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SANDRA HERNANDEZ Costume Designer sandrahernandezcostumes.com FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS BEYOND THE LIGHTS Gina Prince-Bythewood Matt Alvarez, Marc Ambrose / Relativity Gugu Mbatha-Raw, Minnie Driver, Danny Glover SON OF NO ONE Dito Montiel Brian Bell, Avi Lerner Channing Tatum, Al Pacino, Katie Holmes Nu Image / Millenium Films LOTTERY TICKET Erik White Tim Bourne, Matt Alvarez Ice Cube Cube Vision / Alcon Entertainment THE SECRET LIFE OF BEES Gina Prince-Bythewood Lauren Shuler-Donner, Mike Crawford Jennifer Hudson, Queen Latifah, Dakota Fanning Fox Searchlight NICK AND NORAH’S INFINITE PLAYLIST Peter Sollett Andrew Miano, Adam Brightman Michael Cera Depth of Field ONE MISSED CALL Eric Valette Scott Kroopf, Andrew Kosove Jennie Lew Tugend / Alcon EL CANTANTE Jennifer Lopez, Marc Anthony Leon Ichaso Simon Fields A GUIDE TO RECOGNIZING YOUR SAINTS Dito Montiel Lucy Cooper / First Look International Official Selection - Sundance Film Festival CARLITO’S WAY: THE BEGINNING Michael Bregman Martin Bregman Jay Hernandez, Mario Van Peebles, Luis Guzman EVERYDAY PEOPLE Lou Martini Jr. Jim McKay Effie Brown, Susan Stover / HBO Jordan Gelber/ Official Selection - Sundance Film Festival TH THE 25 HOUR Spike Lee Jon Kilik / Disney Edward Norton, Philip Seymour Hoffman PINERO Benjamin Bratt, Annabella Sciorra Leon Ichaso Greene Street Films / Miramax SAVE THE LAST DANCE Thomas Carter Robert Cort / Paramount Julia Stiles, Sean Patrick Thomas HE GOT GAME Spike Lee Jon Kilik / Touchstone Denzel Washington, Milla Jovovich GET ON THE BUS Charles Dutton, Ossie Davis Spike Lee Bill Borden / Sony Pictures GIRL SIX Spike Lee Jon Kilik / Fox Theresa Randle, Madonna, Isaiah Washington I LIKE IT LIKE THAT Griffin Dunne, Rita Moreno Darnell Martin Wendy Finerman / Columbia Pictures TELEVISION GUN HILL Pilot Reggie Blythewood Daniel Hank / BET MERCY Pilot Adam Bernstein Jim Bigwood / NBC QUEENS SUPREME Pilot Tim Robbins Jim Bigwood / CBS DISAPPEARING ACTS MOW Wesley Snipes Gina Prince-Bythewood Lydia Pilcher, Amy Herman / HBO THEATRE THIS IS HOW IT GOES by Neil LaBute George C. Wolfe Lincoln Center 2005 Ben Stiller, Amanda Peet, Jeffrey Wright COMMERCIALS Ms. Hernandez has worked on commercials such as Coors, Sprite, State Farm, K-Mart, Coca-Cola, Nike, ESPN, Bud Lite, Levi's, NFL, Taco Bell, Finish Line, NBA, Toyota, MSNBC, 30 Rock, Anti-Smoking PSA, Fuji, Chrysler, Life Savers, and Coinstar with Directors including Spike Lee, Jim Jenkins, Bryan Buckley, Cali Ameglio, and Luc Janin. .

