DOCSLIB.ORG

American Society of Cinematographers Motion Imaging Technology Council Progress Report 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
American Society of Cinematographers Motion Imaging Technology Council Progress Report 2017 American Society of Cinematographers Motion Imaging Technology Council Progress Report 2017 By Curtis Clark, ASC; David Reisner, D-Cinema picture camera developments, look management, virtual Consulting; David Stump, ASC; Bill Bennett, ASC; production techniques, lens developments, DI, motion Michael McDonough, ASC, BSC; Jay Holben; imaging workflows, projection and display technologies, Don Eklund; Bill Mandel; Michael Karagosian; archiving, as well as advanced imaging. Eric Rodli; Steve Schklair; Gary Demos; Jim Fancher; Filmmakers are currently experiencing the accel- erated convergence of several key technology develop- Gary Mandle; Greg Ciaccio; Tim Kang; Joshua Pines; ments that are expanding the creative possibilities of our David Morin; Garrett J. Smith; W. Thomas Wall digital motion imaging future. Prominent among these are high dynamic range (HDR) for both TV displays ASC Motion Imaging Technology Council Officers and in cinema, along with wide color gamut (WCG) beyond both BT.709 and DCI P3. Chair: Curtis Clark, ASC The rapid advance of HDR currently being deployed Vice-Chair: Richard Edlund, ASC for ultra-high definition (UHD) television displays, Vice-Chair: Steven Poster, ASC including the BT.2020 WCG target, has raised urgent Secretary: David Reisner, [email protected] questions regarding the standards-based implementa- tions which filmmakers need to reliably support their cre- ative intent and ensure consistent image display quality Introduction across multiple content distribution platforms. Also, the ASC Motion Imaging Technology Council Chair: release of the Academy Color Encoding System (ACES) Curtis Clark, ASC 1.0 has further encouraged wider industry adoption of this vital standards-based color management system and During our past 14 years of proactive motion picture and image interchange framework that supports filmmakers’ TV industry engagement, the ASC Technology Commit- use of WCG with HDR. Both WCG and HDR are cru- tee has played a significant leadership role in guiding the cial to the development of a new expanded creative can- evolution and development of key motion imaging tech- vas with enriched color palette. It should be noted that nologies to better support our filmmaking art form. new development work on ACES has recently begun that Many of our industry partners and supporters of our will further enhance its performance throughout pro- recommendations, along with users of our technolo- duction and postproduction. gies, have suggested that the Committee’s name does In addition to greater spatial resolution (4K/8K), not sufficiently convey the scope and influence that there is growing interest in increased temporal resolu- our activities have had on important motion imaging tion via higher frame rates beyond 24 frames/sec, up to technology developments. In response to that input 120 frames/sec. and after careful consideration, we have decided to I would also like to mention that important fur- change the Committee’s name to the ASC Motion ther developments are being planned for our multi- Imaging Technology Council. We believe this bet- Award-winning ASC CDL (American Society of ter represents the expanded scope of the work we are Cinematographers Color Decision List). Please see the doing and our widely recognized role as industry report from our DI Committee for details. leaders - influencing the advance of motion imaging The convergence of these advanced digital motion technologies in ways that best serve the creative interests imaging developments requires enhanced workflow of filmmakers while emphasizing the cinematographer’s infrastructure to successfully support their implemen- contribution to the art form. tation from shooting through post finishing. These Our subcommittees will now be desig- important developments are gaining solid traction which nated Committees of the ASC Motion Imaging is accelerating their adoption by filmmakers to enable Technology Council. We will continue to encour- greater creative potential. age our Committees to work in a coordinated manner, Our Committees are advancing their work as reported combining their expertise on topics of wide interest and in our 2016 ASC Technology Committee progress report. concern, including