Message from the RA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
Colleen Ahern—’
Something something video-film- paint something (1) Steve McQueen crossed over in 2008 with Hunger. Gillian Wearing did it in 2010 with her doco/art film Self made, which got neither a major release or a spot in a film festival in Melbourne. On 17 March, at LongPlay in North Fitzroy, Doc(c)o Club returned with a screening of Wearing’s film. A couple of friends-slash-film-making-colleagues have recently started this film club. Modeled on the reading-group-cum-book-club phenomenon, Kim Munro and Amanda Kerley began Doc(c)o Club with the idea of screening seminal, rare and innovative films that could generate discussion and dialogue. While Doc(c)o Club centres around screening and discussion, Amanda and Kim’s other project, Camera Buff Movie Makers, brings together makers interested in the production of short, essayistic films that question the limitations of documentary making. With funding for documentary film-making becoming harder to get, these projects have provided a way for Amanda and Kim to focus attention and help grow divergent ways of thinking about and telling non-fiction stories. Amanda and Kim have both engaged in documentary practice. Kim began her foray into the field with the short musical documentary, The rise of Leatherman (2008), following this with Nerve (2011), a made-for-television (in particular the ABC) documentary about the London-based Australian artist, Paul Knight, and his project to find two strangers interested in having sex upon meeting. Together, Amanda and Kim have worked on the short campaign documentary Save the Hope Street bus (Keep our hope alive), made last year following State Government funding cuts which saw the axing of the shortest bus route in Melbourne. -
New Solar Research Yukon's CKRW Is 50 Uganda
December 2019 Volume 65 No. 7 . New solar research . Yukon’s CKRW is 50 . Uganda: African monitor . Cape Greco goes silent . Radio art sells for $52m . Overseas Russian radio . Oban, Sheigra DXpeditions Hon. President* Bernard Brown, 130 Ashland Road West, Sutton-in-Ashfield, Notts. NG17 2HS Secretary* Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Treasurer* Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] MWN General Steve Whitt, Landsvale, High Catton, Yorkshire YO41 1EH Editor* 01759-373704 [email protected] (editorial & stop press news) Membership Paul Crankshaw, 3 North Neuk, Troon, Ayrshire KA10 6TT Secretary 01292-316008 [email protected] (all changes of name or address) MWN Despatch Peter Wells, 9 Hadlow Way, Lancing, Sussex BN15 9DE 01903 851517 [email protected] (printing/ despatch enquiries) Publisher VACANCY [email protected] (all orders for club publications & CDs) MWN Contributing Editors (* = MWC Officer; all addresses are UK unless indicated) DX Loggings Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] Mailbag Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Home Front John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB 01442-408567 [email protected] Eurolog John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB World News Ton Timmerman, H. Heijermanspln 10, 2024 JJ Haarlem, The Netherlands [email protected] Beacons/Utility Desk VACANCY [email protected] Central American Tore Larsson, Frejagatan 14A, SE-521 43 Falköping, Sweden Desk +-46-515-13702 fax: 00-46-515-723519 [email protected] S. -
Sheigra Dxpedition Report
Sheigra DXpedition Report 12 th to 25 th October 2019 - with Dave Kenny & Alan Pennington This was the 58th DXpedition to Sheigra in Sutherland on the far north western tip of the Scottish mainland, just south of Cape Wrath. DXers made the first long drive up here in 1979, so this we guess, was the 40 th anniversary? And the DXers who first made the trip to Sheigra in 1979 to listen to MW would probably notice little change here today: the single-track road ending in the same cluster of cottages, the cemetery besides the track towards the sea and, beyond that, the machair in front of Sheigra’s sandy bay. And surrounding Sheigra, the wild windswept hillsides, lochans and rocky cliffs pounded by the Atlantic. (You can read reports on our 18 most recent Sheigra DXpeditions on the BDXC website here: http://bdxc.org.uk/articles.html ) Below: Sheigra from the north: Arkle and Ben Stack the