Soweto Gospel Choir
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PRESS RELEASE CISAC Announces New Vice Presidents Yvonne Chaka
PRESS RELEASE Immediate Release CISAC announces new Vice Presidents Yvonne Chaka Chaka and Arturo Márquez Paris, 3rd June, 2020 – Internationally-acclaimed South African singer, songwriter, actress, entrepreneur, humanitarian and teacher Yvonne Chaka Chaka has been elected as Vice President of CISAC. Also elected as Vice President at CISAC’s General Assembly on May 28th is Arturo Márquez, one of Mexico’s leading composers. Yvonne Chaka Chaka has been at the forefront of South African popular music for 27 years, becoming known as the “Princess of Africa”. Having shared the stage with creators including Angélique Kidjo, Annie Lennox, Bono, Queen, Miriam Makeba and Youssou N’Dour, Yvonne Chaka Chaka has also performed for Queen Elizabeth II, US President Bill Clinton, South African President Thabo Mbeki and a host of other world leaders. She has become a champion for the Global Fund to Fight AIDS, TB and Malaria, the United Nations MDG Envoy for Africa, and the Goodwill Ambassador for the Roll Back Malaria Partnership. Nelson Mandela chose her as the first ambassador for his children’s fund. She has also established her own charity, the Princess of Africa Foundation. CISAC’s Vice Presidents are also joined by the most prominent Mexican composer and director of the second half of the 20th century, Arturo Márquez. The recipient of numerous awards and scholarships from the government of France and Mexico as well as the Fulbright Scholarship from the United States, Arturo Márquez studied at the National Conservatory of Mexico, National Institute of Fine Arts of Mexico, California Institute of the Arts, and with Jacques Castérède in France. -
The Characteristics of Trauma
DIPLOMARBEIT Titel der Diplomarbeit „Music and Trauma in the Contemporary South African Novel“ Verfasser Christian Stiftinger angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2011. Studienkennzahl lt. Studienblatt: A 190 344 Studienrichtung lt. Studienblatt: UF Englisch Betreuer: Univ. Prof. DDr . Ewald Mengel Declaration of Authenticity I hereby confirm that I have conceived and written this thesis without any outside help, all by myself in English. Any quotations, borrowed ideas or paraphrased passages have been clearly indicated within this work and acknowledged in the bibliographical references. There are no hand-written corrections from myself or others, the mark I received for it can not be deducted in any way through this paper. Vienna, November 2011 Christian Stiftinger Table of Contents 1. Introduction......................................................................................1 2. Trauma..............................................................................................3 2.1 The Characteristics of Trauma..............................................................3 2.1.1 Definition of Trauma I.................................................................3 2.1.2 Traumatic Event and Subjectivity................................................4 2.1.3 Definition of Trauma II................................................................5 2.1.4 Trauma and Dissociation............................................................7 2.1.5 Trauma and Memory...……………………………………………..8 2.1.6 Trauma -
South Africa Today Since the 2009 UAM Launch
South Africa today since the 2009 UAM launch: 700 million estimated viewers saw UAM messages during the 2013 Africa Cup of Nations closing ceremony via South Africa-based media networks1 $620,000 in UAM bracelet sales raised for the Global Fund to Fight AIDS, Tuberculosis and Malaria 17 private sector partners committed to malaria control efforts In Johannesburg, UAM champion Yvonne Chaka Chaka (at center with Themba Mhinga) performs during the 2013 Orange Africa Cup of Nations closing ceremony. “I am committed to working towards ending malaria, a preventable and treatable disease,” she says, “and I chal- lenge every public and private sector leader to join me. United, we can beat malaria.” 1. According to estimates by the Confederation of African Football © 2013 Johns Hopkins University • Center for Communication Programs. All rights reserved. South Africa: A UAM Case Study Over the past decade South Africa has made significant strides in controlling malaria. Malaria cases have been reduced by 85%, from 64,622 cases in the year 2000 to 9,866 cases in 2011.2 Deaths from malaria have also been reduced by 80%, from 458 to 89 for the same comparison years. Having achieved the Millennium Development Goal target for malaria, South Africa continues to pursue a malaria elimination agenda, targeting local malaria cases and sharpening its malaria surveillance sys- tems to identify hotspots for local transmission and implement preventative and curative strategies. In the 15 countries of the Southern Africa Development Community (SADC), several challenges remain: the reintroduction of malaria through cross-border movement of infected persons, stock outs of essential malaria commodities, inadequate or bottlenecked funds, and poor data collection management.3 As the host of the 2010 FIFA World Cup and the 2013 Orange Africa Cup of Nations, South Africa has suc- cessfully raised the level of awareness about malaria prevention and treatment by harnessing the global popu- larity of football through the United Against Malaria partnership (UAM). -
