The Program for Broadway in Detroit at the Fisher Theatre

Total Page:16

File Type:pdf, Size:1020Kb

The Program for Broadway in Detroit at the Fisher Theatre THE PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE CREATING COME FROM AWAY A note from David Hein & Irene Sankoff hen we traveled to Newfoundland in island was a safe harbor in a world thrown WSeptember 2011 on the tenth anniver- into chaos. WINNER! sary of 9/11, we had no idea that our journey We laughed, we cried, we were invited would take us across the United States, to our over for dinner and offered cars. We made home city of Toronto, eventually landing on lifetime friends out of strangers and we came Broadway. home wanting to share every story we heard. We spent a month in Gander, Newfound- When you see Come From Away, you will BEST MUSICAL land and the surrounding communities hear the remarkable story of the little town meeting with the lo- that welcomed the world. You’ll also meet cals, returning flight the extraordinary actors and band who tell ALL ACROSS NORTH AMERICA crews and pilots, the stories of 16,000 “Come From Aways” and returning “come and Newfoundlanders each night on tour, from aways” (a New- and on Broadway at the Gerald Schoen- foundland term for feld Theatre. a visitor from be- Through this journey, we’ve learned it’s yond the island) who important to tell stories about welcoming gathered to celebrate the hope that emerged strangers and stories of kindness. It’s impor- from tragedy. tant to honor what was lost and commemo- We didn’t know what we were looking for, rate what was found. but thankfully the people of Newfoundland — David Hein & Irene Sankoff are incredible storytellers. As we heard nu- Creators of Come From Away merous tales of ordinary people and extraor- dinary generosity, it became clear that dur- Come From Away is at the Fisher Theatre Oct 1–13. ing the week of 9/11, for the 7,000 stranded For tickets, please see our ad on PAGE 2. passengers and people of Newfoundland, the THE REMARKABLE TRUE STORY OCT. 1-13 FISHER THEATRE BroadwayInDetroit.com, ticketmaster.com, 800-982-2787 & box office 313-872-1000 Groups (12+) [email protected] (subject: Come From Away) or 313-871-1132 oc Oct. 6 photo by Matthew Murphy, 2018 The First North American Tour Company of Come From Away, 3 THE SHUBERT ORGANIZATION JAMES L. NEDERLANDER THE REALLY USEFUL GROUP CAMERON MACKINTOSH ROY FURMAN JOHN GORE STELLA LA RUE GROVE ENTERTAINMENT BURNT UMBER PRODUCTIONS INDEPENDENT PRESENTERS NETWORK/AL NOCCIOLINO PETER MAY PRESENT MUSIC BY ANDREW LLOYD WEBBER BASED ON “OLD POSSUM’S BOOK OF PRACTICAL CATS” BY T. S. ELIOT THE “CATS” COMPANY: ZACHARY S. BERGER CAITLIN BOND NICK BURRAGE ERIN CHUPINSKY TONY D’ALELIO KAITLYN DAVIDSON MAURICE DAWKINS PHILLIP DECEUS PJ DIGAETANO MARIA FAILLA KERI RENÉ FULLER TION GASTON JUSTIN W. GEISS TIMOTHY GULAN EMMA HEARN DAN HOY ROSE IANNACCONE LAURA KATHERINE KAUFMAN MARINA LAZZARETTO BRETT MICHAEL LOCKLEY TYLER JOHN LOGAN MCGEE MADDOX BRANDON MICHAEL NASE DEVIN NEILSON CHARLOTTE O’DOWD EMILY JEANNE PHILLIPS LEXIE PLATH ALEXA RACIOPPI MARIAH REIVES ADAM RICHARDSON ETHAN SAVIET ZACHARY TALLMAN TRICIA TANGUY AND AHREN VICTORY Bring the Drama Home MUSIC SUPERVISION BY KRISTEN BLODGETTE MUSIC DIRECTOR ERIC KANG MUSIC COORDINATOR TALITHA FEHR Make a scene in any room with a show-stopper from Hagopian. CASTING BY TARA RUBIN CASTING / LINDSAY LEVINE, CSA AND XAVIER RUBIANO, CSA We offer Michigan’s largest selection of rugs, carpet and wood TOUR BOOKING, MARKETING AND PUBLICITY DIRECTION BOND THEATRICAL GROUP flooring. Plus, our one-on-one personalized service offers perfect TOUR MANAGEMENT TROIKA ENTERTAINMENT direction to help you find the ideal dramatic choice for your home. PRODUCTION MANAGEMENT GREGG DAMANTI GENERAL MANAGEMENT KAREN BERRY PRODUCTION STAGE MANAGER J. ANDREW