ACES, HDR, digital motion We continue to proactively engage key technology devel- opments that are influencing our motion imaging future. Digital Object Identifier 10.5594/JMI.2017.2721778 Date of publication: 18 August 2017 In addition to high dynamic range (HDR), the latest 26 SMPTE Motion Imaging Journal | September 2017 1545-0279/17©2017SMPTE high resolution TV displays (both consumer and profes- Scientific and Technical Awards Committee, the sional), cinema projection, wide color gamut (WCG), ASC Motion Imaging Technology Council Camera evolving Virtual Production techniques, along with the Committee, and others, this year camera vendors most recent digital motion picture cameras and lenses, have seemed to become fully awake to the critical role we are further expanding the scope of our work to include of IR (Infra-Red) filters in digital imagers. This is an Virtual Reality (VR). important change as the relationship between IR fil- The following reports from our Committees cover in ters and digital imagers is an intimate one, and camera detail their crucial work to address the growing array manufacturers are in by far the best position to address of motion imaging technology developments impacting the issue. the art of filmmaking. High Dynamic Range displays can provide an imme- The ASC Motion Imaging Technology Council is diately compelling image, and the value of that attrac- guided by its primary mission to engage and influence tiveness has not been lost on consumer electronics motion imaging technology developments in ways that manufacturers. The majority of UHDTVs (the current better serve and protect the filmmaker’s creative intent generation of consumer TVs) are HDR-capable, but and the role of the cinematographer in realizing a cre- the characteristics vary meaningfully from product to ative vision that best serves that creative intent. product – both minimum and peak brightness (peak I would like to thank all those who generously devote usually different for small and large fields) and the map- their time and expertise to support the mission of the ping from input signal to displayed image. These varia- ASC Motion Imaging Technology Council. tions make it challenging to consistently deliver artistic intent to the viewer. For several years, the ASC Motion Imaging Technology Council has been working with Secretary’s Comment studios and manufactures to try and improve this situa- tion, but the problem is quite complicated in both abso- ASC Motion Imaging Technology Council lute and practical technical terms and with the multiple Secretary: David Reisner, [email protected] business interests including manufactures, content pro- As we have learned in many areas of our world and our viders, and broadcasters. (In this case, OTT providers work, when an activity or technology has moved into are the easiest part and often strongest allies.) From the digital realm, development and change happen both the business+viewer side, see our UHDTV Committee quickly and continuously. report. To really understand the technical and artis- In the last couple of years, digital cinema cameras tic intent issues, and to appreciate part of the massive have reached feature motion picture levels of perfor- problem of the need for many masters and distribution mance, and we have seen several cameras gain wide, versions, I strongly commend both this and last year’s popular use and acceptance. I had thought the pace of Advanced Imaging Committee reports. camera development and release would slow, but exactly While, so far, High Dynamic Range is mostly the opposite has been true. The past year has shown deployed in the home, there is certainly interest in a surge in release of new cameras, all the way from HDR presentation in the theater. Dolby is making high-end personal video cameras thru high-end feature strong efforts with their DolbyVision theaters, IMAX motion picture cameras from multiple manufacturers. has their own high-quality and High Dynamic Range See our Camera Committee report for a deeper dig. theaters, and DCI (Digital Cinema Initiatives) has It is, as ever, the artist’s job to identify the right cam- recently approved Samsung’s new and nicely designed, era, with the right set of characteristics, for the individual large, modular Cinema Screen emissive display for movie or show, which gives us the happy responsibility use in D-Cinema theaters. See our Next Generation of doing show-specific testing. With things like ACES in