Central Florida Future, Vol. 15 No. 29, May 13, 1983
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The Talk of the Town Continues…
The Talk of the Town continues… “Kay Thompson was a human dynamo. My brothers and I were constantly swept up by her brilliance. Sam Irvin has captured all of this in his incredible book. I know you will thoroughly enjoy reading it.” – DON WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “It’s an amazing book! Sam Irvin has captured Ms. T. to a T. I just re-read it and liked it even better the second time around.” – DICK WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “To me, Kay was the Statue of Liberty. I couldn’t imagine how a book could do her justice but, by golly, Sam Irvin has done it. You won’t be able to put it down.” – BEA WAIN, OF KAY THOMPSON’S RHYTHM SINGERS “Kay was the hottest thing that ever hit the town and one of the most captivating women I’ve ever met in my life. There’ll never be another one like her, that’s for sure. A thorough examination of her astounding life was long overdue and I can’t imagine a better portrait than the one Sam Irvin has written. Heaven.” – JULIE WILSON “This fabulous Kay Thompson book totally captured her marvelous enthusiasm and talent and I’m delighted to be a part of it. I adore the cover with enchanting Eloise and the great picture of Kay in all her intense spirit!” – PATRICE MUNSEL “Thank you, Sam, for bringing Kay so richly and awesomely ‘back to life.’ Adventuring with Kay through your exciting book is like time-traveling through an incredible century of showbiz.” – EVELYN RUDIE, STAR OF PLAYHOUSE 90: ELOISE “At Metro… she scared the shit out of me! At Paramount… while shooting Funny Face… I got to know and love her. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
GOP Attacks Dems' $1.9T COVID-19 Relief Bill from All Angles
Taste My Aruba: Friday Sustainable, February 12, 2021 Sea-to-table T: 582-7800 Savor www.arubatoday.com facebook.com/arubatoday instagram.com/arubatoday Page 10 Aruba’s ONLY English newspaper GOP attacks Dems’ $1.9T COVID-19 relief bill from all angles By A. FRAM, R. ALONSO- Democratic leaders hope ZALDIVAR and K. FREKING for House passage later Associated Press this month, with Senate ap- WASHINGTON (AP) — Re- proval and a bill on Biden’s publicans are attacking desk by mid-March. the Democrats’ $1.9 trillion “This is the moment,” said COVID-19 relief package Ways and Means Com- as too costly, economically mittee Chairman Richard damaging and overtly par- Neal, D-Mass., citing the tisan, an all-angles attempt pandemic’s human and to derail new President economic toll. Joe Biden’s top priority as As committees worked, it starts moving through a Republicans proposed Congress his party controls amendments spotlighting only narrowly.Four House what they see as the leg- committees worked Thurs- islation’s soft spots. Their day on their pieces of themes were clear: Demo- sweeping legislation that crats are overspending, would send $1,400 pay- hurting workers and em- ments to many Americans. ployers’ job markets, being It would also provide hun- too generous to some im- dreds of billions for state migrants, inviting fraud and and local governments rewarding political allies — and to boost vaccination allegations that Democrats efforts, raise tax credits dismiss as ludicrous. In this Feb. 9, 2021, photo, President Joe Biden meets with business leaders to discuss a coronavi- for children and increase rus relief package in the Oval Office of the White House in Washington. -
Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway As 1977'S
* * MEDIA ALERT * * MEDIA ALERT * * MEDIA ALERT * * May 3, 2017 Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway as 1977’s Blockbuster Action-Comedy Smokey and the Bandit Returns to U.S. Cinemas May 21 and 24 This Iconic Film Returns to Big Screens Nationwide for 40th Anniversary as Part of TCM Big Screen Classics Series WHAT: The summer of 1977 might be best known for a certain intergalactic adventure, but across the country the other summertime smash combined three things America couldn’t get enough of: Burt Reynolds, CB radio and Coors beer. Forty years later, Smokey and the Bandit makes its way back to movie screens nationwide for two days only on Sunday, May 21 and Wednesday, May 24 as part of the year-long TCM Big Screen Classics series from Turner Classic Movies and Fathom Events. This screening will also include specially- produced commentary from TCM host Ben Mankiewicz, both before and after the feature. “The Bandit” (Reynolds) has 28 hours to drive a truckload of Coors beer from Texarkana, Texas, to Atlanta – while doing everything he can to avoid the relentless pursuit of “Smokey,” aka Sheriff Buford T. Justice (Jackie Gleason), while accompanied by runaway bride “Frog” (Sally Field). But the story takes a backseat to the stunt-driven action of director Hal Needham, the still-sizzling on-screen chemistry of Reynolds and Field, and the good-ol’-boy antics of the film’s easy-going cast, including Jerry Reed, Paul Williams, Pat McCormick and Mike Henry. WHO: Fathom Events, Turner Classic Movies and Universal Pictures WHEN: Sunday, May 21, 2017; 2:00 p.m. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Wel·Come to Beverly
