roland Leighton, nel 1915 lasciò gli studi per arruolarsi come infermiera volontaria nel Voluntary Aid Detachment (V.A.D.) e portare il proprio aiuto ai numerosi soldati britannici impegnati al fronte. Dopo la morte del fidanzato Ronald, unitosi al Reggimento Worcestershire, ancor più dura fu pe Vera la morte di Edward, avvenuta in battaglia il 15 giugno 1918. Rimasta praticamente sola dopo un susseguirsi di perdite degli affetti a lei più cari, la scrittrice decise di pubblicare i diari personali e le lettere scambiate con il fratello durante la fitta corrispondenza che i due mantennero nell'arco del conflitto, ricchi di testimonianze sugli sconvolgenti anni della Prima Guerra Mondiale. E proprio queste testimonianze fecere di lei una delle scrittrici più amate di sempre nel mondo anglosassone, il cui nome si lega alla celebre opera del 1933, Testament of Youth e dov'è possibile scorgere anche le difficoltà incontrate dalla scrittrice nel ritornare alla qutidianità dopo i duri anni del conflitto.
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  • Was a Close Friend of Vera Brittain (1893-1970) from 1942 Until the End of Her Life
    VERA BRITTAIN/PAUL BERRY Archive The writer and lecturer Paul Berry (1919-99) was a close friend of Vera Brittain (1893-1970) from 1942 until the end of her life. She appointed him a literary executor, and he later became one of her authorised biographers. This collection comprises his correspondence with VB, and a wide-ranging and varied archive of material gathered and collated by Berry and Mark Bostridge in preparation of their Vera Brittain: A Life (Chatto & Windus, 1995). Berry bequeathed the collection to Somerville College, where Brittain was an undergraduate from 1914-15 & 1919-21. Below is a summary of the collection’s contents; a full catalogue is available on request. Index, by Box number: 1 Vera Brittain-Paul Berry: original letters 1942-60, with P B’s commentary. 2 As above, 1961-9. 3 Vera Brittain-Edith Brittain (her mother): original letters, 1902-21; photocopies of correspondence involving VB & her brother Edward (1913 & 1918), her daughter Shirley Williams (1952-7), her fiancé Roland Leighton (1914), and his sister Clare (1918-35). Misc. Brittain/Bervon (VB’s maternal grandparents)/Catlin (VB’s husband) family documents, including copies of birth, marriage & death certificates, and family trees. 4 Vera Brittain-George Catlin: photocopies of letters 1924-65, with PB’s commentary. 5 George Catlin: original letters GC-PB 1967-78, typed copies PB-GC, 1968-78; misc biographical material, including a photographic portrait by Karsh. 6-10 Vera Brittain’s Diaries: photocopies from 1911, 1939, 1940, 1941, 1942, 1943, 1944-5; photocopies from diaries 1939-68; edited typescripts of World War One Diary & Diary of the Thirties.
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  • Testament of Youth
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    2 Emotional partings Bidding farewell to his older brother as he embarked on the first stage of his journey to the Western Front was, according to Pat Campbell, ‘the unhappiest parting I have ever experienced’. Only on the cusp of leave-taking did Pat appreciate the enormity of what his brother faced. Nearly sixty years later, the sight of a departing train still had the power to disturb him.1 Trauma experts Charles Figley and William Nash assert that deployment to the war zone is a ‘transformative process’ for everyone involved.2 Even the familiar terrain of the railway platform took on a heightened intensity amid the whirlwind of mobilisation. Strangers joined with intimates to see off loved ones. Such moments can be seen as theatre or specta- cle, belying their emotional import as testified by their prevalence in sibling narratives.3 Caught up in the initial novelty, siblings expe- rienced and recorded a range of emotional responses. As the war progressed, the cumulative effects of saying goodbye took their toll on those left at home. Sibling narratives reveal varied responses to appeals to serve their country, supplementing existing evidence challenging the myth of war enthusiasm.4 Bewilderment and dread were common emotions, in stark contrast to the jingoism that greeted the Boer War.5 Nicola Martin challenges the chronology of the reconceptualisation of heroic masculinity, arguing that this underwent a sea-change long before the Armistice.6 Fraternal narratives offer up an even earlier starting point. From the outset, men’s fears for their brothers’ and their families’ wellbeing and economic prosperity present a more nuanced picture of masculinity.