The Johnny Clegg Band Opening Act Guitar, Vocals Jesse Clegg
SRO Artists SRO The Johnny Clegg Band Opening Act Guitar, Vocals Jesse Clegg The Johnny Clegg Band Guitar, Vocals, Concertina Johnny Clegg Guitar, Musical Director Andy Innes Keyboard, Sax, Vocals Brendan Ross Percussion Barry Van Zyl Bass, Vocals Trevor Donjeany Percussion Tlale Makhene PROGRAM There will be an intermission. Sunday, April 3 @ 7 PM Zellerbach Theatre Part of the African Roots, American Voices series. 15/16 Season 45 ABOUT THE ARTISTS Johnny Clegg is one of South Africa’s most celebrated sons. He is a singer, songwriter, dancer, anthropologist and musical activist whose infectious crossover music, a vibrant blend of Western pop and African Zulu rhythms, has exploded onto the international scene and broken through all the barriers in his own country. In France, where he enjoys a massive following, he is fondly called Le Zulu Blanc – the white Zulu. Over three decades, Clegg has sold over five million albums of his brand of crossover music worldwide. He has wowed vast audiences with his audacious live shows and won a number of national and international awards for his music and his outspoken views on apartheid, perspectives on migrant workers in South Africa and the general situation in the world today. Clegg’s history is as bold, colorful and dashing as the rainbow country which he has called home for more than 40 years. Clegg was born in Bacup, near Rochdale, England, in 1953, but was brought up in Zimbabwe and South Africa. Between his mother (a cabaret and jazz singer) and his step-father (a crime reporter who took him into the townships at an early age), Clegg was exposed to a broader cultural perspective than that available to his peers. -
Here, Ten Years Later, Without Your Integral Support
Welcome Note We take great pleasure in welcoming you to the 10th Drama for Life Conference and Festival. Our conference and festival, Transforming Arts | Transforming Lives, brings together the Drama for Life community of staff, students, alumnae, colleagues and friends from across the globe. It is a celebration of community, a meeting of affirmation, a dialogue of critical concern, and a circle of healing. This year’s conference and festival gives us the privilege to witness, listen to and engage with one another, critically and empathically, about critical issues that we face as we attempt to address the pressing challenges of our local, regional and global interrelated lives. Our focus on transformation is intentional. It is a call to reflect, to relate, and to revise. It is a challenge to act, to change, and to connect. What is it about transformation that we have become so complacent about? Why is transformation such a necessary, urgent personal and collective value-based task for us all to address as global citizens? What will it take for us to foster cultures of deep democracy embedded in a human rights and social justice practice? What role can the arts play in engendering meaningful, sustainable change in the 21st century, and what is it about our arts that can either stultify, or metaphorphize our lives? We invite you to journey with us into critical questions about Transforming Arts | Transforming Lives, a comprehensive ten days, a rite of passage, a transitory pathway, a glimpse into a progressive, wholehearted future education. It will not leave you unchanged. -
Umass Fine Arts Center Concert Hall
umassumass finefine artsarts center center CENTERCENTER SERIESSERIES 2008–20092008–2009 1 1 2 3 2 3 playbill playbill 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM DtCokeYoga8.5x11.qxp 5/17/07 11:30 AM Page 1 DC-07-M-3214 Yoga Class 8.5” x 11” YOGA CLASS ©2007The Coca-Cola Company. Diet Coke and the Dynamic Ribbon are registered trademarks The of Coca-Cola Company. 2 We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp 3 &ALLON¬#OMMUNITY¬(EALTH¬0LAN IS¬PROUD¬TO¬SPONSOR¬THE 5-ASS¬&RIENDS¬OF¬THE¬&INE¬!RTS¬#ENTER 4 5 Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support. -
ARCHIV-VERSION Dokserver Des Zentrums Für Zeithistorische Forschung Potsdam E.V
