Berkeley Symphony 2015/16 Season
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August 2012 Calendar of Events
AUGUST 2012 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information LINCOLN CENTER THEATER LINCOLN CENTER LINCOLN CENTER is current as of War Horse OUT OF DOORS OUT OF DOORS Based on a novel by Brandt Brauer Frick Ensemble Phil Kline: dreamcitynine June 25, 2012 Michael Morpurgo (U.S. debut) performed by Talujon Adapted by Nick Stafford Damrosch Park 7:30 PM Sixty percussionists throughout August 1 Wednesday In association with Handspring the Plaza perform a live version of LINCOLN CENTER FILM SOCIETY OF Puppet Company Phil Kline’s GPS-based homage to Vivian Beaumont Theater 2 & 8 PM OUT OF DOORS John Cage’s Indeterminacy. LINCOLN CENTER Josie Robertson Plaza 6:30 PM To view the Film Society's On Sacred Ground: August schedule, visit LINCOLN CENTER PRESENTS Stravinsky’s Rite of Spring LINCOLN CENTER www.filmlinc.com MOSTLY MOZART FESTIVAL Arranged and Performed by OUT OF DOORS Mostly Mozart The Bad Plus LINCOLN CENTER FESTIVAL Damrosch Park 8:30 PM Chio-Tian Folk Drums and Festival Orchestra: Arts Group (U.S. debut) In Paris: Opening Night LINCOLN CENTER THEATER Hearst Plaza 7:30 PM Dmitry Krymov Laboratory Louis Langrée, conductor War Horse Dmitry Krymov, direction Nelson Freire, piano LINCOLN CENTER Based on a novel by and adaption Lawrence Brownlee, tenor OUT OF DOORS With Mikhail Baryshnikov, (Mostly Mozart debut) Michael Morpurgo Kimmo Pohjonen & Anna Sinyakina, Maxim All-Mozart program: Adapted by Nick Stafford Helsinki Nelson: Maminov, Maria Gulik, Overture to La clemenza di Tito In association with Handspring Accordion Wrestling Dmitry Volkov, Polina Butko, Piano Concerto No. -
Joana Carneiro Music Director
JOANA CARNEIRO MUSIC DIRECTOR Berkeley Symphony 17/18 Season 5 Message from the Music Director 7 Message from the Board President 9 Message from the Executive Director 11 Board of Directors & Advisory Council 12 Orchestra 15 Season Sponsors 16 Berkeley Sound Composer Fellows & Full@BAMPFA 18 Berkeley Symphony 17/18 Calendar 21 Tonight’s Program 23 Program Notes 37 About Music Director Joana Carneiro 39 Guest Artists & Composers 43 About Berkeley Symphony 44 Music in the Schools 47 Berkeley Symphony Legacy Society 49 Annual Membership Support 58 Broadcast Dates 61 Contact 62 Advertiser Index Media Sponsor Gertrude Allen • Annette Campbell-White & Ruedi Naumann-Etienne Official Wine Margaret Dorfman • Ann & Gordon Getty • Jill Grossman Sponsor Kathleen G. Henschel & John Dewes • Edith Jackson & Thomas W. Richardson Sarah Coade Mandell & Peter Mandell • Tricia Swift S. Shariq Yosufzai & Brian James Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No photographs or recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. October 5 & 6, 2017 3 4 October 5 & 6, 2017 Message from the Music Director Dear Friends, Happy New Season 17/18! I am delighted to be back in Berkeley after more than a year. There are three beautiful reasons for photo by Rodrigo de Souza my hiatus. I am so grateful for all the support I received from the Berkeley Symphony musicians, members of the Board and Advisory Council, the staff, and from all of you throughout this special period of my family’s life. -
Music You Know & Schubert
CONCERT PROGRAM Friday, April 29, 2016, 8:00pm MUSIC YOU KNOW: STORYTELLING David Robertson, conductor Celeste Golden Boyer, violin BERNSTEIN Candide Overture (1956) (1918-1990) PONCHIELLI Dance of the Hours from La Gioconda (1876) (1834-1886) VITALI/ Chaconne in G minor for Violin and Orchestra (ca. 1705/1911) orch. Charlier (1663-1745) Celeste Golden Boyer, violin INTERMISSION HUMPERDINCK Prelude to Hänsel und Gretel (1893) (1854-1921) DUKAS The Sorcerer’s Apprentice (1897) (1865-1935) STEFAN FREUND Cyrillic Dreams (2009) (b. 1974) David Halen, violin Alison Harney, violin Jonathan Chu, viola Daniel Lee, cello WAGNER/ Ride of the Valkyries from Die Walküre (1856) arr. Hutschenruyter (1813-1883) 23 ACKNOWLEDGMENTS This concert is part of the Wells Fargo Advisors Orchestral Series. This concert is part of the Whitaker Foundation Music You Know Series. This concert is supported by University College at Washington University. David Robertson is the Beofor Music Director and Conductor. The concert of Friday, April 29, is underwritten in part by a generous gift from Mr. and Mrs. Andrew C. Taylor. The concert of Friday, April 29, is the Joanne and Joel Iskiwitch Concert. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of the Delmar Gardens Family and are located at the Customer Service table in the foyer. 24 A FEW THINGS YOU MIGHT NOT KNOW ABOUT MUSIC YOU KNOW BY EDDIE SILVA For those of you who stayed up late to watch The Dick Cavett Show on TV, you may recognize Leonard Bernstein’s Candide Overture as the theme song played by the band led by Bobby Rosengarden. -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
T H E P Ro G
Sunday, December 3, 2017, at 11:00 am m a Sunday Morning Coffee Concerts r g o r Conrad Tao, Piano P BACH Chromatic fantasia and fugue in D minor (c. 1720) e h JASON ECKARDT Echoes’ White Veil (1996) T RACHMANINOFF Étude-tableau in A minor (191 6–17) BEETHOVEN Sonata No. 31 in A-flat major (1821 –22) Moderato cantabile, molto espressivo Allegro molto Adagio, ma non troppo—Fuga: Allegro, ma non troppo This program is approximately one hour long and will be performed without intermission. Please join the artist for a cup of coffee following the performance. Please make certain all your electronic devices are switched off. Refreshments provided by Zabar’s and zabars.com This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Walter Reade Theater Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Wednesday, December 6 at 7:30 pm in Alice Tully Hall Bach Collegium Japan Masaaki Suzuki, conductor Sherezade Panthaki, soprano Jay Carter, countertenor Zachary Wilder, tenor Dominik Wörner, bass BACH: Four Cantatas from Weihnachts-Oratorium (“Christmas Oratorio”) Pre-concert lecture by Michael Marissen at 6:15 pm in the Stanley H. -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
Oceanic Migrations
San Francisco Contemporary Music Players on STAGE series Oceanic Migrations MICHAEL GORDON ROOMFUL OF TEETH SPLINTER REEDS September 14, 2019 Cowell Theater Fort Mason Cultural Center San Francisco, CA SFCMP SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS San Francisco Contemporary Music Brown, Olly Wilson, Michael Gordon, Players is the West Coast’s most Du Yun, Myra Melford, and Julia Wolfe. long-standing and largest new music The Contemporary Players have ensemble, comprised of twenty-two been presented by leading cultural highly skilled musicians. For 49 years, festivals and concert series including the San Francisco Contemporary Music San Francisco Performances, Los Players have created innovative and Angeles Monday Evening Concerts, Cal artistically excellent music and are one Performances, the Stern Grove Festival, Tod Brody, flute Kate Campbell, piano of the most active ensembles in the the Festival of New American Music at Kyle Bruckmann, oboe David Tanenbaum, guitar United States dedicated to contemporary CSU Sacramento, the Ojai Festival, and Sarah Rathke, oboe Hrabba Atladottir, violin music. Holding an important role in the France’s prestigious MANCA Festival. regional and national cultural landscape, The Contemporary Music Players Jeff Anderle, clarinet Susan Freier, violin the Contemporary Music Players are a nourish the creation and dissemination Peter Josheff, clarinet Roy Malan, violin 2018 awardee of the esteemed Fromm of new works through world-class Foundation Ensemble Prize, and a performances, commissions, and Adam Luftman, -
Program Notes
