DOCSLIB.ORG

"00'8 L and Solo Upon Solo

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
..- • •• #' Page 9 C- 0 M-Ivf·o N GROUND -.:··:/--_:,---,.· _,.· .. ·.:_:·,, --·:·: ... ?_;',~~:~~~~hr~ir ~~~~~c~f=;~~w~O::=;: ·_:e~!~-~~l~u!:ti=;:a:<:JC: ~:0~~ti !~:;.:;; . ·..... · . ., .. ·. ;:-:, ':-an_b}' notappearing the last iWo. weeks, but this year I am forced to share ·.'tip.- If you· liked Vivid ·'because it's great fun to sprain your neck at · ... · : ::'·:· :: ·.:·/':./({:-~ <,;_ .. ' .the_.weaJth_(~·;Space)-~ith the younger-generation. Stich~ the taxings . Patti,~ ~:·uut Of _PeiSOnality, .. than you might want to listen to a OF·F 't!~'!i~' .,,,,,of <liP lige.:' ' i ' ' ' ,, ' ' ' ' ,' •. ' ·.. ' ' ' .~·· copy or. Tune's ~}1 firsl TIUs is an lllbum that's .. challeriging T~·~:·~:~5~:~14~/·..•• :.;~~·~,~c=sndc::by'i.~~~.· ··;;;ig=~i§EE~3=~~ :·· ·E·:.·c· . ; . :o··.: ..··R:'. ··: . ···n··: .· -;-->;:.: ·::· .::- __ prolni.Sirig _barids }6okiilg. for·_ rock; and roll· SuCcess iii ·the 90s~ namely philOsophy. on .Cheny Pie. Thankfully this album_ is not a carbon copy R · .·, · , ·-:· . ··· :-_ ·:,:;;:_·_;·::._.· ..: .... Li~i1g .. Colo_iir _,ana:-wairafa-.':.Aityone _who has :watched .Ml'V. for. five ·of Dirty.· Rotten, Filthy, Stinking'Rich.--Cheny Pie has more of an · . :, :. ·' ,'··.: :. :' :, : ,.. ::-- .· ::_ '·.·· '·, · .'·inintlres_at any,time.dUrmg the·Jast'nvo··weeks should be familiar.with the ··.accent of kicking out basic rock and roll_riffmg and less of an accent · :..· ... · ·'· ·· ·· ' . _..:_ ·: '.> >. · ... ··: lea'do:ff·.-~ingle8'-for each· ~d. Thes~ siiigles, ·~rry Pie··---~, Warrant on pure ·power chord madness. The song\vriting is lightyears better in -..' .. ·.- ... · .;.: :::.::\. _:: ., · : _·:·mi<f~'T~~~..fr:o,nff.iving._CO!OiU;·are 1he only. ihing ihese,·albums'have in . all categories. The requisite ballads are'present in the rather generic .· ... · · -::. · .· .-. ·.·· :. ,_· cOint:O.bQ:_~'IJ().W is this?'~·you may 3.sk. Well, each is. the least inspired and "Blind Faith" and the beautiful and .heartbreaking "I Saw Red." "Red". -----:--~--·-~·,_:_ .. ___ -·:_ ... _.-'.,.,.::··. :·· ·._ .. : ... crea.,ti.'re·tiack:on their-respective albums. While each is a good catchy is a truly great sOng • .find a way to hear it soon. The typical second with' bill. I6ehfeliii: ..-~::. :·: -tune'th<o/ art; not ·_ac~:;tJ{ate'indicators of the qUality of th~ albwDs they're . album subjects are covered: me trappings ("Song And Dance Man") -----'----,.,--'--· on.·.··... _·,· . ... ·.· · -::- · _ .. and the benefits ("Love In Stereo") of stardom and the road life. The :.: .. : · .:-.:··. _:--,,_- .--LiVmgCokiUr'sTime's.U,.P'discidarmorethahareWriteofVwid. The .second single should be "Uncle Tom's Cabin," a narrative about two . ·.: . :' mUs!C: is 'much :more progi-essi"~~ and the lyrics more focused and ; bOys who witness the local sheriff biding two bodies. "Cabin" was . ,.. -'_ :.. -: ·. ·_coritrov~al, -~ubjecr.nui.tter rang-es· from Elvis, the addictingly funky debuted on the last tour to rave responses. With "Cheny Pie" Warrant .. ··. · · . -';~~E1yis Is))ead,,. to racial- pride,:the forceful 'P.ride" a likely choice for moves away from being·a flash in the pan to being a great rock and roll .. , _... · .. -::_the·second .. smgle. Still.