Center Repertorycompany of Walnutcreek

Total Page:16

File Type:pdf, Size:1020Kb

Center Repertorycompany of Walnutcreek CENTER REPERTORY COMPANY OF WALNUT CREEK Michael Butler, Artistic Director Scott Denison, Managing Director presents Inspired by and Featuring the Songs of Elvis Presley Book by Joe DiPietro Lighting Designer Scenic Designer Kurt Landisman Kelly James Tighe Sound Designer Costume Designer Lewis Mead Melissa Anne Davis Props Stage Manager Justin Cesarin Patricia Mason* Casting Director Wig Designer Jennifer Perry Judy Disbrow Cast Dane Paul Andres Jason Hite Christa Rower Anika Bobb* Ji Kim David Sattler* Evan Boomer Lillian Kurtz Will Skrip* Andrea Brembry* Mindy Lym Brian Sterling Renee DeWeese Ron Pickett Colin Thomson* Lynda DiVito* Benjamin Pither Elise Youssef Musical Director Dolores Duran-Cefalu Directed and Choreographed by Robert Barry Fleming September 3 - October 10, 2009 Lesher Center for the Arts Margaret Lesher Theatre All Shook Up is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide (TRW), 1359 Broadway, Suite 914, New York, NY 10018 (866) 378-9758 www.theatricalrights.com The videotaping or audio recording of this performance is strictly prohibited. Season Sponsor Season Partner Season Media Sponsor *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States The Scenic Designer and Lighting Designer are members of United Scenic Artists Union Center REP is a member of Theatre Communications Group (TCG), the national organization for the American Theatre. CAST Anika Bobb* (Lorraine) is thrilled to (Townsend Opera Players), Evita (CCMT), Jesus Christ be returning to Center REP, where she Superstar (Willows Theatre). Ms. Kim would like to thank Dane Paul Andres ....................................... Ensemble debuted in last season’s Ain’t Misbehavin’. her H2B for his unyielding love and support. Anika Bobb* ...................................................Lorraine She is a graduate of Carnegie Mellon Evan Boomer ............................................... Ensemble University and a proud member of Actors’ Lillian Kurtz (Ensemble) graduated from Andrea Brembry* ...............................................Sylvia Equity. Some of her favorite roles include: Bettina in San Francisco’s School of the Arts High Renee DeWeese .......................................... Ensemble Casper with Pittsburgh Civic Light Opera; Brenda in School from the Dance Department in Lynda DiVito* .............................Mayor Matilda Hyde Smokey Joe’s Cafe with Westchester Dinner Theater; 2005. She has trained at various dance Jason Hite .................................................. Dean Hyde and Dionne in Hair at the Emelin Theater. She has also studios including the San Francisco Dance Ji Kim ........................................................... Ensemble performed with Palo Alto Theater Works as well as St. Center, Rhythm and Motion as well as the Academy of Lillian Kurtz ................................................. Ensemble Louis MUNY. She was last seen on stage in American Ballet. She is currently attending the Academy of Art Mindy Lym .............................................Natalie Haller Musical Theater’s production of The Wizard of Oz. She University majoring in Acting. Credits: Hair (Tribal Love Ron Pickett ................................................ Sheriff Earl would like to dedicate this performance to her family Rock Musical) (Mountain Play Association) - ensemble Benjamin Pither ............................................... Dennis and friends for their constant love and support. member, High School Musical (Ray of Light Company) Christa Rower .............................................. Ensemble - ensemble member, Hair cast reunion Summer of Love David Sattler* ..................................................... Chad Evan Boomer (Ensemble) is thrilled to be Festival 2007. Lillian is very excited to be a part of this Will Skrip*.................................................... Ensemble making his Center REP debut with All Shook wonderful production of All Shook Up and wants to Brian Sterling .............................................. Ensemble Up. Recent credits include: Into the Woods thank her friends and family for all their support. I love Colin Thomson* ..........................................Jim Haller (Rapunzel’s Prince) - Broadway by the Bay, you guys forever!! Elise Youssef ............................................ Miss Sandra Beauty and the Beast (Beast) - Starstruck Theatre, Liquor Store Cactus (Carlos)- independent film Mindy Lym (Natalie Haller) was last seen SONG LIST with Dirty Shoe Productions. Evan sends all the thanks starring as Eva Peron in CCMT’s production in the world to his amazing family, friends, Starstruck of Evita, and is delighted to be working ACT I Crew! and the big guy upstairs for their constant love with Center REP on All Shook Up. Favorite Jailhouse Rock ......................Chad, Warden, Inmates and support. past roles include Cinderella in Broadway Heartbreak Hotel ................Sylvia, Dennis, Lorraine, By The Bay’s Into the Woods, Eliza Doolittle in Foothill’s Andrea Brembry* (Sylvia) is a native of My Fair Lady, Jane Fairfax, U/S Emma in TheatreWorks’ .................................................... Jim, Natalie, Barflies California. She has performed in numerous world premiere of Emma, Young Phyllis in the Oakland Roustabout.......................................................... Chad musical productions thoughout the East Bay Symphony’s Follies in Concert and Shelley in Ray One Night with You ..........................................Natalie Bay Area. She most recently appeared of Light’s Bat Boy. Other credits include Woodminster’s C’mon Everybody ................................ Chad, Natalie, as Mother Earth in the production of Seven Brides for Seven Brothers (Milly Pontipee), Willows ...................................................Dennis, Townspeople Once on this Island with the Berkeley Playhouse. Other Theatre’s Nuncrackers! (Sister Amnesia), Ray of Light’s Follow That Dream ................................ Chad, Natalie credits include Peddling Rainbows with 42nd St. Moon, Seussical (Bird Girl, U/S Mayzie). Ms. Lym has also Hound Dog/Teddy Bear ....................... Sandra, Chad, as Sister Hubert in Nunsensations at the Willows Theater, performed with SF Playhouse, The Purpose Onion and ............................................................. Dennis, Natalie as the understudy of Soap Star/Power Women in the numerous other cabaret venues. In her spare time she That’s All Right ......... Chad, Lorraine, Sylvia, Barflies production of Menopause the Musical, Ain’t Misbehavin’ roots for the SF Giants, meditates and teaches voice in It’s Now or Never .................................Dean, Lorraine and Eubie at the Lorraine Hansberry Theater. Other her own private studio in SF. This show is for Jessica & Love Me Tender ..................................... Chad, Natalie Bay Area appearances have included Tapestry, Crowns, Chris; may your marriage bring you more joy than you Blue Suede Shoes ...............................Ed, Chad, Guys Dreamgirls with Theatreworks and as Billie Holiday in ever imagined, I’ll be there in spirit. Don’t Be Cruel ..............................................Chad, Jim Lady Day at Emerson Bar and Grill performed at Marin Let Yourself Go .................................. Sandra, Statues Theatre Company. Ron Pickett (Sheriff Earl) has been Can’t Help Falling in Love ............................Company performing in the Bay Area for almost 20 Renee DeWeese (Ensemble) has been years, recently in the Tri-Valley Repertory ACT II performing throughout the Bay Area Theatre production of Seussical and in All Shook Up ...................................... Chad, Company since the age of 8. Favorite recent roles Assassins at the Harbor Theatre in Suisun. It Hurts Me ......................................Dennis, Ensemble include: Tiger Lily in DLOC’s Peter Pan, Hot Ron was in DLOC’s productions of The Will Rogers Follies A Little Less Conversation ......................Natalie, Gals Box Girl in CCMT’s Guys and Dolls, and a and Brigadoon (Charlie). At the Willows Theatre, Ron was The Power of My Love ...................Jim, Chad, Sandra Silly Girl in AMTSJ’s Beauty and the Beast. She holds a in Cats (Bustopher Jones/Growltiger), Mountain Days – I Don’t Want To .................................................... Chad BFA in Drama from NYU’s Tisch School of the Arts (CAP The John Muir Musical (Chilwell), and in the west coast Devil in Disguise ................................. Matilda, Chad, 21 Studio). Last season, Renee choreographed CCMT’s premiere of Sacagawea. Ron has been nominated for ................................................. Angelettes, Devilettes production of 42nd Street (BATCC nomination) and is Bay Area Critics Circle awards for his performances in; There’s Always Me ..............................................Sylvia looking forward to choreographing their upcoming Theatreworks’ Sweeney Todd (Tobias), Almost September If I Can Dream .........Chad, Lorraine, Dean, Ensemble production of Oklahoma! She is proud to be part of the (Herbert), CTA’s The Secret Garden (Dickon), and Willow’s Can’t Help Falling in Love (Reprise) .............Earl, Jim, teaching staff at Lareen Fender’s The Ballet School in Theatre’s Brimstone (Seamus). Other favorites; Pete & ..............................................................Sylvia, Matilda Walnut Creek.