mountains on the horizon. Once again we made Murdo’s traditional crofter’s cottage our DX base. From here our long wire Beverage aerials can radiate out across the hillsides towards the sea and the Americas to the west and north west, and eastwards towards Asia, parallel to the old, and now very rough, peat track which continues on north east into the open moors after the tarmac road ends at Sheigra. right: Dave earths the Caribbean Beverage. We were fortunate to experience good MW conditions throughout our fortnight’s stay, thanks to very low solar activity. And on the last couple of days we were treated to some superb conditions with AM signals from the -
Sigges Lyssnartips 2008-03-02
Sigges Lyssnartips 2008-03-02 780 26.2 0326 CFDR Dartmouth NS, “Classic Country 7-80 Kixx”, både under PAX63 och PAX71 hörde jag dem ID:a “K-I-X-X”! A 830 25.2 0530 WCRN Worcester MA, “AM 8-30 WCRN”. A 850 25.2 0546 WEEI Boston MA, “Sportsradio 8-50 WEEI”. A 870 27.2 0558 WWL New Orleans LA, kanonbra reklam “New Orleans’ Home- and Gardenship” och kanonstört vid ID, men både “WWL” och “New Orleans” kunde värkas fram. A 880 25.2 0530 WCBS New York NY, “Newsradio WCBS 8-80”. A 920 26.2 0348 CJCH Halifax NS, “9-20 CJCH” gick ovanligt dåligt trots bra cx f.ö. A 930 25.2 0548 CJYQ St John’s NL, “Radio Newfoundland”. A 970 24.2 0503 WZAN Portland ME, “9-70 WZAN Portland”. A 1010 24.2 0605 CFRB Toronto ON, ett “CFRB” vaskades fram ur stör-oljuden. A 1020 24.2 0556 KDKA Pittsburgh PA, “Newsradio 10-20 KDKA”. A 1030 24.2 0606 WBZ Boston MA, “WBZ Radio”. A 1050 24.2 0621 WEPN New York NY, “ESPN New York”. A 1060 24.2 0559 --WBIX Natick MA, överraskade med ett “WBIX”. Visade sig att NRC/IRCA hade ordnat en test. WBIX sände 05-07 UTC med dageffekten 40kW och -pattern mot NE. (Visste dock inte om det förrän efteråt). Är annars svår här i Nordeuropa med sitt nattpattern rakt österut, men är ändå loggad i Sverige tidigare. A 1070 24.2 0559 CBA Moncton NB, “CBC Radio 1” med R Netherland-relä. -
The Bates Student
Bates College SCARAB The aB tes Student Archives and Special Collections 1-12-1949 The aB tes Student - volume 75 number 13 - January 12, 1949 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 75 number 13 - January 12, 1949" (1949). The Bates Student. 995. http://scarab.bates.edu/bates_student/995 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. NO. 13 THE BATES STUDENT BATES COLLEGE, LEWISTON, MAINE, JANUARY 12, 1949 By Subscription $ College Plans 50,000 Extension Crowley Will Speaking Contest Speak To C. A. Buker, Cannon Head for Hedge Lab; Coram Nears Dr. Crowley, assistant professor Will Be Postponed of biology, will be the speaker at The junior-senior prize speaking the Christian Association fireside contest has been postponed because Completion; Commons Indefinite meeting next Tuesday evening, CA of the small number of students Cast Of "7 Chances" President Nelson Home announced who signed up to participate. The Leading roles in the forthcoming Plan- »" ,:ow ready for an exten"" today. The meeting is scheduled for contest will be held after final ex- play "Seven Chances" will be taken . t0 be built onto the Hedge 6:45 in Chase Hall. aminations provided enough stu- ZfUUy Laboratory, the adminis- by Norman Buker and Lawrence Bigger Hedge: More H2S? Dr. Crowley, new to the faculty dents sign up with Miss Schaeffei Cannon, it was announced today by , ,ion has announced. -
The Use of Local Radio Stations by Public School Systems in New England
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1952 The use of local radio stations by public school systems in New England. Robert F. Belding University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Belding, Robert F., "The use of local radio stations by public school systems in New England." (1952). Masters Theses 1911 - February 2014. 3131. Retrieved from https://scholarworks.umass.edu/theses/3131 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. FIVE COLLEGE jtfiPOSITORYlS USH OH LOCAL RADIO STATIONS LY IDIRKI SCHOOL SYSTEMS J N «*• . i. <..■ . - . J ARCH IVES: THESIS M 1 1953- B427 THE USE OP LOCAL RADIO STATIONS BY PUBLIC SCHOOL SYSTEMS IN NEW ENGLAND By Robert P. Belding A problem presented in partial fulfilment of the requirements for the Master of Science Degree University of Massachusetts 1952 TABLE OP CONTENTS TABLE OP CONTENTS Page « • » TABLE OP CONTENTS ....;. 111 LIST OP TABLES . vi CHAPTER I — INTRODUCTION . 2 CHAPTER II — RADIO AND EDUCATION . 7 Radio as an Educational Aid . 7 Non-Commercial Educational Stations . 9 The Educational Contribution of the Commercial Networks . 12 The N.A.E.B. Tape Network... 15 CHAPTER III -- COMMERCIAL RADIO AND THE PUBLIC -SQgQCT .. 18 Background of Commercial Radio: 1920-1934 •• 18 The Communications Act of 1934 . • 21 The Place of Public Service in Commercial Radio . -