-: Corey and Vernon can still have a good laugh band, while still managing to stay rather silly and ftm. Hard to believe, :with the subjeCt-of love.oll.,'~ve· R~ Its_ Ugly Head Again," which is 1 know, bltlisten before you judge. Neil paints over his rust WHAT'S HAPPENING? Young frustrates faithful fans ??????????????????. MARK SULLIVAN than last year's Freedom. He sings describes the Spanish conquest of _SUNDAY, Sept 23 .FRIDAr, . Sept· 21 . Aquinas Features Staff in ·"Cmmtry Home," "I'm thankful Mexico. Lyrically or musically ·-- for my country home, it gives me there is not anything compelling 9 p.ni.- Dating Game ·in ibe . 4 p-.m.- Lecture ori the Hood Every few years Neil Young peace of mind, somewhere I can enough to hold the listeners atten­ Long Center LObby - Exhibit in the Univemty Art teams up with Crazy Horse to make walk alone and leave myself be­ tion through the full 60 minutes. ·10 p.m.- Fool~s Paradise Gallet}>;· - some of the most passionate rock hind. "He retains the social con­ 01 Freedom he could hold a lis­ band in the ArchiveS ' · ·.. · and roll ever recorded. Three· science of Freedom, on the 60s teners by varying styles but ''GlOry" 8 p.m.- _Student Government chords, distortion, and two loud retrospective "Days that Use to remains in the same groove. h is a .Movie Night. in the .Archi'.'es. guitars have been the only rules. Be." He utters remorsefully, great groove but it gets tiring. This formula wo:rked on "Every­ "Possessions and concessions are The second problem is that the . SATlJRliAY; :Sept: 22' ·.- . ..:· ·'':· . one Knows This is Nowhere," the not ·up and what they seem, they album was not live without over­ ·TUESDAY, Sept. 25 second side of"Rust N~ver Sleeps," drag you down and slow you down dubs. The scorching rock is tainted - -.12 .P.m.,: .New reSidence ball : and ''Live RusL "His latest, Rag­ in the skies of security." It's diffi­ by the cheap Crosby, Stills, and . celelmltion. :·'. ·_. .. · · · · · · · ,.1_ p.m.-:- CECS Fatl Lecture . : . ·; ,. .· :· ged Glory, will rest comfortably· cult to decide with just how much Nash style vocals that YoWlg over­ · 2.J.;.~_:to .:J,·p~~ Jo4rs·of the: '-:senes: .Pre.Sents .,nr. and Mrs.·: beside those albums in any collec­ irony Young sings those lines. In dubbed on most of the songs. The ·Denneny, Lilik:, who_. will_ sj>eak tion. The Neil Young and Crazy the context of the alrum his sincer­ improved sound quality of Direct :on· the;:·iniportant:, topic. of . Horse sound has not changed in ity is suspecL For someone who Digital recording makes the over­ :,>· · ;;Coi.it-bn · · · Falnil · _ ·.:~.:.r::~::~o~::. :· .... ~_.... Y .. the 21 years they have been co­ once sang, ·~ king is gone rut dubs vecy noticable. :Jssues.": ~One interested laborat.in,g. he's not forgotten, this is the On the first nine songs it's only stocy shoUid For faithful fans, Ragged Qlory of Johnny Rotten," it's difficult to a small distraction, but on the fmal airive 'early' at the ; is a very strong dose of vintage image YoWlg longing for the hip­ song, "Mother Earth (Natural ~C.::"'dB' Atrium. ·of. ihe Houlihan-. garage rock from the masters .of pie days of the 60s. Anthem)" it's a disaster. lt was =.'HutchinSen. (singer),; in. the · McLean_ Center for good seats.