THE OLD FORGE the ROY DAVIDS COLLECTION of DECORATIVE ARTS and BRONZES Wednesday 4 March 2015

THE OLD FORGE THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES Wednesday 4 March 2015

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 1

THE OLD FORGE THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES Wednesday 4 March 2015 at 11.00 Knightsbridge, London

VIEWING ENQUIRIES PHYSICAL CONDITION OF Sunday 1 March 11.00 - 15.00 Head of Sale LOTS IN THIS AUCTION Monday 2 March 9.00 - 16.30 Charlie Thomas Tuesday 3 March 9.00 - 16.30 +44 (0) 20 7468 8358 PLEASE NOTE THAT ANY Wednesday 4 March 9.00 - 10.00 [email protected] REFERENCE IN THIS (restricted viewing) CATALOGUE TO THE PHYSICAL Administrator CONDITION OF ANY LOT IS FOR SALE NUMBER Poppy Davey GENERAL GUIDANCE ONLY. 22802 +44 (0) 20 7468 5895 INTENDING BIDDERS MUST [email protected] SATISFY THEMSELVES AS TO CATALOGUE THE CONDITION OF ANY LOT £15.00 Press AS SPECIFIED IN CLAUSE 14 OF Danielle Demartini THE NOTICE TO BIDDERS BIDS +44 (0) 20 7468 8363 CONTAINED AT THE END OF +44 (0) 20 7447 7448 [email protected] THIS CATALOGUE. +44 (0) 20 7447 7401 fax To bid via the internet please All lots with an estimate As a courtesy to intending visit bonhams.com less than £2,000 to be bidders, Bonhams will provide a sold without reserve. written indication of the physical Please note that bids should be condition of lots in this sale if a submitted no later than 16.00 on CUSTOMER SERVICES request is received up to 24 the day prior to the sale. Monday to Friday 8.30 to 18.00 hours before the auction starts. New bidders must also provide +44 (0) 20 7447 7447 This written Indication is issued proof of identity when submitting subject to Clause 3 of the Notice bids. Failure to do this may result Please see page 2 for bidder to Bidders. in your bid not being processed. information including after-sale collection and shipment IMPORTANT INFORMATION Telephone bidding The United States Government Bidding by telephone will only has banned the import of ivory be accepted on lots with a low into the USA. Lots containing estimate in excess of £500. ivory are indicated by the symbol Ф printed beside the Live online bidding is available lot number in this catalogue. for this sale Please email [email protected] with ‘live bidding’ in the subject Back cover illustrated lot 227 line 48 hours before the auction to register for this service

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Lucinda Bredin, Harvey Cammell, Simon Cottle, Peter Rees, Iain Rushbrook, John Sandon, Matthew Girling Global CEO, Andrew Currie, Paul Davidson, Jean Ghika, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Patrick Meade Global CEO, Charles Graham-Campbell, Miranda Grant, James Stratton, Roger Tappin, Ralph Taylor, +44 (0) 20 7393 3905 fax Geoffrey Davies, Jonathan Horwich, Richard Harvey, Robin Hereford, Asaph Hyman, Shahin Virani, David Williams, James Knight, Caroline Oliphant, Charles Lanning, Sophie Law, Fergus Lyons, Michael Wynell-Mayow, Suzannah Yip. Hugh Watchorn. Gordon McFarlan, Central Middlesex Hospital SALE Park Royal INFORMATION

Coronation Road W Bonhams,

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Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A

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Bids Collection and Storage Handling and storage The following symbol is +44 (0) 20 7447 7448 after sale charges used to denote that VAT is West Acton Horn Lane +44 (0) 20 7447 7401 fax All sold lots will be transferred StationTransfer and storage charges due on the hammer price [email protected] to Bonhams warehouse at will commence on Wednesday and buyer’s premium www.bonhams.com Park Royal the day after the 18th March 2015 and will be sale & will be available for applicable for each working day. † VAT 20% on hammer price Payments collection from 9.30am Friday and buyer’s premium Buyers 6th March 2015. The charges levied by Bonhams +44 (0) 20 7447 7447 are as follows: * VAT on imported items at a +44 (0) 20 7447 7401 fax Address: preferential rate of 5% on Unit 1, Sovereign Park Furniture, large paintings and hammer price and the prevailing Sellers Coronation Road other large objects. rate on buyer’s premium Payment of sale proceeds Park Royal +44 (0) 20 7447 7447 London NW10 7QP Transfer per lot £35.00 VAT refunds on exports from +44 (0) 20 7447 7401 fax Tel: +44 (0) 87 0811 3867 Daily storage per lot £3.60 the EU Hours of opening 9.30am to To submit a claim for refund of ART COLLECTIONS, 4.30pm Monday to Friday All other objects VAT HMRC require lots to be ESTATES AND VALUATIONS exported from the EU within +44 (0) 20 7468 8340 These lots will be subject to Transfer per lot £20.00 strict deadlines. +44 (0) 20 7468 5860 fax transfer and storage charges if Daily storage per lot £1.90 [email protected] they are not collected from the For lots on which Import VAT warehouse at Park Royal by All the above charges are has been charged; marked in Catalogue subscriptions close of business Tuesday 17th exclusive of VAT. the catalogue with a * or Ω, lots To obtain any Bonhams March 2015. must be exported within 30 catalogue or Payment in advance days of Bonhams’ receipt of to take out an annual Lots may be released from Tel: +44 (0) 20 7447 7447 payment and within 3 months of subscription: Bonhams warehouse on to ascertain amount due by: the sale date. For all other lots Subscriptions Department production of the Collection cash, cheque with banker’s export must take place within 3 +44 (0) 1666 502200 Order obtained from cashier’s card, credit card, bank draft months of the sale date. +44 (0) 1666 505107 fax office at Bonhams Knightsbridge or traveller’s cheque. [email protected] or New Bond Street and a form For further VAT information of photographic ID.. Payment at time of collection please contact: Shipping By credit card / debit card [email protected] For information and estimates on domestic and international Important Notice CITES REGULATIONS shipping as well as export A surcharge of 2% is applicable Please be aware that all Lots licenses please contact when using Mastercard, Visa marked with the symbol Y are Bonhams Shipping Department and overseas debit cards. subject to CITES requlations on: when exporting these items +44 (0) 20 8963 2849 outside the EU. The regulations +44 (0) 20 8963 2850 may be found at www.ukcites. +44 (0) 20 7629 9673 fax gov.uk or may be requested [email protected] from:

UK CITES Management Authority Zone 117 Temple Quay House 2 The Square Temple Quay BRISTOL BS1 6EB 273 INTRODUCTION

Roy Davids is the auctioneer’s ideal collector: his educated Meeting Roy around 30 years ago I was struck by the encyclopaedic eye, along with a passion for the whimsical, rare and academic depth of his knowledge, and any visitor to The Old Forge will have and a love of quality, whether it is embodied in an 18th century been overwhelmed by his superb reference libraries jostling for space manuscript, a Kangxi famille verte vase or a contemporary bronze, with a shelf of Christopher Dresser ceramics, an animalier bronze or is a heady combination. a precarious stack of Minton tiles. Over long lunches in Oxfordshire pubs and convivial dinners at the Garrick Club, his London base, Roy is a true polymath, and his astonishingly broad range of I have often had the pleasure of discussing his collection and interests has allowed us to collaborate on five fantastic auctions connoisseurship in general whilst he dissects the art world with the over the last decade, ranging from his unrivalled collection humour and hindsight that a lifetime spent as an auctioneer and later of portraits of some of the greatest writers and artists to his as a manuscript dealer has afforded him. collections of historical and poetical manuscripts which have included gems by Walter Raleigh, Isaac Newton, John Keats and As Roy has said in the past, he sees his role as that of a custodian of Charlotte Brontë. More recently, following the publication the works he has acquired over the years, and his lasting contribution of ‘Provenance’, (Roy and co-author Dominic Jellenek’s ‘magnum to their journey is lifting them from obscurity, dusting off neglect and opus’ detailing the principal European collectors of Chinese Art), highlighting their significance and interest, with their eventual sale we have held the sale of his Chinese Ceramics collection, being a ‘living part’ of his collecting process. It is his hope that much and are now delighted to be handling the subject of this auction, of what is here will go ‘to those fellow collectors for whom desire is 19th century decorative arts and bronzes. purer than necessity’.

ROBIN HEREFORD Director, Art Collections, Estates & Valuations January 2015

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I first met Roy some 25 years ago. A visit to his home, before he decided to sell his collection, was to We struck up an immediate rapport and formed a lasting friendship, observe a visual feast of acquisitions, always something new and sharing similar views and interests about many subjects, often always previously unnoticed treasures to behold. discussed over a meal with good food and wine, and always with (often ribald) humour. I think it will be very difficult for future generations of collectors to form a collection like Roy’s, the source material now so dissipated, Although my own collection is somewhat broader than the Arts scattered or already discovered and revalued. & Crafts Movement for which I am known, Roy’s collection is so diverse and encompasses so many different facets that it is almost Roy’s writings on the many subjects which he collected will impossible to categorise. It relates to an earlier period of collecting, though, be a constant source of reference and stimulation to those where scholarship was as important as acquisition. attempting to follow in his footsteps.

His voracious appetite for knowledge and the desire to understand each field to the fullest extent has led him from his first PAUL REEVES love of Literature and manuscripts to portraiture and photography, January 2015 19th century design, oriental art and most recently, bronzes, both historical and contemporary. All collected with a passion and connoisseurship rarely encountered nowadays.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 5 1 A PAIR OF GOERGE IV GOTHIC REVIVAL CARVED OAK ARMCHAIRS Stamped Hones, Bath, and dated 1826 The back pierced with quatrefoils centred by an upholstered arched panel surmounted with turned finials and a foliate crest with arcaded moulded arms with pierced spandrels on stepped flared front legs, Stamped to the underside of the seat rail, HONES, SC BATH 1826, ISXXXVI W.H.O 66cm wide x 52cm deep x 111cm high, (25 1/2in wide x 20in deep x 43 1/2in high)

£3,000 - 5,000 €3,900 - 6,500

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2 4 A VICTORIAN OAK CENTRE TABLE A VICTORIAN MAHOGANY TUB SHAPED ARMCHAIR The circular top on three turned supports, 85cm wide x 83cm The curved top rail above a turned spindle balustrade back and deep x 70cm high, (33in wide x 32 1/2in deep x 27 1/2in high) upholstered stuffover seat on turned legs, 67cm wide x 62cm deep x 79cm high, (26in wide x 24in deep x 31in high) £300 - 500 €390 - 650 £600 - 800 €790 - 1,000 3 A VICTORIAN EBONISED AESTHETIC CORNER ARMCHAIR 5 Made by Liberty A SMALL VICTORIAN OAK WRITING TABLE With turned supports and spindles and a rush seat on turned legs, In the manner of Bruce J Talbert for Gillows 42cm wide x 42cm deep x 74cm high, The rectangular top with canted corners inset with a black leather (16 1/2in wide x 16 1/2in deep x 29in high) writing surface above a frieze drawer, 91cm wide x 65cm deep x 74cm high, (35 1/2in wide x 25 1/2in deep x 29in high) £250 - 350 €330 - 460 £700 - 1,000 €920 - 1,300 Both Liberty (Argyll chair) and Morris & Co (Sussex chair) produced similar chairs designed by Ford Madox Brown in competition of each other. A Morris & Co Sussex chair is held at the Museum of Modern Art in New York.

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6 8 A VICTORIAN GOTHIC REVIVAL CARVED OAK SIDE CHAIR A LATE 19TH CENTURY GOTHIC REVIVAL Designed by John Moyr Smith CARVED OAK AND PARQUETRY CENTRE TABLE Retaining its original upholstery, The rectangular top above five turned supports united by an X-stretcher, 87cm wide x 51cm deep x 80cm high, £800 - 1,200 (34in wide x 20in deep x 31in high) €1,000 - 1,600 £600 - 800 Provenance €790 - 1,000 Paul Reeves London A very similar square occasional table was sold at Christies, London, 7 South Kensington, 27 April 2010, lot 295. A VICTORIAN GOTHIC REVIVAL OAK CENTRE TABLE In the manner of A.W.N Pugin 9 The rectangular top with canted corners on trellis supports, A VICTORIAN GOTHIC REVIVAL MAHOGANY, 107cm wide x 58cm deep x 78cm high, PAINTED AND PARCEL GILDED TABERNACLE (42in wide x 22 1/2in deep x 30 1/2in high) Decorated with scrolling vines and monogrammed with IHS with a drop down hinged door, 35cm wide, 35cm deep, 77cm high £800 - 1,200 (13 1/2in wide, 13 1/2in deep, 30in high) €1,000 - 1,600 £600 - 800 A comparable Medieval style oak table with braced and pegged €790 - 1,000 construction designed by A.W.N. Pugin and made by John Webb can be found at the Victoria and Albert Museum (no. W-26-1972). Pugin’s love of the Gothic style was clear in his furniture designs, many pieces inspired by his large collection of medieval carvings.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 9 10

10 AR 11 AR MARK RUDOLF CORETH (BRITISH, BORN 1958) MARK RUDOLF CORETH (BRITISH, BORN 1958) Elephant Herd Zebra crossing the Mara River On a black rectangular marble base, signed M Coreth A.C, bronze, From an edition of 9, bronze, mid brown patination mid brown patination 93cm wide including base 60cm wide £6,000 - 8,000 £3,000 - 5,000 €7,800 - 10,000 €3,900 - 6,500

10 | BONHAMS 12 AR JONATHAN KENWORTHY (BRITISH, BORN 1943) Giraffe under Euphorbia Candelabrum Signed Kenworthy 2012 and numbered 4/7, bronze, green/brown patination, 42cm high

£3,000 - 5,000 €3,900 - 6,500

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 11 13 AR ROBERT CLATWORTHY (BRITISH, BORN 1928) Bull 11 Signed with initials R.C, edition 1/8, bronze, mid brown patination 28cm wide

£2,000 - 3,000 €2,600 - 3,900

Provenance Purchased from Keith Chapman by the present owner

Literature K.Chapman, ‘Robert Clatworthy’, Sansom & Co, 2012, p.99, pl.RC39.

14 BUNNY CONNELL (AMERICAN) Polo players, ‘Controlling the Play’ Signed CONNELL, dated 1984 and numbered 3/15, bronze, mid brown patination 38cm high

£500 - 700 €650 - 920

15 AR NICK BIBBY (BRITISH, BORN 1960) Large Black Sow (Ingrid) Signed Bibby and numbered 1/12, bronze, black patination 30cm wide

£1,200 - 1,800 €1,600 - 2,400

Provenance With Sladmore, London, where purchased by the present owner 15

12 | BONHAMS 16 AR ROBERT CLATWORTHY (BRITISH, BORN 1928) Bull 111 Signed with initials R.C, edition 1/9, bronze, mid brown patination 29.5cm wide

£2,000 - 3,000 €2,600 - 3,900

Provenance Purchased from Keith Chapman by the present owner

Literature K.Chapman, Robert Clatworthy, Sansom & Co, 2012, p.99, pl.RC40.