ARCHIV-VERSION Dokserver des Zentrums für Zeithistorische Forschung Potsdam e.V. http://zeitgeschichte-digital.de/Doks Katharina Fink Jürgen Schadeberg: Something you don’t see https://doi.org/10.14765/zzf.dok.5.1212 Archiv-Version des ursprünglich auf dem Portal Visual-History am 03.07.2016 mit der URL: https://www.visual-history.de/2016/07/03/juergen-schadeberg-something-you-dont-see/ erschienenen Textes Copyright © 2018 Clio-online – Historisches Fachinformationssystem e.V. und Autor/in, alle Rechte vorbehalten. Dieses Werk ist zum Download und zur Vervielfältigung für nicht-kommerzielle Zwecke freigegeben. Es darf jedoch nur erneut veröffentlicht werden, sofern die Einwilligung der o.g. Rechteinhaber vorliegt. Dies betrifft auch die Übersetzungsrechte. Bitte kontaktieren Sie: <[email protected]> Für die Neuveröffentlichung von Bild-, Ton- und Filmmaterial, das in den Beiträgen enthalten ist, sind die dort jeweils genannten Lizenzbedingungen bzw. Rechteinhaber zu beachten. 1 von 6 Online-Nachschlagewerk für VISUALHISTORY die historische Bildforschung 3. Juli 2016 Katharina Fink Thema: Fotografen Rubrik: Akteure JÜRGEN SCHADEBERG: SOMETHING YOU DON’T SEE Jürgen Schadeberg: Nelson Mandela’s return to his cell on Robben Island IV, 1994 © Jürgen Schadeberg mit freundlicher Genehmigung Eines seiner wohl berühmtesten Bilder ist zur Ikone geworden – zu einem jener Bilder, in denen Vergangenheit und Zukunft ineinander fallen: der gealterte Nelson Rolihlahla Mandela, der mit tiefen Falten und ergrautem Haar aus dem mit massiven Gitterstäben versehenen Fenster schaut. Den rechten Ellenbogen hat Mandela auf die Fensterbank gelegt, auf seiner linken Brusttasche fällt ein Emblem ins Auge. Das Bild ist 1994 entstanden. Offiziell ist Südafrika ein freies Land, und Mandela ist für das Foto in die Zelle auf Robben Island zurückgekehrt, in der er 18 seiner insgesamt 27 Jahre in Haft verbrachte. -
Yvonne Chaka Chaka Becomes First African Woman to Receive World Economic Forum's Crystal Award
PARTNERSHIP PRESS RELEASE EMBARGO: 18:30 CET, 25 th January 2012 Yvonne Chaka Chaka Becomes First African Woman to Receive World Economic Forum's Crystal Award For humanitarian work for women and children, in particular for malaria control Davos, 25 January 2012 – Yvonne Chaka Chaka, renowned singer-songwriter and Goodwill Ambassador for the Roll Back Malaria Partnership, has become the first African woman to receive the World Economic Forum's Crystal Award. The Award is given each year to successful artists who have used their art to 'improve the state of the world', according to the Forum. Ms Chaka Chaka was presented with the award during the opening ceremony of the Forum's Annual Meeting in Davos, Switzerland by Hilde Schwab, co-founder of the Schwab Foundation for Social Entrepreneurs. During the presentation, Ms Schwab commended Ms Chaka Chaka for her tireless work for major global health issues affecting women and children, in particular malaria control. 'The theme for this year's Davos meeting, The Great Transformation: Shaping New Models, confronts today's global leadership challenge that requires new models, bold ideas and personal courage to ensure that this century improves the human condition rather than caps its potential' said Ms Schwab. 'Yvonne Chaka Chaka is someone who delivers these qualities. For many years Yvonne has used her voice to draw attention to the causes that will change the lives of millions - from ending apartheid to improving maternal and child health. Yvonne has clearly understood her opportunities to do good and the access her powerful voice allows, through both song and conversation, to reach and influence those who can act. -
Apartheid Revolutionary Poem-Songs. the Cases of Roger Lucey and Mzwakhe Mbuli
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Lingue e Letterature Europee, Americane e Postcoloniali Apartheid Revolutionary Poem-Songs. The Cases of Roger Lucey and Mzwakhe Mbuli Relatore Ch. Prof. Marco Fazzini Correlatore Ch. Prof. Alessandro Scarsella Laureanda Irene Pozzobon Matricola 828267 Anno Accademico 2013 / 2014 ABSTRACT When a system of segregation tries to oppress individuals and peoples, struggle becomes an important part in order to have social and civil rights back. Revolutionary poem-songs are to be considered as part of that struggle. This dissertation aims at offering an overview on how South African poet-songwriters, in particular the white Roger Lucey and the black Mzwakhe Mbuli, composed poem-songs to fight against apartheid. A secondary purpose of this study is to show how, despite the different ethnicities of these poet-songwriters, similar themes are to be found in their literary works. In order to investigate this topic deeply, an interview with Roger Lucey was recorded and transcribed in September 2014. This work will first take into consideration poem-songs as part of a broader topic called ‘oral literature’. Secondly, it will focus on what revolutionary poem-songs are and it will report examples of poem-songs from the South African apartheid regime (1950s to 1990s). Its third part will explore both the personal and musical background of the two songwriters. Part four, then, will thematically analyse Roger Lucey and Mzwakhe Mbuli’s lyrics composed in that particular moment of history. Finally, an epilogue will show how the two songwriters’ perspectives have evolved in the post-apartheid era. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.