Then Again It Was the Workers and Students Who Formed
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A Case Study on Dhallywood Film Industry, Bangladesh
Research Article, ISSN 2304-2613 (Print); ISSN 2305-8730 (Online) Determinants of Watching a Film: A Case Study on Dhallywood Film Industry, Bangladesh Mst. Farjana Easmin1, Afjal Hossain2*, Anup Kumar Mandal3 1Lecturer, Department of History, Shahid Ziaur Rahman Degree College, Shaheberhat, Barisal, BANGLADESH 2Associate Professor, Department of Marketing, Patuakhali Science and Technology University, Dumki, Patuakhali-8602, BANGLADESH 3Assistant Professor, Department of Economics and Sociology, Patuakhali Science and Technology University, Dumki, Patuakhali-8602, BANGLADESH *E-mail for correspondence: [email protected] https://doi.org/10.18034/abr.v8i3.164 ABSTRACT The purpose of the study is to classify the different factors influencing the success of a Bengali film, and in this regard, a total sample of 296 respondents has been interviewed through a structured questionnaire. To test the study, Pearson’s product moment correlation, ANOVA and KMO statistic has been used and factor analysis is used to group the factors needed to develop for producing a successful film. The study reveals that the first factor (named convenient factor) is the most important factor for producing a film as well as to grab the attention of the audiences by 92% and competitive advantage by 71%, uniqueness by 81%, supports by 64%, features by 53%, quality of the film by 77% are next consideration consecutively according to the general people perception. The implication of the study is that the film makers and promoters should consider the factors properly for watching more films of the Dhallywood industry in relation to the foreign films especially Hindi, Tamil and English. The government can also take the initiative for the betterment of the industry through proper governance and subsidize if possible. -
Representing Identity in Cinema: the Case of Selected
REPRESENTING IDENTITY IN CINEMA: THE CASE OF SELECTED INDEPENDENT FILMS OF BANGLADESH By MD. FAHMIDUL HOQUE Thesis submitted in fulfillment of the requirement For the degree of Doctor of Philosophy June 2010 ACKNOWLEDGEMENT I must acknowledge first and offer my gratitude to my supervisor, Dr. Shanthi Balraj, Associate Professor, School of Arts, Universiti Sains Malaysia (USM), whose sincere and sensible supervision has elevated the study to a standard and ensured its completion in time. I must thank the Dean and Deputy Dean of School of Arts, USM who have taken necessary official steps to examining the thesis. I should thank the Dean of Institute of Post-graduate Studies (IPS) and officials of IPS who have provided necessary support towards the completion of my degree. I want to thank film directors of Bangladesh – Tareque Masud, Tanvir Mokammel, Morshedul Islam, Abu Sayeed – on whose films I have worked in this study and who gave me their valuable time for the in-depth interviews. I got special cooperation from the directors Tareque Masud and Catherine Masud who provided enormous information, interpretation and suggestions for this study through interview. Tanvir Mokammel was very kind to provide many materials directly related to the study. I must mention the suggestions and additional guidance by film scholar Zakir Hossain Raju who especially helped me a lot. His personal interest to my project was valuable to me. It is inevitably true that if I could not get the support from my wife Rifat Fatima, this thesis might not be completed. She was so kind to interrupt her career in Dhaka, came along with me to Malaysia and gave continuous support to complete the research. -
Representation of Liberation War in the Films of 90S
[Scientific Articles] Shifat S., Ahmed S. Representation of Liberation War in the Films of 90s REPRESENTATION OF LIBERATION WAR IN THE FILMS OF 90s Shifat S. Assistant Professor at Jahangirnagar University Journalism & Media Studies Department (Dhaka, Bangladesh) [email protected] Ahmed S. Assistant Professor at Jahangirnagor University Journalism & Media Studies Department (Dhaka, Bangladesh) [email protected] Abstract: In the history of Bangladesh, the liberation War of 1971 is an unforgettable period. Through the bloody struggle of nine months their independence is achieved, which simultaneously contains the spirit of Bengali spirit, love and patriotism towards the motherland. Bangladeshi people participated in the spirit of love and extreme sacrifice from every sphere of society for the motherland and Bengali language. In addition to other mass media, film is an equally important medium and in films there is a great deal of effort to uncover the vital role of creating ideas and consciousness among people about the liberation War. With this in mind, this study tried to find out, how the films conceptualise the spirit and history of the liberation War in the 90s after two decades of freedom. This study has been conducted taking three feature films of the 90s based on the liberation war. Adopting the content analysis method, the study aimed to answer two questions- ‘How do the films of the 90s represent the liberation War of Bangladesh?’; and, ‘To portray the history of the liberation war, what kind of content and contexts have been used in these films?’ The results showed that the films of the nineties signify the jana-itihas of Bangladesh by attaining the concept of the liberation War in a distinctive way. -
Faculty of Security & Strategic Studies
List of Eligible Candidates for Written Test Faculty/Program: Faculty of Security & Strategic Studies Session: Jan - Jun 2019 Count: 7128 SL# Name Father Name Quota Test Roll Military, Senate and 1 ,MD. SHAZZADUL KABIR MD. ANAMUL KABIR 1218192243 Syndicate Members 2 A B M MUSFIQUR RAHMAN MD MURAD HOSSAIN Not Applicable 1218194793 A K M RAZUNAL HOQUE Military, Senate and 3 MD SHAHIDUL ISLAM 1218196986 SHAGOR Syndicate Members Military, Senate and 4 A K M SAZZADUL ISLAM MD. SHAHIDUL ISLAM 1218195475 Syndicate Members 5 A K M TAIMUR SAKIB A K M AZIZUR RAHMAN Not Applicable 1218190443 Military, Senate and 6 A S M NAIMUR RAHMAN MD MOSHIUR RAHMAN 1218193266 Syndicate Members 7 A. B. M. NAHIN ALAM A. K. M. ZAHANGIR ALAM Not Applicable 1218194579 8 A. B. M. TAHMID AHABAB A. S. M. ATIQUR RAHMAN Freedom Fighter 1218190514 9 A. K. M LUTHFUL HAQUE A. K. M MONJURUL HAQUE Not Applicable 1218196529 10 A. K. M SAFAYAT NABIL A. K. M AKTARUZZAMAN Not Applicable 1218192772 A. K. M. MUNTASIR 11 A. K. M. AZAD Not Applicable 1218192608 MAHMUD 12 A. K. M. NAHID KHAN ALI AHMED KHAN Not Applicable 1218196224 13 A. K. M. NAHYAN ISLAM A. K. M. NURUL ISLAM Not Applicable 1218195082 Military, Senate and 14 A. N. M. ROBIN MD. FARUQUE HOSSAIN 1218193432 Syndicate Members 15 A. N. M. SAKIB MD. RUHUL AMIN Not Applicable 1218195033 16 A. S. M SHAFAYAT JAMIL A.B.M. HASAN SHAHID JAMIL Not Applicable 1218190372 A. S. M. AKIBUZZAMAN A. U. M. ATIKUZZAMAN 17 Not Applicable 1218193673 SARKER SHARKER Military, Senate and 18 A. -
Syllabus for Bcs (Written) Examination 1/210 সূচিপত্র
SYLLABUS FOR BCS (WRITTEN) EXAMINATION সবয়শষব হোলনোগোদ: ২৩.০৮.২০২১ চিপত্র [Contents] (ক) আবচিক চবষয়স맂হ [Compulsory Subjects] ক্র: চবষয় ককোড চবষয়য়র নোম ꧃ষ্ঠোন ম্বর নং [Subject Code] [Subject Name] 1. 001 বাাংলা১ ম পত্র [Bangla 1st Paper] ৪ 2. 002 বাাংলা২ য় পত্র [Bangla 2nd Paper] ৪ 3. 003 ইাংরেজি [English] ৫ 4. 005 বাাংলারেশ জবষয়াবজল [Bangladesh Affairs] ৬-৭ 5. 007 আিাজ জিক জবষয়াবজল [International Affairs] ৮-৯ 6. 008 গাজিজিক 뷁জি [Mathematical Reasoning] ১০ 7. 009 মানজিক েিা [Mental Ability] ১১-১২ 8. 010 িাধােি জবজ্ঞান ও প্র뷁জি [General Science and Technology] ১৩-১৫ (খ) পদ-সংচিষ্ট চবষয়স맂হ [Post Related Subjects] [�鷁 কোচরগচর/য়পশোগত কযোডোয়রর জন্য (For Professional/Technical Cadre Only)] ক্র: চবষয় ককোড চবষয়য়র নোম ꧃ষ্ঠা নম্বর নং [Subject Code] [Subject Name] 1. 111 বাাংলা ভাষা ও িাজিিয [Bangla Language and Literature] ১৬ 2. 121 ইাংরেজি [English] ১৭ 3. 131 আেজব [Arabic] ১৮ 4. 141 ফোসী [Persian] ১৯ 5. 151 িাংস্কৃি [Sanskrit] ২০ 6. 161 পাজল [Pali ২১ 7. 171 মরনাজবজ্ঞান [Psychology] ২২-২৩ 8. 181 ইজিিাি [History] ২৪-২৫ 9. 191 ইিলারমে ইজিিাি ও িাংস্কৃজি [Islamic History & Culture] 26-27 10. 201 ইিলামী জশা [Islamic Studies] 28-29 11. 211 েশনজ [Philosophy] 30-31 12. 221 জশা [Education] 32-33 13. 231 প্রত্নিত্ত্ব [Archaeology] 34-36 14. -
Send Us Victorious N Zeeshan Khan World
MONDAY, DECEMBER 16, 2013 | www.dhakatribune.com Victory Day 2013 Illustration: Sabyasachi Mistry Send us victorious n Zeeshan Khan world. The economic exploitation was our surprise when our language, our When Babur, the Mughal, encoun- Charjapadas. It ran through the Pala acute, resulting in death by the mil- culture, our ethnicity, our economy tered this kingdom for the first time, and Sena kingdoms of Gaur-Bongo to or the generations born lions, but the strains on our social and and then ultimately our votes were in the 1500s he made this observation: the Vangaladesa of the Cholas and was after December 16, 1971, psychological well-being were equally subordinated to a national pecking reborn in the Sultanate of Bangala that Bangladesh was an exis- catastrophic. Added to that, a British order that placed us at the bottom. A “There is an amazing custom in Babur encountered. tentially “normal” place policy of advancing some communi- rude awakening followed, and then Bengal: rule is seldom achieved by The emergence of Bangladesh was to grow up in. Nothing in ties at the expense of others created the guns came out. hereditary succession. Instead, there a historical inevitability. Repeatedly, Fthe atmosphere hinted at the violent sectarian tensions that wouldn’t go Truth is, the break from Pakistan, is a specific royal throne, and each the people of this land have resist- upheavals our preceding generations away when 1947 rolled around. even from India earlier, was the of the amirs, viziers or office holders ed authority that was oppressive or had to contend with and there was But an independent Bengal was in has an established place. -
Agun Niye Khela
Agun Niye Khela Agun Niye Khela (1st) is a most popular (Famous) book of Masud Rana Series. Just click & download. If you want to read online, please go to (✅Click For Read Online) button and wait few seconds... Portable Document Format (PDF) file size of Agun Niye Khela 1 is 11.26 MB. If you want to read online Agun Niye Khela 1, please go to (Click For Read Online) button and wait few seconds. Else late us a moment to verify the Agun Niye Khela 1 download using the captcha code. PDF Document Agun Niye Khela [Part 1] .pdf - Download PDF file agun-niye-khela-part-1.pdf (PDF 1.7, 7.4 MB, 314 pages). Document preview. Download original PDF file. Agun Niye Khela [Part 1].pdf (PDF, 7.4 MB). Related documents. Link to this page. Agun Niye Khela is a 1967 Bangladeshi film directed by Zahir Raihan and stars Razzak and Sujata. Music. It is the debut film of veteran singer Sabina Yasmin. Director Zahir Raihan and composer Altaf Mahmud gave her a chance to sing the song "Modhu Jochnar Dipaboli". Several days went by, the singer feared that her song may be cut of the film. But the music director then gave her another song "Ekti Pakhi Dupure Rode Shongihara Eka" with then established singer Mahmudun Nabi.[1]. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. -
Unit 10 Dreams
English One Unit 10 Dreams Objectives After you have studied this unit you should will be able to • participate in conversations and discussions. • understand and narrate problems. • take and give interviews. • Write paragraphs and dialogues Overview Lesson 1: I have a dream Lesson 2: What I dream to be Lesson 3: They had dreams 1 Lesson 4: They had dreams 2 Answer Key Unit-10 Page # 123 SSC Programme Lesson 1: I have a dream Hi, I am Maitri Mutsuddi. My father Hello! I am Mofakkhar Hasan. I live is a freedom fighter and my mother is in a slum with my parents and sisters. a teacher. They both dream for a I know how cruel poverty can be! I golden Bangladesh and inspire me to feel very sorry to the poor people do something significant, something suffering in my slum. After I have positive for the country. Often I think finished my education, I will be a what to do to fulfil their expectations social worker to fight against the in future. Finally I have decided to be social injustice and poverty. ‘Change a politician and work for my is the word I believe in to make motherland. How is it? Bangladesh a golden Bengal.’ I am Amitabh Kar, when I say to my My name is Ruth Antara Chowdhury. friends that I would like to be a space I believe that society cannot be traveler, they laugh. But I really want enlightened without to be that. If people from other education.Education lights the candle countries can win the moon, and roam in people’s heart. -
Complete List DAIBB
The Institute of Bankers, Bangladesh Banking Diploma Examination : December, 2016 DAIBB List of Successful Candidates Bangladesh Bank Roll Enrolment Name of successful candidates & Father's Name of Center No. No. Name 41907 112143 Md. Rubel Alam Dhaka Father - Md. Abed Ali 41908 191437 Md. Masum Billah Dhaka Father - Md. Zafar Ullah 41910 181499 Shaikat Kumar Sarkar Dhaka Father - Bikash Kumar Sarkar 41916 187468 Mohammad Rony Dhaka Father - Abdul Khaleque Prodhan 41917 135395 Khokon Kumar Pall Dhaka Father - Gonesh Chandra Pall 41921 140196 Md. Rofiqul Alam Dhaka Father - Abdur Rashid 41928 167595 Nasreen Akther Dhaka Father - Mohammad Ali 41932 165194 Md. Healal Uddin Dhaka Father - Md. Moslah Uddin 41940 187452 Md. Ataur Rahman Chowdhury Dhaka Father - Ahmad Hosan Chowdhury 41943 167594 Sharmin Kaisar Dhaka Father - Mohammad Sirajul Abrar 41966 140201 Israt Jahan Dhaka Father - Masum-Bin-Mamun 41968 196993 Salah Uddin Dhaka Father - Borhan Uddin 41970 112837 Md. Rezaul Karim Dhaka Father - Md. Abdullah 41974 163864 Mir Syeeda Sultana Dhaka Father - Mir Abdul Kuddus 41976 99135 Nurunnahar Dhaka Father - Md. Habibur Rahman Khan 41992 187502 Sujan Basak Dhaka Father - Smrity Basak The Institute of Bankers, Bangladesh Banking Diploma Examination : December, 2016 DAIBB List of Successful Candidates Bangladesh Bank Roll Enrolment Name of successful candidates & Father's Name of Center No. No. Name 41993 187498 Mohammad Wasim Dhaka Father - Mohammad Ali Ajgar 42008 163892 Md. Abdur Rouf Dhaka Father - Md. Munsur Rahman 42014 163812 Shohana Yeasmin Dhaka Father - Md. Chand Mia 42023 192326 Durlav Chandra Roy Dhaka Father - Dulal Roy 42030 187461 Jesmin Khanom Dhaka Father - Md. Abu Zafor 42037 187484 Fayaza Rahman Eva Dhaka Father - Artajaur Rahman 42038 187466 Nowrin Ahmed Dhaka Father - Md. -
CURRICULUM of MFA Program
CURRICULUM TWO-YEAR MASTER OF FINE ART IN GRAPHIC DESIGN Department of Graphic Design University of Dhaka Curriculum Submitted By Department of Graphic Design Faculty of Fine Art University of Dhaka Dhaka-1000 Bangladesh i Curriculum | Preface Graphic design is one of the most diverse and solicited subjects of fine arts. In today's social, economic, cultural, political and every other practical contexts the necessity of Graphic Design is inevitable. Whatever we do in our personal or professional life, it must have an artistic representation. For artistic presentation, promotion and publicizing of any product Graphic Design plays the most vital role. So this subject is important from both practical and aesthetic point of views. For unique, creative and artistic design composition - a graphic designer must have strong grammatical and theoretical base of this subject. Department of Graphic Design, Faculty of Fine Art, Dhaka University is working on educating graphic designers of national and international standard since 1948. Department of Graphic Design, Dhaka University offers Bachelor of Fine Art Honours (4 years), Masters of Fine Art (2 years) and PhD programs. In today's global context planning and developing curriculum of world standard is a very challenging work. Then, through continuous assessment - addition and deletion of various courses and topics to ensure professional skill development is a more challenging, complex and difficult task. However, to maintain the standard that Department of Graphic Design has always maintained since its beginning, and to provide all the facilities of modern global context, we have taken this challenge happily. We are very pleased to represent this curriculum as an outcome of the undertaken challenge. -
Khiyo Are a London-Based Six-Piece Band Playing Radical, Modern Interpretations of Bengali Heritage Music
ENGLISH P. 2 DEUTSCH S. 10 Khiyo are a London-based six-piece band playing radical, modern interpretations of Bengali heritage music. The band was formed in 2007 as a collaboration between British-Bangladeshi vocalist Sohini Alam and composer / multi-instrumentalist Oliver Weeks to explore new ways of presenting traditional Bengali music whilst preserving its essence. The songs on this album represent an eclectic mix of Bengali classics from both Bangladesh and India, drawing on folk, film, protest songs and other traditional genres such as Rabindra Sangeet (the songs of Rabindranath Tagore) and Nazrul Sangeet (the songs of Bangladesh’s national poet Kazi Nazrul Islam). Alam’s powerful and expressive vocals are matched with dynamic and original arrangements that draw on South Asian and Western folk and classical traditions, rock and jazz. The band is named after a letter of the Bengali alphabet, the ‘Khiyo’ ( ). It is a unique letter that, whilst being a combination of two letters, has an identity of its own. Similarly, though the band’s members draw on many different musical backgrounds, the amalgamation of the whole has a singularly identifiable sound. Sohini Alam is a third-generation vocalist from a well-known Bangladeshi singing dynasty. Sohini trained in music with her mother, Hiron Alam and her aunts, Jannat Ara and Ferdous Ara. Her repertoire includes folk, patriotic, modern and traditional Bengali songs with a specialisation in Nazrul Sangeet. She has branched out into multi-lingual music in bands (Khiyo & Kishon Khan’s Afro-Cuban-Bengali jazz band, Lokkhi Terra), for dance (she has been acclaimed for her vocals on Akram Khan’s Olivier Award-winning dance piece DESH), and for the theatre (she is Musical Artist in Residence at pioneering London Asian theatre Tara Arts). -
701 Acceptable to the Govt. Mr. Abul Hasanat Chowdhury, MNA, Stated
701 acceptable to the Govt. Mr. Abul Hasanat Chowdhury, MNA, stated that the Govt, order should be carried out, i.e. the Zonal Administrative Council should be constituted and the move for division of the Zone be taken up afterwards. Mr. Abdur Rahim, MPA, Dinajpur pointed out that a delegation of 10 to 15 persons went to Mujibnagar a few days back with the move for division of the Zone but nothing could be done. He also stated that the Zonal Administrative Council should be constituted as the condition of the people was very grave. He further posed a question that the meeting was convened for constitution of the Zonal Administrative Council and as such it was ultra vires to act otherwise and the meeting had no legal authority to take up the question of division of the Zone without constituting the same. The point of legality or otherwise of not to constitute the Zonal Administrative Council as per agenda raised by Mr. A. Rahim, MPA was put to vote by the President. There were 10 votes in favour of Mr. A. Rahim's point, 20 against and 8 abstention including the President of the meeting and the Zonal Administrative Officer. Mr. Khatibur Rahman, MPA stated that the Z.A.C. should be formed then and there and the division of the Zone should be dealt with afterwards. Mr. Muzaffar Hossain, MPA, Bogra wanted a separate Zone for his District. After their long discussions the President wanted the opinion of the members for and against the postponement of Administrators of zonal Administrative Council and division of Zone at that stage.