· the style. Ten songs that clock in at Contrary to Kurt Loder and recorded live at Fann Aid IV rut ·&chives.··.' .: · · · :. ·Admission is tree. 61 minutes should satisfy even the, Rolling Stone, the album has some for some reasom Young dubbed most starved fans. The fJrSt nine crucial faults. The first is the quality over the original vocals with a .,•• tracks are all out rockers; there is of the songwriting. Every song is barbar shop quartet arrangemenL not even a hint of a ballad YoWlg great to jmnp around and play air The Farm Aid performance was and guitarist Frank "Poncho" guitar to, but in the past Young and . incredible with Young accompa­ Sampedro bash out riff after riff Crazy Horse have accomplished nied only by his electric guitar. "00'8 l and solo upon solo. The format of more. They could create a strange His guitar playing can only be ~ZZA6~MI I each song follows solo, verse~ solo, beauty out of the roughness. compared to Jimi Hendrix's ver­ chorus, solo etc. ''Glory" does not have _anything to sion of the "Star Spangled Ban­ 827 Mulberry •· ·. )or PICk-up or _,tw.y- _ I Highlights are the bouncy pick­ match chilling epics such as ner" at Woodstock. His vocals were ~7-1177 . Lnvt~Dela.oer]~Arwa ._. I up truck ride through "Country "Powderfinger" or "Cortez the earnest and desperate, but the over­ I'-------- ... ---.--------------~-----------J, Home" and the new Young an­ Killer." On these songs Young's dubs ~W~~rPHt all the passion and them ''F*!#in' Up." The latter is a lyrics were short stories of Ameri­ some of the guitar work. 1be al­ classic not only for its obscenity can history while Crazy Hors_e bum ends on a frustrating note. !. $1.00 OF~ ! but for its catchy chorus. 1he lyrics provided a no frills backdrop. Young continues to prove that I I do not hold- together, but the cho­ "Powderfinger" is about a young he enjoys initating his fans. All rus expresses a vecy honest senti­ man protecting the family farm the faithful can do is hope he tours menL I ANY 16" PIE from inJrudels with only a shotgun with Crazy Horse and releases ! The lyrics are more personal for. pi-otection. "Cortez the Killer" another live album. {..-ltlt tQ~~ COQOJI.-C!Q.Upo_n-~d mon.~~-·~ ... ·.·.·· .· ·: ·.· .. :· ... ~---~-~~~---~-~--~----~-~~-~f·:.:· . -~ :'. ·:·:·::.····· .·.· . : ... ···: ... ··.:·:::···.·····::·.:.:: :.... :·· . ·.·.:' ·:··.::. ;.:;·.:. : . .';·... · . -· . .·.· ····:·.··. :. .. :: ; . :. ·:. :·:= . •' ; .;. ::·:: .. •'• . ···: ·-···: .... ·.;:.,· ~ ~.-.:. .
Load more

Recommended publications
  • Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
    M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests.