17 AR ROBERT CLATWORTHY (BRITISH, BORN 1928) Horse and rider Signed with initials R.C, edition 5/9, bronze, mid brown patination 31cm high

£2,000 - 3,000 €2,600 - 3,900

18 AR CHARLIE LANGTON (BRITISH, 20TH/21ST CENTURY) Prancing stallion Signed, edition of 9, bronze, mid brown patination, 70cm high

£3,000 - 5,000 €3,900 - 6,500

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19 21 A LINTHORPE POTTERY VASE A LINTHORPE POTTERY JUG Designed by Christopher Dresser With a loop handle in a brown glaze, impressed maker’s name, Of squat form having a looped handle, in dripped brown and green, probably Christopher Dresser, 21cm, facsimile signature, £400 - 600 £500 - 600 €520 - 790 €650 - 790 22 20 A LINTHORPE POTTERY VASE A LINTHORPE POTTERY VASE, Designed by Christopher Dresser Of Peruvian influence designed by Christopher Dresser, With two protrusions united by a handle, in a streaked green incised with a mask and having a loop handle, and brown glaze, 17.5cm high, facsimile signature, in dripped green over brown, 16cm high £800 - 1,000 £1,000 - 1,500 €1,000 - 1,300 €1,300 - 2,000

14 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 15 23 A LINTHORPE VASE Designed by Christopher Dresser Of conical form in a yellow glaze, 16cm high, an Ault jug attributed to Christopher Dresser in yellow, 24cm, and another vase by Linthorpe and Christopher Dresser in an olive green glaze, 20.5cm high, (3)

£600 - 800 €790 - 1,000

24 A LARGE LINTHORPE JARDINIÈRE Designed by Christopher Dresser Having triple loop handles in a green glaze, 45cm high, facsimilie signature, together with a twin-handled Linthorpe jardinière in a yellow glaze, 26cm high, (2)

£500 - 700 €650 - 920

25 A DECORATIVE OLD HALL EWER With floral pattern, 43cm high, a footed Minton vase with gilded detail on a pink ground, 15.5cm high, and a decorative potpourri and lid with ‘Thomas Goode’ label, (3)

£600 - 800 €790 - 1,000

16 | BONHAMS 26 A RED GLAZED POTTERY VASE Designed by Christopher Dresser 21cm high, together with a squat vase attributed to Dresser for Linthorpe, 13cm diam, a bulbous vase with streaked glaze, 19cm high, and a Linthorpe coffee pot and lid, 25cm high, (4)

£400 - 500 €520 - 650

27 A WATCOMBE TERRACOTTA FIGURAL EWER AND LID Together with a Watcombe aesthetic teapot and lid and a Walkers patent tobacco jar and lid, ewer 30cm high (3)

£600 - 800 €790 - 1,000

28 A LINTHORPE POTTERY VASE with coiling modelled dragon in relief, 46.5cm high, together with a Minton vase, with Chinese dragon in relief on a terracotta coloured ground, 35cm high, (2)

£800 - 1,000 €1,000 - 1,300

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 17 29 A FIVE TILE PANEL Attributed to A.W.N Pugin for Minton Fashioned as pairs of birds amid foliate forms, in yellow and brown on a black ground, framed, each time 15cm square,

£800 - 1,000 €1,000 - 1,300

30 A SET OF TWENTY MINTON & HOLLINS BORDER TILES Designed by Christopher Dresser, each with twin arches enclosing plan forms, in brown and yellow, 15.5cm square,

£4,500 - 5,000 €5,900 - 6,500

31 A PAINTED PORCELAIN PANEL With architectural decoration by William Skinner, framed and glazed,

£300 - 400 €390 - 520

32 ILLUMINATED MANUSCRIPT INITIAL Large decorative initial “P” cut from a Choir book, manuscript on vellum, the intial in white with red embellishments against a blue background, a male face in profile in the centre, mounted, framed and glazed, the initial approximately 230 x 80mm., [Italian, fourteenth century]

£300 - 400 €390 - 520

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THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 19 33 ISIDORE JULES BONHEUR (FRENCH, 1827-1901) A bronze model of a pacing bull On oval naturalistic base, signed within the cast I BONHEUR and stamped PEYROL to the rear, dark brown patina 34cm high, 59cm wide approximately

£3,000 - 4,000 €3,900 - 5,200

As a regular Salon exhibitor, Bonheur modelled a great number of animalier sculptures. Of these these, the bull was perhaps one of the most frequently reccuring subjects and he exhibited no less than ten models of cattle over the years. Many models were cast by Bonheur’s brother-in-law Hippolyte Peyrol and demonstrated the fine 33 chasing and finish associated with this premier Parisian foundry.

34 PIERE JULES MÊNE (FRENCH, 1810-1879) A bronze Model of an Arab Stallion Cheval Libre The stallion with front leg raised and mouth open, on a naturalistic oval base, dark brown patination, signed P.J. MENE, 30.5cm high

£2,000 - 3,000 €2,600 - 3,900

The model of this horse was also used in Mêne’s larger composition known as L’Accolade which depicts two Arab horses. L’Accolade was first exhibited in wax at the 1852 Paris Salon under the title ‘Tachiani et Nedjibi, chevaux arabes (no. 1479)’.

35 NICOLA TOMS (SOUTH AFRICAN, BORN 1969) Toro II On a rectangular base, signed Nicola Toms and numbered 7/9, bronze, mid brown patination, 50cm length

34 £2,000 - 3,000 €2,600 - 3,900

20 | BONHAMS 36 ISIDORE JULES BONHEUR (FRENCH, 1827-1901) A bronze model of a standing bull On oval naturalistic base, signed with the cast I BONHEUR, the rear stamped PEYROL, 38.5cm high, 58cm wide

£2,000 - 3,000 €2,600 - 3,900

As a regular Salon exhibitor, Bonheur modelled a great number of animalier sculptures. Of these these, the bull was perhaps one of the most frequently reccuring subjects and he exhibited no less than ten models of cattle over the years. Many models were cast by Bonheur’s brother-in-law Hippolyte Peyrol and demonstrated the fine chasing and finish associated with this premier Parisian foundry. 36

37 PIERRE JULES MÊNE (FRENCH, 1810-1879) A bronze model of two Whippets playing with a ball Deux levrettes (Jiji et Giselle) The two dogs raised on an oval base designed as a carpet, signed P.J. MÊNE, mid brown patination, 15.5cm high

£1,200 - 1,800 €1,600 - 2,400

Originally modelled in 1846, Mêne exhibited this model along with four others at the Salon of 1848 and it is part of a series of pet dogs. The present bronze was designed as a pendant to the group depicting a Whippet with a King Charles Spaniel (lot 220). The group is known in his catalogue as Deux levrettes (Jiji et Giselle) which were the names of the dogs that he modelled the piece on.

Literature M. Poletti & A. Richarme, Pierre Jules Mêne, Catalogue Raisonné, Univers de Bronze, Paris, page 128. 37 38 NICOLA TOMS (SOUTH AFRICAN, BORN 1969) Going Home Signed Nicola Toms and numbered 5/9, bronze, mid brown patination, 60cm wide

£2,000 - 3,000 €2,600 - 3,900

Provenance Purchased direct from the artist by the present owner

Sold together with a sketch of the subject signed and dated April 2012.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 21 39

39 43 TWO PAIRS OF VICTORIAN BRASS CANDLESTICKS A PAIR OF BIRMINGHAM GUILD OF HANDICRAFT The pierced coronet drip pans above twisted columns, the collars HAMMERED COPPER JARDINIÈRES mounted with coloured and clear cabichions on circular spreading Designed by Arthur Stansfield Dixon bases, 27cm and 23cm high (4) With applied brass handles, stamped to the base B.G.H, 19cm high (2)

£600 - 800 £400 - 600 €790 - 1,000 €520 - 790

40 Provenance TWO EARLY 20TH CENTURY Paul Reeves London COPPER AND BRASS TABLE LIGHTS Made by W.A.S Benson Literature One of typical oil lamp form, the other modelled as a lamp, Alan Crawford (Ed.) By Hammer and Hand The Arts and Crafts 18cm and 22cm wide (2) Movement in Birmingham, Birmingham Museum & Art Gallery, 1984, page 99 plate 77 for a smaller version £300 - 400 €390 - 520 44 AN ARTS AND CRAFTS COPPER INKWELL 41 Designed by C.F.A Voysey A LARGE PAIR OF LATE 19TH CENTURY With two hinged domed lids, (lacking glass liners) GILT BRASS PRICKET CANDLESTICKS stamped to the underside, CB 672, With removable drip pans above a turned column, the base decoarted with vine leaves on claw feet, 53cm high (2) £300 - 400 €390 - 520 £800 - 1,000 €1,000 - 1,300 Provenance Paul Reeves London 42 A PAIR OF VICTORIAN BRASS AND 45 POLYCHROME DECORATED CANDLESTICKS A PAIR OF BRASS CANDLESTICKS The pierced coronet drip pans above twisted columns, the collars MADE BY JOHN HARDMAN & CO mounted with black cabichions on circular spredaing bases, Designed by Edward Welby Pugin 28cm high (2) The pierced foliate stem monogrammed with the initials CR on a circular tapering foot, £800 - 1,000 38cm high €1,000 - 1,300 £400 - 600 €520 - 790

Literature John Hardman & Co 1875 catalogue, this design can be seen illustrated.

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THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 23 (© copyright Westminster City archives)

(Drawing from Gillows estimate sketchbooks)

46 A VICTORIAN AESTHETIC EBONISED AND PARCEL GILT SOFA In the manner of Gillows The upholstered top above an arcaded back with turned spindle supports on turned legs and castors, the castors stamped with a patent kite mark, 190cm wide x 75cm deep x 69cm high, (74 1/2in wide x 29 1/2in deep x 27in high)

£700 - 1,000 €920 - 1,300

A comparable design for this sofa with spindle baluster back is illustrated in Gillows estimate sketch books, 1884. See illustration. 47 47 A PAIR OF VICTORIAN MAHOGANY TUB SHAPED LIBRARY ARMCHAIRS In the manner of E. W. Godwin In the Japanese taste, the upholstered top above a fret cut and divided back on turned reeded front legs, 63cm wide x 62cm deep x 83cm high, (24 1/2in wide x 24in deep x 32 1/2in high) (2)

£1,000 - 1,500 €1,300 - 2,000

Provenance Paul Reeves London

48 A PAIR OF VICTORIAN AESTHETIC OAK SIDE CHAIRS AND A VICTORIAN GOTHIC REVIVAL OAK SIDE CHAIR The side chairs with turned and twisted reeded uprights, one Gothic revival side chair labelled to underside MILLAR & BEATTY Ltd HOUSE FURNISHERS GRAFTON STREET DUBLIN, 51cm wide (3)

£500 - 700 48 €650 - 920

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(Drawing from Gillows estimate sketchbooks)

49 A VICTORIAN AESTHETIC EBONISED AND PARCEL GILT SOFA Made by Gillows The upholstered back and seat with fluted frame and uprights headed by paterae on turned legs and sunken castors, stamped GILLOW to back leg, 197cm wide x 78cm deep x 71cm high, (77 1/2in wide x 30 1/2in deep x 27 1/2in high)

£1,000 - 1,500 €1,300 - 2,000

The design for this sofa appears in Gillows estimate sketch books, 1878. See illustration.

50 A PAIR OF VICTORIAN GOTHIC REVIVAL CORNER ARMCHAIRS 50 Possibly designed by Christopher Dresser for the Art Furnishers Alliance The moulded and fluted frame with spindle balustrade back on fluted and dog tooth carved square legs and tapering feet, 70cm wide x 66cm deep x 97cm high, (27 1/2in wide x 25 1/2in deep x 38in high)

£1,500 - 2,500 €2,000 - 3,300

Provenance Paul Reeves London

51 THREE VICTORIAN GOTHIC REVIVAL BEDSIDE CUPBOARDS One oak, one walnut and one pine all decorated with stylised motifs, the pedestal cupboard measurements, 38cm wide x 32cm deep x 76cm high, (14 1/2in wide x 12 1/2in deep x 29 1/2in high) (3)

£600 - 1,000 €790 - 1,300 51

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | At 25 La Scala 52 W A VICTORIAN GOTHIC REVIVAL OAK DAVENPORT In 1840 great changes were made at Stratford-on-Avon Church at a Made from oak removed from Stratford-On-Avon Church cost of £4,000 which included the removal of fifteenth-century high The pierced three quarter gallery carved with quatrefoils and finilas pews which would have been in the church during Shakespeare’s to the corners above a black tooled leather writing surface with a lifetime. Stylistically the desk dates from the 1840s. The tradition for the inside inscribed in Gothic script ‘SHAKESPEAREAN OAK FROM making Shakespearian relics from the mulberry tree in the garden of STRATFORD CHURCH’, above panelled sides, one side fitted with New Place and was chopped down in 1758 continued into the 1860s four drawers. (Halliwell-Phillipps). Wood from the parish church where Shakespeare was buried was clearly par for the course as well. Included with the desk is a Hand tinted lithograph of the Chancel of Stratford church showing Shakespeare’s monument and tombstone Provenance to the upper left, ‘drawn from Nature & on Stone by J[ohn] Barnard’ Malletts; Colin Franklin; Halliday’s. (1812-1863), and published by C. Elston of Leamington, with M. & N. Hanhart named as the lithographic printers, framed and glazed, size of References image 11 x 8 inches (29 x 20 cm), overall size, 20 x 16 inches (50 x 40 J. Hartley Bloom, Shakespeare’s Church, 1902; Harold Baker, cm), (exhibited in Faces and Places in Literature, Cheltenham Literary The Collegiate Church of Stratford-on-Avon, 1902; J.O. Festival, 1982), not dated (but mid nineteenth century - 1840 and Halliwell[-Phillipps], An Historical Account of New Place, 1864. noted as such when sold by Christopher Wood at Malletts) 86cm wide x 82cm deep x 133cm high, (33 1/2in wide x 32in deep x 52in high)

£2,500 - 3,500 €3,300 - 4,600

26 | BONHAMS (© copyright Westminster City archives) 53 A VICTORIAN GOTHIC REVIVAL CHAMBER TABLE Made by Gillows after a design by A.W.N. Pugin, The rectangular top with tooled leather writing surface and stationary compartment to the back above a pair of frieze drawers on turned supports united by an H-frame support, stamped GILLOWS LANCASTER, 107cm wide x 61cm deep x 74cm high, (42in wide x 24in deep x 29in high)

£2,000 - 3,000 €2,600 - 3,900

The design to this table relates to A.W.N. Pugin’s New Place table

A comparable but later design for a dressing table is illustrated in Gillows estimate sketch books, 1882. See illustration.