Recommended publications
  • YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito
    Youth Musical Theater Company FOR IMMEDIATE RELEASE Press Inquiries: Laura Soble/YMTC Phone 510-595-5514 Email: [email protected] Website: https://www.ymtcbayarea.org YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito Berkeley, California, September 27, 2019—Youth Musical Theater Company (YMTC) will launch its 15th season of acclaimed regional theater with the rock musical Rent. The show opens Sunday, November 3, at the Performing Arts Theater, 540 Ashbury Ave., El Cerrito. Its run consists of a 5:00 p.m. opening (11/3), two 2:00 p.m. matinees (11/9, 11/10), and three 7:30 p.m. performances (11/7, 11/8, 11/9). Rent is a rock opera loosely based on Puccini’s La Boheme, with music, lyrics, and book by Jonathan Larson. Set in Lower Manhattan’s East Village during the turmoil of the AIDS crisis, this moving story chronicles the lives of a group of struggling artists over a year’s time. Its major themes are community, friendship, and survival. In 1996, Rent received four Tony Awards, including Best Musical; six Drama Desk Awards; and the Pulitzer Prize for Drama. In 1997, it won the Grammy Award for Best Musical Show Album. Its Broadway run lasted 12 years. Co-Director Jennifer Boesing comments, “Rent is a love story and a bold, brazen manifesto for young artists who are trying not just to stay alive, but to stay connected to each other, when the mainstream culture seems to be ignoring signs of destruction all around them. Although the show today is a period piece about a very specific historical moment—well before the earliest memories of our young performing artists—they relate to it deeply just the same.
    [Show full text]
  • Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
    as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A.
    [Show full text]
  • Memphis Is Made Possible By
    2015-16 SEASON CT3 PEOPLE CON OTHER STAGES BOARD OF DIRECTORS ARTISAN CENTER THEATRE TUil 11AN'l'AS'l'Wl{S CHAIR ScottT. Williams APR 22 -JUN 4 Bye Bye Birdie by Tom Jones and Harvey Schmidt BOARD MEMBERS CIRCLE THEATRE December 3 - 27, 2015 Marion L. Brockette, Jr., Suzanne Burkhead, APR 22 -JUN 4 Under the Skin RaymondJ. Clark, Sid Curtis, Katherine C. Eberhardt, Laura V. Estrada, Sally Hansen, David G. Luther, Jr., DALLAS CHILDREN'S THEATRE David M. May, Chris Rajczi, Margie J. Reese, Dana APR 28-MAY 21 TheBFG(BigFriendly Giant) W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D. 'I' Bil Gl,AS S )IllNA Glllll ll on HONORARY BOARD MEMBERS DALLAS THEATRE CENTER by Tennessee Williams by Neil Tucker Virginia Dykes, Gary W. Grubbs, APR 20-MAY 14 DeferredAction July 30 -August 23, 2015 January 21 - February 14, 2016 John & Bonnie Strauss GARLAND CIVIC THEATRE APR 14-MAY 7 Hank Williams: Lost Highway ADMINISTRATION ACTING ARTISTIC DIRECTOR Bruce R. Coleman MAINSTAGE ·IRVING• LAS COLINAS MAN AG I NG DIRECTOR Merri Brewer MAY13-28 TheGreatGatsby UGil'I' UP 'l'Dll SKY 111x Hll, .rnsus BOOKKEEPER Linda Harris by Helen Sneed by Moss Hart ONSTAGE IN BEDFORD COMPANY MANAGER Kat Edwards September 17- October 11, 2015 March 10 -April 3, 2016 MAY 20 -JUN 5 Kitchen Witches PUBLICITY, MARKETING & DESIGN SoloShoe Communications, LLC PEGASUS TH EATRE MAY 20 -29 CPA Ron King A 1rifleDead! HOUSEKEEPING Kevin Spurrier POCKET SANDWICH THEATRE PU)NW )lll)IPIIIS MAY 20 -JUN 18 Moon OverBuffalo by William Inge by David Br yan and Joe Di Pietro PRODUCTION October
    [Show full text]
  • DRAMATURGY GUIDE School of Rock: the Musical the National Theatre January 16-27, 2019
    DRAMATURGY GUIDE School of Rock: The Musical The National Theatre January 16-27, 2019 Music by Andrew Lloyd Webber Book by Julian Fellowes Lyrics by Glenn Slater Based on the Paramount Film Written by Mike White Featuring 14 new songs from Andrew Lloyd Webber and all the original songs from the movie Packet prepared by Dramaturg Linda Lombardi Sources: School of Rock: The Musical, The Washington Post ABOUT THE SHOW Based on the hit film, this hilarious new musical follows Dewey Finn, a failed, wannabe rock star who poses as a substitute teacher at a prestigious prep school to earn a few extra bucks. To live out his dream of winning the Battle of the Bands, he turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. While teaching the students what it means to truly rock, something happens Dewey didn’t expect... they teach him what it means to care about something other than yourself. For almost 200 years, The National Theatre has occupied a prominent position on Pennsylvania Avenue – “America’s Main Street” – and played a central role in the cultural and civic life of Washington, DC. Located a stone’s throw from the White House and having the Pennsylvania Avenue National Historic Site as it’s “front yard,” The National Theatre is a historic, cultural presence in our Nation’s Capital and the oldest continuously operating enterprise on Pennsylvania Avenue. The non-profit National Theatre Corporation oversees the historic theatre and serves the DC community through three free outreach programs, Saturday Morning at The National, Community Stage Connections, and the High School Ticket Program.