Program Notes Program Notes by April L. Racana 9 Wed. September 21 The 104th Tokyo Opera City Subscription Concert 21 Fri. September 23 The 884th Suntory Hall Subscription Concert Sun. September 25 The 885th Orchard Hall Subscription Concert 9 23 Ludwig van Beethoven (1770-1827) Piano Concerto No. 5 in E-flat major, op. 73,“Emperor” 9/21 9/23 together with two princes that gave I. Allegro (ca. 20 min) him the financial freedom to remain in II. Adagio un poco mosso (ca. 8 min) Vienna and dedicate himself to his art. III. Rondo: Allegro ma non troppo Unfortunately though, as a result of the (ca. 10 min) occupation, Beethoven along with all citizens of Vienna, were heavily taxed. As with his other works similarly Not only did the occupation result in less dubbed with additional titles, Beethoven financial freedom for the composer, but was not the one to subtitle his final piano limited his movement as well, so that he concerto “Emperor”. It is believed rather, was unable to spend time outside of the that his long time friend and pianist city in the countryside during the summer John Baptist Cramer, who was born in months, to which he had become Germany but based in London, gave the accustomed. name. While Beethoven thought highly of his pianist/publisher friend, he did The Piano Concerto No. 5 is in the not hold in high esteem emperors, so it traditional three-movement form, and is a bit of a puzzle as to why his friend not surprisingly is dedicated to Archduke would attach such a moniker to the work. -
N E W S R E L E A
N E W S R E L E A S E CONTACT: Katherine Blodgett Director of Public/Media Relations phone: 215.893.1939 e-mail: [email protected] FOR IMMEDIATE RELEASE DATE: March 2, 2009 CHIEF CONDUCTOR AND ARTISTIC ADVISER CHARLES DUTOIT LEADS THE PHILADELPHIA ORCHESTRA IN A PROGRAM CELEBRATING THE INFLUENCE OF AFRICAN- AMERICAN CULTURE ON CLASSICAL MUSIC George Walker’s 1996 Pulitzer Prize-winning Lilacs receives its first Philadelphia Orchestra performances with tenor Russell Thomas as featured soloist Bass-baritone Eric Owens performs Mahler’s Songs of a Wayfarer in tribute to Philadelphia-native Marian Anderson Two works inspired by African-American music—Milhaud’s The Creation of the World and Dvo řák’s Symphony No. 9 in E minor (“From the New World”)—complete the program March 17 concert at Carnegie Hall part of HONOR! A CELEBRATION OF THE AFRICAN AMERICAN CULTURAL LEGACY , a Carnegie Hall festival curated by renowned soprano Jessye Norman (Philadelphia , March 2, 2009)—Philadelphia Orchestra Chief Conductor and Artistic Adviser Charles Dutoit leads the Orchestra in three concerts in Verizon Hall at the Kimmel Center celebrating the influence of African-American culture on classical music (March 12-14). The program features Milhaud’s jazz-inspired The Creation of the World ; George Walker’s 1996 Pulitzer Prize-winning work Lilacs for voice and orchestra, with tenor Russell Thomas as soloist in its first Philadelphia Orchestra performances; Mahler’s Songs of a Wayfarer , a work for which the late, great contralto Marian Anderson was known, with Philadelphia-native bass-baritone Eric Owens as soloist; and Dvořák’s Symphony No. -
13/14 Season
13/14 SEASON BerkeleySymphony_program_covers_FINAL.indd 3 8/5/13 3:48 PM Berkeley Symphony 2013-14 Season 5 Message from the Music Director 7 Message from the Executive Director 9 Board of Directors & Advisory Council 10 Orchestra 13 Producers’ Circle Sponsorship Gifts 15 Program 17 Program Notes 31 Music Director: Joana Carneiro 37 Guest Artists 41 Berkeley Symphony 45 Music in the Schools 47 Under Construction 49 Broadcast Dates 57 Membership Support 65 Contact 66 Advertiser Index Season Sponsors: Kathleen G. Henschel, , Ed Osborn, and Brian James & Shariq Yosufzai Media Sponsor: Official Wine Sponsor: Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No photographs or recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. Berkeley Symphony, 1942 University Ave., Ste. 207, Berkeley, CA 94704 510.841.2800 • Fax: 510.841.5422 E-mail: [email protected] Web site: www.berkeleysymphony.org To advertise: 510.652.3879 February 6, 2014 3 4 February 6, 2014 Message from the Music Director Dear Friends, I hope the New Year is bringing you much joy, health and wonderful music. Speaking of wonderful music, I am most excited about our program tonight and am incredibly proud to present our second commission of the season, a violin concerto by Samuel Adams. It has been a joy to work with Sam and to photo by Rodrigo de Souza get to know his music more and more. -