A closely related table was sold from the Estate of Miss Edith Marjorie Graves-Knyfton, Uphill Manor, Weston-super-Mare, Greenslade Hunt Fine Art Auctioneers, 11 December 1992, lot 771 and Christies Fine English Furniture Sale, 9 March 2000, London, King Street lot 95. (Drawing from Gillows estimate sketchbooks)

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 27 54

54 59 W.B. SIMPSON & SONS, AN AULT YELLOW-GLAZED VESSEL A PAIR OF LARGE HAND-PAINTED WALL TILES Modelled as an elephant, 27.5cm high, together with a yellow vase Each depicting revellers at a Medieval banquet, makers marks, with fish decoration, a pottery jug and a studio pottery vase, (4) 37cm x 23cm, framed, (2) £400 - 500 £600 - 800 €520 - 650 €790 - 1,000 60 55 A MINTON VASE A WORCESTER AESTHETIC MOVEMENT Attributed to Christopher Dresser, with twin down handles, TWIN-HANDLED VASE decorated in a band of green and white Cloisonné on a pink ground, With gilded floral and geometric decoration 37.5cm high, 27.5cm high, obscured mark to the base, maker’s marks cm high £800 - 1,200 £1,000 - 1,500 €1,000 - 1,600 €1,300 - 2,000 To be sold without reserve

56 A PAIR OF MINTON CLOISONNÉ VASES Raised on four gilded feet, in enamelled floral decoration, 14.5cm high, maker’s marks, (2)

£800 - 1,200 €1,000 - 1,600

57 AN AULT POTTERY PEACOCK VASE Designed by Christopher Dresser with peacock in relief, 42cm high, and a Brownfield aesthetic jug by Dresser with gilded cranes in relief, 17cm high, (2)

£1,000 - 1,500 €1,300 - 2,000

58 A MINTON CLOISONNÉ VASE Attributed to Christopher Dresser With enamelled motifs, 19cm high, and a Minton vase with leaves and gilded lattice-work, 19.5cm, (2)

£700 - 900 €920 - 1,200

28 | BONHAMS 55 56

57 58

59 60

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 29 61 63

62 64

61 63 A LATE VICTORIAN ELECTROPLATED A 19TH CENTURY ELECTROPLATED SOUP TUREEN SUGAR BASKET AND SPOON AND COVER DESIGNED BY DR CHRISTOPHER By Hukin and Heath and after a design by Dr Christopher Dresser, by Elkington & Co., 1884 circa 1870 Circular form with moulded rim and angular handles, raised on three of ovoid form with fixed handle, underneath the fold-over top a loop simple splayed feet, and having a separate flat cover engraved with a to secure the shovel-shaped spoon, together with a sugar bowl by crest, height 23cm, diameter 33cm. Hukin & Heath, of plain form with moulded band and raised on three angular feet £1,500 - 2,000 (2) €2,000 - 2,600

£800 - 1,000 The crest is that of DAVIES of London and Shropshire. €1,000 - 1,300 64 62 THE SWINEY PRIZE: TWO ELECTOPLATED CHOCOLATE POTS AN ARTIFICERS GUILD SILVER CUP AND COVER By W.A.S. Benson & Co., Designed by Edward Spencer, London 1928 squat bulbous form, with ebony handles, the domed covers on domed foot, supporting faceted, the domed cover with applied having “tear-drop” finials, one ivory the other ebony, height 15cm. (2) foliate frieze and surmounted with justice figural finial, height 35cm.

£300 - 500 £1,500 - 2,500 €390 - 650 €2,000 - 3,300

The cup was designed by Edward Spencer for £75. Two drawings for the cup are in the Goldsmith’s Company collection (one illustrated by Thompson).

Literature Apollo 1995 The Swiney Prize 150 Years of Goldsmith’s Work.

30 | BONHAMS 65 67

66 68

65 67 A STYLISH ARTS & CRAFTS HAND WROUGHT SILVER TEAPOT A STYLISH ARTS AND CRAFTS late 19th/early 20th century SMALL SILVER TEAPOT OR MILK JUG Globular form with a finely hand chased band in the Dr Christopher Maker’s mark CW over ANK, first maker unidentified, the second being Dresser manner depicting four animals emblematic of sight, hearing, Arthur Neville Kirk, London 1928 engraved to base ‘A N Kirk me fecit’ taste and smell amongst scrolling foliage, handle chased with over- Gentle globular form with rope-twist border, the short nexk lightly flat lapping lotus leaves and having ivory insulators, cover die-stamped chased/engraved with pendent flowerheads, wood handle and finial. with a continuous band of “pinched” motifs and ivory button grip, height 16cm. £300 - 500 €390 - 650 £300 - 400 €390 - 520 68 Y Ф TWO STYLISH SILVER ART DECO CAFE AU LAIT POTS 66 One maker’s mark unrecorded, CW over ANK, the second of maker’s AN EDWARDIAN SILVER-GILT BEAKER AND mark is for Arthur Neville Kirk and also stamped on foot ARTHUR COVER IN THE 15TH CENTURY GERMAN STYLE NEVILLE KIRK, London 1922 the other pot maker’s mark distorted or By J. B. Carrington, London 1900 possibly overstruck, London 1923 The flared beaker embossed with a band of trailing roses between The tapering bodies with spot-hammered decoration and fine borders bands of “coronet” motifs capped with fleur de lys, the band is and continuous die-stamped motifs, each pot having an angular applied with three enamelled shield-shaped cartouches depicting handle, one ebony for coffee and other ivory for hot milk , height 20cm. facsimile armorials, the separate cover with similar decoration and the (2) respective crests for coat of arms, applied with a calyx wrapped ball finial, rope-twist borders throughout, height 18cm.

£600 - 800 €790 - 1,000

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 31 69

70 72

69 71 AR A LATE 19TH BRONZE MODEL OF A BEAR NICK BIBBY (BRITISH, BORN 1960) The beast lying on his tummy, the underside hollow, Seated Bear dark brown patination, 17cm wide Signed and dated Bibby 93, foundry mark, edition 4/12, bronze, dark brown patination 23cm high £400 - 600 €520 - 790 £800 - 1,200 €1,000 - 1,600 70 NICK BIBBY (BRITISH, BORN 1960) 72 Bloodhound - Trailfinder Fortitude NICOLA TOMS (SOUTH AFRICAN, BORN 1969) Bronze, signed, no. 2/12, height 20 cm Cheetah On a circular base, signed Nicola Toms and numbered 22/25, bronze, mid brown patination, £800 - 1,200 15.5cm high €1,000 - 1,600

£600 - 800 Provenance €790 - 1,000 With Sladmore Contemporary, London, where purchased by the present owner

32 | BONHAMS 75 73

74 76

73 75 19TH CENTURY AUSTRIAN SCHOOL A BRONZE LIFE-CAST OF A CRAB Frog probably 19th century Cold painted bronze Dark brown patination, 16cm wide width 9 cm £400 - 600 £300 - 500 €520 - 790 €390 - 650 76 AR 74 IAN GREENSITT (BORN 1971) ANTOINE-LOUIS BARYE (FRENCH, 1796-1875) Standing Roe Deer Elephant Signed I.Greensitt, edition 9/25, bronze, red and green patination, Bronze, modelled with foreleg on rocky outcrop 22cm high and with curled trunk, height 26 cm £600 - 800 €790 - 1,000 £1,000 - 1,500 €1,300 - 2,000 Provenance Purchased from The Jerram Gallery by the present owner.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 33 77 TWO FRAMED WILLIAM DE MORGAN FLORAL TILES Together with a companion tile depicting two heraldic beasts, 15cm square, (3)

£500 - 600 €650 - 790

78 A SET OF SEVEN DECORATIVE MINTON TILES In the style of A.W.N. Pugin Each with stylised flora in a green, white and red palette six of them framed, 15.5cm and 20cm square, (7)

£400 - 500 €520 - 650

79 A SET OF FOUR PICTORAL TILE PANELS WITH MAIDENS Three depicting the seasons and one with maiden in white robes, 14cm x 29cm and 22cm x 26cm, framed (4)

£400 - 500 €520 - 650

34 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 35 80 81

80 83 A VICTORIAN THREE PANEL PAINTED AND GILT SCREEN A VICTORIAN AESTHETIC MAHOGANY BOOKCASE In the manner of Walter Crane The design by Philip Webb for William Morris The panels decorated with putti, monkeys, insects and birds amongst The three quarter pieced fret carved gallery above five shelves with canted flowering foliage the reverse decorated with fruit bearing foliage, each squared supports surmounted by turned and ball finials, 71cm wide x panel, 69cm wide, 176cm high, 31cm deep x 114cm high, (27 1/2in wide x 12in deep x 44 1/2in high)

£500 - 700 £1,500 - 2,000 €650 - 920 €2,000 - 2,600

81 Provenance A VICTORIAN EBONISED WHATNOT Paul Reeves London In the manner of E.W. Godwin With four shelves and turned supports on brass caps and castors, A whatnot with conforming pierced gallery and turned ball finials 61cm wide x 35cm deep x 117cm high, (24in wide x 13 1/2in deep is illustrated in The Cabinet Maker and Art Furnisher, Vol 4, 1884 x 46in high) A similar bookcase or whatnot was offered for sale in Sotheby’s, £1,000 - 1,500 London, The Best of British, Design from the 19th and 20th centuries, €1,300 - 2,000 The Selling Exhibition, 14-20 March, item number PR70. This example has the parallel pierced three quarter gallery and turned finials. A whatnot attributed to E.W. Godwin with comparable ring turned supports is illustrated in Susan Weber Soros, 84 The Secular Furniture of E.W. Godwin, Yale, page 242, pl. 402 A VICTORIAN AESTHETIC MAHOGANY SIDE CABINET In the manner of George Freeth Roper The ogee moulded cornice above an arrangement of drawers, niches 82 and cupboards with fielded panelled fronts and brass handles on a A VICTORIAN AESTHETIC MAHOGANY SIDE CABINET plinth base, 97cm wide x 37cm deep x 173cm high, (38in wide x 14 In the manner of E.W. Godwin in the Anglo-Japanese style 1/2in deep x 68in high) With a shelf above a pair of panelled doors painted to the inside with flowering branches with moulded supports on ring-turned legs 71cm wide x 31cm deep x 134cm high, (27 1/2in wide x 12in deep x 52 £2,000 - 3,000 1/2in high) €2,600 - 3,900

£3,000 - 4,000 85 €3,900 - 5,200 A VICTORIAN AESTHETIC EBONISED AND SATIN BIRCH MUSIC CABINET The three quarter spindle balustrade above a pair of panelled doors enclosing slides above three horizontal compartments, 53cm wide x 38cm deep x 12cm high, (20 1/2in wide x 14 1/2in deep x 4 1/2in high)

£800 - 1,200 €1,000 - 1,600

36 | BONHAMS 83

84 85

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 37 86 (two from a lot of nineteen) 88 (one from a lot of eight)

87 (one from a lot of two) 89 (one from a lot of eight)

86 88 AN ASSORTMENT OF NINETEEN FOUR MINTON TILES LATE 19TH CENTURY ENCAUSTIC TILES With pairs of white-glazed birds, attributed to A.W.N. Pugin, With floral and numeric designs, ranging from 11cm to 20cm square, (19) 14.5cm square, together with a framed four tile panel, (8)

£400 - 500 £800 - 1,000 €520 - 650 €1,000 - 1,300

87 89 A FRAMED PAIR OF TILES WITH A SELECTION OF EIGHT FIGURAL FRAMED DECORATED TILES RUBY LUSTRE ANIMAL DESIGNS Including five by John Moyr Smith, sizes from 15cm to 20cm square, (8) Possibly Maw & Co, one depicting a hound and the companion a dragon, 14.5cm square, (2) £400 - 500 €520 - 650 £600 - 800 €790 - 1,000

38 | BONHAMS 90 (one from a lot of nineteen) 92 (one from a lot of eight)

91 (one from a lot of eleven) 92

90 92 THREE MINTON AESTHETIC LARGE SIZE WALL TILES A SELECTION OF EIGHT DECORATIVE FRAMED TILES Together with six tiles decorated with fish, three Minton tiles with 15cm to 20cm square, (8) stylised cranes, a floral Minton tile and six decorative Minton encaustic tiles, 20cm and 15cm square, (19) £400 - 500 €520 - 650 £400 - 500 €520 - 650 93 A J. C EDWARDS PICTORAL TILE 91 Decorated in relief with a caricature of C.F.A. Voysey, in a red glaze, SIX FRAMED DECORATIVE TILES 15.5cm square, With bird and floral motifs, together with a framed set of four 13cm floral tiles and a 20cm framed tile with peacock motif, (11) £600 - 800 €790 - 1,000 £400 - 500 €520 - 650

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 39 94 AN IMPORTANT VICTORIAN AESTHETIC ROSEWOOD WHATNOT The design by Philip Webb for William Morris With an arrangement of seven shelves divided by turned spindles and panelled sides with turned supports surmounted by ball finials, 45cm wide x 31cm deep x 150cm high, (17 1/2in wide x 12in deep x 59in high)

£4,000 - 6,000 €5,200 - 7,800

Provenance Paul Reeves London

A very similar mahogany whatnot made by Philip Webb for Morris & Co was offered for sale in the joint Paul Reeves and Sotheby’s selling exhibition, The Best of British, Design from the 19th and 20th centuries 14-20 March 2008, item PR69

A comparable whatnot or even of the same design can be seen in an circa 1882 photograph of the Morris & Co. shop window at 449 Oxford Street, and similar ones were used for many of the firm’s commissions (Gerald Crow, William Morris, Designer, New York, 1934, p. 73)

The photograph is held by The William Morris Gallery, Walthamstow and also features in William Morris, edited by Linda Parry, published by Philip Wilson, 1996 plate 17. On page 175 plate j.23 there is a whatnot or music stand photographed which was designed by Webb and manufactured by Morris and Co circa 1864 with very similar turned and ball finials as seen in this lot. Linda Parry refers to the whatnot photographed in the shop window at Morris and Co as an example of the more conventional and domestic furniture which Webb designed for Morris and Co in the 1860’s.

40 | BONHAMS (© copyright William Morris Gallery) THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 41 (© copyright Westminster City archives)

(Drawing from Gillows estimate sketchbooks)

95 A VICTORIAN GOTHIC REVIVAL CARVED OAK AND GILT HIGHLIGHTED TALL CABINET Made by Gillows The frieze drawer above a panelled door enclosing adjustable shelves flanked by turned columns, stamped GILLOWS LANCASTER L 136, 72cm wide x 44cm deep x 133cm high, (28in wide x 17in deep x 52in high)

£2,000 - 3,000 €2,600 - 3,900

A bookcase with central panelled door which match the design to this cabinet including the oversized hinges can be found in Gillows estimate sketchbooks, 1885. See illustration.

42 | BONHAMS (© copyright Westminster City archives) 96 A VICTORIAN AESTHETIC WALNUT LIBRARY TABLE Attributed to Bruce J. Talbert for Gillows The rectangular top above two drawers on turned and carved legs with a central arcaded turned supports, stamped to the drawer, L 2724, 152cm wide x 75cm deep x 77cm high, (59 1/2in wide x 29 1/2in deep x 30in high)

£1,500 - 2,500 €2,000 - 3,300

The design for this table is illustrated in Gillows estimate sketch books listed as a walnut table made in 1874. See illustration.