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  • Vera Brittain-Paul Berry Index
    VERA BRITTAIN/PAUL BERRY Archive The writer and lecturer Paul Berry (1919-99) was a close friend of Vera Brittain (1893-1970) from 1942 until the end of her life. She appointed him a literary executor, and he later became one of her authorised biographers. This collection comprises his correspondence with VB, and a wide-ranging and varied archive of material gathered and collated by Berry and Mark Bostridge in preparation of their Vera Brittain: A Life (Chatto & Windus, 1995). Berry bequeathed the collection to Somerville College, where Brittain was an undergraduate from 1914-15 & 1919-21. Below is a summary of the collection’s contents; a full catalogue is available on request. Index, by Box number: 1 Vera Brittain-Paul Berry: original letters 1942-60, with P B’s commentary. 2 As above, 1961-9. 3 Vera Brittain-Edith Brittain (her mother), photocopies of correspondence 1902-21; photocopies of correspondence involving VB & her brother Edward (1913 & 1918), her daughter Shirley Williams (1952-7), her fiancé Roland Leighton (1914), and his sister Clare (1918-35). Misc. Brittain/Bervon (VB’s maternal grandparents)/Catlin (VB’s husband) family documents, including copies of birth, marriage & death certificates, and family trees. 4 Vera Brittain-George Catlin: photocopies of letters 1924-65, with PB’s commentary. 5 George Catlin: original letters GC-PB 1967-78, typed copies PB-GC, 1968-78; misc biographical material, including a photographic portrait by Karsh. 6-10 Vera Brittain’s Diaries: photocopies from 1911, 1939, 1940, 1941, 1942, 1943, 1944-5; photocopies from diaries 1939-68; edited typescripts of World War One Diary & Diary of the Thirties (ed.
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  • MEMORIAL TEXT NARRATIVES in BRITAIN C.1890-1930
    MEMORIAL TEXT NARRATIVES IN BRITAIN c.1890-1930 by SONIA LETITIA BATTEN A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Medieval and Modern History School of Historical Studies The University of Birmingham March 2011 ABSTRACT This thesis seeks to explore the memorial texts that developed as a result of the First World War, composed primarily by those whose sons, husbands and fathers had died between 1914 and 1918. Visitors to the military cemeteries of the First World War are interested to read the inscriptions left by the bereaved at the foot of individual headstones, yet this aspect of post-war commemoration is still largely unexplored. This thesis seeks to explore these responses: by considering the process through which the bereaved were permitted to select inscriptions, the sources from which they derived consolation, and the narratives that they pursued throughout the post-war period to 1930. Parallel to these permanent headstone inscriptions are considered the ephemeral commemoration of the newspaper in memoriam column, a source of material that has received scant attention but which promises a rich glimpse into the conventions of early-twentieth-century mourning – conventions which are still resonant almost a century after the First World War broke out. To contextualise post- war responses, the thesis introduces commemorative practices used to remember those who died in the South African War and in the sinking of the Titanic, many of which were used again in the aftermath of 1918. ACKNOWLEDGEMENTS I would like to thank the following individuals and members of the following institutions for their help and advice.
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  • INTERVIEW DISCURSO DIRECTO Roland Leighton in Uniform, Taken in 1915 by an Unknown Photographer
    INTERVIEW DISCURSO DIRECTO Roland Leighton in uniform, taken in 1915 by an unknown photographer. From David Leighton’s family papers Roland Leighton as Man and Poet1 Interview with David Leighton Interviewer: Paula Campos Fernández London, 24th March, 2017 oland Aubrey Leighton was born in London in 1895. He grew up in an active literary environment, as he was the adored son of R Robert Leighton, a writer of adventure stories, and Marie Connor Leighton, a successful romance novelist. At Uppingham School in Rutland, he edited the school magazine, where he published his first poems, won the Classic prizes, and was later to become a quartermaster sergeant in the Officer’s Training Corps. During his time at Uppingham he met those who would become his closest friends: Edward Brittain and Victor Richardson. It was also in those days that he met Edward’s sister, Vera Brittain, the well- known pacifist and feminist writer, who would later become his fiancée. In 1914, Roland was awarded the Classical Postmastership at Oxford. But the Great War broke out and, like so many of his generation, instead of continuing his studies he volunteered for the army at the first opportunity and was eventually posted to France in early 1915. Of those who had been school prefects with him in 1914, only one quarter survived a further two years. During his time at the front he exchanged a great number of letters with Vera, where they discussed British society, the war and literature. Some of his poems were included in the correspondence sent to Vera. On 23 December 1915 Roland died of wounds in Louvencourt, France, after 1 My interest in Roland Leighton started in the early summer of 2016, when I discovered his poetry.
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  • Vera Brittain: the Work of Memorial in an Age of War
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  • 4A1: the Great War and Modern Homosexuality
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