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CURRICULUM VITAE Dr. NIHARIKA SINGH BISHT D/O Mr. B. S. Bisht Lohariya Saal Malla (Nawad) P.O.- Kathgharia, Haldwani Nainita
CURRICULUM VITAE Dr. NIHARIKA SINGH BISHT D/O Mr. B. S. Bisht Lohariya saal Malla (Nawad) P.O.- Kathgharia, Haldwani Nainital, Uttarakhand (263139) [email protected] Mobile : +91-9639853783 Biographical Data: Father’s Name: Mr. B. S. Bisht Mother’s name: Mrs. P. B. Bisht Date of birth : 20th February, 1988 Languages Known : Hindi, English and Kumaoni Academic qualifications: Graduation H.N.B. 2007 Chemistry, I Garhwal University Botany and Zoology Post Kumaun University 2009 Zoology with I Graduation specialization in Entomology Ph.D. Kumaun University 2014 Zoology - Awards: Gold Medal for securing 1st position at University level in Post Graduation. Fellowship: INSPIRE Fellowship by Department of Science & Technology, Government of India, New Delhi. Topic of Research Work: “CONTROL OF FERTILITY OF LEPIDOPTERAN PESTS USING PLANT EXTRACTS AS INSECTICIDAL AGENTS” Research period: March 24, 2011 to May 8, 2014 Reference Name and address: Ex-Prof. B.R. Kaushal Department of Zoology D.S.B. Campus, Kumaun University Nainital-263002 (Uttarakhand) Professional Skills: Laboratory rearing and study of insect species like Pieris brassicae, Helicoverpa armigera, Plutella xylostella, Spodoptera litura and Thysanoplusia orichalcea. Formulation of different botanicals as bio-pesticides. Study of impact of botanicals on different life stages of lepidopteran pests. Dissections of adult lepidopterans for study of impact of bio- pesticides on gonads and related anti-fertility effects. Maintaining insectariums for study of regional entomo- fauna diversity. Teaching the subject Zoology at graduate and post graduate levels. Publications: 1. Raveesh Tripathi, Kanchan Bhandari, Niharika Bisht and B. R. Kaushal (2014). Review: Need and Impact of Synthetic Chemicals Used in Agriculture on Human Health and Environment. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
PRESS RELEASE Homeward ARPITA SINGH 18 March
D-40 Defence Colony, New Delhi 110024 | T +91-11-24622545/24615368 D-53 Defence Colony, New Delhi - 110024 | T +91-11-46103550/46103551 E [email protected] | W www.vadehraart.com PRESS RELEASE Homeward ARPITA SINGH 18 March – 16 April 2021 D-40 Defence Colony, New Delhi Vadehra Art Gallery is pleased to announce a continuation of our presentation titled Homeward, featuring a recent body of worK by Arpita Singh, which was recently presented as part of On Site, a collaborative exhibition by four leading galleries held at BiKaner House, New Delhi, earlier this month, and is now on view at our modern gallery. Described as a figurative artist and a modernist, Arpita Singh still maKes it a point to stay tuned in to traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them regularly in her work. Afflicted by the problems that are faced each and every day by women in her country and the world in general, Singh paints the range of emotions that she exchanges with these subjects – from sorrow to joy and from suffering to hope – providing a view of the ongoing communication she maintains with them. In this latest body of watercolours on paper and oil paintings, Singh’s cartographical autobiographies assume new dimensions through an intensification of colour, accenting her imagined landscapes with the flourish of expressionist emotion. With compositions foregrounded in movement, Singh tends to emphasize the potential of individual agency operating within collective constraints, though her mapping doesn’t seem to prioritize any one aspect – whether the fictional, mythical, personal, public fact or dream. -
Utopias and Dystopias in World Literature