(Drawing from Gillows estimate sketchbooks)

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 43 97

97 99 AFTER THE ANTIQUE AFTER THE ANTIQUE A late 19th century bronze figure of The Dying Gaul A large 19th century bronze figural group of The Laocoön On oval base, dark brown patination, 29cm high, 54cm wide On stepped rectangular base, dark brown patination, 85cm high, 65cm wide

£1,500 - 2,000 £7,000 - 10,000 €2,000 - 2,600 €9,200 - 13,000

98 The Laocoön group was excavated in Rome in 1506, and its powerful ERNST MORITZ GEYGER (GERMAN, 1861-1941) and dramatic composition had a profound influence on the Renaissance A bronze figure of The Archer sculptors of the day including Michelangelo. It depicts Laocoon and his The standing naked figure wearing a helmet, drawing a bow, sons being ferociously attacked by a monstrous sea serpent, an episode raised on a naturalistically cast base, signed E.M. GEYGER FEC with from the Trojan wars. Pope Julius II bought the 1st century AD piece foundry inscription AKt Ges: Gladenbeck Berlin, dark brown patination, soon after it was discovered and summoned his architect Giuliano de 38cm high Sangallo to inspect it. Sangallo instantly recognised it as the lost work from the Palace of Titus, described by Pliny the Elder who had attributed £2,000 - 3,000 it to the Rhodian sculptors Agesander, Athenodoros, and Polydorus. €2,600 - 3,900 Literature F. Haskell & N. Penny, Taste and the Antique, Yale University Press, Geyger began work on the figure of The Archer in 1895. A four metre London, 1981, page 243-247. high model was submitted to the Grosse Berliner Kunstaustellung in 1900, which was made of beaten copper. The Kaiser bought the piece and installed it in Sanssouci. The Archer was edited in three different 100 sizes and proved very popular for the Gladenbeck foundry in Berlin. FRANCISQUE JOSEPH DURET (FRENCH, 1804–1865) Neapolitan Fisher Dancing the Tarantella & The Tambourine Player Bronze, cast by P.M. Delafontaine, mid 19th century, height 46 cm. (2)

£1,500 - 2,000 €2,000 - 2,600

101 AFTER MICHELANGELO (ITALIAN, 1475–1564) A late 19th century bronze figure of Moses Cast by Barbedienne The seated figure holding a book and looking to dexter, mid brown patination, inscribed F. BARBEDIENNE FONDEUR, and Collas Reduction Mechanique stamp, 24cm high

£500 - 700 €650 - 920

44 | BONHAMS 98 99

100 101

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 45 102 103

102 105 A VICTORIAN GOTHIC REVIVAL A LATE 19TH CENTURY WALNUT STAINED AND CARVED OAK AND INLAID DRESSING MIRROR CERAMIC INSET MANTEL IN THE AESTHETIC TASTE Made by Holland & Sons, in the manner of Charles Bevan The case probabaly designed by Louis F. Day (British, 1845-1910), The shaped rectangular plate within a dog tooth carved frame, the movement signed Lourdel stamped HOLLAND & SONS, 68cm wide x 36cm deep x 82cm high, The architectural case with galleried Mansard roof, the front with inset (26 1/2in wide x 14in deep x 32in high) brown printed and blue and ochre painted floral vase panels framing a corresponding floral medallion 5.5” dial with Arabic numerals on turned £700 - 1,000 peg feet, the brass twin train movement with backplate stamped G.V, €920 - 1,300 striking on a gong with pendulum, 49cm high

103 £1,000 - 1,500 A VICTORIAN GOTHIC REVIVAL OAK DRESSING MIRROR €1,300 - 2,000 The pointed arched mirror plate within a moulded frame above a brass hinged compartment, 63cm wide x 31cm deep x 76cm high, 106 (24 1/2in wide x 12in deep x 29 1/2in high) A MID 19TH CENTURY PATINATED BRONZE MANTEL CLOCK IN THE GOTHIC TASTE £400 - 600 The dial signed Josiah Wilson, Chichester €520 - 790 The rectangular case with crocketed ogee arch and trefoil tracery decoration below a castellated cornice centred by a floriate finial, the arched sides with similar finials, on rectangular base and scroll feet, the 5” signed silvered dial 104 with Roman numerals, the brass twin fusee movement striking on bell, with A MID 19TH CENTURY ROSEWOOD AND BRASS winder, case key and pendulum. 40cm high approximately INLAID BRACKET CLOCK IN THE GOTHIC TASTE WITH PULL REPEAT AND MATCHING BRACKET The dial signed N. Hart & Son, 77 Cornhill, London £400 - 600 The rectangular pointed arch case flanked by cluster columns €520 - 790 surmount with crocket finials, on moulded angled plinth base and bun feet, the cusped arched glazed door enclosing a 4 1/4 signed silvered 107 door with subsidiary strike silent dial, the brass twin train movement AN EARLY 19TH CENTURY BRASS MOUNTED with engraved signed backplate striking on a bell together with a a AND INLAID EBONY MANTEL TIMEPIECE matching bracket, lacking case key, winder or pendulum, the clock, The pointed arched rectangular case with quoin mounts to the sides 36cm high, the bracket, 14.5cm high (2) and carnation and foliate decoration to the front, the 3 1/4” enamel dial with Roman numerals set within a guilloche bezel, on bun feet, £800 - 1,200 the brass single train movement with engraved canted rectangular €1,000 - 1,600 backplate, and pendulum and case case, 23.5cm high

£300 - 500 €390 - 650 46 | BONHAMS 104 105

106 107

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 47 108 NICOLA TOMS (SOUTH AFRICAN, BORN 1969) Merrythought Resting Signed Nicola Toms and numbered 7/9, bronze, mid brown patination, 34cm wide

£1,000 - 1,500 €1,300 - 2,000

Provenance Purchased direct from the artist by the present owner

108

109 AR NICK BIBBY (BRITISH, BORN 1960) Stag On a rectangular black marble base, signed Bibby and numbered 2/12, bronze, red brown patination the bronze 32cm high

£1,200 - 1,800 €1,600 - 2,400

109

110 AR NICK BIBBY (BRITISH, BORN 1960) Traditional Hereford Bull (Street Talbot) numbered 3/12, bronze 48cm high

£2,000 - 3,000 €2,600 - 3,900

Provenance With Sladmore, London, 110 where purchased by the present owner

48 | BONHAMS 111 NICOLA TOMS (SOUTH AFRICAN, BORN 1969) Tiny Trumpeter Frolics II, On a rectangular base, signed Nicola Toms and numbered 3/9, bronze, mid brown patination, 42cm length

£2,000 - 3,000 €2,600 - 3,900

Provenance Purchased direct from the artist by the present owner

111

112 AR NICK BIBBY (BRITISH, BORN 1960) Shire Mare (Grange Farm Lady Fiona) Signed Bibby and numbered 1/2, bronze, mid brown patination 28.5cm high, including base

£1,200 - 1,800 €1,600 - 2,400

Provenance With Sladmore, London, where purchased by the present owner

112

113 AR SOPHIE DICKENS (BORN 1966) Stylized lion Signed with initials SD and numbered 1/9, bronze, red brown patination 36cm wide

£600 - 800 €790 - 1,000

113

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 49 114

114 AR MARK RUDOLF CORETH (BRITISH, BORN 1958) Small Running Cheetah On green rectangular marble base, signed M.Coreth and numbered 7/10, bronze, mid brown patination 11.5cm high and 25cm wide, including base

£2,000 - 3,000 €2,600 - 3,900

Provenance Sladmore Contemporary, London where purchased by the present owner

115 AR MARK RUDOLF CORETH (BRITISH, BORN 1958) Lioness bust Signed M.Coreth, edition 1/9, bronze, mid brown patination 33cm high including base

£2,000 - 3,000 €2,600 - 3,900

Provenance With Sladmore Contemporary, London

115

50 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 51 116 AR DAME ELISABETH FRINK R.A. (BRITISH, 1930-1993) Baboon signed Frink , edition 6/9, executed in 1976, bronze, mid brown patination 20cm high

£20,000 - 30,000 €26,000 - 39,000

Provenance Sotheby’s, London, 26 November 1997, lot 108

Literature B. Robertson, Elisabeth Frink Sculpture Catalogue Raisonné, Harpvale Books, 1984, p. 186, no. 227

Annette Ratuszniak (ed.), Elisabeth Frink; Catalogue Raisonné of Sculpture 1947-93, Lund Humphries, Farnham, 2013, p. 132, no. FCR256, another cast illustrated.

Frink first sculpted a baboon after being commissioned by the Zoological Society of London to produce one in 1976 and she revisited the theme in the 1980s. The first baboon of 1976 is much more cautious in its treatment of form, standing still and observing, weighted to the ground. The baboons of the 1980s differ from her earlier foray into the subject and demonstrate a looser style and technique.

52 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 53 117 118 119

117 120 A LATE VICTORIAN ARTS AND CRAFTS A LARGE VICTORIAN GOTHIC REVIVAL BRASS TELESCOPIC STANDARD LAMP CARVED OAK LECTERN OR READING STAND Made by W.A.S. Benson The pierced support flanked by columns on a stepped base, 93cm With central column supported by three scrolls on a tripartite base, wide x 55cm deep x 120cm high, (36 1/2in wide x 21 1/2in deep x stamped PATENT, 38cm wide, 38cm deep, 156cm high 47in high) (14 1/2in wide, 14 1/2in deep, 61in high) £600 - 1,000 £400 - 600 €790 - 1,300 €520 - 790 121 This particular model was illustrated in The W.A.S. Benson catalogue, A LARGE VICTORIAN GOTHIC REVIVAL circa 1900 No 1256/8 STAINED PINE TORCHERE STAND The octagonal base above a cluster column turned and carved Several examples of standard lamps made by W.A.S. Benson were support, 60cm wide x 61cm deep x 108cm high, (23 1/2in wide x 24in offered for sale in Sotheby’s, London, The Best of British, deep x 42 1/2in high) Design from the 19th and 20th Centuries, The Selling Exhibition 14-20 March 2008, item PR85-PR87. £500 - 700 €650 - 920 118 A PAIR OF LATE 19TH CENTURY 122 BRASS TELESCOPIC LAMP STANDS A VICTORIAN GOTHIC REVIVAL CARVED OAK READING STAND With adjustable column and pierced foliate scrolled spandrels on a With adjustable book stand on a telescopic support, 40cm wide x pierced based and lion paw feet, stamped ‘Patent’ to the releasing 26cm deep x 105cm high, (15 1/2in wide x 10in deep x 41in high) latch, 156cm high when extended, £600 - 1,000 £600 - 800 €790 - 1,300 €790 - 1,000 123 Provenance A VICTORIAN GOTHIC REVIVAL Paul Reeves London CARVED OAK LECTERN OR READING STAND Decorated with trefoils with a cluster fret carved support on an 119 octagonal base, 53cm wide x 43cm deep x 145cm high, A LATE 19TH CENTURY GOTHIC REVIVAL (20 1/2in wide x 16 1/2in deep x 57in high) BRASS, IRON AND PAINTED LECTERN The reading stand pierced with quatrefoils to the corners on a £600 - 1,000 square column support and scrolling brackets, 41cm wide, €790 - 1,300 43cm deep, 55cm high (16in wide, 16 1/2in deep, 21 1/2in high)

£1,000 - 1,500 €1,300 - 2,000

54 | BONHAMS 120 121

122 123

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 55 124 126

125 127

124 126 A VICTORIAN UPHOLSTERED EASY ARMCHAIR A WILLIAM IV ROSEWOOD AND POLISHED SEPTARIAN Made by Howard & Sons NODULE MARBLE INSET OCCASIONAL TABLE On mahogany square tapering front legs and brass castors, the brass On a flared column support and tripartite base, 48cm wide x 48cm castors stamped, HOWARD & SONS LTD LONDON and the inside of deep x 72cm high, (18 1/2in wide x 18 1/2in deep x 28in high) a back leg stamped, 144? 623 HOWARD & SONS BERNER ST, 79cm wide x 96cm deep x 85cm high, £800 - 1,200 (31in wide x 37 1/2in deep x 33in high) €1,000 - 1,600

£700 - 1,000 127 €920 - 1,300 A VICTORIAN OAK ARMCHAIR Attributed to Alfred Waterhouse for Lamb of Manchester The series of stamped numerals to the reverse is typical of a Upholstered in tan leather with turned balustrade back and sides Howard and Sons serial number and appears stamped into on turned and carved legs, 66cm wide x 60cm deep x 84cm high, the back legs of many chairs and sofas produced by the firm. (25 1/2in wide x 23 1/2in deep x 33in high)

125 £800 - 1,200 A VICTORIAN MAHOGANY CENTRE TABLE €1,000 - 1,600 Made by Plucknett & Steevens The Octagonal top on tuned legs, labelled to the underside of the Provenance top, PLUCKNETT & STEEVENS CABINET MAKERS & UPHOLSTERS Paul Reeves London LEAMINGTON & WARRICK, 62cm wide x 63cm deep x 72cm high, (24in wide x 24 1/2in deep x 28in high)

£400 - 600 €520 - 790

56 | BONHAMS 128 130

129 131

128 130 A CEYLONESE MID 19TH CENTURY A VICTORIAN ROSEWOOD AND INLAID LIBRARY ARMCHAIR EBONY AND SPECIMEN WOOD LOW TABLE Made by P.E. Gane in the style of E.W. Godwin The circular top inlaid with a rosette of radiating specimen veneers Upholstered in burgundy leather, labelled to the underside of the including calamander, satinwood and palmwood, within an ivory line- seat P.E. GANE, BRISTOL, 68cm wide x 84cm deep x 95cm high, inlaid border, probably reduced in height, 78cm wide x 77cm deep x (26 1/2in wide x 33in deep x 37in high) 57cm high, (30 1/2in wide x 30in deep x 22in high) £800 - 1,200 £1,000 - 1,500 €1,000 - 1,600 €1,300 - 2,000 Provenance 129 Paul Reeves London A VICTORIAN GOTHIC REVIVAL MAHOGANY LIBRARY ARMCHAIR 131 The carved arched, pierced and upholstered back above a drop in A VICTORIAN AESTHETIC ROSEWOOD seat on front moulded square section legs and block feet, 66cm wide AND OAK PARQUETRY OCCASIONAL TABLE In the manner of E.W. Godwin £800 - 1,200 In the Japanese style, 46cm wide x 45cm deep x 68cm high, €1,000 - 1,600 (18in wide x 17 1/2in deep x 26 1/2in high)

£1,000 - 1,500 €1,300 - 2,000

Similarities to this table such as the dividing stretchers can be made from furniture Godwin produced in his Anglo-Japanese range, for which Godwin is perhaps best known for.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 57 132 A VICTORIAN GOTHIC REVIVAL BRASS LANTERN Of coronet form with scrolled foliate arms, the body pierced with the words: Venite Adoremus (Come let us adore), hanging from four gilt chains, 28cm wide, 108cm drop,

£700 - 1,000 €920 - 1,300

132

133 A LARGE PAIR OF VICTORIAN GOTHIC REVIVAL BRASS WALL LIGHTS In the style of A.W.N. Pugin Originally fitted for gas, with castellated sconces and scrolled supports, stamped, G23 598, now fitted for electricity, 72cm wide, 82cm high (2)

£700 - 900 €920 - 1,200

133 (one from a pair)

58 | BONHAMS 134 A VICTORIAN GOTHIC REVIVAL SIX LIGHT BRASS AND POLYCHROME DECORATED GASOLIER Hung from chains issuing fron a coronet, fitted for electricity, 100cm wide 109cm drop

£800 - 1,200 €1,000 - 1,600

134

135 A PAIR OF LATE 19TH/EARLY 20TH CENTURY GOTHIC REVIVAL BRASS TWIN BRANCH CANDLE SCONCES With a shield shaped back plate, the arms decorated with maple leaves, 35cm wide, 37cm deep, 59cm high (13 1/2in wide, 14 1/2in deep, 23in high) (2)

£800 - 1,200 €1,000 - 1,600

135 (one from a pair)

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 59 136 AN IMPORTANT VICTORIAN ARTS AND CRAFTS CARVED OAK BOOKCASE Attributed to to C.F.A. Voysey The top shelf on scrolled supports headed by grotesque self-portrait masks of Voysey with a panelled back above six astragal glazed doors enclosing adjustable glass shelves on a plinth base, 284cm wide x 48cm deep x 149cm high, (111 1/2in wide x 18 1/2in deep x 58 1/2in high)

£5,000 - 7,000 €6,500 - 9,200

Provenance Paul Reeves London

Charles F.A. Voysey (1857–1941) Although no specific design The grotesque masks are believed to be self-portraits of Voysey, has been found to attribute this bookcase to Voysey, the use of something he was rather fond of adding. This amusing feature the grotesque marks as well as the details and mouldings on the was taken one step further by Voysey who designed in the early bookcase can be seen on other pieces of furniture and architectural 20th century a figure of a Devil in his own image. features designed by Voysey. An example of the grotesque masks being used by Voysey can be seen in the oak beams at Brodleys in Cumbria. Another example of Voysey using a portrait of himself in caricature can be seen in a cast iron a gate latch for Hollybank House sold through these rooms, lot 297, 12 November 2008 Design 1860-1945.