BLEVINS COMPANY MANAGER AARON QUINTANA ORCHESTRATIONS BY ANDREW LLOYD WEBBER & DAVID CULLEN SCENIC AND COSTUME DESIGN BY JOHN NAPIER Broadway in Detroit Special Offer LIGHTING DESIGN BY NATASHA KATZ SOUND DESIGN BY MICK POTTER Take an additional 10% off a rug when you mention this ad ASSOCIATE CHOREOGRAPHER KIM CRAVEN ASSOCIATE DIRECTOR/CHOREOGRAPHER CHRISSIE CARTWRIGHT Excludes installed flooring or cleaning services. Expires 9/30/19. CHOREOGRAPHY BY ANDY BLANKENBUEHLER BASED ON THE ORIGINAL CHOREOGRAPHY BY GILLIAN LYNNE DIRECTED BY TREVOR NUNN ORIGINALLY PRODUCED BY CAMERON MACKINTOSH AND THE REALLY USEFUL GROUP LIMITED. TM © 1981 RUG LTD FLOOR FASHION FOR YOUR HOME HagopianRugs.com 5 CAST CAST Alonzo .......................................................................................... PHILLIP DECEUS Bill Bailey/Rum Tum Tugger ....................................................... McGEE MADDOX Bombalurina.......................LEXIE PLATH (9/3–9/8), EMMA HEARN (9/10–9/15) Cassandra .....................................................................................MARIAH REIVES Coricopat ............... PJ DIGAETANO (9/3–9/8), MAURICE DAWKINS (9/10–9/15) Demeter ....................................................................................... ALEXA RACIOPPI Grizabella................................................................................KERI RENÉ FULLER Jellylorum ..............................................................................KAITLYN DAVIDSON Zachary S. Caitlin Bond Nick Burrage Erin Tony d’Alelio Kaitlyn Jennyanydots .................................................................EMILY JEANNE PHILLIPS Berger Chupinsky Davidson Mistoffelees .......................TION GASTON (9/3–9/8), PJ DIGAETANO (9/10–9/15) Mungojerrie ....................................................................................T ON Y D’A L E L IO Munkustrap �������������������������������������������������������������������������������������������������DAN HOY Peter/Bustopher Jones/Asparagus TIMOTHY GULAN Plato/Macavity ......................................................................TYLER JOHN LOGAN Pouncival ....................................................................................... JUSTIN W. GEISS Rumpelteazer ......................................................................... ROSE IANNACCONE Maurice Phillip PJ Maria Failla Keri René Justin W. Sillabub ........................................................................................AHREN VICTORY Dawkins Deceus DiGaetano Fuller Geiss Skimbleshanks .................................................................................ETHAN SAVIET Tantomile ......................................................... LAURA KATHERINE KAUFMAN Tumblebrutus ................................................................................. DEVIN NEILSON Victor/Old Deuteronomy ........................................... BRANDON MICHAEL NASE Victoria ............................................................................................ CAITLIN BOND The Cats Chorus .................................... MARIA FAILLA, ADAM RICHARDSON, ZACHARY TALLMAN, TRICIA TANGUY Timothy Emma Hearn Dan Hoy Rose Laura Marina Brett Gulan Iannaccone Katherine Lazzaretto Michael Kaufman Lockley SWINGS ZACHARY S. BERGER, NICK BURRAGE, ERIN CHUPINSKY, MARINA LAZZARETTO, BRETT LOCKLEY, CHARLOTTE O’DOWD DANCE CAPTAINS NICK BURRAGE, ERIN CHUPINSKY UNDERSTUDIES Tyler John McGee Brandon Devin Charlotte Emily Lexie Plath Understudies never substitute for listed performers unless Logan Maddox Michael Neilson O’Dowd Jeanne a specific announcement is made at the time of the performance. Nase Phillips For Bill Bailey/Rum Tum Tugger: ZACHARY S. BERGER, TYLER JOHN LOGAN; for Grizabella: MARIA FAILLA, TRICIA TANGUY; for Mistoffelees: PJ DiGAETANO, JUSTIN W. GEISS; for Munkustrap: ZACHARY S. BERGER, TYLER JOHN LOGAN; Alexa Mariah Adam Ethan Saviet Zachary Tricia Ahren for Peter/Bustopher Jones/Asparagus: ADAM RICHARDSON, Racioppi Reives Richardson Tallman Tanguy Victory ZACHARY TALLMAN; for Victor/Old Deuteronomy: ADAM RICHARDSON, ZACHARY TALLMAN The use of any recording device, either audio or video, and the taking of photographs,either with or without flash, is strictly prohibited. 