    [Show full text]
  • Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility.
    [Show full text]
  • HERRICK GOLDMAN LIGHTING DESIGNER Website: HG Lighting Design Inc
    IGHTING ESIGNER HERRICK GOLDMAN L D Website: HG Lighting Design inc. Phone: 917-797-3624 www.HGLightingDesign.com 1460 Broadway 16th floor E-mail: [email protected] New York, NY 10036 Honors & Awards: •2009 LDI Redden Award for Excellence in Theatrical Design •2009 Henry Hewes (formerly American Theatre Wing) Nominee for “Rooms a Rock Romance” •2009 ISES Big Apple award for Best Event Lighting •2010 Live Design Excellence award for Best Theatrical Lighting Design •2011 Henry Hewes Nominee for Joe DiPietro’s “Falling for Eve” Upcoming: Alice in Wonderland Pittsburgh Ballet, Winter ‘17 Selected Experience: •New York Theater (partial). Jason Bishop The New Victory Theater, Fall ‘16 Jasper in Deadland Ryan Scott Oliver/ Brandon Ivie dir. Prospect Theater Company Off-Broadway, NYC March ‘14 50 Shades! the Musical (Parody) Elektra Theatre Off-Broadway, NYC Jan ‘14 Two Point Oh 59 e 59 theatres Off-Broadway, NYC Oct. ‘13 Amigo Duende (Joshua Henry & Luis Salgado) Museo Del Barrio, NYC Oct. ‘12 Myths & Hymns Adam Guettel Prospect Theater co. Off-Broadway, NYC Jan. ‘12 Falling For Eve by Joe Dipietro The York Theater, Off-Broadway NYC July. ‘10 I’ll Be Damned The Vineyard Theater, Off-Broadway NYC June. ‘10 666 The Minetta Lane Theater Off-Broadway, NYC March. ‘10 Loaded Theater Row Off-Broadway, NYC Nov. ‘09 Flamingo Court New World Stages Off-Broadway, NYC June ‘09 Rooms a Rock Romance Directed by Scott Schwartz, New World Stages, NYC March. ‘09 The Who’s Tommy 15th anniversary concert August Wilson Theater, Broadway, NYC Dec. ‘08 Flamingo Court New World Stages Off-Broadway, NYC July ‘08 The Last Starfighter (The musical) Theater @ St.
    [Show full text]
  • Musical! Theatre!
    Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
    [Show full text]
  • Record Collectibles
    Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis.
    [Show full text]
  • Damn Yankees Program.Pdf
    GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409.