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Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date Of
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MTV Studios to Reimagine “Celebrity Deathmatch” for a New Generation
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2017 Pioneer of the Year C H E R Y L B O O N E I S a A
1947 ADOLPH ZUKOR n 1948 GUS EYSSEL n 1949 CECIL B. DEMILLE n 1950 SPYROS P. SKOURAS n 1951 JACK, HARRY & ALBERT WARNER n 1952 NATE BLUMBERG n 1953 BARNEY BALABAN n 1954 SIMON FABIAN n 1955 HERMAN ROBBINS n 1956 ROBERT O’DONNELL n 1957 JOSEPH VOGEL n 1958 ROBERT BENJAMIN & ARTHUR B. KRIM n 1959 STEVE BROIDY n 1960 JOSEPH E. LEVINE n 1961 ABE MONTAGUE n 1962 MILTON RACKMIL n 1963 DARRYL F. ZANUCK n 1964 HAROLD J. MIRISCH n 1965 ROBERT O’BRIEN n 1966 WILLIAM R. FORMAN n 1967 LEONARD GOLDENSON n 1968 LAURENCE A. TISCH n 1969 HARRY BRANDT n 1970 IRVING H. LEVIN n 1971 SAMUEL Z. ARKOFF & JAMES H . NICHOLSON n 1972 LEO JAFFE n 1973 TED ASHLEY n 1974 HENRY MARTIN n 1975 E. CARDON WALKER n 1976 CARL PATRICK n 1977 SHERRILL C. CORWIN n 1978 DR. JULES STEIN n 1979 HENRY PLITT 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS n 1980 BOB HOPE n 1981 SALAH HASSANEIN n 1982 FRANK PRICE n 1983 BERNARD MYERSON n 1984 SIDNEY SHEINBERG n 1985 JOHN ROWLEY n 1986 MICHAEL FORMAN n 1987 FRANK G. MANCUSO n 1988 JACK VALENTI n 1989 ALLEN PINSKER n 1990 TERRY SEMEL n 1991 SUMNER REDSTONE n 1992 MIKE MEDAVOY n 1993 STANLEY DUR- WOOD n 1994 WALTER DUNN n 1995 ROBERT SHAYE n 1996 SHERRY LANSING n 1997 BRUCE CORWIN n 1998 BUD STONE n 1999 KURT C. HALL n 2000 ROBERT DOWLING n 2001 ROBERT REHME n 2002 JONA- THAN DOLGEN n 2003 MICHAEL EISNER n 2004 ALAN HORN n 2005– 2006 TRAVIS REID n 2007 JEFF BLAKE n 2008 MIKE CAMPBELL n 2009 MARC SHMUGER & DAVID LINDE n 2010 ROB MOORE n 2011 DICK COOK n 2012 JEFFREY KATZENBERG n 2013 KATHLEEN KENNEDY n 2014 TOM SHERAK n 2015 JIM GIANOPULOS n DONNA LANGLEY 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS 2017 PIONEER OF THE YEAR Welcome On behalf of the Board of Directors of the Will Rogers Motion Picture Pioneers Foundation, thank you for attending the 2017 Pioneer of the Year Dinner.
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A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Megan R. Brown December 2012 © 2012 Megan R. Brown. All Rights Reserved 2 This thesis titled A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation by MEGAN R. BROWN has been approved for the School of Film and the College of Fine Arts by Louis-Georges Schwartz Associate Professor of Film Studies Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT BROWN, MEGAN R., M.A., December 2012, Film Studies A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation (128 pp.) Director of Thesis: Louis-Georges Schwartz. This thesis traces machinima, films created in real-time from videogame engines, from the exterior toward the interior, focusing on the manner in which the medium functions as a tool for marginalized expression in the face of commercial and corporate inclusion. I contextualize machinima in three distinct contexts: first, machinima as historiography, which allows its minority creators to articulate and distribute their interpretation of national and international events without mass media interference. Second, machinima as a form of fan fiction, in which filmmakers blur the line between consumers and producers, a feature which is slowly being warped as videogame studios begin to incorporate machinima into marketing techniques. Finally, the comparison between psychoanalytic film theory, which explains the psychological motivations behind cinema's appeal, applied to videogames and their resulting machinima, which knowingly disregard established theory and create agency through parody.
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