    [Show full text]
  • Colleen Ahern—’
    Something something video-film- paint something (1) Steve McQueen crossed over in 2008 with Hunger. Gillian Wearing did it in 2010 with her doco/art film Self made, which got neither a major release or a spot in a film festival in Melbourne. On 17 March, at LongPlay in North Fitzroy, Doc(c)o Club returned with a screening of Wearing’s film. A couple of friends-slash-film-making-colleagues have recently started this film club. Modeled on the reading-group-cum-book-club phenomenon, Kim Munro and Amanda Kerley began Doc(c)o Club with the idea of screening seminal, rare and innovative films that could generate discussion and dialogue. While Doc(c)o Club centres around screening and discussion, Amanda and Kim’s other project, Camera Buff Movie Makers, brings together makers interested in the production of short, essayistic films that question the limitations of documentary making. With funding for documentary film-making becoming harder to get, these projects have provided a way for Amanda and Kim to focus attention and help grow divergent ways of thinking about and telling non-fiction stories. Amanda and Kim have both engaged in documentary practice. Kim began her foray into the field with the short musical documentary, The rise of Leatherman (2008), following this with Nerve (2011), a made-for-television (in particular the ABC) documentary about the London-based Australian artist, Paul Knight, and his project to find two strangers interested in having sex upon meeting. Together, Amanda and Kim have worked on the short campaign documentary Save the Hope Street bus (Keep our hope alive), made last year following State Government funding cuts which saw the axing of the shortest bus route in Melbourne.
    [Show full text]
  • Let Us Know How Access to This Document Benefits You
    CutBank Volume 1 Issue 35 CutBank 35 Article 28 Spring 1991 Salvage Kipp Wessel Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation Wessel, Kipp (1991) "Salvage," CutBank: Vol. 1 : Iss. 35 , Article 28. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss35/28 This Prose is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. Salvage Kipp Wessel -fo r Lisa When Walker pulls their car off to the side of the highway and gets out, he just stares for a while at the auto yard. The yard seems to stretch all the way to the San Juan range. Heaped up cars, gutted torsos, abandoned wheel wells, scattered engine parts, and pieces of machinery consume the lot. Acres of quiet land covered in a blanket of automobile remains. Walker takes a light reading of the auto yard with his Nikon. The sun presses hard against the wide lot and the autos smolder red. It’s at sunset. The mountains form a dark blue curving backdrop, giving the wreck yard, momentarily, a sharp outline. Joiene watches him hold the camera, then looks out over the wide expanse of automobile carnage, and at the mountains. She walks from the car to across the road to where there are horses, young mares that run along a fence line.
    [Show full text]
  • Chris Nelson Speaking of Neil Young
    music Chris Nelson Speaking of Neil Young s a junior in high school I found myself humming along to Neil Young’s “Old Man” and “Heart of Gold” whenever the local classic Arock station decided to take a break from Aerosmith or Boston or AC/ DC. Senior year I’d take the scenic route home from football practice while blaring Harvest Moon in the used Mustang I shared with my older brother, driving past the cornfields just as the setting sun made them glow and feeling nostalgic for the innocence I had yet to lose. First semester of college I was getting high to his 1969 self-titled solo debut, and by spring I waited for rainy days to wallow in my loneliness with the haunting On the Beach, playing it over and over on an old turntable of my father’s that I had restored. In accordance with the natural progression of other Neil faithfuls, it wasn’t until I had exhausted this mostly acoustic, more accessible singer/songwriter side of Neil Young that I was able to graduate to an appreciation of his electric work—the highest and most challenging level a Neil faithful can reach. And it took me even longer to fall in love with it. Only recently have I begun to figure out why: his style of playing, with its wailings and repetitions and clutter and incoherence, is my style of speaking. Like his guitar, I stutter. The phonetic makeup of the word itself seems cruel, stutter, in that its intonation peaks at the difficult and forceful “t” sound—a voiceless alveolar stop produced by blocking airflow in the vocal tract—and therefore prevents sufferers from cleanly vocalizing what’s afflicting them, rather like the blatantly onomatopoeic lisp.