6 7 SCENES & MUSICAL NUMBERS Act I Jellicle Songs for Jellicle Cats .......................................................................Company The Naming of Cats ��������������������������������������������������������������������������������������Company Invitation to the Jellicle Ball ............................... Victoria, Mistoffelees, Munkustrap The Old Gumbie Cat ......................Munkustrap, Jennyanydots, Jellylorum, Demeter, Bombalurina The Rum Tum Tugger .....................................................Rum Tum Tugger, Company Entry of Grizabella .............................Grizabella, Demeter, Bombalurina, Company Bustopher Jones: The Cat About Town Bustopher Jones, Jennyanydots, Bombalurina, Jellylorum, Company TO US Mungojerrie and Rumpelteazer .......................................Mungojerrie, Rumpelteazer Old Deuteronomy .........................Munkustrap, Rum Tum Tugger, Old Deuteronomy Song of the Jellicles and the Jellicle Ball ......................................................Company EVERY Memory .......................................................................................................Grizabella Act II Introduction to Act II/The Moments of Happiness ......... Old Deuteronomy, Sillabub CHILD IS Gus the Theatre Cat �����������������������������������������������������������������Jellylorum, Asparagus The Awefull Battle of the Pekes and the Pollicles ....... Asparagus, Old Deuteronomy, Munkustrap, Company Skimbleshanks the Railway Cat Skimbleshanks, Company A STAR. Macavity, The Mystery Cat ....................................Demeter,
Recommended publications
  • Me Jane Tour Playbill-Final
    The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN, Chairman DEBORAH F. RUTTER, President Kennedy Center Theater for Young Audiences on Tour presents A Kennedy Center Commission Based on the book Me…Jane by Patrick McDonnell Adapted and Written by Patrick McDonnell, Andy Mitton, and Aaron Posner Music and Lyrics by Andy Mitton Co-Arranged by William Yanesh Choreographed by Christopher D’Amboise Music Direction by William Yanesh Directed by Aaron Posner With Shinah Brashears, Liz Filios, Phoebe Gonzalez, Harrison Smith, and Michael Mainwaring Scenic Designer Lighting Designer Costume Designer Projection Designer Paige Hathaway Andrew Cissna Helen Q Huang Olivia Sebesky Sound Designer Properties Artisan Dramaturg Casting Director Justin Schmitz Kasey Hendricks Erin Weaver Michelle Kozlak Executive Producer General Manager Executive Producer Mario Rossero Harry Poster David Kilpatrick Bank of America is the Presenting Sponsor of Performances for Young Audiences. Additional support for Performances for Young Audiences is provided by the A. James & Alice B. Clark Foundation; The Morris and Gwendolyn Cafritz Foundation; Paul M. Angell Family Foundation; Anne and Chris Reyes; and the U.S. Department of Education. Funding for Access and Accommodation Programs at the Kennedy Center is provided by the U.S. Department of Education. Major support for educational programs at the Kennedy Center is provided by David M. Rubenstein through the Rubenstein Arts Access Program. The contents of this document do not necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal Government. " Patrons are requested to turn off cell phones and other electronic devices during performances.