60 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 61 137 TWO PAIRS OF VICTORIAN GOTHIC REVIVAL BRASS CANDLESTICKS One with castellated drip pans above turned columns, the other pair with pierced drop pans and the twisted columns mounted with and enamel border and on engraved bases and paw feet, 40cm and 33cm high (4)

£800 - 1,000 €1,000 - 1,300

137

138 A 19TH CENTURY BRASS AND IRON STRONG BOX With iron lattice work top, front and sides and iron carrying handles to the sides, 40cm wide x 27.5cm deep x 17cm high, (15 1/2in wide x 10 1/2in deep x 6 1/2in high)

£700 - 1,000 €920 - 1,300

138

139 A LARGE VICTORIAN BRASS CROSS Mounted with hardstone cabochons, together with a smaller Victorian brass cross and a brass and glass cabochon mounted vase, 77.5cm high (3)

£600 - 800 €790 - 1,000

139

62 | BONHAMS 140 A LARGE PAIR OF VICTORIAN BRASS CANDLESTICKS The pierced galleried drip pans above fluted columns on stepped circular bases and seated lions, together with another pair of similar Victorian brass candlesticks, 47.5cm high (4)

£500 - 700 €650 - 920

140

141 A FRENCH 19TH CENTURY PALISANDER AND BRASS BOUND MARRIAGE CASKET The hinged top enclosing a lined interior and a compartment fitted to the top, with brass carrying handles, the locking plate engraved with two crests and a monogrammed crown, 46cm wide x 27cm deep x 20cm high, (18in wide x 10 1/2in deep x 7 1/2in high)

141 £1,000 - 1,500 €1,300 - 2,000

142 A PAIR OF VICTORIAN BRASS THREE BRANCH CANDLABRA With stylised floral drip pans on a twisted and turned column and spreading circular base, inscribed to the base of both candlabra, 46 CL.. 42cm high (2)

£500 - 700 €650 - 920

142

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 63 143 AR SECOND HALF 20TH CENTURY BRITISH SCHOOL A bronze model of a standing pony Raised on an integral rectangular base, red brown patination, 41cm high

£500 - 700 €650 - 920

144 JOHN W. ELISCHER (AUSTRIAN, BORN 1935) A bronze equestrian group of a polo player On oval naturalistic base, indistinctly signed J Elischer, raised on a beige onyx oval plinth, 39.5cm high

£1,000 - 1,500 €1,300 - 2,000

143 145 AR ANITA MANDL (BRITISH, 1926) Optimistic Snail Signed with monogram and edition 1/8, bronze, mid brown and green patination, 12cm high together with another snail by the same artist (2)

£500 - 700 €650 - 920

Provenance Purchased from Moncrieff-Bray Gallery

146 AR CONTEMPORARY SCHOOL Frog Numbered 1/9, bronze, mottled red/brown patina 11cm high

£200 - 300 €260 - 390

144

145

64 | BONHAMS 147 CONTEMPORARY SCHOOL A pair of bronze models of a hippopotamus and a rhinoceros both in reclining pose, bearing faux Bergman foundry stamps, raised on veined black marble plinths, 16cm and 12.5cm high respectively (2)

£200 - 300 €260 - 390

148 ISIDORE JULES BONHEUR (FRENCH, 1827-1901) A small bronze model of a pony On a naturalistic oval base, dark brown with light brown high points, signed I. BONHEUR and stamped PEYROL, 11cm high

£600 - 800 148 €790 - 1,000

149 AR MARK RUDOLF CORETH (BRITISH, BORN 1958) Charging rhino On a rectangular black marble base, signed M.Coreth and numbered 2/9, bronze, mid brown patination, the bronze 27cm high and 55cm wide

£2,000 - 3,000 €2,600 - 3,900

150 AR LIVIO BENEDETTI (ITALIAN, BORN 1946) Toro Signed and dated BENEDETTI.LIVIO 2012, numbered IV/IV, bronze, light brown patination 35cm high 149

£1,000 - 1,500 €1,300 - 2,000

Provenance Purchased from Art World Gallery by the present owner

151 SOPHIE DICKENS Pegasus Bronze, mid brown patination Unsigned, edition of ten, 35cm wide, 53cm high

£300 - 400 €390 - 520

150

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 65 152 153 154

152 • 155 A COLLECTION OF FOURTEEN AN EARLY 20TH CENTURY REFERENCE BOOKS ON SCULPTURE SILVERED ASTROLOGICAL PYRAMID Including, Sculpture from Antiquity to the Middle Ages and Sculpture unmarked from the Renaissance to the Present Day published by Taschen, (14), Equilateral form, each face engraved with Signs of the Zodiac, Egyptian motifs and an armorial shield, height 8.5cm. £200 - 300 €260 - 390 £50 - 70 €70 - 90 153 • A COLLECTION OF TWENTY SIX BOOKS ON 156 VICTORIAN ARCHITECTS AND DESIGNERS A COLLECTION OF EIGHT VICTORIAN Including, An Apology for the Revival of Christian Architecture in BRASS CHARGERS AND DISHES England by A Welby Pugin, The true Principles of Pointed or Several stamped Jones & Willis, together with a copper bowl, Christian Architecture by A Welby Pugin, Pugins Ornamental The largest, 41.5cm diameter, (9) Gables and Alfred Waterhouse 1830-1905, Colin Cunningham and Prudence Waterhouse, (26), £300 - 400 €390 - 520 £400 - 600 €520 - 790 157 LIBERTY & CO: A PAIR OF ART NOVEAU SILVER BUCKLES 154 • Stamped ‘CYMERIC’, Birmingham 1901 ORNAMENTAL INTERIORS, ANCIENT AND MODERN BY J. The openwork bodies decorated with sprays of stylised tulips, MOYR SMITH PUBLISHED BY CROSBY LOCKWOOD AND CO length 10.5cm. PUBLISHED IN 1887, Together with a collection of eighteen reference books on 19th century £200 - 300 designs and ornament including Modern British domestic architecture €260 - 390 and decoration edited by Charles Holme (19)

£200 - 300 €260 - 390

66 | BONHAMS 158 159

158 • 161 A COLLECTION OF THRIRTEEN REFRENCE BOOKS RELATING A PAIR OF LATE 19TH/ EARLY 20TH CENTURY TO SILVER, GLASS, SCEINTIFIC INSTRUMENTS AND CERAMICS COPPER TWIN BRANCH WALL LIGHTS Including, Minton, the First Two Hundred Years of Design and Production Together with a similar brass wall light mounted onto a rosewood by Joan Jones; and The Directory of Gold and Silversmiths, Jewellers panel, 30cm wide, 15cm deep, 47cm high (11 1/2in wide, 5 1/2in and Allied Traders 1838-1914, John Culme Volume I and II, (13), deep, 18 1/2in high) (3)

£200 - 300 £300 - 400 €260 - 390 €390 - 520

159 • 162 EXAMPLES OF ANCIENT & MODERN FURNITURE, A 19TH CENTURY SILVER LOCKET FRAME METAL WORK, TAPESTRIES, DECORATIONS BY B.J. TALBERT unmarked Published by B.T Batsford, 52 High Holborn, London, 1876, Oblong with curved edges, the blonde lock of hair mounted with together with a collection of sixteen reference books on furniture wire work highlights, the silver back engraved with an ode, and clocks including the Pictorial Dictionary of British 18th Century “On a lock of hair,” height 8.4cm. Furniture, compiled by Elizabeth White, (17), £80 - 120 £200 - 300 €110 - 160 €260 - 390 163 160 A LIBERTY & CO PEWTER CIGARETTE BOX A PAIR OF VICTORIAN CELTIC REVIVAL SILVER BUCKLES The slightly domed rectangular hinged lid opening to reveal a By Brook & Son, Edinburgh 1893 cedar lined interior, the sides decorated with stylised bell flowers, The pierced bodies cast with standing rams among ornate scrollwork, the base stamped ‘LIBERTY & CO 077’. 26.5cm wide. length 8.5cm. £150 - 250 £100 - 150 €200 - 330 €130 - 200

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 67 164 ANTOINE-LOUIS BARYE (FRENCH, 1796-1875) A bronze model of Tigre qui Marche Raised on an outswept rectangular plinth, greenish patination, signed BARYE, 25cm high

£5,000 - 7,000 €6,500 - 9,200

68 | BONHAMS 165 ANTOINE-LOUIS BARYE (FRENCH, 1796-1875) A bronze model of Lion Qui Marche On rectangular base, signed within the cast BARYE to the front left corner, 23cm high

£5,000 - 7,000 €6,500 - 9,200

Literature M. Poletti & A. Richarme Barye Catalogue Raisonné des Sculptures, Univers de Bronze, Paris, 2000, page 187. This model was also cast by Barbedienne, who bought the original moulds from the Barye workshop sale and utilised them from 1877 until 1925.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 69 166 A VICTORIAN GOTHIC REVIVAL CARVED OAK ARMCHAIR TOGETHER WITH A SIMILAR SIDE CHAIR Attributed to Bruce J. Talbert With upholstered back and seats on front brass castors, 58cm wide x 53cm deep x 90cm high, (22 1/2in wide x 20 1/2in deep x 35in high) (2)

£1,000 - 1,500 €1,300 - 2,000

A set of eight dining chairs designed by Bruce Talbert where entered for sale in Sotheby’s, London, The Best of British, Design from the 19th and 20th Centuries, 20 March 2008, lot 10.

A drawing of a closely related chair can be found in Gothic Forms, London, 1876, no 18 (illustrated)

Literature A similar chair attributed to Bruce Talbert is held in the Los Angeles County Museum of Art 166

167 A VICTORIAN GOTHIC REVIVAL OAK BED SIDE CABINET Possibly by A.W.N. Pugin The three quarter gallery carved with rosehips and blackberries above a cupboard door carved with floral centred quatrefoils and arched panels, 48cm wide x 47cm deep x 92cm high, (18 1/2in wide x 18 1/2in deep x 36in high)

£600 - 1,000 €790 - 1,300

167

70 | BONHAMS 168 A VICTORIAN AESTHETIC EBONISED, PAINTED AND GILT HANGING CABINET Designed by John Moyr Smith and made by Cox & Sons With a pair of panel doors enclosing a single shelf, decorated with foliate scrolls and flowerheads,

£1,500 - 2,000 €2,000 - 2,600

This cabinet was exhibited at the London International Exhibition in 1874 (exhibit 3698 and is listed as ‘SMITH, J. MOYR. Ebonized and Decorated Wall Cabinet. Lent by Messrs. Cox & Co.’

The design for this hanging cabinet is shown in Cox & Sons, Illustrated Catalogue of Gothic and other Artistic Domestic Furniture. Fittings, Decorations, Upholstery, and Metal Work (1872), published for the Society of Decorative Arts, which describes it as a ‘Cabinet, with Incised Ornament’, it was available either ‘Ebonized with Gold Ornaments’ priced £8 18s, or ‘Oak or walnut, Unpolished’ priced £10.

168 (© copyright Westminster city archives) 169 A VICTORIAN AESTHETIC EBONISED, PAINTED AND GILT DECORATED HANGING CORNER CUPBOARD In the style of Bruce J. Talbert for Gillows The pointed arch cornice enclosing a niche above a pair of panelled cupboards painted with medallions depicting a King and Queen above a divided shelf supported by a turned column, 58cm wide x 28cm deep x 108cm high, (22 1/2in wide x 11in deep x 42 1/2in high)

£700 - 1,000 €920 - 1,300

A comparable corner cabinet is illustrated in Gillows estimate sketch book, 1871 describing it as ‘An ebonised Angle cabinet’ see illustration.

A comparable wall mounted corner cabinet designed by Bruce Talbert for Cox and Sons was entered for sale at Sotheby’s, London, The Best of British, Design from the 19th and 20th Centuries, 20th March 2008, lot 20.

(Drawing from Gillows estimate sketchbooks) 169

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 71 170 ANTOINE-LOUIS BARYE (FRENCH, 1796-1875) Percheron Bronze, signed, circa 1874 height 40 cm

£12,000 - 18,000 €16,000 - 24,000

72 | BONHAMS 171 ANTOINE-LOUIS BARYE (FRENCH, 1796-1875) Cheval Turc Bronze, signed, inscribed F. Barbedienne Fondeur, circa 1875 height 29 cm

£8,000 - 12,000 €10,000 - 16,000

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 73 172 A LARGE GILT BRASS PRICKET CANDLESTICK The pierced drip pan decorated with leaves, the base and collar decorated with entwined dragons, 47.5cm high

£400 - 600 €520 - 790

173 TWO LINTHORPE POTTERY DISHES Designed by Christopher Dresser One of rectangular shape with lily pads in relief, 33cm long, another of circular shape incised with bird amid flora, 27cm diam, both with facsimile signature, (2)

£500 - 700 €650 - 920

174 THREE OLD HALL FLORAL PLATES Designed by Christopher Dresser Together with four other decorative plates, (7)

£400 - 500 €520 - 650

175 173 (one from a lot of two) A MINTON CLOISONNÉ CUP, SIDE PLATE AND SAUCER Attributed to Christopher Dresser, together with a metal perfume bottle and glass stopper with fish 176 design in cloisonné, (4) A COLLECTION OF FOUR STAINED GLASS PANELS Of various designs including two portraits £400 - 500 and a stylised crane (4) €520 - 650

£300 - 500 €390 - 650

177 AN OLD HALL EWER With branches of oranges on a blue ground, 43cm high, together with two ewers in a dripped glaze (unmarked), (3)

£200 - 300 €260 - 390

178 AN UNUSUAL FIGURAL MINTON DISH Decorated with images and quotations relating to H. Longfellow, having a recessed central well 43cm diam

£400 - 500 €520 - 650

178A AN ART DECO SCOTTISH SILVER SUGAR SIFTER Edinburgh 1934, maker’s mark WAD, unrecorded Tapering form and terminating in an unusual stepped foot, the sides and cover applied with reeded narrow 178 ribs forming chevrons, height 19cm.