Cinema Display Committee report for more on theatri- the workflow, camera-to-camera consistency has signifi- cal displays. cantly improved for digital cameras, but I still strongly Artificial Intelligence (AI) and Machine Learning advocate scene-to-screen testing before selecting equip- (particularly Deep Learning) are terms and technolo- ment and starting a project (which ultimately improves gies that are already changing our world. I did work in results, saves money, and protects schedule). (HBO’s those areas in the early-1980s and originated Pervasive Camera Assessment Series 2017 (their 5th season) does Computing (a more sophisticated forebearer of the cur- their best job yet giving insight into camera characteris- rently popular IoT - Internet of Things), and I predict tics. A viewing on your target medium –
Load more

Recommended publications
  • Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’S Corporate World
    Ranks & Files: Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’s Corporate World by Michael Morgan Prentice A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2017 Doctoral Committee: Associate Professor Matthew Hull, Chair Associate Professor Juhn Young Ahn Professor Gerald F. Davis Associate Professor Michael Paul Lempert Professor Barbra A. Meek Professor Erik A. Mueggler Michael Morgan Prentice [email protected] ORCID: 0000-0003-2981-7850 © Michael Morgan Prentice 2017 Acknowledgments A doctoral program is inexorably linked to the document – this one – that summarizes the education, research, and development of a student and their ideas over the course of many years. The single authorship of such documents is often an aftereffect only once a text is completed. Indeed, while I have written all the words on these pages and am responsible for them, the influences behind the words extend to many people and places over the course of many years whose myriad contributions must be mentioned. This dissertation project has been generously funded at various stages. Prefield work research and coursework were funded through summer and academic year FLAS Grants from the University of Michigan, a Korea Foundation pre-doctoral fellowship, and a SeAH-Haiam Arts & Sciences summer fellowship. Research in South Korea was aided by a Korea Foundation Language Grant, a Fulbright-IIE Research grant, a Wenner-Gren Dissertation Fieldwork Grant, and a Rackham Centennial Award. The dissertation writing stage was supported by the Rackham Humanities fellowship, a Social Sciences Research Council Korean Studies Dissertation Workshop, and the Core University Program for Korean Studies through the Ministry of Education of the Republic of Korea and Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2016-OLU-2240001).
    [Show full text]
  • Spring Preview Spring World Premiere Previewchildren’S Or Teens’ Show SAN FRANCISCO
    THEATRE BAY AREA 2016 spring preview spring World Premiere previewChildren’s or Teens’ Show SAN FRANCISCO 3Girls Theatre Company 3girlstheatre.org Thick House 1695 18th St. Z Below 470 Florida St. ` 2016 Salon Reading Series (By resident & associate playwrights) Thru 6/19 ` Low Hanging Fruit (By Robin Bradford) Z Below 7/8-30 ` 2016 New Works Festival Thick House David Naughton, Abby Haug & Lucas Coleman in 42nd Street Moon's production of 8/22-28 The Boys From Syracuse. Photo: David Allen 42nd Street Moon ` The Colored Museum American Conservatory Theater (By George C. Wolfe; dirs. Velina Brown, L. 42ndstreetmoon.org act-sf.org Peter Callender, Edris Cooper-Anifowoshe Geary Theater Eureka Theatre & Michael Gene Sullivan) 415 Geary St. 215 Jackson St. Thru 3/6 Strand Theater ` The Boys from Syracuse ` Antony and Cleopatra 1127 Market St. (By R. Rodgers, G. Abbott & L. Hart; dir. (By Shakespeare; dir. Jon Tracy) Greg MacKellan) 5/6-29 ` The Realistic Joneses 3/23-4/17 (By Will Eno; dir. Loretta Greco) Geary Theater ` The Most Happy Fella AlterTheater Ensemble 3/9-4/3 altertheater.org 4/27-5/15 ACT Costume Shop ` The Unfortunates (By Frank Loesser; dir. Cindy Goldfield) 1117 Market St. (By J. Beavers, K. Diaz, C. Hurt, I. Merrigan African-American Shakespeare & R.; dir. Shana Cooper) ` Vi [working title] Strand Theater Company (By Michelle Carter) Thru 4/10 african-americanshakes.org 6/2-19 Buriel Clay Theater 762 Fulton St. All information listed comes directly from publicity information supplied to Theatre Bay Area by the producing companies. Please contact companies or venues directly with questions.