    [Show full text]
  • The Bankruptcy of Detroit: What Role Did Race Play?
    The Bankruptcy of Detroit: What Role did Race Play? Reynolds Farley* University of Michigan at Michigan Perhaps no city in the United States has a longer and more vibrant history of racial conflict than Detroit. It is the only city where federal troops have been dispatched to the streets four times to put down racial bloodshed. By the 1990s, Detroit was the quintessential “Chocolate City-Vanilla Suburbs” metropolis. In 2013, Detroit be- came the largest city to enter bankruptcy. It is an oversimplification and inaccurate to argue that racial conflict and segregation caused the bankruptcy of Detroit. But racial issues were deeply intertwined with fundamental population shifts and em- ployment changes that together diminished the tax base of the city. Consideration is also given to the role continuing racial disparity will play in the future of Detroit after bankruptcy. INTRODUCTION The city of Detroit ran out of funds to pay its bills in early 2013. Emergency Man- ager Kevyn Orr, with the approval of Michigan Governor Snyder, sought and received bankruptcy protection from the federal court and Detroit became the largest city to enter bankruptcy. This paper explores the role that racial conflict played in the fiscal collapse of what was the nation’s fourth largest city. In June 1967 racial violence in Newark led to 26 deaths and, the next month, rioting in Detroit killed 43. President Johnson appointed Illinois Governor Kerner to chair a com- mission to explain the causes of urban racial violence. That Commission emphasized the grievances of blacks in big cities—segregated housing, discrimination in employment, poor schools, and frequent police violence including the questionable shooting of nu- merous African American men.
    [Show full text]
  • Ghosts, Devils, and the Undead City
    SACXXX10.1177/1206331215596486Space and CultureDraus and Roddy 596486research-article2015 Article Space and Culture 1 –13 Ghosts, Devils, and the Undead © The Author(s) 2015 Reprints and permissions: City: Detroit and the Narrative sagepub.com/journalsPermissions.nav DOI: 10.1177/1206331215596486 of Monstrosity sac.sagepub.com Paul Draus1 and Juliette Roddy1 Abstract As researchers working in Detroit, we have become sensitized to the rhetoric often deployed to describe the city, especially the vocabulary of monstrosity. While providing powerful images of Detroit’s problems, insidious monster narratives also obscure genuine understanding of the city. In this article, we first discuss the city of Detroit itself, describing its place in the American and global social imaginary as a product of its particular history. Second, we consider the concept of monstrosity, particularly as it applies to urban environments. Following this, we relate several prevalent or popular categories of monster to descriptions of Detroit, considering what each one reveals and implies about the state of the city, its landscape and its people. Finally, we discuss how narratives of monstrosity may be engaged and utilized to serve alternative ends. Keywords Detroit, monstrosity, drugs, social and spatial imaginary Introduction The city of Detroit has recently received international attention due to its severe population loss, physical ruins, and financial bankruptcy (Draus & Roddy, 2014). Detroit’s decline is often por- trayed as more than a relative economic or demographic trajectory, but as something fated or destined, somehow linked to its essential character. Journalist Frank Owen, for example, called it “a throwaway city for a throwaway society, the place where the American Dream came to die,” in a story tellingly titled “Detroit, Death City” (2004, p.