£300 - 500 €390 - 650

74 | BONHAMS 176

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 75 179

179 AR 183 KENNETH ARMITAGE (BRITISH, 1916-2002) JILL COWIE SANDERS Pierced form Lovers Signed with initials KA and dated 54, bronzed plaster, Signed Jill Sanders P/A, bronze, red/brown patination, 78cm wide 13cm high

£2,000 - 3,000 £400 - 600 €2,600 - 3,900 €520 - 790

180 AR 184 AR MANNER OF HENRI LAURENS Reclining woman LIVIO BENEDETTI (ITALIAN, BORN 1946) Polar bear Bears initials H.M, bronze relief Signed LIVIO BENEDETTI and numbered II/IV, bronze, 10cm high and 17cm wide green patination, 32cm high £400 - 600 €520 - 790 £1,500 - 2,000 €2,000 - 2,600 181 20TH CENTURY SCHOOL Owl 185 AR Indistinctly signed, dated 1983, bronze, mid brown patination DENNIS WESTWOOD (BRITISH, BORN 1928) 33cm high Little Cradle Signed with initials D.W, from an open edition, green patination with polished bronze, £600 - 800 the bronze 13.5cm high €790 - 1,000

£600 - 800 182 AR €790 - 1,000 CONTEMPORARY SCHOOL Abstract form On a rectangular marble base, indistinctly signed, bronze, Provenance green patination With Jonathan Poole, The Gallery at Fossebridge, the bronze 15cm high where purchased by the present owner

£500 - 700 €650 - 920

76 | BONHAMS 180

181

182 183

184 185

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 77 188

186

187 189

186 AR 188 AR ENZO PLAZZOTTA (ITALIAN, 1921-1981) ENZO PLAZZOTTA (ITALIAN, 1921-1981) Head of a girl Peter Ustinov (Fragment) Numbered 5/6, Plazzotta foundry stamp, bronze, mid brown patination bronze, mid brown patination, the bronze 18cm high 17.5cm high

£1,000 - 1,500 £500 - 700 €1,300 - 2,000 €650 - 920

187 AR 189 AR MICHAEL AYRTON (BRITISH, 1921-1975) LEON UNDERWOOD (BRITISH, 1890-1975) Minotaur Figure Edition 2/9, bronze, brown patination On a rectangular wooden base, signed and dated Leon U 33, bronze, the bronze 15cm high mid brown patination the bronze 43cm high £600 - 800 £2,000 - 3,000 €790 - 1,000 €2,600 - 3,900

78 | BONHAMS 190 192

191 193

190 AR 192 AR 20TH CENTURY SCHOOL BENNO SCHOTZ (ESTONIAN, 1891-1984) Head of a man Cherna bronze, green patination, the bronze 27cm high Mid brown patination the bronze 25cm high £600 - 800 €790 - 1,000 £800 - 1,200 €1,000 - 1,600 191 AR ENZO PLAZZOTTA (ITALIAN, 1921-1981) 193 AR Study for the Marconi Award LIVIO BENEDETTI (ITALIAN, BORN 1946) Edition 14/26, bronze, mid brown patination and polished, Embracing couple 38cm high (including black marble base) Signed BENEDETTI and numbered 3/8, mid brown patination 42cm high £1,500 - 2,000 €2,000 - 2,600 £1,500 - 2,000 €2,000 - 2,600

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 79 194

194 197 LEONARD BASKIN (AMERICAN, 1922-2000) PIERRE-JEAN DAVID D’ANGERS (FRENCH, 1788-1856) A suite of six plaques - Apollo, 1969; Icarus, 1968-1969; Athenas A bronze portrait relief of Georges Cuvier Shield, 1969; Andromache, 1969; Cerberus, 1969; Minotaur, 1969 and another of Henri-Montan Berton Each titled and incised with signature (on the front) and further Both depicted in high relief, the first signed P.J. David 1832 stamped with the edition number, title, artist’s name and date (on the the other David 1840, 16cm and 17cm diameter (2) reverse); the second signed and dated (on the front); each from an edition of 250 bronze plaques in bas-relief, each 17.2 high (6) £400 - 600 €520 - 790 £1,000 - 1,500 €1,300 - 2,000 198 A 19TH CENTURY FRENCH BRONZE RELIEF 195 DEPICTING MARAT A COLLECTION OF HISTORICAL signed and dated Brisson 1868 AND COMMEMORATIVE MEDALLIONS Facing sinister, inscribed MARAT L’AMI DU PEUPLE NE POUVANT To include the Sir John Soane Medal 1834, by W.Wyon in fitted case; LE CORROMPRE ILS L’ONT ASSASSINE, 23cm diameter Death of George IV 1830, by A.J.Stothard; Death of George IV 1830, by E.Avern; John Flaxman, Art Union of London 1854, by H.Weigall. £200 - 300 Together with a variety of medals, medalets, seals and plaques etc; €260 - 390 to include a Trinity College Prize Medal in gold to Samuel Hutchinson. Generally very fine. (Lot) 199 A LATE 18TH CENTURY STYLE ENGLISH BRONZE MEDAL £1,500 - 1,800 OF WILLIAM STUCKELEY AND STONEHENGE €2,000 - 2,400 Inscribed around the portrait REV. GVL. STUKELEY. MD. SR&AS AT. 54, the reverse with an image of Stonehendge and inscribed O.B. 196 MAR 1765, 9cm diameter AFTER GUILLAUME DUPRE (FRENCH, 1576-1643) A 19th century bronze relief portrait of Henri IV £100 - 200 together with seven further reliefs €130 - 260 The other reliefs including a bronze medallion after David d’Angers depicting Gioachino Antonio Rossini, a bronze medallion The original cast of this medal was cast circa 1775 and is in the commemorating the French revolution, a bronze portrait medallion of British Museum. The medal is unusual for this period, both in its size Adolphe Maz Bourgmestre, another of Marcelius Malpighius, another and because it was cast rather than struck from a die, which was of Daniel Maclise R.A.B., a bronze relief of a bearded man in profile how most British medals were made at this time. The Revd Dr William and a brass religious stamp, the first 9.5cm high (8) Stukeley (1687-1765) was an English antiquarian who pioneered the archaeological investigation of the prehistoric monuments of £300 - 500 Stonehenge and Avebury. €390 - 650

80 | BONHAMS 195

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 81 200

200 201 A VICTORIAN AESTHETIC MAHOGANY FRAMED A FRAMED DECORATIVE TILE PANEL THREE PANEL SCREEN With months of the year, each represented by a different The Lincrusta panels designed by Christopher Dresser seasonal motif, enclosed by a border of sunflowers, The spindle balustrade top surmounted by urn finials above panels comprising 32 individual tiles, decoarted with flower heads and centred by birds amongst flowers above further panles of decoarted with flower head and trellis £500 - 600 designs, each panel, 56cm wide, 194cm high, €650 - 790

£700 - 1,000 €920 - 1,300

Provenance Paul Reeves London

A section of Dado designed by Christopher Dresser (block printed on paper) of the same design as the central panels of a bird perching on flowing branches is held at the Cooper Hewitt Museum, New York.

82 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 83 (© copyright Westminster City archives) 202 A VICTORIAN WALNUT AND GILT HIGHLIGHTED CANTERBURY Made by Gillows, the design attributed to Bruce J. Talbert With four divisions and turned supports above a frieze drawer, stamped to the drawer, GILLOW & CO LANCASTER, 56cm wide x 45cm deep x 51cm high, (22in wide x 17 1/2in deep x 20in high)

£800 - 1,200 €1,000 - 1,600

The design for this Music Canterbury appears in the Gillows Estimate Sketch Books, August 1874 See illustration.

An almost identical Canterbury was sold at Bonhams, New Bond Street, Fine English Furniture and Works of Art Sale, 16 July 2008, lot 166.

(Drawing from Gillows estimate sketchbooks)

203 A VICTORIAN MAHOGANY LAMP TABLE IN THE ANGLO JAPANESE TASTE Made by J.A.S. Shoolbred The top carved with a crane by a lily pond, stamped and labelled, J.A.S. Shoolbred, numbered 1799,

£400 - 500 €520 - 650

202

204 A VICTORIAN GOTHIC REVIVAL OAK, WALNUT AND INLAID CENTRE TABLE Possibly by Mash Jones & Cribb in the manner of Charles Bevan The octagonal top with dog tooth carved edge on four column supports, 99cm wide x 98cm deep x 73cm high, (38 1/2in wide x 38 1/2in deep x 28 1/2in high)

£800 - 1,200 €1,000 - 1,600

204

84 | BONHAMS (© copyright Westminster City archives) 205 A VICTORIAN WALNUT CHEST Made by Gillows of two short and three long drawers with turned handles, stamped, GILLOW L 2888, 114cm wide x 55cm deep x 103 cm high, (44 1/2in wide x 21 1/2in deep x 40 1/2in high)

£800 - 1,200 €1,000 - 1,600

The design for this chest and variances appears in Gillows estimate sketch books, 1880.

(Drawing from Gillows estimate sketchbooks)

206 A LATE 19TH CENTURY BRASS POLE SCREEN With twisted column support surmounted by a cross finial, with needlework coat of arms panel on a tripod base, 59cm wide, 165cm high

£200 - 300 €260 - 390

205

207 A VICTORIAN GOTHIC REVIVAL OAK STOOL The upholstered seat above stylised X shaped supports and columns, 49cm wide x 49.5cm deep x 45cm high, (19in wide x 19in deep x 17 1/2in high)

£500 - 700 €650 - 920

207

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 85 208 A PANEL OF LIBERTY & CO ‘HERA’ PRINTED COTTON The panel mounted onto a material backing, 41cm wide, 162cm,

£400 - 600 €520 - 790

Provenance Paul Reeves London

‘Hera’ or the peacock feathers was originally registered as a woven silk fabric before being printed and sold by Liberty

209 A WILLIAM MORRIS LILY DESIGN CARPET Made by Wilton Royal Carpet Factory Ltd 353 x 266cm

£300 - 500 €390 - 650

Provenance Paul Reeves London

Lily was one of 24 Wilton carpet designs available through Morris & Co.

Lily is regarded as one of the finest of all the carpet designs produced by Morris & Co. and it was the first design used exclusively for pile carpets. It epitomizes Morris’s love of and use of nature.

210 A SERABEND DESIGN CARPET India 299 x 209cm

£500 - 700 €650 - 920

211 TWO MODERN RUGS One with a black ground and pink border, the other with a blue ground and a red border, 123cm, 183cm (2)

£300 - 500 €390 - 650

212 A PAIR OF GOTHIC REVIVAL DESIGN NEEDLEWORK RUGS Together with another needlework rug, the pair, 79cm, 186cm and 138cm, 228cm (3)

£300 - 500 €390 - 650

208

86 | BONHAMS 209

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 87 213 ALFRED BOUCHER (FRENCH, 1850-1934) A bronze figural group Au But (The Finishing Line) Modelled as three runners reaching for the finish line, dark brown patination, signed A. BOUCHER with foundry stamp SIOT PARIS 366B, on a waisted oval marble base, 32cm high

£4,000 - 6,000 €5,200 - 7,800

The initial conception in plaster (entitled “Les Coureurs”) won a first class medal at the Salon of 1886, and was praised for its original composition and the technical prowess required to create a dynamic yet perfectly balanced arrangement with each figure supported by just one leg. The state then commissioned a life-size, bronze version. The cast was exhibited at the Salon the following year and was then placed in the Luxembourg Gardens, Paris, until it was destroyed during the Nazi occupation.

214 AR 213 MICHAEL AYRTON (BRITISH, 1921-1975) Emerging Heads 1970, signed Ayrton and numbered 1/9, bronze, mid brown patination, 35cm high 217 AR LIVIO BENEDETTI (ITALIAN, BORN 1946) £3,000 - 5,000 Elephant €3,900 - 6,500 Signed L BENEDETTI, from an edition of 8, 55cm high

Provenance £1,200 - 1,800 With Keith Chapman where purchased by the present owner €1,600 - 2,400

Exhibited Vincent Price Gallery, USA, 1970, no.28 Provenance Bruton Gallery, 1981, no.26 With Art World Gallery where purchased by the present owner

215 AR 218 AR ANTHONY DUFORT DAVID WYNNE (BRITISH, 1926-2014) Christina Head and Hands of Sir Thomas Beecham Signed Dufort and numbered 1/9, bronze, mid brown patination, Foundry mark, edition of 6, mid brown and green patination, 45cm high 60cm high (including base)

£1,000 - 1,500 £1,500 - 2,000 €1,300 - 2,000 €2,000 - 2,600

Provenance This lot is sold together with a postcard of With Milne & Moller where purchased by the present owner written authentication from the artist (2)

216 219 AIMÉ-JULES DALOU (FRENCH, 1838 - 1902) FRANZ VON STUCK (GERMAN, 1863-1928) A bronze figure La Verité Méconnue (Truth Denied) A bronze portrait relief plaque of Beethoven Cast by Susse Frères, Paris Modelled full face within a square surround with palmette cast The figure seated on a rock with face hidden, dark brown patina, border inscribed BEETHOVEN to the base, signed within the inscribed Susse Fres Edt Paris Cire Perdue, raised on a Verde Antico FRANZ STUCK and with C. LEYRER MUNCHEN foundry stamp, marble plinth, the bronze 14cm high, 21cm high overall dark brown patination, 46.5cm x 46.5cm

£2,000 - 3,000 £2,000 - 3,000 €2,600 - 3,900 €2,600 - 3,900

88 | BONHAMS 214 215

216 217

218 219

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 89 220 221

220 223 AFTER ANTOINE-LOUIS BARYE (FRENCH, 1796-1875) FRANÇOIS RAOUL LARCHE (1860-1912) A late 19th / early 20th century bronze model of Aigle ailes étendues, A bronze allegorical figure group entitled ‘La Source et le Ruisseau’ bec ouvert (Eagle with wings extended) Modelled as a child attempting to break free from his mother, 59cm The bird perched on a rocky outcrop, indistinctly signed within high, signed in the cast R. LARCHE and with Siot pastille foundry mark, the cast A L BARYE, dark green patination, raised on a chip carved dark brown patination, raised on a veined green marble moulded canted swept square ebonised wood plinth, plinth base, the figural group, 51cm high, the base, 8cm high (2) 25cm high excluding plinth, 40cm high overall £2,000 - 3,000 £2,000 - 3,000 €2,600 - 3,900 €2,600 - 3,900 224 221 HELMUTH SCHIEVELKAMP (GERMAN, 1849–1890) JEAN ANTONIN MERCIÉ (FRENCH, 1845-1916) A bronze figure of a warrior slaying a python A bronze model of David with the head of Goliath David Vainqueur The semi-clad figure with a dagger, holding a python in his left hand, The figure with sword in hand, the head of Goliath at his feet, on a rectangular base, signed Schievelkamp, dark brown patination, raised on a circular decorated base, signed A. MERCIE inscribed F. raised on a fossil marble plinth, 38cm high BARBEDIENNE, mid brown patination, 29cm high £1,000 - 1,500 £600 - 800 €1,300 - 2,000 €790 - 1,000 225 It was during his time in Rome that Mercié produced two of his most SIR WILLIAM REID DICK R.A. (BRITISH, 1879-1961) famous works ‘Gloria Victus’ and ‘David with the Head of Goliath’, A bronze figure of a male youth ‘Slingboy’ the latter work was very much influenced by Donatello’s ‘David’ as Dark brown patination, signed W. Reid Dick, well as Cellini’s ‘Perseus with the Head of Medusa’. He won a first raised on a rectangular marble base, the bronze 31cm high class medal for the work when it was exhibited at the Salon of 1872. £2,000 - 3,000 This model features in the Barbedienne catalogue of 1880, €2,600 - 3,900 on page 47. It was produced in three sizes at 1,250 francs, 800 francs and 550 francs respectively. Sir William Reid Dick specialised in human and animal figures and was

also commissioned to create various portraits. In the ‘Slingboy’ he has Related Literature channelled the realism he employed for his many lifelike portraits into P. Kjellberg Les Bronzes Du XIXe Siecle, Les Editions de L’Amateur, Paris. an idealised expression of male youth. This model was exhibited by Reid Dick at the Royal Academy in 1911. 222 AR ENZO PLAZZOTTA (ITALIAN, 1921-1981) Related Literature Spirit of Freedom H. Granville Fell, Sir William Reid Dick, K.C.V.O., R.A., London, 1945, 1981, from an open edition, 33cm high pl. 2. J. Cooper, Nineteenth Century Romantic Bronzes: French, English and £800 - 1,200 American Bronzes 1830-1915. €1,000 - 1,600 A similar example was sold in our New Bond Street salerooms on 15/04/08 lot 126. Literature Carol Plazzotta and Richard O’Conor, Enzo Plazzotta, London, 1986, p.171, no. 329 90 | BONHAMS 222 223

224 225

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 91 226

226 AR 227 AR LYNN CHADWICK (BRITISH, 1914-2003) LYNN CHADWICK (BRITISH, 1914-2003) Diamond Maquette I High Wind 1984, double sided medal from an edition of 128, stamped with monogram 799 and editioned 2/9, dark brown patination with polished bronze faces bronze with a black patina and polished face, 38cm high 7.5cm high £12,000 - 18,000 £1,000 - 1,500 €16,000 - 24,000 €1,300 - 2,000 Exhibited Provenance Edinburgh, Mercury Gallery, 1983 (another cast) Keith Chapman where purchased by the present owner. London, Marlborough Fine Art, Chadwick Recent Sculpture (another cast) San Francisco, Erica Meyerovich Gallery, Lynn Chadwick Recent Sculpture, 1987 (another cast)

Literature Exhibition catalogue, Chadwick Recent Sculpture, Marlborough Fine Art, 1984, cat no.2, ill p.6 (another cast) Exhibition catalogue, Lynn Chadwick Recent Sculpture, Erica Meyerovich Gallery, San Francisco, 187, (version LC799S, ill) Dennis Farr and Eva Chadwick, Lynn Chadwick Sculptor: With a Complete Illustrated Catalogue 1947-2005, Lund Humphries, 2006, Cat no.799, ill p.340

92 | BONHAMS 227

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 93 228

228 Y A 19TH CENTURY TORTOISESHELL AND GOLD MOUNTED SNUFF BOX Rectangular, the cover set with a depiction of the Lloyds Subscription Room, under glass with a bevelled gold frame, the tortoiseshell body with concave sides and gold hinge, length 8.3cm.