    [Show full text]
  • Newsletter 01/15 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 01/15 DIGITAL EDITION Nr. 346 - Februar 2015 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/15 (Nr. 346) Februar 2015 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Herzlich willkommen zur ersten Ausga- be unseres Newsletters im Jahre 2015. Auch wenn wir bereits Februar haben, so heisst das noch lange nicht, dass wir im Januar vollkommen untätig wa- ren. Eine Januar-Ausgabe des Newsletters gibt es zwar nicht, dafür jedoch haben wir das neue Jahr mit einem großen Knall angehen lassen - mit unserer ersten eigenen Blu-ray- Veröffentlichung: REMEMBERING WIDESCREEN! Dabei handelt es sich um den 37minütigen Dokumentarfilm unseres Film-Bloggers Wolfram Hanne- mann, der im vergangenen Jahr wäh- rend des “Widescreen Weekends” im englischen Bradford vor einem begei- sterten Publikum uraufgeführt wurde. Jetzt also präsentiert sich REMEMBERING WIDESCREEN im originalen Kinobildformat von 1:2.39 und mit Dolby Digital 5.1 Surround Sound erstmals auf der blauen Scheibe. Inklusive Bonusmaterial sowie Pop-Up- Menü. Vor wenigen Wochen konnten sich auch Stuttgarter Filmkritiker von den Qualitäten des ungewöhnlichen Dokumentarfilms überzeugen. Exempla- risch für das überwältigend positive Feedback möchten wir hier die Rezensi- Hannemann lässt in klar durchdachten im Interview anzumerken, ihrer Bereit- on von Thomas
    [Show full text]
  • The Berkeley Rep Magazine 2016–17 · Issue 1
    Teen Council goes to Washington 12 · The Relentless American: Author Sinclair Lewis 23 · The program for It Can’t Happen Here 25 THE BERKELEY REP MAGAZINE 2016–17 · ISSUE 1 IC_Program.indd 1 9/6/16 6:17 PM Live FABULOUSLY Larger. Smarter living starts with less, so you can do more. Consider the one-bedroom apartment at St. Paul’s Towers, the East Bay’s most appealing Life Plan Community. It comes complete with housekeeping, weekly linen service, dining, amenities, programs, and people who love to live like you do. See why 94% of our residents highly recommend living here. To learn more, or for your personal visit, please call 510.891.8542. 100 Bay Place Oakland, CA 94610 stpaulstowers-esc.org A not-for-profit community owned and operated by Episcopal Senior Communities. License No. 011400627 COA #92 EPSP754-01YD 090116 IC_Program.indd 2 9/6/16 6:17 PM IN THIS ISSUE BERKELEY REP PRESENTS IT CAN ’T HAPPEN HERE · 25 MEET THE CAST & CREW · 26 PROLOGUE CONTRIBUTORS A letter from the artistic director · 5 Foundation, corporate, and in-kind sponsors · 36 A letter from the managing director · 7 Individual donors to the Annual Fund · 37 Michael Leibert Society · 40 REPORTS “That’s the thing.” Tapping into America’s ABOUT BERKELEY REP 10 collective memory · 10 Staff, board of trustees, Teen Council goes to Washington · 12 and sustaining advisors · 41 Theatre as civic dialogue: A short history of American regional theatre · 14 FYI Everything you need to know about our FEATURES box office, seating policies, and more 42· The Origin Story · 16 Outstripped by reality: An interview 12 with Tony Taccone, Bennett Cohen, and Lisa Peterson · 16 “The only thing we have to fear is fear itself:” The political climate of It Can’t Happen Here · 19 The Relentless American: Author Sinclair Lewis · 23 23 THE BERKELEY REP MAGAZINE 2016–17 · ISSUE 1 The Berkeley Rep Magazine is published Editor Writers Contact Berkeley Rep at least seven times per season.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. TA Trace Adkins=American country music Tatyana Ali=American actress, singer=189,828=14 singer=75,397=34 Tracey Adams=American actress=51,363=69 Thomas Anders+Stooges=Singer, composer, Traci Adell=American, Model=27,406=138 producer=13,843=176 Tehmeena Afzal=American, Model Tom Araya=Bassist and Vocalist in (Adult/Glamour)=19,212=188 Slayer=12,284=192 Trini Alvarado=American, Actress=11,871=266 Tim Armstrong=American, Musician=10,617=220 Tori Amos=American singer=47,293=74 Troy Aikman=All-American college football player, Teresa Ann+Savoy=British, Actress=19,452=184 professional football player, quarterback, College Football Hall of Fame member=67,868=39 Taís Araújo=Brazilian actress=32,699=109 Travis Alexander=American, Victim=9,178=243 Tina Arena=Australian, Personality=30,067=126 Tim Allen=Voice-over artist, character actor, Tichina Arnold=American, Actress=59,349=60 comedian=7,902=263 Taylor Atelian=American actress=64,061=54 Trace Ayala+Pistols=American, Fashion Thayla Ayala=Actress=12,284=260 Designer=12,100=196 ……………… Twin Atlantic COMPLETEandLEFT Tina Arena TA,Taro Aso Tori Amos TA,Taylor Abrahamse Tiffany Alvord TA,Tim Allen Tonight Alive TA,Tom Arnold Tommy ,Aaron ,Golf ,Winner, 1973 Masters Tournament TA,Tori Amos Trace ,Adkins ,Country Musician ,Ladies Love Country Boys TA,Tracy Austin Theodor ,Adorno ,Philosopher ,Dialectic of Enlightenment TA,Troy Aikman Troy ,Aikman ,Football ,Cowboys all-time passing yards leader Todd ,Akin ,Politician ,Congressman, Missouri 2nd Tony ,Alamo ,Religion ,Tony Alamo Ministries
    [Show full text]
  • Les Series Americaines
    LES SERIES AMERICAINES Les séries, qu’elles soient télévisées ou en ligne sur le net, sont la suite logique du succès cinématographique des Etats-Unis. Les USA restent le pays emblématique du grand et du petit écran. Des programmes télévisés des années 1960 à 2000 aux séries à succès d’aujourd’hui : les paysages des Etats-Unis ont été et sont toujours pris pour décor par vos programmes préférés. Dallas, Happy Days, Alerte à Malibu, Friends, ou encore The Walking Dead… Chacun à ses favoris dont les héros ne cessent de faire rêver et dont les génériques restent dans toutes les têtes ! Finalement, on peut dire qu’elles ont influencé les générations de ces dernières décennies. En plus des paysages et des lieux cultes, les Etats-Unis sont également le pays d’Hollywood et des studios de tournages. D’autres États tels que la Caroline du Nord, la Géorgie, la Louisiane ou le classique New York attirent de plus en plus de tournages. Vous découvrirez dans ce dossier les séries tournées dans les différents États des Etats-Unis, ainsi que les lieux à visiter, afin de revivre les scènes mythiques de vos séries favorites ! SOMMAIRE L’EST 3 NEW YORK CITY 3 WASHINGTON DC 8 LE MARYLAND 8 PENNSYLVANIE 9 LE MASSACHUSETTS 9 CHICAGO 11 LE NEW JERSEY 12 LE SUD 13 LA FLORIDE 13 LE TEXAS 14 LA LOUISIANE 15 LA CAROLINE DU NORD 16 LA CAROLINE DU SUD 17 L’ARKANSAS 18 LE MISSOURI 18 LA GEORGIE 18 LE MISSISSIPPI 20 LE TENNESSEE 20 L’INDIANA 21 LE NORD-OUEST 22 WASHINGTON STATE 22 L’OREGON 23 GREAT AMERICAN WEST 23 LE SUD-OUEST 24 LA CALIFORNIE 24 LE NEVADA 35 LE COLORADO 36 L’UTAH 37 L’ARIZONA 38 LE NOUVEAU-MEXIQUE 39 HAWAII 40 NOUS CONTACTER 41 2 NEW YORK CITY Ville la plus peuplée des Etats-Unis et mégalopole au rayonnement international, New York City n’a plus besoin qu’on la présente.
    [Show full text]
  • 2 Killed When Truck Runs Over Four Pedestrians
    C M Y K www.newssun.com Streaks prevail Sebring tops Avon Park in low-scoring game SPORTS, B1 Looking for clues EWS UN Sebring police investigate N -S killing of 19-year-old Highlands County’s Hometown Newspaper Since 1927 INSIDE ON A2 Sunday, January 5, 2014 Volume 95/Number 3 | 75 cents 2 killed when truck runs over four pedestrians FDOT: No light at Northwood Study shows signal not needed By PHIL ATTINGER [email protected] SEBRING — U.S. 27 at Northwood Boulevard won’t be get- ting a traffic signal. The Florida Department of Katara Simmons/News Sun Transportation has conducted a study A Ford Ranger pick up truck is mangled from its collision with a concrete utility pole following the driver striking four pedestrians who were taking their morning walk in the Fairmount Estates community Saturday morning. to see if a signal is warranted at the intersection, and, for now, it’s not. The intersection is north of Witnesses said Sebring at the location of both Love Bugg’s gas station and car wash and truck was speeding Blue Lagoon Saloon. Frontage Road on the east side of the highway pro- vides access to and Fairmont Plaza, By SAMANTHA GHOLAR while Northwood Boulevard also [email protected] provides access to self-storage lots SEBRING — Two people were killed Saturday and Colony Point mobile home park, morning when a speeding truck hit four people behind the businesses. walking along Seattle Avenue in Sebring. Robin Stublen, communications Two of the people who were hit by the truck specialist for the FDOT District 1 were identified as Fairmount Mobile Estates winter office in Bartow, said that according residents Holly and Ross Fadely.
    [Show full text]
  • The Vampire Diaries Season 1 Complete Soundtrack
    The vampire diaries season 1 complete soundtrack All songs featured in The Vampire Diaries Season 1, listed by episode with scene descriptions. Ask questions and download or stream the entire soundtrack ​The Vampire Diaries S1E1 · ​The Vampire Diaries S1E2 · ​Friday Night Bites · ​Isobel. Find all songs featured in The Vampire Diaries, listed by episode with scene descriptions. Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. Season 1. Sep - May The soundtrack of the TV series contains quite a lot of songs. Here are the songs from the first. List of Songs from the tv show, THE VAMPIRE DIARIES - Season 1, with scene descriptions, by episode. Download & listen to the music, ost, list of songs. All songs from the tv show, THE VAMPIRE DIARIES, with scene descriptions, Season 1. 22 episodes. songs · Season 2. 22 episodes. songs. Top 20 Vampire Diaries songs - seasons !! - Duration: gns /z 72, views · The. The Vampire Diaries | Season 1 - Soundtrack | S01E01 Pilot (upload by ChươngBùi) - Bat For Lashes - Siren. We met and we talked and it was epic. But the sun came up and reality set in. Elena. Permalink: We met and we talked and it was epic. But the. The Vampire Diaries Season 1. By 89 songs. Play on Spotify. 1. Back To MeThe All-American Rejects • When The World Comes Down. 2. DISCLAIMER: All links provided in the following list are legal downloads from iTunes. We do NOT participate in illegal file sharing. Season 1. Episode 1 – Pilot. This item:The Vampire Diaries: Season 1 by Nina Dobrev DVD $ In Stock.
    [Show full text]
  • Performer-2021-V2.Pdf
    2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H.