MEJO The MELOW Journal of World Literature Volume 4 February 2020 ISSN: 2581-5768 A peer-refereed journal published annually by MELOW (The Society for the Study of the Multi-Ethnic Literatures of the World) Sunny Pleasure Domes and Caves of Ice: Utopias and Dystopias in World Literature Editor Manpreet Kaur Kang Volume Sub-Editors Neela Sarkar Barnali Saha 1 Editor Manpreet Kaur Kang, Professor of English, Guru Gobind Singh IP University, Delhi Email: [email protected] Volume Sub-Editors Neela Sarkar, Associate Professor, New Alipore College, W.B. Email: [email protected] Barnali Saha, Research Scholar, Guru Gobind Singh IP University, Delhi Email: [email protected] Editorial Board: Anil Raina, Professor of English, Panjab University Email: [email protected] Debarati Bandyopadhyay, Professor of English, Visva-Bharati, Santiniketan Email: [email protected] Himadri Lahiri, Professor of English, University of Burdwan Email: [email protected] Manju Jaidka, Professor, Shoolini University, Solan Email: [email protected] Rimika Singhvi, Associate Professor, IIS University, Jaipur Email: [email protected] Roshan Lal Sharma, Professor, Central University of Himachal Pradesh, Dharamshala Email: [email protected] 2 3 EDITORIAL NOTE MEJO, or the MELOW Journal of World Literature, is a peer-refereed E-journal brought out biannually by MELOW, the Society for the Study of the Multi-Ethnic Literatures of the World. It is a reincarnation of the previous publications brought out in book or printed form by the Society right since its inception in 1998. MELOW is an academic organization, one of the foremost of its kind in India. -
AI-Mar 16.Cdr
AWARD INDIA | Year 20 - Issue 1 - March 2016 | THE INTERNATIONAL AWARD FOR YOUNG PEOPLE From the Editor’s Desk Dear Readers, It has been a full year since we have returned from the International Gold Event in Seoul, Korea. All the Youth Representatives have been handed over important responsibilities. This has made it possible for us to remain connected to Youth representatives from around the world. But what is more important to achieve through such exercises is to realize that the Award Programme is global in nature. Often times while discussing about issues that we are facing on a regular basis, we regular that India's internal Problems are quite similar to problems that youth are facing all over the world. For people who are involves, most days go past by their thinking that they are not being heard. Maybe it is true. But maybe it is not. Over the past few months, in several conversations with students and Award Participants from all over the country, I realized that the Award programme provides a very effective medium for the youth to feel worthy and channelize their restless energy. Through stories that have come in for this issue of Award India and others that we couldn't cover here, we could like to thank all our youth participants for working hard towards building a strong nation. Anwesha Ghosh IGE Representative Nature: A Commitment to Preserve and Nurture - A report by Manju Verma (Award Leader) ward participants of Cambridge International School Phagwara, in their commitment to preserve and nurture nature, moved a step forward by adopting a local park in Phagwara city. -
The Doon School WEEKLY Saturday, April 20Z 2013 Z Issue No
Established in 1936 The Doon School WEEKLY Saturday, April 20z 2013 z Issue No. 2342 THE TAMIL REGULARS TAKE TWO BAISAKHI 2 ISSUE 3 3 4 TheThe Mind,Mind, NotNot thethe MatterMatter Madhav Dutt highlights the importance of the mindset of Indians today. When you go to register yourself for a UID or Adhaar card, you consciously carry some extra money to jump the queue. When you get stopped by a police officer for speeding, the first thing that comes out of your wallet is a 500 Rupee note, not your driving license. When you sit down with your friends and family, the immediate topic of discussion is the ineptitude of our current government and how India is going to the dogs. Investor confidence is drooping drastically and all we do is curse the government. Women simply cannot go out after sunset in our country, and men can ride around on their motorbikes and shout expletives, late into the night. The aforemen- tioned statements embody the average Indian citizen’s opinion on India today. It is safe to say that our country has seen better days. However, the amount we all complain and curse our country is schocking. Though the common presumption is that these voices are usually unheard, the fact of the matter is that public opinion and psyche have a significant effect on how our country performs: politically, economically and socially. The nation’s voice is one riddled with cynicism and pessimistic views. We are always looking at the dark side of life. The media only informs the public about how several aspects are eating away at our country, and not how we are developing in other sectors in a genuine manner. -