ailable now ... secretary ... for 24-hour-a-day duty ... 7 days a week ... no vacations ... salary $12.50 month ... never misses a call or forgets a message . This "Position Wanted" advertisement may sound SEPTEMBER, 1954 fantastic- but it's actually a factual description of new City in the Country by the Sea 2 automatic telephone answering equipment that's now Lowell's New Telephone Neighborhood 6 available. His Home in New Hampshire 8 This almost-human "secretary" is a wonderful Engineering Our RTS Program . 9 boon to the small bus.inessman or professional person Restoration Control Center 10 who needs to be in two places at once. For now, when he An Explosive Demonstration 12 has to leave his office unattended, he simply turns on his Whazzit? 12 automatic telephone answering device. It's equally valu New M icrowa.ve Tower . 12 able in the home: for the busy modern woman who's Blind Golf Tournament on TV 13 Engineering and Employment 13 very active in community affairs, or the business person Are You a Wise Guy About Fires? 14 whose residence is also an office. Here's what happens: W.E . ... Behind the New Sale~ Program 16 Incomjng calls are answered by his own voice e}Cplaining A New Star for Show Biz 17 that he is away and asking the caller to leave a message New Equipment for Answering Bureau 17 .. even telling when he'll be back or where he can be Bedridden Editor Uses Special Telephone 18 reached. Then ~he machine records the caller's message. -
83-072283.Compressed.Pdf
HE.;:~SHE I " PRESENTS AUGUST 23, 25 & 26 2631 RICHMOND HOUSTON OVER SI,500 IN CASH AND PRIZES FOR INFORMATION TELEPHONE: (713) 850-1007 \\911 CONTENTS -. ----- Volume 9, Number 18 July 22-28, 1983 11 TWTNEWS _ Domestic Privacy Ordinance, AIDS Breakthrough, AHRC Growth 23 COMMENT-------- _ Public Forum 29 PERSPECTlVE _ Good Lesbians and Betty Butch by 0 Flores Alvarez 33 BOOKS _ In Search of God in the Sexual Underworld Reviewed by David Fields 38 MOVIES _ Stayk19 Alive Reviewed by Harry Deutsch 40 SHOWBIZ _ Jacqueline Bisset, Burt Reynolds . by Weldon Grahame 43 ENTERTAINMENT- TEXAS _ Delio Stewart at the Tower, Diona Ross by Rob Clark A Short Story by Paul Beguiristain Illustration by Randy Ruhlman 57 HOTTEA _ New Clubs Open, Cruise Camero by Chuck 63 SPORTS _ Summer Gomes by Cheryl Chamberlain 69 STARSCOPE _ July Full Moon by Milton von Stern 81 CALENDAA _ Special One-Time Only & Non-Profit Community Events 83 CLASSIFIED _ Wont Ads and Notices 91 THE GUIDE _ Texas Business I Club Directory TWT (This Week in Texas) is published weekly by Asylum Enterprises, Inc., at 2205 Montrose, Houston, Texas 77006; phone: (713) 527·9111. Opinions expressed by columnists are not necessarily those of TWT or of its staff. Publication of the name or photograph of any person or organiz ation in articles or advertising in TWT is not to be construed as any indication of the sexual orientation of said person or organization. Subscription rates: $60 per year; $40 per half-year. Rates cover cost of first-class postage. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Douglas K. Anderson Joins Savings Bank of Manchester As Vice
SPORTS Phone service Whalers, capture eludes the poor f j j wild 8-6 shootout ... page 4 ... page 13 Mmxdmtn ^ Manchester — A City of Village Charm Hrralft Monday, Feb. 2,1987 30 Cents CIA director quits F \ as questions raised E By Terence Hunt Casey testified in closed session The Associated Press before the panel "before the full scope of the situation was known” WASHINGTON - CIA Director and was not under oath, the report - < N William E. Casey, recovering from said. '■ / /' surgery for a brain tumor, has Although the report consistently resigned and will be replaced by his describes Casey as an advocate of deputy, Robert Gates, a 20-year the arms sales, it does not spell out veteran of the spy agency, the his exact role in debates over the White House announced today. matter within administration, nor __- , jrtaaMwfc-' He!''' ” It was Mr. Casey’s decision to does it give his views on the actions < t h S ^ ' ^ - - - ___ — . ' - ~ f resign,” said presidential spokes of CIA officers who assisted in the man Marlin Fitzwater. He said arms transfers and diversion of Casey, a longtime friend of Rea funds to help the Nicaraguan gan’s, would become a presidential guerrillas. Herald photo by Mitchell counselor when he could return to In its conclusion, the report said work. the panel was unable to answer the The resignation came at a time question; “ What role did the CIA Connecticut Chuckles, a groundhog at length of winter. The 3-year-old pre that many questions were being and other U.S. government agen the Lutz Children's Museum, made her dicted, by not seeing her shadow, that asked about the CIA’s middleman cies or their officials play In annual forecast this morning on the spring was imminent. -
List of Surveillance Feature Films
Surveillance Feature Films compiled by Dietmar Kammerer, Berlin Sources of plot descriptions and details: allmovie.com; imdb.com 1984 (Nineteen Eighty-Four) UK 1956 dir: Michael Anderson. George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-104070 http://www.imdb.com/title/tt0048918/ 1984 (Nineteen Eighty-Four) UK 1984 dir: Michael Radford Second adaptation of George Orwell's novel. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-91 http://www.imdb.com/title/tt0087803/ 23 [23 – Nichts ist wie es scheint] Germany 1998 dir: Hans-Christian Schmid The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB. http://www.imdb.com/title/tt0126765/ http://www.allmovie.com/work/23-168222 keywords: conspiracy; internet; true story The Anderson Tapes USA 1971 dir: Sidney Lumet This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero.