..- • •• #' Page 9 C- 0 M-Ivf·o N GROUND -.:··:/--_:,---,.· _,.· .. ·.:_:·,, --·:·: ... ?_;',~~:~~~~hr~ir ~~~~~c~f=;~~w~O::=;: ·_:e~!~-~~l~u!:ti=;:a:<:JC: ~:0~~ti !~:;.:;; . . ·..... · . . ., .. ·. ;:-:, ':-an_b}' notappearing the last iWo. weeks, but this year I am forced to share ·.'tip.- If you· liked Vivid ·'because it's great fun to sprain your neck at · ... · : ::'·:· :: ·.:·/':./({:-~ <,;_ .. ' .the_.weaJth_(~·;Space)-~ith the younger-generation. Stich~ the taxings . Patti,~ ~:·uut Of _PeiSOnality, .. than you might want to listen to a OF·F 't!~'!i~' .,,,,,of MARK SULLIVAN than last year's Freedom. He sings describes the Spanish conquest of _SUNDAY, Sept 23 .FRIDAr, . Sept· 21 . Aquinas Features Staff in ·"Cmmtry Home," "I'm thankful Mexico. Lyrically or musically ·-- for my country home, it gives me there is not anything compelling 9 p.ni.- Dating Game ·in ibe . 4 p-.m.- Lecture ori the Hood Every few years Neil Young peace of mind, somewhere I can enough to hold the listeners atten Long Center LObby - Exhibit in the Univemty Art teams up with Crazy Horse to make walk alone and leave myself be tion through the full 60 minutes. ·10 p.m.- Fool~s Paradise Gallet}>;· - some of the most passionate rock hind. "He retains the social con 01 Freedom he could hold a lis band in the ArchiveS ' · ·.. · and roll ever recorded. Three· science of Freedom, on the 60s teners by varying styles but ''GlOry" 8 p.m.- _Student Government chords, distortion, and two loud retrospective "Days that Use to remains in the same groove. h is a .Movie Night. in the .Archi'.'es. guitars have been the only rules. Be." He utters remorsefully, great groove but it gets tiring. This formula wo:rked on "Every "Possessions and concessions are The second problem is that the . SATlJRliAY; :Sept: 22' ·.- . . ..:· ·'':· . one Knows This is Nowhere," the not ·up and what they seem, they album was not live without over ·TUESDAY, Sept. 25 second side of"Rust N~ver Sleeps," drag you down and slow you down dubs. The scorching rock is tainted - -.12 .P.m.,: .New reSidence ball : and ''Live RusL "His latest, Rag in the skies of security." It's diffi by the cheap Crosby, Stills, and . celelmltion. :·'. ·_. .. · · · · · · · ,.1_ p.m.-:- CECS Fatl Lecture . : . . ·; ,. . .· :· ged Glory, will rest comfortably· cult to decide with just how much Nash style vocals that YoWlg over · 2.J.;.~_:to .:J,·p~~ Jo4rs·of the: '-:senes: .Pre.Sents .,nr. and Mrs.·: beside those albums in any collec irony Young sings those lines. In dubbed on most of the songs. The ·Denneny, Lilik:, who_. will_ sj>eak tion. The Neil Young and Crazy the context of the alrum his sincer improved sound quality of Direct :on· the;:·iniportant:, topic. of . Horse sound has not changed in ity is suspecL For someone who Digital recording makes the over :,>· · ;;Coi.it-bn · · · Falnil · _ ·.:~.:.r::~::~o~::. :· .... ~_.... Y .. the 21 years they have been co once sang, ·~ king is gone rut dubs vecy noticable. :Jssues.": ~One interested laborat.in,g. he's not forgotten, this is the On the first nine songs it's only stocy shoUid For faithful fans, Ragged Qlory of Johnny Rotten," it's difficult to a small distraction, but on the fmal airive 'early' at the ; is a very strong dose of vintage image YoWlg longing for the hip song, "Mother Earth (Natural ~C.::"'dB' Atrium. . . ·of. . ihe Houlihan-. . garage rock from the masters .of pie days of the 60s. Anthem)" it's a disaster. lt was =.'HutchinSen. (singer),; in. the · McLean_ Center for good seats.· the style. Ten songs that clock in at Contrary to Kurt Loder and recorded live at Fann Aid IV rut ·&chives.··.' .: · · · :. ·Admission is tree. . 61 minutes should satisfy even the, Rolling Stone, the album has some for some reasom Young dubbed most starved fans. The fJrSt nine crucial faults. The first is the quality over the original vocals with a .,•• tracks are all out rockers; there is of the songwriting. Every song is barbar shop quartet arrangemenL not even a hint of a ballad YoWlg great to jmnp around and play air The Farm Aid performance was and guitarist Frank "Poncho" guitar to, but in the past Young and . incredible with Young accompa Sampedro bash out riff after riff Crazy Horse have accomplished nied only by his electric guitar. "00'8 l and solo upon solo. The format of more. They could create a strange His guitar playing can only be ~ZZA6~MI I each song follows solo, verse~ solo, beauty out of the roughness. compared to Jimi Hendrix's ver chorus, solo etc. ''Glory" does not have _anything to sion of the "Star Spangled Ban 827 Mulberry •· ·. )or PICk-up or _,tw.y- _ I Highlights are the bouncy pick match chilling epics such as ner" at Woodstock. His vocals were ~7-1177 . Lnvt~Dela.oer]~Arwa ._. I up truck ride through "Country "Powderfinger" or "Cortez the earnest and desperate, but the over I'------... ---.------~------J, Home" and the new Young an Killer." On these songs Young's dubs ~W~~rPHt all the passion and them ''F*!#in' Up." The latter is a lyrics were short stories of Ameri some of the guitar work. 1be al classic not only for its obscenity can history while Crazy Hors_e bum ends on a frustrating note. !. $1.00 OF~ ! but for its catchy chorus. 1he lyrics provided a no frills backdrop. Young continues to prove that I I do not hold- together, but the cho "Powderfinger" is about a young he enjoys initating his fans. All rus expresses a vecy honest senti man protecting the family farm the faithful can do is hope he tours menL I ANY 16" PIE from inJrudels with only a shotgun with Crazy Horse and releases ! The lyrics are more personal for. pi-otection. "Cortez the Killer" another live album. {..-ltlt tQ~~ COQOJI.-C!Q.Upo_n-~d mon.~~-·~ ... ·.·.·· .· ·: ·.· .. :· ... ~---~-~~~---~-~--~----~-~~-~f·:.:· . -~ :'. ·:·:·::.····· .·.· . : ... ···: ... ··.:·:::···.·····::·.:.:: :.... :·· . ·.·.:' ·:··.::. ;.:;·.:. : . .';·... · . . . . -· . .·.· ····:·.··. . . . . :. .. :: ; . :. ·:. :·:= . •' ; .;. ::·:: .. •'• . . ···: ·-···: .... ·.;:.,· ~ ~.-.:.
"00'8 L and Solo Upon Solo