    [Show full text]
  • Learning Lab
    University Magazine Winter 2019 VR. AR. 4K. 3D. MAGIC spells opportunities with new learning lab Also inside: Artificial intelligence with a human touch FROM THE PRESIDENT Wanted: RIT brand champions RIT President David Munson introduced a stronger narrative for the university that “leverages RIT—University Magazine the power of technology, the Editor arts and design Mindy Mozer, Marketing and Communications for the greater Executive Editors good” during a Lisa Cauda, Development and Alumni Relations Bob Finnerty ’07, Marketing and Communications campus-wide Deborah M. Stendardi, brand kickoff Government and Community Relations on Sept. 27. John Trierweiler, Marketing and Communications Lamark Elizabeth by Photo Contributing Editors Kim Slusser, Development and Alumni Relations Cindy Sobieraj, Development and Alumni Relations ou ever wonder what people think as well as our new logo. Look for more Art Director about you? First impressions. Last- enhancements in upcoming editions as Jeff Arbegast ’93, Marketing and Communications Ying impressions. Your brand is a we continue to hone our storytelling. Photographers summary of both. So, what is our story? Our kaleidoscope Elizabeth Lamark ’00, Marketing and Communications Here at RIT, we have refreshed our of curious minds uncovers ingenious A. Sue Weisler ’93, Marketing and Communications brand to reflect how far we’ve come and ways to move the world forward! Let’s Writers: Marketing and Communications where we intend to go. For our university, work together to solidify our position as a Luke Auburn ’09, ’15 Scott Bureau ’11, ’16 branding answers a fundamental ques- creative and innovative powerhouse. We Michelle Cometa ’00 tion: Who and what is RIT? have no interest in the status quo.
    [Show full text]
  • The Berkeley Rep Magazine 2018–19 · Issue 1
    To the next 50 Years 13 · An interview with Lucas Hnath and Les Waters 19 · The program for A Doll’s House, Part 227 THE BERKELEY REP MAGAZINE 2018–19 · ISSUE 1 DO_program.indd 1 8/27/18 2:31 PM Engaging and Eclectic in the East Bay Oakland is the gateway to the East Bay with a little bit of everything to offer, and St. Paul’s Towers gives you easy access to it all. An artistic, activist, and intellectual Life Plan Community, St. Paul’s Towers is known for convenient services, welcome comforts and security for the future. You’ll find classes, exhibits, lectures, restaurants, cafés, and shops all within walking distance. If you want to venture further, public transportation is close at hand. At St. Paul’s Towers, you can enjoy everything the East Bay has to offer, with total convenience. It’s urban community living at its best. Get to know us and learn more about moving to St. Paul’s Towers. For information, or to schedule a visit, call 510-891-8542. A not-for-profit community owned and operated by Covia. License No. 011400627 COA# 327 EPLG751-02C 8/16 DO_program.indd 2 8/24/18 4:32 PM IN THIS ISSUE BERKELEY REP PRESENTS A DOLL ’S HOUSE, PART 2 · 27 MEET THE CAST & CREW · 28 PROLOGUE Welcome to Berkeley Rep! A letter from the artistic director · 5 To ensure the best experience for everyone: A letter from the managing director · 6 You’re free to bring only beverages in cans, Late seating is not guaranteed.
    [Show full text]
  • Nationalism, North Korean Defectors, and the Spiritual Project for a Unified Korea
    UNIVERSITY OF CALIFORNIA SANTA CRUZ BORDERS OF BELONGING: NATIONALISM, NORTH KOREAN DEFECTORS, AND THE SPIRITUAL PROJECT FOR A UNIFIED KOREA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in ANTHROPOLOGY by Sarah Eunkyung Chee December 2015 The Dissertation of Sarah Eunkyung Chee is approved: ____________________________________ Professor Melissa L. Caldwell, Chair ____________________________________ Professor Donald L. Brenneis ____________________________________ Professor Carolyn Martin-Shaw ____________________________________ Professor Timothy Tangherlini ____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents ABSTRACT ......................................................................................................................... VI ACKNOWLEDGEMENTS .............................................................................................. VIII CHAPTER 1. BORDERS OF BELONGING ...................................................................... 1 HISTORICAL OVERVIEW OF NORTH AND SOUTH KOREA ........................................................... 6 KOREA INTERRUPTED: A LONGING FOR UNIFICATION ........................................................... 11 THE LONG PATH TO SOUTH KOREA AND DEFECTOR AID ...................................................... 18 HISTORY OF PROTESTANT AID TO DEFECTORS ....................................................................... 26 WHAT’S IN A NAME? THE HISTORY OF
    [Show full text]