Insideradio.Com
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO THURSDAY, DECEMBER 17, 2015 Streaming Broadcasters Relieved By Royalty Break. Radio broadcasters who stream online will pay about one-third less in music royalties to SoundExchange starting in January, thanks to new rates issued by the Copyright Royalty Board (CRB) late Wednesday. The new rate for commercial nonsubscription services, both broadcast and pureplay, in 2016 is $0.0017 per performance. That’s a substantial reduction from the $.0025 that most broadcast streamers had been paying but a 21% increase from the $.0014 that pureplay webcasters have been shelling out. Setting the same streaming rate for pureplays and broadcasters marks a new meet-in-the-middle rationalization in the market. The new rate for commercial subscription services in 2016 is $0.0022 per performance, down from $0.0025. Unlike the previous rate-setting, there is no annual step up in royalties. However, the CRB has, for the first time, built in a cost- of-living provision for the period 2017 through 2020 that will adjust the rate annually to reflect any increases or decreases in the Consumer Price Index. But there’s no so- called percentage override, which would have replaced the per-performance rate with a percentage of revenue payment when a webcaster reached a certain revenue threshold. “That’s one of the things that SoundExchange had asked for and broadcasters in particular had said would be very difficult to administer,” attorney David Oxenford tells Inside Radio. Hourly Waging—non-comm channels have their own new rate tied in to Aggregate Tuning Hours; read more at InsideRadio.com. -
Let Us Know How Access to This Document Benefits You
CutBank Volume 1 Issue 35 CutBank 35 Article 28 Spring 1991 Salvage Kipp Wessel Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation Wessel, Kipp (1991) "Salvage," CutBank: Vol. 1 : Iss. 35 , Article 28. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss35/28 This Prose is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. Salvage Kipp Wessel -fo r Lisa When Walker pulls their car off to the side of the highway and gets out, he just stares for a while at the auto yard. The yard seems to stretch all the way to the San Juan range. Heaped up cars, gutted torsos, abandoned wheel wells, scattered engine parts, and pieces of machinery consume the lot. Acres of quiet land covered in a blanket of automobile remains. Walker takes a light reading of the auto yard with his Nikon. The sun presses hard against the wide lot and the autos smolder red. It’s at sunset. The mountains form a dark blue curving backdrop, giving the wreck yard, momentarily, a sharp outline. Joiene watches him hold the camera, then looks out over the wide expanse of automobile carnage, and at the mountains. She walks from the car to across the road to where there are horses, young mares that run along a fence line. -
Chris Nelson Speaking of Neil Young
music Chris Nelson Speaking of Neil Young s a junior in high school I found myself humming along to Neil Young’s “Old Man” and “Heart of Gold” whenever the local classic Arock station decided to take a break from Aerosmith or Boston or AC/ DC. Senior year I’d take the scenic route home from football practice while blaring Harvest Moon in the used Mustang I shared with my older brother, driving past the cornfields just as the setting sun made them glow and feeling nostalgic for the innocence I had yet to lose. First semester of college I was getting high to his 1969 self-titled solo debut, and by spring I waited for rainy days to wallow in my loneliness with the haunting On the Beach, playing it over and over on an old turntable of my father’s that I had restored. In accordance with the natural progression of other Neil faithfuls, it wasn’t until I had exhausted this mostly