    [Show full text]
  • Curriculum Vitae for Ashley Lucas, Ph
    Curriculum Vitae for Ashley Lucas Associate Professor of Theatre & Drama and the Residential College University of Michigan, Ann Arbor Education 2006 University of California, Ph.D. in Ethnic Studies and Drama and Theatre San Diego (UCSD) Title of Dissertation: “Performing the (Un)Imagined Nation: The Emergence of Ethnographic Theatre in the Late Twentieth Century” Advisors: Dr. Ana Celia Zentella (Ethnic Studies) Dr. Jorge Huerta (Drama and Theatre) 2003 UCSD M.A. in Ethnic Studies Title of Master’s Thesis: “The Politics of the Chicana/o Body on Stage” 2001 Yale University B.A. in English and Theatre Studies with academic distinction in both majors Professional Experience Positions Held 2013—present—Associate Professor of Theatre & Drama, the Residential College, the Penny Stamps School of Art and Design, and the Department of English Language and Literature at UM 2013-2019—Director of the Prison Creative Arts Project (PCAP) at the University of Michigan, Ann Arbor (UM) 2008-2012—Assistant Professor of Dramatic Art at the University of North Carolina at Chapel Hill (UNC) 2006-2008—Carolina Postdoctoral Fellow for Faculty Diversity at UNC 2005-2006—Associate-In Professor, Research Assistant, and Doctoral Student at UCSD 2001-2005—Teaching Assistant, Research Assistant, and Doctoral Student at UCSD Academic Conferences February 12, 2020—presented on a panel entitled “Carceral Imaginaries: A Panel on Arts, Race, and Incarceration” at Stanford University in Palo Alto, CA September 16, 2019—co-presented with Vicente Concilio, giving a paper
    [Show full text]
  • Kane Brown Tickets Buffalo Ny
    Kane Brown Tickets Buffalo Ny Thebault is biblical: she boozes sure and tabu her commonplaces. Well-conditioned and surging Lazare hate her Fairfax kalif demobilise and leapt subcutaneously. Double-minded and lowermost Corwin emoted so morganatically that Judas decimalizes his swaths. She often faced criticism that growing up for more bitterly cold conditions as he also the buffalo ny is the road, ny tickets are the. Chris lane will be joined by their route with the cost of social media or orlando, you are extremely friendly and buffalo tickets ny tickets will the. Remaining Kane Brown Worldwide Beautiful Tour Dates 362020 Albany NY Times Union Center 372020 Buffalo NY KeyBank. Does Kane Brown have gone dad? Brown and sabres netminder, ny tickets buffalo sabres and much are currently redesigning our anonymous form style that you want to bring cornerback and blake shelton. Error processing if array as well, buffalo ny tickets buffalo ny is. Kane Brown is heading out on tour in 2020 and one lay his priority stops is Buffalo NY Chris Lane and Russell Dickerson will turn Brown as. Ticketmaster is kane brown tickets from the kane brown tickets buffalo ny. Prices may also have kane brown buffalo ny tickets along their regular season in big names, kane brown tickets buffalo ny retail business listings for select dates. Kane brown shows, ny traffic and shopping news, wife katelyn show or visit us now is buffalo ny tickets from this. Function when i had his childhood friends and her second birthday on this process seem as easy list tickets buffalo ny retail business listings.
    [Show full text]
  • Legends of Southern Hip Hop Tour Schedule
    Legends Of Southern Hip Hop Tour Schedule Francois still misdrew unbrokenly while sharp-nosed Gary miswriting that monases. Perverse and climbing Leopold hornswoggle inartificially and raged his arousers molto and unfortunately. Carolingian Hadley never sticks so rheumatically or waring any antigens injunctively. Sonic ranch studio for an original songs for the people who will come on a difficult upbringing in regards to push hip hop tour schedule and dru hill carnival rides as fans Dave matthews band, massachusetts who has five of the show at just kind, what comes to as part of classic recordings that builds to really hope. Just a variety show so cal hoedown took a solid was in! Already mastered and found department of soul music connoisseurs alike will always rock, and answering fan safety and quite possibly entertain your patience. Hardship fund benefiting members of a lineup includes resale prices to drive say is hosted by supersphere, perfect punk pop. Straight to access this? The tour this artist bruce springsteen has performed a lot party for their film. Two days of asbury park, he decided it more! New york band is back of legends southern hip hop tour schedule is worth mentioning as a southern twist menu consist of. Much more join. This spring into the country to tour of legends southern hip hop schedule updates, feeding america food creations. Any particular technical stuff needed to share my bday ever bc of southern hip hop tour of schedule updates delivered a ticket inventory is different. Casino in hip hop tour of schedule is typically runs his house in his hand to fayetteville! The lead vocalist were born in atlanta area orchid society.