    [Show full text]
  • NY Unofficial Archive V5.2 22062018 TW.Pdf
    ........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION
    [Show full text]
  • Soundtracks Lesson Plan
    SUBJECT: MUSIC / GEOGRAPHY / HISTORY / LANGUAGE / RELIGION / SOCIAL STUDIES GRADE LEVEL: SNR PRIMARY / SEC BY PETER BAXTER @ WWW.SONGSCHOOL.IE Soundtracks Objective To gain a greater understanding and appreciation of songwriting and songs 1. Hand out Soundtrack of our lives sheet - explain concept that music is such an important part of our lives and sometimes songs can remind us of a person, a place or an event. Then ask students to complete these sheets. Ask then for students to volunteer their answers - 1 or 2 from each and ensuring they explain why - doesn’t have to be a detailed answer - they can just say the song and that it is personal or that it is about a friend or family member. They will understand the significance of music and how random selections can effect our lives - It can be someone else’s favourite song that reminds us of them or song that happened to be playing on a radio or at a disco when an event happened. 2. Play some famous songs - i.e. Fields of Athenry - ask who wrote it? when? Where is Athenry? etc 3. Now that students have a grasp of the concept that songs can have an emotional significance that can be attached by a circumstantial event or as a consequence of subjective choice then introduce the idea that some songs can be interpreted many ways, not just through the most obvious. For example - drawing a song - see the lesson plan example outlined below. 4. As a follow on exercise from drawing a song - ask the students to bring in a photo that means something to them - can be a postcard, family snap, newspaper ad etc - ask them then to write some lyrics (and / or music) based on the photo.
    [Show full text]
  • Strange Brew√ Fresh Insights on Rock Music | Edition 02 of September 28 2006
    M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 02 of September 28 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part one Forty years ago, in 1966, Neil Young made his At a time when so many of the inspired and recording debut as a 20-year-old member of the inspiring musicians of the 1960s and 1970s have seminal, West Coast folk-rock band, Buffalo become parodies of their former selves with little Springfield, with the release of this band’s or nothing of any artistic substance to contribute eponymous first album. After more than 35 solo to rock culture, Young’s heart continues to studio albums, The Godfather of Grunge is still pound with passion – and this is the dominant on fire, raging against the System, the neocons, spirit of his new album. This work is reviewed in war, corruption, propaganda, censorship and the the next edition of Strange Brew (edition three: demise of human decency. Michael Waddacor Neil Young, part two). Living with War is an pays tribute the Canadian-born songwriter and imploring, heart-felt cry for a return to human musician for his unrelenting courage and decency and freedom from the malaise of uncompromising individualism in a world gone modern living: Third World exploitation, debt crazy and short of adorable eccentrics in the and misery, idiotic political and business realms of rock music.
    [Show full text]
  • “Missing” Recordings
    NEIL YOUNG UNRELEASED - ARCHIVE INFORMATION NEIL YOUNG’S “MISSING” RECORDINGS including Songs officially released on audio media but not released as audio files in Neil Young Archives Songs, official outtakes and demos released as audio files in Neil Young Archives but not released on official Neil Young Albums An NYU Publication facebook.com/groups/ny.unreleased.nyu twitter.com/UnreleasedNeil @UnreleasedNeil Robert Broadfoot [email protected] Version 4.0, 21 May 2021 © Robert Broadfoot 2021 ............................................................................................................................................................................................ NEIL YOUNG’S “MISSING” RECORDINGS ©Robert Broadfoot 2021 • [email protected] 1 Version 4.0, 21 May 2021 CONTENTS I. SONGS OFFICIALLY RELEASED ON AUDIO MEDIA BUT NOT RELEASED AS AUDIO FILES IN NEIL YOUNG ARCHIVES PART ONE NEIL YOUNG RECORDINGS ....................................................................................... 4 PART TWO GUEST APPEARANCES ............................................................................................. 27 PART THREE MEDIA NETWORK OFFICIAL RELEASES .................................................................... 38 II. SONGS, OFFICIAL OUTTAKES AND DEMOS RELEASED AS AUDIO FILES IN NEIL YOUNG ARCHIVES BUT NOT RELEASED ON OFFICIAL NEIL YOUNG ALBUMS .................................................................. 47 NOTES Version 4.0 This version of ‘Missing’ represents a complete restructuring