Full Orchestra 2021.Pdf
Full Orchestra Title Composer Catalog # Grade Price Title Composer Catalog # Grade Price Φ A La Manana ..................................../Leidig; Niehaus ............49063 .....E .........45.00 Artist's Life, Op. 316 ...........................Strauss, Jr./Muller .........38001 .....MD ......80.00 Φ Aboriginal Rituals ...............................DelBorgo ......................30172 .....M.........59.00 As Summer Was Just Beginning Abduction from the Seraglio: Overture ..Mozart/Meyer ...............33192 .....ME ......59.00 (Song for James Dean) ....................Daehn ...........................49044 .....M.........68.00 Φ Academic Festival Overture, Op. 80 ..Brahms/Bergonzi ..........30328 .....M.........73.00 As Time Goes By ...............................Hupfeld/Lewis ...............13708 .....MD ......50.00 Academic Festival Overture, Op. 80 ..Brahms/Leidig ..............33029 .....MD ......73.00 Ashford Celebration ...........................Ford ..............................30240 .....MD ......60.00 Academic Festival Overture, Op. 80 ..Brahms/Muller ..............38000 .....MD ......45.00 Φ Ashokan Farewell ...............................Ungar/Cerulli ................47093 .....ME ......65.00 Academic Festival Overture, Op. 80 ..Brahms/Simpson ..........57085 .....D .........90.00 Ashton Place ......................................Niehaus ........................49051 .....MD ......60.00 Academic Procession .........................Daniels .........................60005 .....ME ......55.00 Aspen Fantasy ...................................Feese -
Carnegie Hall Rental 1/8/13 4:35 PM Page 1
1-25 ASO_Carnegie Hall Rental 1/8/13 4:35 PM Page 1 Friday Evening, January 25, 2013, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents What Makes a Masterpiece LEON BOTSTEIN, Conductor ANTONÍN DVORÁKˇ Symphony No. 4 in D minor, Op. 13 Allegro Andante sostenuto e molto cantabile Allegro feroce Allegro con brio HEINRICH VON Symphony No. 1 in C minor, Op. 50 HERZOGENBERG (U.S. Premiere) Adagio—Allegro Adagio, ma non troppo Allegro agitato Allegro Intermission JOHANNES BRAHMS Symphony No. 4 in E minor, Op. 98 Allegro non troppo Andante moderato Allegro giocoso Allegro energico e passionato This evening’s concert will run approximately two and a half hours, inlcuding one 20-minute intermission. American Symphony Orchestra welcomes students and teachers from ASO’s arts education program, Music Notes. For information on how you can support Music Notes, visit AmericanSymphony.org. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 1-25 ASO_Carnegie Hall Rental 1/8/13 4:35 PM Page 2 THE Program ANTONÍN DVORÁKˇ Symphony No. 4 Born September 8, 1841, in Nelahozeves, Czechoslovakia Died May 1, 1904, in Prague Composed January 1–March 26, 1874, in Prague, revised in 1887–8, Premiered April 6, 1982, in Prague Performance Time: Approximately 38 minutes Instruments: 2 flutes, 2 piccolos, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 2 trumpets, 3 trombones, timpani, percussion (triangle, cymbals, bass drum), harp, and strings HEINRICH VON HERZOGENBERG Symphony No. 1 Born June 2, 1843, in Graz, Austria Died October 9, 1900, in Wiesbaden, Germany Composed in 1885 Performance Time: Approximately 42 minutes Instruments: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 2 trumpets, 3 trombones, timpani, and strings JOHANNES BRAHMS Symphony No.