National Law University, Delhi Sector-14, Dwarka New Delhi-110078
NATIONAL LAW UNIVERSITY, DELHI SECTOR-14, DWARKA NEW DELHI-110078 ALL INDIA LAW ENTRANCE TEST-2016 (AILET-2016), B.A. LL.B.(HONS.) RESULT Marks Wise S.No. Roll No Name of the Candidate Name of Father/Mother/ Guardian DoB Gender Marks 1 52788 KARAN DHALLA DEEPESH DHALLA 03/02/1998 M 119 2 55979 SHUBHAM JAIN BHUPENDRA JAIN 20/11/1997 M 116 3 56876 VANSH AGGARWAL PAWAN SINGHAL 25/03/1998 M 116 4 63245 ARTH NAGPAL RAJESH NAGPAL 28/08/1997 M 114 5 64122 RIJU SHRIVASTAVA YUGENDRA ARYA 27/04/1998 F 114 6 69185 ROHIL BIPIN DESHPANDE BIPIN GAJANAN DESHPANDE 10/05/1998 M 114 7 70191 ARVIND KUMAR TIWARI AKHILESH CHANDRA TIWARI 03/10/1997 M 114 8 75260 ANUBHUTI GARG ARUN GARG 13/06/1997 F 114 9 63398 EKANSH ARORA RAJESH ARORA 08/01/1997 M 113 10 66089 KARISHMA KARTHIK KARTHIK SUBRAMANIAN 06/04/1998 F 113 11 75266 ANUNA TIWARI SANJAY TIWARI 14/08/1997 F 113 12 77055 ANMOL DHAWAN SANJEEV DHAWAN 29/12/1998 M 113 13 77061 ANUKRITI KUDESHIA ANURODH KUDESHIA 27/09/1997 F 113 14 64048 PRANSHU SHUKLA SANJAY SHUKLA 24/02/1998 M 112 15 71044 NIKHIL SHARMA PRAMOD KUMAR SHARMA 21/01/1997 M 112 16 75365 AVANI AGARWAL SURENDRA KUMAR AGARWAL 28/06/1998 F 112 17 63385 DIVYA KUMAR GARG NITIN GARG 05/04/1998 M 111 18 64071 PRIYANKA CHATURVEDI D. P. CHATURVEDI 20/02/1997 F 111 19 72316 PRITHVI JOSHI ARUN JOSHI 28/10/1998 M 111 20 74213 SHIVAM SINGHANIA SUNIL SINGHANIA 27/02/1998 M 111 21 74227 SHREYA JAIPURIA BIRENDRA JAIPURIA 22/12/1997 F 111 22 77417 SREEDEVI GOPALAKRISHNAN NAIR GOPALAKRISHNAN NAIR 01/07/1997 F 111 23 50911 ANKUR SINGHAL ANIL KUMAR SINGHAL 26/12/1997 -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
Modernisms in India
Modernisms in India Modernisms in India Supriya Chaudhuri The Oxford Handbook of Modernisms Edited by Peter Brooker, Andrzej Gąsiorek, Deborah Longworth, and Andrew Thacker Print Publication Date: Dec 2010 Subject: Literature, Literary Studies - 20th Century Onwards, Literary Studies - Postcolonial Literature Online Publication Date: Sep 2012 DOI: 10.1093/oxfordhb/9780199545445.013.0053 Abstract and Keywords This article examines the history of modernism in India. It suggests that though the dis tinctions between modernity, modernization, and modernism are particularly complicated in the case of India, they remain crucial to a historical understanding of the ‘modern’ in all its senses. The article argues that the characteristic feature of Indian modernism in In dia is that it is manifestly social and historical rather than a hypostasis of the new as in the West. It contends that modernisms in India are deeply implicated in the construction of a secular national identity at home in the world, and in this respect answer a historical need to fashion a style for the modern as it is locally experienced. Keywords: modernism, India, modernization, modernity, national identity, hypostasis THE distinctions between modernity, modernization, and modernism are particularly com plicated in the case of India, but remain crucial to a historical understanding of the ‘mod ern’ in all its senses. Modernity, as a social and intellectual project, and modernization, as its means, are associated with the influence in India of Europe and of Enlightenment ra tionality from the eighteenth century onwards. Modernism, as an aesthetic, is far more limited in period and scope. Nevertheless, just as recent cultural criticism has proposed the existence of ‘alternative modernities’1 not native to the West, so too our attention has been drawn to ‘alternative modernisms’, or ‘modernisms at large’.2 The question of peri odicity, as of location, is complicated by the historical fact that modernism as an aesthetic was simultaneously restricted and elitist, and international and democratic. -
Archer Art Gallery