£400 - 600 €520 - 790

The painting is after an engraving published as Plate 49 of Microcosm of London (1809); Thomas Rowlandson (1756–1827) and Augustus Charles Pugin (1762–1832) (after) John Bluck (fl. 1791–1819), Joseph Constantine Stadler (fl. 1780–1812), Thomas Sutherland (1785–1838), J. Hill, and Harraden (aquatint engravers).

229 AN ARTS AND CRAFTS SILVER MOUNTED GLASS SCENT BOTTLE Attributed to The Artificier’s Guild, circa 1905 The hinged lid mount with openwork domed top in foliate design, inset with small red and purple gems and gold gilt to the flower heads, culminating in a bud-shaped finial, the band to the neck of the bottle with applied wirework rope and the same flower heads, again inset with purple and red gem stones, beneath the dome is a glass stopper, the body of the bottle with applied ribbed lengths 20cm high, unmarked

£1,000 - 1,500 €1,300 - 2,000

The Artificier’s Guild was founded in 1901 by the metalworker and enameller Nelson Dawson. Edward Spencer, previously Dawson’s principal designer, later became Director of the Guild. It was one of the few guilds inspired by the Arts and Crafts movement to enjoy real commercial success.

Literature The Artificier’s Guild Design Archive is held at The Goldsmith’s Company in London.

Folder 0, Plate 1410 - shows a very similar, if not exact pattern design for the openwork domed lid, but as applied work to the corners of the lid of a casket, and with green gemstones, instead of the red and purple used on this bottle. 229

94 | BONHAMS 230 (part lot)

230 Y Ф A GROUP OF 13 VARIOUS FIGURAL SEALS Comprising: An early 20th century Austrian silver-gilt seal modelled a figure of Pan, by Georg Adam Scheid, Vienna, a silver-gilt group in the manner of Giambologna, a French silver maiden with flowing hair, two globular silver examples with floral decoration, two bronze and ivory mounted examples, one a boy, the other a maiden, a gold Masonic seal, three naturalistic bronze examples and a carved rock crystal example with facetted sides and one with sealing wax container body and carved agate scarab beetle cover. (13)

£400 - 600 €520 - 790

231 A 19TH CENTURY GOLD AND ENAMELLED SEAL unmarked The globular handle with transluscent and opaque champlevé enamelled decoration of lotus flowers and irises on a floral knopped stem a spreading foot set with shields of the four nations of Britain, the base with a crested citrine matrix, contained in a later green leather case (restoration), height 5.5cm.

£600 - 800 €790 - 1,000

The crest is that of Ponsonby. 231

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 95 232 AR HENRY MOORE O.M., C.H. (BRITISH, 1898-1986) Reclining figure: Fragment Signed Moore and numbered 7/9, conceived in 1982 and cast in the artist’s lifetime, mid brown patination 20.3cm length

£20,000 - 30,000 €26,000 - 39,000

Provenance With Trinity House Paintings

Literature Alan Bowness, Henry Moore, Complete Sculpture 1980-86, London, 1988, vol. 6, p. 48, no. 856 (another cast illustrated).

96 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 97 233 AR HENRY MOORE O.M., C.H. (BRITISH, 1898-1986) Rearing Horse Signed Moore and numbered 5/9, 1959 cast in 1972 12cm high

£10,000 - 12,000 €13,000 - 16,000

Literature Alan Bowness, Henry Moore: Complete Sculpture 1955-64, vol. 3, p. 40, no. 447a (another cast illustrated).

98 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 99 234 A LARGE MINTON DECORATIVE TWIN-HANDLED JARDINIÈRE With panels of mauve flora and yellow daisies, enhanced with gilding, 34.5cm diam,

£800 - 1,000 €1,000 - 1,300

235 A LARGE MINTON TILE WITH BIRDS Designed by A.W.N. Pugin for Minton Together with four similar but smaller tiles in a blue and white colourway (5)

234 £800 - 1,200 €1,000 - 1,600

236 A DOULTON LAMBETH SALAD BOWL Together with two companion servers and two similar salts, each with beaded decoration, bowl 19cm diam (5)

£200 - 300 €260 - 390

237 A COLLECTION OF AMERICAN LATE 19TH CENTURY CAST BRONZE DOOR FURNITURE IN THE ANGLO-JAPANESE TASTE Attributed to the Nashua Lock Company Including six plates with handles, and two locking mechanisms with one key, the largest door plate, 29.5cm (8)

£200 - 300 €260 - 390

238 A COLLECTION OF DOOR FURNITURE AND A VICTORIAN CAST IRON DOOR STOP Including six handles, an escutcheon plate a Gothic Revival door knocker, two coats of arms, an enamel decorated key, four gilt anthemion and a bronze mount of an African woman’s head, the door stop numbered to the reverse, 485, the door stop, 41cm high (17)

£500 - 700 €650 - 920

235

100 | BONHAMS 239 A STAINED GLASS WINDOW PANEL attributed to E.W. Godwin with central figural image, contained within an ebonised wooden frame window 60cm x 64cm

£500 - 700 €650 - 920

Provenance Paul Reeves London

240 THREE FRAMED TILE PANELS, attributed to Minton, comprising a blue and white panel with cherubs and cornucopia, and two stylised foliate panels attributed to A.W.N. Pugin, (3)

£600 - 800 €790 - 1,000 239 241 A VICTORIAN CARVED OAK RELIEF PORTRAIT OF INIGO JONES Of rectangular form, the back mounted label biography of Inigo Jones 26cm x 38cm

£300 - 400 €390 - 520

242 TWO VICTORIAN CAST-IRON RELIEF PLAQUES One depicting a portrait bust of a gentleman and made by Jobsons, L J I Churchworks, Derby and dated 13th November 1854, the other depicting a Classical scholar, 35cm x 29cm and 25cm x 30cm respectively (2)

£300 - 400 €390 - 520

240

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 101 243 SIR WILLIAM HAMO THORNYCROFT R.A. (BRITISH, 1850-1925) A bronze plaque of the sculptor’s daughter Joan Thornycroft Modelled in the form of a clasp or buckle, dated February 1889, with infant’s bust right, signed on truncation; the ornate surround inscribed Daughter of - Hamo and - Agatha - ? Lasington, dark brown patination, 20.5cm wide

£600 - 700 €790 - 920

244 A COLLECTION OF SEVEN ARTS AND CRAFTS BRASS AND COPPER CHAMBERSTICKS Together with a pair of brass candlesticks and a brass, copper and pewter inlaid tray, the tray 49cm wide, (10)

£200 - 300 243 €260 - 390

245 A LATE 19TH / EARLY 20TH CENTURY BRONZE RELIEF DEPICTING GUSTAV MAHLER Of rectangular form, facing dexter, mid brown patination 18cm high

£200 - 300 €260 - 390

246 A VICTORIAN GOTHIC REVIVAL THREE BRANCH WALL LIGHT With scrolled down turned branches and a pierced back plate, 47cm wide, 35cm deep, 38cm high (18 1/2in wide, 13 1/2in deep, 14 1/2in high)

£200 - 300 €260 - 390

247 A 19TH CENTURY BRONZE RELIEF OF A BACCHANTE AND TWO SATYRS In amorous pose, dark brown patination, 24cm high

£600 - 800 €790 - 1,000

248 A COLLECTION OF APPROXIMATELY ONE HUNDRED 19TH CENTURY GRAND TOUR AND LATER PLASTER OVAL PORTRAIT MEDALLIONS OF ROMAN, EMPERORS, SCHOLARS AND WARRIORS Including several larger casts of Napoleonic medallions, 5cm wide, the largest 12cm wide (qty)

£400 - 600 €520 - 790

247

102 | BONHAMS 248 (part lot)

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 103 249 250

249 251 SIR WILLIAM HAMO THORNYCROFT (ENGLISH, 1850-1925) AFTER THE ANTIQUE A bronze Figure of General Gordon A late 19th century bronze figure of the Venus de Milo Signed HAMO THORNYCROFT RA, Sc 1888, and inscribed Dark brown patination, stamped From Louvre, 57cm high CHARLES GEORGE GORDON to the front and to the rear, PUBLISHED BY ARTHUR LESLIE COLLIE, 39B OLD BOND ST £800 - 1,200 LONDON MAY 6 1889, dark brown patination, 37cm high €1,000 - 1,600

£2,500 - 3,500 252 €3,300 - 4,600 PIETRO PIRAINO (ITALIAN, 1878-1950) A bronze figure of the young Pan Major-General Charles George Gordon, CB (1833-1885) The seated nude figure playing his pipe, a fur skin on his lap, on Gordon of Khartoum, was a British army officer and administrator. rockwork naturalistic base, signed to the rear of the cast P Piraino, dark brown patination, 41cm high He saw action in the Crimean War as an officer in the British Army and was given a Chevalier of the Legion of Honour by the Government £600 - 800 of France in 1856 for his services. However his military reputation €790 - 1,000 was made in China where he was placed in command of the “Ever Victorious Army,” a force of Chinese soldiers led by European officers. 253 In the early 1860s, Gordon and his men were instrumental in putting down the Taiping Rebellion regularly defeating much larger forces. EMILE LOUIS PICAULT (FRENCH, 1833-1915) A bronze figure of a Blacksmith For these accomplishments, he was given honours from both the Holding a mallet in his right hand and a document in his left, on a Emperor of China and the British. square base with an anvil, dark brown patination, signed E. PICAULT,

38cm high Gordon entered the service of the Khedive in 1873 with British government approval and later became the Governor-General of the Sudan, where he did much to suppress revolts and the slave trade. £600 - 800 He finally resigned in 1880 when he returned to Europe in 1880. €790 - 1,000

250 254 AIMÉ JULES DALOU (FRENCH, 1838–1902) AFTER THE ANTIQUE A bronze figure of ‘Ouvrier à la pelle’ A 19th century bronze of The Dancing Faun with Cymbals signed DALOU and inscribed Cire Perdue and Susse Frs Ed’s Mid to dark brown patination, on oval base, 57.5cm high and foundry pastille, dark brown patination, raised on a later rouge griotte and black marble moulded cylindrical plinth base, the figure, £2,000 - 3,000 19.5cm high, 32.5cm high including plinth €2,600 - 3,900

£700 - 1,000 €920 - 1,300

104 | BONHAMS 251 252

253 254

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 105 255 A VICTORIAN GOTHIC REVIVAL GILT BRASS MANTEL CLOCK Made by Hart, Son, Peard & Co Designed by Bruce Talbert of triangular form with flower roundels mounted with red glass cabochons surmounted with an agate mounted spiked finial, the engraved circular dial with Roman numerals, signed to the reverse of the backdoor, ‘Bromley’ and stamped ‘G V 665’ to the movement,

£1,000 - 1,500 €1,300 - 2,000

Provenance Paul Reeves London

255

256 A LARGE VICTORIAN GOTHIC REVIVAL GILT BRASS MANTEL CLOCK MADE BY HART, SON, PEARD & CO Designed by Bruce Talbert Of triangular form with flower roundels mounted with red and clear glass cabochons surmounted with a red galss mounted spiked finial, the engraved and enamelled circular dial with Roman numerals, indistinctly engraved to the reverse of the movement 318 PC 1220 56?, and engraved to the reverse of the back door I 1097, 37cm wide x 10.5cm deep x 51cm high, (14 1/2in wide x 4in deep x 20in high)

£2,000 - 3,000 €2,600 - 3,900

256

106 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 107 258 (one of a pair)

261 AN ARTS AND CRAFTS BRASS AND COPPER TABLE CANDLE STAND Made by W.A.S. Benson Balanced with sphere, together with a pair of bronze candle stands, 35cm wide, 11cm high (3)

£200 - 300 €260 - 390 257 262 A LATE 19TH CENTURY GOTHIC REVIVAL 257 PALISANDER AND BRASS MOUNTED JEWEL CASKET A FRENCH GILT BRASS RELIQUARY CABINET Together with a Victorian walnut stationary box with domed lid, 53cm wide In the Gothic style, modelled as a church, with glazed sides, x 26cm deep x 15cm high, (21in wide x 10in deep x 5 1/2in high) (2) 43cm wide, 29cm deep, 57cm high (16 1/2in wide, 11in deep, 22in high) £500 - 700 £400 - 600 €650 - 920 €520 - 790 263 258 A VICTORIAN GOTHIC REVIVAL A PAIR OF LATE 19TH/ EARLY 20TH CENTURY BRASS INKWELL AND PEN STAND SILVERED BOOK ENDS MODELLED AS GARGOYLES Made by Hart & Son Mounted on Portoro marble plinth bases, 15cm wide, 8 cm deep, The removable glass inkwell on a maple leaf engraved stand 17cm high (5 1/2in wide, 3in deep, 6 1/2in high) (2) and trefid feet, 23cm wide

£200 - 300 £400 - 600 €260 - 390 €520 - 790

259 This inkwell is illustrated in the Hart & Son Medieval Metal Workers AN EARLY 19TH CENTURY TOLE PEINTE PAINTED catalogue circa 1865. AND GILT DECORATED BOWL The bowl with a black ground, painted with a coat of arms, two crests and monogrammed, 28.5cm diameter, 14cm high 264 A VICTORIAN GOTHIC REVIVAL BRASS LETTER RACK AND INKWELL £200 - 300 Attributed to E.W. Pugin, dated 1865 €260 - 390 The four division rack engraved to the front, Thomas Stuart Kennedy, Carolus Edwardus Bonstirld, Kal Inn and dated 1865 32cm wide x 20cm 260 deep x 27cm high, (12 1/2in wide x 7 1/2in deep x 10 1/2in high) A PAIR OF EARLY 20TH CENTURY OAK AND BRASS CANDLESTICKS DESIGNED BY GORDON RUSSELL £700 - 1,000 With turned columns and octagonal hammered bases, 32cm high (2) €920 - 1,300

£700 - 1,000 Thomas Stuart Kennedy commissioned Edward Welby Pugin to design €920 - 1,300 Meanwood Towers, Leeds which was built between 1866-1867.