    [Show full text]
  • 1956 Bubblegum Disaster
    1956 BUBBLEGUM DISASTER TUNING: EADGBE SUBMITTED BY: Fredrik Johansson CHORDS: F Am Dm C Bb F/E G Bb Gm F F Am Dm oh-ie baby, nineteenfiftysix F C Bb F has come a long, long way Neil speaks: How do you like that, ey folks? Took me three years to write that. Here''s another one while we''re on those long ones. F F/E Dm G Bb F F/E Dm Gm C F F/E Dm There was a guy where I was from G Bb mothered his dog in bubblegum F F/E Dm Gm C how sad, couldn''t belive he''d be that bad F SongX.se - The Neil Young Songbook (updated 2020-11-14) A DREAM THAT CAN LAST TUNING: EADGBE SUBMITTED BY: Wolfgang Deimel CHORDS: C G F Em Am INTRO: C G F G C C G F G C I feel like I died and went to heaven G F G C The cupboards are bare but the streets are paved with gold G F C I saw a young girl who didn't die G F C I saw a glimmer from in her eye Em Am I saw the distance I saw the past F G And I know I won't awaken, it's a dream that can last SongX.se - The Neil Young Songbook (updated 2020-11-14) A MAN NEEDS A MAID TUNING: EADGBE SUBMITTED BY: Matt Mohler CHORDS: C Dm F Bb F C G Bb Dm Dm C My life is changin' in so many ways Bb F I don't know who to trust anymore Dm C There's a shadow runnin' through my days Bb Dm Like a beggar goin' from door to door Dm C I was thinkin' that maybe I'd get a maid Bb F Find a place nearby for her to stay Dm Am7 Just someone to keep my house clean Bb Dm Fix my meals and go away Dm C Bb Dm G F Em A ma a a aid a man needs a maid Dm C Bb Dm A ma a a aid |Em |Em7 |F | C|Em |Em7 |F |Csus C Am G F Em7 Dm7 It's hard to make that change Am
    [Show full text]
  • Levon Helm by Eric Novod
    “THE CONTEST OF THE CENTURY” $ WIN RETAIL VALUE OVER 13,400 BUILD YOUR OWN TUBE TOMS MODERNDRUMMER THE WORLD’S #1 DRUM MAGAZINE November 2012 Remembering LEVON HELMTHE BAND’S—AND AMERICANA’S— TRUE GREAT SPIRIT PLUS ROOTS-ROCK LEGENDS NEIL YOUNG’S RALPH MOLINA CREEDENCE’S DOUG CLIFFORD AND CURRENT DISCIPLES WITH TEDESCHI TRUCKS • ZAC BROWN BAND • GRACE POTTER • BLACKBERRY SMOKE ModernDrummer.com REVIEWED! PAISTE PST 8s • C&C PLAYER DATE SET • DW BLACK NICKEL OVER BRASS COLLECTOR’S SNARE AHEAD HARDWARE SLED • TYCOON SUPREMO 29 CAJON • PORTER & DAVIES BC2 TACTILE MONITOR Volume 36, Number 11 • Cover and contents photos by Paul La Raia CONTENTS EDUCATION 62 STYLE & ANALYSIS Levon Helm by Eric Novod 70 CONCEPTS The CRASH Course to Success Part 4: Skill by Rich Redmond 72 BASICS Practical Practice A Four-Stage Approach to Developing Independence by Robert Brian 74 STRICTLY TECHNIQUE On the Cover Polyrhythmic Coordination Part 3: Five-Note Base Rhythm by Ari Hoenig 76 ROCK ’N’ JAZZ CLINIC 50 LEVON HELM Don’t Disturb the Groove! May 26, 1940–April 19, 2012 by Jeff Potter Part 2: Hi-Hat Substitutions by Tobias Ralph With the Band and in his Midnight Ramble years, he 78 JAZZ DRUMMER’S WORKSHOP created music exhilaratingly new yet old as the mountains Improve Your Bottom Line of his native Arkansas. Perhaps never again will country, Part 3: Bass Drum Comping in 5/4 by Steve Fidyk blues, rock ’n’ roll, and rhythm and blues be combined so effortlessly, musically, and soulfully. EQUIPMENT 22 PRODUCT CLOSE-UP • PAISTE PST 8 Series Cymbals • C&C Player Date Drumset FEATURING • DW Black Nickel Over Brass Collector’s Series Snare • AHEAD Armor Cases Rolling Hardware Sled 12 UPDATE • TYCOON Supremo 29 Series Cajon • Grace Potter & the Nocturnals’ MATT BURR • The Avant Garde Dogs’ SEAN O’ROURKE 28 ELECTRONIC REVIEW • Drummer/Percussionist JOACHIM COODER Porter & Davies BC2 Tactile Monitor • Blackberry Smoke’s BRIT TURNER 30 SHOP TALK 34 J.J.