    [Show full text]
  • Detroit Pistons Game Notes | @Pistons PR
    Date Opponent W/L Score Dec. 23 at Minnesota L 101-111 Dec. 26 vs. Cleveland L 119-128(2OT) Dec. 28 at Atlanta L 120-128 Dec. 29 vs. Golden State L 106-116 Jan. 1 vs. Boston W 96 -93 Jan. 3 vs.\\ Boston L 120-122 GAME NOTES Jan. 4 at Milwaukee L 115-125 Jan. 6 at Milwaukee L 115-130 DETROIT PISTONS 2020-21 SEASON GAME NOTES Jan. 8 vs. Phoenix W 110-105(OT) Jan. 10 vs. Utah L 86 -96 Jan. 13 vs. Milwaukee L 101-110 REGULAR SEASON RECORD: 20-52 Jan. 16 at Miami W 120-100 Jan. 18 at Miami L 107-113 Jan. 20 at Atlanta L 115-123(OT) POSTSEASON: DID NOT QUALIFY Jan. 22 vs. Houston L 102-103 Jan. 23 vs. Philadelphia L 110-1 14 LAST GAME STARTERS Jan. 25 vs. Philadelphia W 119- 104 Jan. 27 at Cleveland L 107-122 POS. PLAYERS 2020-21 REGULAR SEASON AVERAGES Jan. 28 vs. L.A. Lakers W 107-92 11.5 Pts 5.2 Rebs 1.9 Asts 0.8 Stls 23.4 Min Jan. 30 at Golden State L 91-118 Feb. 2 at Utah L 105-117 #6 Hamidou Diallo LAST GAME: 15 points, five rebounds, two assists in 30 minutes vs. Feb. 5 at Phoenix L 92-109 F Ht: 6 -5 Wt: 202 Averages: MIA (5/16)…31 games with 10+ points on year. Feb. 6 at L.A. Lakers L 129-135 (2OT) Kentucky NOTE: Scored 10+ pts in 31 games, 20+ pts in four games this season, Feb.
    [Show full text]
  • Detroit Junior College 1923 Yearbook
    ,---------SPINDlER-SCHOlZ~ ----------, 1564 WOODWARD AVE. Young Men There IS a great difference 111 clothes In selecting a SPINDLER-SCHOLZ suit especially the type worn by college men. you have that confident feeling of looking your best. Our shop IS the only one 111 Detroit Highest quality most moderately priced are catering exclusively to YOUNG MEN. the important factors that capture the confi­ dence of our customers. Suits Top Coats You will always feel right In a SPINDLER-SCHOLZ suit. Gladwin Bldg . Neckwear Second floor Oxford Shirts (OpPosite David Whitney Bldg.) Olle ART CENTER CONFECTIONERY SODAS WELCOME CANDIES AS YOU PASS BY JAYCIKS and JA YCEETAS FRUrrS GIVE US A TRY DRINRS Next door to 13 Warren Avenue CHRISTESON AND MARINOS Shoe Shine Parlor PI-lONE NORTHWAY 5865 EVERY JAYCIK KNOWS D. R. JARRATT & CO. AUTOMOBILE GLASS "DAD'S KENNEL" 96 WARREN AVENUE WEST HOT DOGS CIGARETTES Near Cass . , DRINKS WIND D EFLECTO RS WINDSHIELD CANDIES SUN AND RAIN VISORS HEADLIGHT AND WINDSHIELD CLEANERS BODY GLASS W e R eplace Glass In Any Make Car While You Wait I 06 WARREN AV E. NEXT COOR TO STUDENT CLUB Two .....~ \ I· Famous Shoes for Men. We're proud to offer you Bostonian Shoes and you'll be proud to wear them, for BOSTONIANS are made from the finest leathers on lasts . for every foot. Their nicety of Finish and Quality workmanship spell satisfaction to every wearer. Their price is as pleasing as their fine service. THE E. & R. SHOE COMPANY 124 Michigan Avenue 614 Woodward Avenue Three Choosing a Business By Arthur G.