acoustic, more accessible singer/songwriter side of Neil Young that I was able to graduate to an appreciation of his electric work—the highest and most challenging level a Neil faithful can reach. And it took me even longer to fall in love with it. Only recently have I begun to figure out why: his style of playing, with its wailings and repetitions and clutter and incoherence, is my style of speaking. Like his guitar, I stutter. The phonetic makeup of the word itself seems cruel, stutter, in that its intonation peaks at the difficult and forceful “t” sound—a voiceless alveolar stop produced by blocking airflow in the vocal tract—and therefore prevents sufferers from cleanly vocalizing what’s afflicting them, rather like the blatantly onomatopoeic lisp. -
2021-2022 LMS Family Handbook
Loranger Memorial School Family Handbook Loranger Memorial School 148 Saco Avenue Old Orchard Beach, ME 04064 (207) 934-4848 Contents RSU 23 Mission Statement RSU 23 Statement of Core Values and Beliefs about Learning Guiding Principles GENERAL INFORMATION SCHOOL HOURS CANCELLATIONS SCHOOL DELAYS EARLY DISMISSALS DUE TO WEATHER SCHOOL CALENDAR ACADEMICS ACADEMIC EXPECTATIONS GRADING AND REPORTING MAKEUP WORK ATTENDANCE ABSENCES EXCUSED ABSENCES UNEXCUSED ABSENCES CLASS CUTS TARDINESS TO SCHOOL DISMISSALS BEHAVIOR AND EXPECTATIONS HOWLS SEA CODE OF RESPECT COMMUNITY COMMON AREA EXPECTATIONS BUS CONDUCT DISCIPLINE Goals Rationale Behind Consequences: Infractions and Consequences Outcomes: DRESS CODE EXTRA-CURRICULAR ACTIVITIES STUDENT ACTIVITIES ATHLETICS/ACTIVITIES ELIGIBILITY POLICY Old Orchard Beach Sportsmanship Creed Page 2 of 26 Loranger Memorial School 148 Saco Avenue Old Orchard Beach, ME 04064 (207) 934-4848 STUDENT ACTIVITY FEE RULES DANCE POLICY SAFETY BULLYING NON-DISCRIMINATION AND HARASSMENT CRISIS ACTION PLAN SAFETY DRILLS VISITORS STUDENT BELONGINGS BACKPACKS BICYCLES/SKATEBOARDS LOCKERS SUPPORT SERVICES ACADEMIC PROGRESS COUNSELING HEALTH SERVICES RSU 23 DEPARTMENT WELLNESS POLICY NUTRITION EDUCATION NUTRITION STANDARDS BREAKFAST FUNDRAISERS CELEBRATIONS/EVENTS PHYSICAL EDUCATION AND PHYSICAL ACTIVITY FOOD AND DRINK POLICY LIBRARY MEDIA CENTER STUDENT RECORDS NOTIFICATION OF RIGHTS UNDER FERPA & EDUCATIONAL RECORDS PROCEDURE TECHNOLOGY CELL PHONES & OTHER ELECTRONIC DEVICES SOCIAL MEDIA SCHOOL COLORS AND MASCOT Page 3 of 26 Loranger Memorial School 148 Saco Avenue Old Orchard Beach, ME 04064 (207) 934-4848 RSU 23 Mission Statement RSU 23 will provide a high-quality education for all students. We will meet all learners as they are, and inspire and support them until they experience success. We will prepare passionate, empathetic, goal-driven members of a society who can embrace change. -
530 CIAO BRAMPTON on ETHNIC AM 530 N43 35 20 W079 52 54 09-Feb
frequency callsign city format identification slogan latitude longitude last change in listing kHz d m s d m s (yy-mmm) 530 CIAO BRAMPTON ON ETHNIC AM 530 N43 35 20 W079 52 54 09-Feb 540 CBKO COAL HARBOUR BC VARIETY CBC RADIO ONE N50 36 4 W127 34 23 09-May 540 CBXQ # UCLUELET BC VARIETY CBC RADIO ONE N48 56 44 W125 33 7 16-Oct 540 CBYW WELLS BC VARIETY CBC RADIO ONE N53 6 25 W121 32 46 09-May 540 CBT GRAND FALLS NL VARIETY CBC RADIO ONE N48 57 3 W055 37 34 00-Jul 540 CBMM # SENNETERRE QC VARIETY CBC RADIO ONE N48 22 42 W077 13 28 18-Feb 540 CBK REGINA SK VARIETY CBC RADIO ONE N51 40 48 W105 26 49 00-Jul 540 WASG DAPHNE AL BLK GSPL/RELIGION N30 44 44 W088 5 40 17-Sep 540 KRXA CARMEL VALLEY CA SPANISH RELIGION EL SEMBRADOR RADIO N36 39 36 W121 32 29 14-Aug 540 KVIP REDDING CA RELIGION SRN VERY INSPIRING N40 37 25 W122 16 49 09-Dec 540 WFLF PINE HILLS FL TALK FOX NEWSRADIO 93.1 N28 22 52 W081 47 31 18-Oct 540 WDAK COLUMBUS GA NEWS/TALK FOX NEWSRADIO 540 N32 25 58 W084 57 2 13-Dec 540 KWMT FORT DODGE IA C&W FOX TRUE COUNTRY N42 29 45 W094 12 27 13-Dec 540 KMLB MONROE LA NEWS/TALK/SPORTS ABC NEWSTALK 105.7&540 N32 32 36 W092 10 45 19-Jan 540 WGOP POCOMOKE CITY MD EZL/OLDIES N38 3 11 W075 34 11 18-Oct 540 WXYG SAUK RAPIDS MN CLASSIC ROCK THE GOAT N45 36 18 W094 8 21 17-May 540 KNMX LAS VEGAS NM SPANISH VARIETY NBC K NEW MEXICO N35 34 25 W105 10 17 13-Nov 540 WBWD ISLIP NY SOUTH ASIAN BOLLY 540 N40 45 4 W073 12 52 18-Dec 540 WRGC SYLVA NC VARIETY NBC THE RIVER N35 23 35 W083 11 38 18-Jun 540 WETC # WENDELL-ZEBULON NC RELIGION EWTN DEVINE MERCY R.