A Ramachandran (Archer Art Gallery) Aaditi Joshi (TARQ) Abanindranath Tagore (Akar Prakar) Abhijith Pathak (Art Explore) Abhishek Narayan Verma (Anant Art) Abir Karmakar (GALLERYSKE) Achia Anzi (Serendipity Arts Foundation, Threshold Art Gallery) Addepalli Tirupathi Rao (Art District XIII) Adi Davierwalla (DAG) Adip Dutta (Experimenter) Aditi Singh (Chemould Prescott Road) Ai Weiwei (neugerriemschneider) Ajay Rajgarhia (Wonderwall) Ajit Kumar Jha (Gallery Ragini) Ajit Nelumangad (Metta Contemporary) Akhil Chandra Das (Aakriti Art Gallery) Alexander Gorlizki (Anant Art) Alice Neel (David Zwirner) Amber Hammad (Wonderwall) Amina Ahmed (Italian Embassy Cultural Centre Aminul Islam Ashik (Britto Arts Trust) Amit Mahadev Dombhare (Arts of the Earth) Amitava Das (Art Indus) Amitesh Shrivastava (Project 88) Amol K Patil (Metta Contemporary) Amrita Sher-Gil (Akara Art, Crayon Art Gallery) Anant Joshi (Chemould Prescott Road) Andreas Eriksson (neugerriemschneider) Anindita Bhattacharya (Threshold Art Gallery) Anisuzzaman Sohel (Britto Arts Trust) Anita Dube (MASH Sculptural Space, MASH) Anjan Modak (Emami Art) Anjaneyulu G (Art Alive Gallery) Anjolie Ela Menon (Dhoomimal Gallery) Anju Dodiya (Chemould Prescott Road, Vadehra Art Gallery) Ankon Mitra (Art.Motif) Ankush Safaya (Sakshi Gallery) Anna Leonhardt (Marc Straus) Anni Albers (David Zwirner) Anni Kumari (Art District XIII) Anoli Perera (Shrine Empire) Anu Malhotra (Wonderwall) Anupam Sud (Art Heritage) Anwar Jalal Shemza (Jhaveri Contemporary) Apnavi Makanji (TARQ) Apurba Nandi (Palette Art -
Carving out BETTER TOMORROWS
Carving Out BETTER TOMORROWS PLACEMENT BROCHURE 2017 - 2019 CGPC Office: +91 950 826 7911 / 02471-242061 Email: [email protected] / [email protected] Tata Institute Of Social Sciences Apsinga road, P.B. No.9, Tuljapur-413601. Dist- Osmanabad,Maharashtra Tel: 02471-242061, Fax : 02471-242061, www.campus.tiss.edu Tata Institute of Social Sciences 3 Contents Foreword 5 About TISS 8 Student Initiatives 14 Field Action Projects 20 Faculties 21 Demographics 22 Field Work 24 Student Profiles 28 Masters In Development Policy Planning And Practice 30 Masters In Social Work In Rural Development 40 Masters In Social Innovations And Entrepreneurship 54 Masters In Sustainable Livelihoods And 62 Natural Resources Governance Why Recruit Our Students? 72 Past Recruiters 72 Campus Recruitment Procedure 74 From The Director’s (Acting) Desk Prof. SHALINI BHARAT M.A, D.Phil. (Psychology), Allahabad University Tata Institute of Social Sciences continues to be a reckoning voice in the journey of restructuring orders, rethinking disciplines and interventional methods. The institute keeps up to its promise of finding answers to emerging social, cultural and environmental challenges by generating concerned and committed professionals with social justice and rights with empowerment. Searching for an all-inclusive path of development remains a guiding principle for all segments of the Institute. TISS Tuljapur campus, responding to the needs of the hour, is devoted in marking a niche in understanding and reframing social order to ensure a life of dignity intersecting all barriers of gender, caste, class, ethnicity and all human hurdles. The courses offered on this campus, such as M.S.W. in Rural Development, M.A/M.Sc. -
Ansal Green Valley
https://www.propertywala.com/ansal-green-valley-dehradun Ansal Green Valley - Jakhan, Dehradun Lush greenery homes Ansal Green Valley presented by Ansal Buildwell offer 2 & 3 Bhk apartments & residential plots available in Jakhan, Dehradun Project ID : J118997311 Builder: Ansal Buildwell Location: Ansal Green Valley, Jakhan, Dehradun - 248001 (Uttarakhand) Completion Date: Sep, 2016 Status: Started Description Ansal Green Valley is a residential project introduced by Ansal Buildwell located in Jakhan, Dehradun. It is well constructed and thoughtfully designed which offers 2 & 3 Bhk independent houses and residential plots of various sizes along with modern amenities and hi-end facilities making it a suitable home for its residents. Amenities Park 24*7 Security Community Hall Car Parking 24*7 Power Backup Ansal Buildwell Limited is making property dreams come true for more than 40 years. Delivering projects that are one of its class makes Ansal Buildwell Developers most trusted real estate developers in India. They pride themselves on providing a quality product. They are very passionate to innovate and always provide the most up-to-date technology for their new project. They desire to earn people's trust and confidence while they create whenever they launch their new product and services. The company's main goal is to provide the best real estate in all the areas they serve. Company has impacted largely on the real estate industry in India. Features Luxury Features Security Features Power Back-up Centrally Air Conditioned Lifts Security