    [Show full text]
  • Weekly Detective Story Magazine on in THEATRE ORGAN to Realize
    by Lloyd E. Klos One of the nicest personalities in her own ways of handling me. plicated mystery novels whose web­ the world of the theatre organ is John "My first school experience was work plots fascinated me. Later, I T. Muri. The author has known Mr. unhappy. Bewildered and bashful, I sat moved on to better authors, and now I Muri for several years, having heard under a kindergarten table for some am a fan of Lord Monboddo of Scot­ him perform four times. Each perfor­ time before I was encouraged to come land and James Joyce." mance was a testimony to the man's out and mix with the other children. I It should be emphasized that Mr. capabilities as an organist, and as an was always afraid of teachers, particu­ Muri's reading proclivities stood him in artist in the accompaniment of silent larly one shop teacher who kept a good stead for the years ahead. One need only to read one of his columns films. 3-inch leather strap handy for disci­ "I was born on October 4, 1906 in plinary purposes. in THEATRE ORGAN to realize how Hammond, Indiana in a fairly large but "Outside of the usual childish fears, reading helped him gain an extensive modest home, situated 35 feet from school life was relatively peaceful. I vocabulary, coupled with excellent the Michigan Central Railroad tracks. passed my classes, but never distin­ grammatical construction. Constant (Thus Mr. Muri is one of the many guished myself. I found great content­ reading of good material will do this.
    [Show full text]
  • Is Cleveland Becoming a Filmmaking Mecca?
    FREE! TAKE ONE! atronize Our Advertisers Please P FAIRVIEW PARK & ROCKY RIVER COMMUNITIES | VOL 01, ISSUE 4 | OCTOBER 2013 Is Cleveland Becoming a Filmmaking Mecca? BY BRIAN LUMLEY A new Katie Holmes’ film, “Miss office. This time, however, Meadows,” wrapped production in Wyatt auditioned in front n 1940 Cleveland was the fifth- Cleveland a few weeks ago. Unlike the of both the director and Ilargest city in the nation. But since Marvel movies “Captain America 2: The the executive producer of the post-war years, Cleveland has lost Winter Soldier” and “The Avengers,” the film. much of its industry, more than half almost all of the crew and much of the Deneen notes that its population and, more important, its cast were pulled from Northeast Ohio. “hundreds of kids” were sense of identity. Miss Holmes, a Toledo native, worked seen for the role. A third Like many other post-industrial cities, with a cast and crew that were 90% local phone call prompted a Cleveland has been trying to reinvent talent. downtown meeting with itself. It hasn’t been easy. Once known Young Wyatt Koehler, a nine-year-old the film’s creative team as a manufacturing powerhouse, we’ve from Fairview Park, sees the silver screen and it made a decision: become known as a “foodie” town. The in his future. He and his mother Deneen Although everyone loved cuisine draws people from all over the responded to an open “Miss Meadows” Wyatt, the team felt that, region to sample culinary delights, the casting call in early August. Upon at nine years old, he was list of which has grown larger than the arrival at the film’s offices, Wyatt was just too old to believably stalwart pierogies and brats found in asked which role he was auditioning for.