    [Show full text]
  • Page 1 of 2 All Shook up Choreographer: Naomi Fleetwood Description: 1 Wall, Intermediate Line Dance Music: All Shook up By
    All Shook Up Choreographer: Naomi Fleetwood Description: 1 wall, intermediate line dance Music: All Shook Up by Elvis Presley or Billy Joel PART A SHUFFLE FORWARD LEFT AND RIGHT 1&2 Shuffle forward Left, Right, Left 3&4 Shuffle forward Right, Left Right LEFT GRAPEVINE AND TOUCH 5-8 Step L Foot to left, Step R Foot behind L, Step L Foot to left, Touch R in place SHUFFLE BACKWARDS RIGHT AND LEFT 9&10 Shuffle backwards Right, Left, Right 11&12 Shuffle backwards Left, Right, Left RIGHT GRAPEVINE AND TOUCH 13-16 Step R Foot to right, Step L Foot behind R, Step R Foot to right, Touch R in place WALK FORWARD LEFT, RIGHT, LEFT, KICK RIGHT 17-20 Walk forward Left, Right, Left, Kick Right WALK BACK RIGHT, LEFT, RIGHT, TOUCH LEFT 21-24 Walk Back Right, Left, Right, Touch Left in place STOMP LEFT TO LEFT SIDE, CLAP, PULL, PAUSE 25 Stomp Left to Left Side and extend Left arm to the left 26-27 Clap Right hand on Left, Pull Right hand to chest, as if with a bow and arrow 28 Pause ROLL HIPS TWICE (ELVIS HIPS!) 29-32 Rolls hips twice as if you were Elvis himself! PART B LEFT GRAPEVINE AND TOUCH 33-36 Step L Foot to left, Step R behind L, Step L Foot to left, Touch R in place ½ PIVOT TO THE LEFT TWICE 37-38 Touch R Foot forward, Pivot ½ Turn to the left (weight stays on L Foot) 39-40 Touch R Foot forward, Pivot ½ Turn to the left (weight stays on L Foot) RIGHT GRAPEVINE AND TOUCH 41-44 Step R Foot to right, Step L Foot behind R, Step R Foot to right, Touch R in place ½ PIVOT TO THE RIGHT TWICE 45-46 Touch L Foot forward, Pivot ½ Turn to the right (weight
    [Show full text]
  • Consumer Alert Regarding Ticket Purchasing
    CONSUMER ALERT REGARDING TICKET PURCHASING With so many high-profile and popular events coming to Wharton Center, we have found more and more patrons are being exploited by unscrupulous ticket resellers. Often our tickets are being marketed on secondary ticket websites before the operator of the website has even purchased tickets – and they are selling at prices far above the price you will pay through whartoncenter.com. Purchasing tickets to Wharton Center events through another source might result in paying too much for your tickets or paying for tickets that are invalid. If there is a problem with your tickets, you may not be able to receive help from Wharton Center’s Ticket Office as there will be no in-house record of your transaction. In addition, we are unable to contact you if there is a change in performance time, traffic notices, etc. To avoid being ensnared by unscrupulous ticket resellers: • Bookmark our website, whartoncenter.com for ticket and show information. • Sign up for our eClub to receive information directly from Wharton Center. We urge you to protect yourself by purchasing directly from the official source for Wharton Center tickets: at whartoncenter.com; by phone at 1-800-WHARTON (1-800-942-7866); or at the Auto-Owners Insurance Ticket Office at Wharton Center. IN CASE OF EMERGENCY Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations. If you have questions regarding our safety and security procedures, please contact the house management staff at Wharton Center by calling 884-3119 or 884-3116.
    [Show full text]
  • Art Entertainment Complex—Opened in March and Is an Extraordinary Place Memphis, TN Honoring the Late King of Rock ’N’ Roll, but Graceland Remains the Crown Jewel
    On The Scene * OUT+ABOUT THE KING’S CASTLE Elvis Presley’s Memphis—a $45-million, 200,000-square-foot, state-of-the- art entertainment complex—opened in March and is an extraordinary place Memphis, TN honoring the late king of rock ’n’ roll, but Graceland remains the crown jewel. STORY & PHOTOS: MARY ANN DESANTIS f it’s been awhile since you visited Elvis Presley’s Graceland, things have changed Ithis year—not so much with the Colonial Re- vival-style mansion itself, but with the 40 acres across the street where the new Elvis Presley’s Memphis attraction sits. After all, the home will always look the way it did when Elvis died 40 years ago because fans have a burning love for the place and want it to remain the way the king left it. But the tours are more organized than they were when the home first opened to the public…and there is a lot more to see. The best way to describe Elvis Presley’s Memphis is to imagine a theme park that is “all Elvis.” From his lean years as a U.S. Army private to his extensive car collection in Presley Motors, including his pink Cadillac, the “streets” are lined with everything Elvis. I grew up watching Elvis’ movies, so for fans like me there’s even a big screen theater showing his old movies—all day. The attraction’s cornerstone is “Elvis: The Entertainer,” an entire section dedicated to Elvis’ music, movies, and live touring career. Featuring hundreds of artifacts from the extensive Graceland archives—including his collection of gold and platinum records On The Scene * OUT+ABOUT THE GUEST HOUSE It’s a long way from a heartbreak hotel to The Guest House, the 450-room luxury resort adjacent to Graceland that opened in 2016.
    [Show full text]