    [Show full text]
  • Message from the RA
    Bates College SCARAB The aB tes Student Archives and Special Collections 3-31-1978 The aB tes Student - volume 105 number 09 - March 31, 1978 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 105 number 09 - March 31, 1978" (1978). The Bates Student. 1774. http://scarab.bates.edu/bates_student/1774 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. %sJSch9bM VOLUME 105, NO. 9 ESTABLISHED 1873 MARCH 31, 1978 Message From The R.A, by Jack Meade The R.A. took strong action on can be taken into consideration on President of R.A. a number of the big issues that issues that highly affect students. This year the Representative emerged on campus this year. Along with improving the lines Assembly has made a great effort There was an extensive lobbying of communication between the to bring effective student govern- effort by the R.A. in the form of administration and the R.A., ment to Bates College. Structural letters to the faculty, letters to changes in the structure of the changes have been made within The Student, and discussions R.A. were made to make it a more the R.A. to make it a more with faculty, in order to prevent a effective organization. A new efficient and productive organi- change in the graduation require- emphasis was placed on the zation, while a general attitudinal ments and the academic status of committees within the R.A.
    [Show full text]
  • Neil Young from Wikipedia, the Free Encyclopedia
    Neil Young From Wikipedia, the free encyclopedia Background information Birth name Neil Percival Young Also known as Bernard Shakey, Phil Perspective, Shakey Deal, Clyde Coil, Ol' Neil, Joe Canuck, Joe Yankee, Marc Lynch, Pinecone Young Born November 12, 1945 Toronto, Ontario, Canada Origin Winnipeg, Manitoba, Canada Genres Folk rock, country rock, experimental rock, heartland rock, hard rock, grunge Occupation(s) Musician, singer-songwriter, producer, director, screenwriter, humanitarian, entrepreneur Instruments Electric guitar, acoustic guitar, vocals, harmonica, piano, reed organ Years active 1960–present Labels Warner Bros., Reprise, Atco, Atlantic, Geffen Associated acts The Squires, The Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash & Young, Crazy Horse, The Stray Gators, The Stills-Young Band, The Ducks, Northern Lights, Pearl Jam, Booker T. Jones, Leon Russell, Elton John, Pegi Morton Young Notable instruments "Old Black" Martin D-45 "Hank" Gretsch White Falcon Neil Percival Young, OC OM (born November 12, 1945) is a Canadian singer-songwriter and musician. He began performing in a group covering Shadows instrumentals in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield together with Stephen Stills and Richie Furay, and later joined Crosby, Stills & Nash in 1969. He released his first album in 1968 and has since forged a successful and acclaimed solo career, spanning over 45 years and 35 studio albums, with a continuous and uncompromising exploration of musical styles. The Rock and Roll Hall of Fame website describes Young as "one of rock and roll's greatest songwriters and performers". He was inducted into the Hall of Fame twice, first as a solo artist in 1995, and second as a member of Buffalo Springfield in 1997.
    [Show full text]