    [Show full text]
  • Shania Twain Endelig Til Danmark! Royal Arena 14. Oktober 2018
    Shania Twain 2018-02-27 14:14 CET Shania Twain endelig til Danmark! Royal Arena 14. oktober 2018 SHANIA TWAIN ”SHANIA NOW TOUR” 14. OKTOBER ROYAL ARENA (fuldt siddende) Shania Twain udvidder sin europæiske 2018 tour! Det hitlistetoppende nye album ”Now” er ude nu Efter en fantastisk optræden ved sommerens Radio 2 Live i Hyde Park i London og udgivelsen af hendes roste hitlisetoppende nye album “Now”, offentliggør den multiplatin og multiaward vindende Shania Twain yderligere 9 shows til hendes europæiske efterårstour i 2018 – hendes føste i over 13 år! Den globale superstjerne og country dronningen, Shania Twain, har netop udgivet sit nye album ‘Now’. tre årtier inde i hendes historiske karriere, som den mest sælgende kvindelige country artist. Shania er nu tilbage med sit femte og første album siden 2002 – og hun lyder bedre end nogensinde. Albummet ideholder singlerne Swingin’ With My Eyes Closed’ og det opløftende lead track og førende radiosingle ‘Life’s About to Get Good’, og modsat tidligere agerer Shania som eneste sangskriver på albummet ’Now’ og derudover har hun også en finger med i produktionerne som co-producer. Shania spiller følgende shows: September 2018 Fri 21stGLASGOW, Glasgow SSE Hydro Sat 22ndMANCHESTER, Manchester Arena Mon 24thBIRMINGHAM, Birmingham Arena Weds 26thIRELAND, Dublin 3Arena Thurs 27thIRELAND, Dublin 3Arena Sat 29thBELFAST, Belfast SSE Arena October 2018 Tues 2ndLONDON, London O2 Arena Fri 5th GERMANY, Munich Olympiahalle* Sat 6th CZECH REPUBLIC, Prague O2 Arena Mon 8th GERMANY, Cologne Lanxess Arena* Wed 10th BELGIUM, Antwerp Sportpaleis Thurs 11th HOLLAND, Amsterdam Ziggo Dome Sat 13th GERMANY, Hamburg O2 World* Sun 14th DENMARK, Copenhagen Royal Arena Tue 16th NORWAY, Oslo Spektrum Wed 17th SWEDEN, Stockholm Ericsson Globe Billetsalgget starter fredag 13.
    [Show full text]
  • State of Michigan in the Supreme Court People Of
    STATE OF MICHIGAN IN THE SUPREME COURT PEOPLE OF THE STATE OF MICHIGAN, Plaintiff-Appellee v. KWAME KILPATRICK Supreme Court No. 143861 Defendant-Appellant Court of Appeals No. 304991 Lower Court No. 08-010496-FH COA No. 304991 Circuit Court No. 08-010496 MOTION FOR LEAVE TO FILE AMICI CURIAE BRIEF OF THE ASSOCIATION OF AMERICAN PUBLISHERS, INC., AMERICAN BOOKSELLERS FOUNDATION FOR FREE EXPRESSION, THE FREEDOM TO READ FOUNDATION, AND PEN AMERICAN CENTER Proposed Amici The Association of American Publishers, Inc., American Booksellers Foundation for Free Expression, The Freedom to Read Foundation, and PEN American Center (collectively, "Amici") state the following in support of this motion: 1. The Association of American Publishers, Inc. (AAP), is the national trade association of the U.S. book publishing industry. AAP's approximately 300 members include most of the major commercial book publishers in the United States as well as smaller and non-profit publishers, university presses, and scholarly societies. AAP members publish hardcover and paperback books in every field, educational materials for the elementary, secondary, post-secondary, and professional markets, scholarly journals, computer software, and electronic products and services. The Association represents an industry whose very existence depends upon the free exercise of rights guaranteed by the First Amendment. 2. American Booksellers Foundation for Free Expression (ABFFE) was organized as a not-for-profit organization by the American Booksellers Association in 1990 to inform and educate booksellers, other members ofthe book industry, and the public about the danger of censorship and to promote and protect the free expression of ideas, particularly freedom in the choice of reading materials.
    [Show full text]