108 | BONHAMS 259

262

263

260

264

261 (one from a lot of three)

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 109 266

265 267 A VICTORIAN AESTHETIC EBONISED TORCHERE STAND In the manner of E.W. Godwin With two tiers on flared square supports united by triangular frames, 40cm wide x 39cm deep x 122cm high, (15 1/2in wide x 15in deep x 48in high) 265 A VICTORIAN MAHOGANY TWO TIER WORK TABLE £500 - 700 In the manner of E.W. Godwin €650 - 920 The circular dished tops on turned tapering supports united by a bowl stand, 57cm wide x 57cm deep x 89cm high, 268 (22in wide x 22in deep x 35in high) A PAIR OF VICTORIAN AESTHETIC MAHOGANY HANGING OPEN BOOKSHELVES £500 - 700 In the Japanese taste €650 - 920 With an arrangement of shelves and stands centred by lacquered panels decorated with birds and insects amongst fauna, 40cm wide x 12cm Literature deep x 126cm high, (15 1/2in wide x 4 1/2in deep x 49 1/2in high) Susan Weber Soros, The Secular Furniture of E.W. Godwin, Yale University Press, 1999, page 170, plate 244 £500 - 700 €650 - 920 266 A VICTORIAN AESTHETIC MAHOGANY OCCASIONAL TABLE 269 After a design by E.W. Godwin A VICTORIAN GOTHIC REVIVAL OAK SIDE CABINET The square top on turned legs united by a second tier supported Made by Arthur Foley by triangular divisions, 41cm wide x 40cm deep x 69cm high, The rectangular top with canted front corners above an open shelf (16in wide x 15 1/2in deep x 27in high) and a pair of panelled doors, labelled to the back ARTHUR FOLEY, CABINET WORKS, SALISBURY, 78cm wide x 47cm deep x 122cm £400 - 600 high, (30 1/2in wide x 18 1/2in deep x 48in high) €520 - 790 £800 - 1,200 The design for this table relates closely to drawings in Godwin’s sketch €1,000 - 1,600 books dated 1875. Godwin commissioned William Watt to make the table although the design was widely copied. Godwin continued 270 to design variations of this table for William Watt through the 1860’s A VICTORIAN MAHOGANY TORCHERE STAND and 70’s leading to differences in the table design including ebonised In the manner of E.W. Godwin examples earlier on. In the Anglo-Japanese taste, with two tiers on turned supports and outswept legs, 39cm wide x 39cm deep x 95cm high, (15in wide x Literature 15in deep x 37in high) Susan Webber Soros, The Secular Furniture of E.W. Godwin, Yale University Press, 1999, p.143, 144, pl. 207, 207.1,207.2, 207-a £400 - 600 €520 - 790 110 | BONHAMS 267 268

269 270

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 111 271 TWO SETS OF VICTORIAN AESTHETIC BRASS FIRE TOOLS Probabaly by Benham & Froud Both sets include, fire tongs, poker and shovel, one with turned handles with a fish design to the shovel, the other with octagonal ebonised handles, the shovels, 62 and 64cm, (6)

£600 - 800 €790 - 1,000

271

272 A PAIR OF WROUGHT IRON FIREDOGS by Christopher Dresser each with a pierced foliate design 66cm high (2)cm high

£600 - 800 €790 - 1,000

272

112 | BONHAMS 273 A PANEL OF MORRIS & CO ‘STRAWBERRY THIEF’ PRINTED FABRIC Mounted on a green wool back, labelled MORRIS & COMPANY together with a panel of Morris & Co ‘Brer Rabbit’ indigo discharge printed cotton fabric, mounted on linen (2) 66cm, 65cm and 56cm, 62cm

£400 - 600 €520 - 790

273 (one from a lot of two)

274 A VICTORIAN CAST IRON FIRE BACK Decorated with an Angel standing over a dragon within a foliate scrolled border, 64cm wide, 85cm high

£500 - 700 €650 - 920

274

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 113 275 276

275 AR 278 AR TERENCE COVENTRY (BRITISH, 1938) MICHAEL AYRTON (BRITISH, 1921-1975) Rook Standing figure Signed with initials TC and numbered 2/10, 33cm high Signed with initials MA, mid brown patination, 28cm high £2,000 - 3,000 €2,600 - 3,900 £2,000 - 3,000 €2,600 - 3,900 Provenance With Pangolin, London, where purchased by the present owner 279 AR MICHAEL AYRTON (BRITISH, 1921-1975) Seated Tripod Figure 276 AR Edition of 6, mid brown patination, NICK BIBBY (BRITISH, BORN 1960) 34cm high Torso Green patination the bronze 26cm high £3,000 - 5,000 €3,900 - 6,500 £1,000 - 1,500 €1,300 - 2,000 Exhibited Grosvenor Gallery, London, Michael Ayrton Bronzes, Paintings, Collages and Drawings, 1962-1964, 29 April - 30 May 1964, 277 AR cat no.10, illustrated (another cast) ISABELLE BRIZZI (FRENCH, BORN 1959) Faucon On a rectangular base, signed Brizzi and numbered 2/8, 280 AR and with ROYAUME stamp, mid brown patination, MICHAEL AYRTON (BRITISH, 1921-1975) 40.5cm high Mirrored Figure I Signed Ayrton and numbered 5/9, bronze and perspex on a revolving base, 44.5cm high £2,000 - 3,000 €2,600 - 3,900 £3,000 - 5,000 €3,900 - 6,500

114 | BONHAMS 277 278

279 280

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 115 281 (both sides illustrated)

281 284 DEFEAT OF THE SPANISH ARMADA, 1588 A 19TH CENTURY BRONZE PORTRAIT RELIEF Philip II of Spain and Catholic heads of the Church and State, Of oval form, depicting a gentleman with long sideburns, blindfolded and seated in discussion, their feet spiked to the floor, mid brown patination, 22cm high O. COECAS. HOMINVM. MENTES. O. PECTORA. COECA, above. DVRVM. EST. CONTRA. STIMVLOS. CALCITRARE. R.Fleet of ships, £200 - 300 some of which are capsizing, VENI. VIDE. VIVE. 1588, above. TV. €260 - 390 DEVS. MAGNVS. ET. MAGNA. FACIS. TV. SOLVS. DEVS., varying in size from 51 to 52mm diameter. Almost extremely fine.(1) 285 AFTER SIR WILLIAM HAMO THORNYCROFT R.A. £2,200 - 2,600 (BRITISH, 1850-1925) €2,900 - 3,400 A bronze portrait plaque of the sculptor’s wife Agatha Thornycroft Inscribed AGATHA THORNYCROFT 1888, light brown patination, 282 14cm diameter THE ROYAL SCOTTISH GEOGRAPHICAL SOCIETY silver prize medal, 51mm diam., the obverse with coat of arms in the £300 - 500 form of a Scottish lion on top of the world within crowned shield, with €390 - 650 legend of The Royal Scottish Geographical Society, R.A map of Africa and engraved (Joseph Thomson 1892, For distinguished services to 286 AR geography as an African explorer). In fitted (damaged) case of issue. Extremely fine. (1) RONALD SEARLE (BRITISH, 1920-2011) Antonio Pisanello 23rd FIDEM Congress Medal, signed Ronald Searle, £500 - 800 commissioned by FIDEM (Fédération Internationale de la Médaille) €650 - 1,000 7cm high

283 £150 - 200 A SET OF FOUR 18TH CENTURY €200 - 260 ENGLISH BRONZE PORTRAIT RELIEFS Depicting Abraham Cowley (1616-1667), 287 William Wycherley (c. 1640-1715), William Walker (1597-1666) and Joseph Butler, within a double scallop-edged border, 6cm high (4) PIERRE-JEAN DAVID D’ANGERS (FRENCH, 1788-1856) A bronze portrait relief The male sitter facing sinister, inscribed indistinctly £200 - 300 and signed David 1834, 15cm diameter €260 - 390 £250 - 350 €330 - 460

116 | BONHAMS 282 (both sides illustrated)

283

284 285

286 287

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 117 288

288 Provenance AN ASSEMBLED LATE VICTORIAN Great Tew, Roy Davids ELECTROPLATED THREE PIECE TEA SERVICE Designed by Dr Christopher Dresser for James Dixon & Sons, 292Y Ф and Hukin and Heath A WILLIAM IV SILVER GOTHIC REVIVAL Of plain forms with angular handles and raised on typical short feet, HOT WATER JUG/EWER milk jug and teapot stamped “C.H. Dresser”, sugar bowl unmarked, By J & J Angell, London 1834 together with a plain oval tea tray, by Hukin & Heath (4) Panelled baluster form, the twelve sided base embellished with alternate quatrefoil and above each panel foliate decoration, £1,200 - 1,800 the neck formed as narrow arched “window” frames centred with €1,600 - 2,400 engraved strap-work, domed hinged cover, terminating spread foot and the scroll handle with ivory insulators, height 26cm. 289 A VICTORIAN AESTHECTIC SILVER EWER £400 - 600 By Thomas Smily, London 1867 €520 - 790 Slender baluster with frosted decoration, the body etched with two large oval reserves, one engraved with crest and the other vacant, the body also 293 decorated with a butterfly, flowering lotus, scrolling foliage, geometric motifs and A VICTORIAN SILVER EWER chequered work, cast handle formed as scrolling lizard, together with a George By Cox & Sons (Thomas & Edward Cox), incuse stamped Fox & Sons III silver coaster, maker’s mark (?)R. London 1772, with pierced arched sides. (2) Southampton Street, London London 1874, Baluster form and lightly flat chased with varying bands of Gothic £800 - 1,200 tracery and foliage, domed cover with fleur de lys finial and raised on €1,000 - 1,600 spread foot, height 32cm.

290 £400 - 600 A BIRMINGHAM GUILD OF HANDICRAFT €520 - 790 TWIN HANDLED SILVER BOWL Designed by Arthur Stansfield Dixon with applied scrollwork 294 and scrolling handles and stamped marks ‘Birmingham 1901’ AN EXTENSIVE COLLECTION OF 19TH AND EARLY 18.5cm wide, (7in wide) 20TH CENTURY ARTS AND CRAFTS ELECTROPLATED ITEMS By various makers, vis:- by Hukin & Heath, Elkington & co., £200 - 300 heath & Middleton €260 - 390 comprising:- a picnic tea service, a hot water kettle/teapot and burner with handle, sugar box and tea caddy, engraved with entwined initials over 13th November 1892, an oval toastrack with 7 “post” dividers, Literature a twin-bowl nut dish with fixed handle, a bulbous hot water jug, an Arts and Crafts Metalware, Blackwell, 2003, page 50 for a comparable inverted bulbous tea kettle with fixed handle, a four bottle cruet stand example. (lacking bottles), a six bottle cruet frame, a three bottle tantalus with fixed handle, a stylish angular hot water jug with broad hinged cover 291 and having ivory finial and handle, a claret jug with etched glass body, A RARE W.A.S. BENSON ELECTROPLATED a small squat bulbous claret jug, the hinged cover with presentation COPPER AND BRASS WINDGUARD KETTLE ON STAND inscription, an epergne with central column with three projecting arms With fixed handle, stand with internal burner section, pierced and supports, fitted with glass dishes, a silver on copper chalice with decoration to stand and raised on three feet enamel plaques, and a Victorian silver-mounted and clear glass claret 28cm high 11in high) jug, by Heath & Middleton, London 1897.

£200 - 400 £800 - 1,200 €260 - 520 €1,000 - 1,600

Literature Ian Hamerton W.A.S. Benson, Antique Collector’s Club, page 84 plate 56 for a comparable Windguard kettle.

118 | BONHAMS 290

289

291 292

293 294 (part lot)

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 119 295

295 AR 296 MICHAEL AYRTON (BRITISH, 1921-1975) LOUIS ALEXANDRE BOTTEE (FRENCH, 1852-1940) Summer Demeter A patinated bronze figural plaque depicting 1967, on a rectangular wooden base, Apollo triumphant over Marsyas dated 1883 from an edition of 9, mid brown patination The the central figure of Victory flanked by the standing figure of 46cm wide Apollo and the seated figure of Marsyas, signed and dated to the bottom right hand corner, Louis Bottee, 55cm diameter. £6,000 - 8,000 €7,800 - 10,000 £400 - 600 €520 - 790 Provenance With Christopher Hull Gallery Louis Alexandre Bottée was born in Paris and apprenticed to a button Sale, Bonhams London, 4 June 2013, lot 164 factory attached to a medal engraving studio. He fought in the Franco- Prussian war, then attended the Ecol des Beaux-Arts from 1871 to 1875 and spent time in Italy in 1876. He worked in Italy from 1880 to 1882 before returning to France. Bottée produced medals for Canada and Peru in the 1880s, and produced the prize medal for the Paris International Exhibition of 1889 and the Jurors badge for the 1900 exhibition. He became a Knight of the Legion of Honour and member of the Jury at the Salons.

Bottée attended the Ecole des Arts Decoratifs and went on to study at the Ecole des Beaux-Arts in 1871. There he was pupil to Ponscarme, Dumont and Millet. In 1878 Bottée obtained the Great Prize of Rome. At the Salon des Artistes Francais he won a third-class medal in 1882, a second-class medal in 1887 and a first-class medal in 1894. Bottée received a gold medal at the Exposition Universelle in 1900 and was made an Officer of the Legion of Honor in 1903. 120 | BONHAMS 297 298

297 AR 298 AR SIR JACOB EPSTEIN (BRITISH, 1880-1959) SIR JACOB EPSTEIN (BRITISH, 1880-1959) Baby Asleep Portrait of Ronald Duncan On a rectangular stone base, signed EPSTEIN, edition of 12, 1946, on a green marble base, signed Epstein, from an edition of 6, and with A.A HEBRARD stamp, dark brown patination mid brown patination 31cm high (including base) the bronze 25cm high

£3,000 - 5,000 £4,000 - 6,000 €3,900 - 6,500 €5,200 - 7,800

Provenance Provenance Keith Chapman where purchased by the present owner Purchased from Keith Chapman by the present owner

Literature Literature Richard Buckle, Jacob Epstein Sculptor, Cleveland, 1963, p.471, Evelyn Silber The Sculpture of Epstein, Phaidon, Oxford, 1986, no.3 pl.469 (another cast) Evelyn Silber, The Sculpture of Epstein, Oxford, 1986, no.384

Ronald Duncan was a writer, poet and playwright. Created in 1946 this bronze dates from the year that Duncan wrote his best known libretto for Benjamin Britten’s opera The Rape of Lucretia.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 121 299

299 301 A SILVER DUCHESS OF SUTHERLAND AM ARTIFICERS GUILD SILVER HAND MIRROR CRIPPLE’S GUILD ROSEWATER/SIDEBOARD DISH Designed by Edward Spencer, London 1919 Birmingham 1915, incuse-stamped on reverse DSCG Stamped in low relief with a frieze of heart motif, the handle pierced and beneath a coronet cast with foliate spray panels and swollen reeded handle, length 33.5cm. the broad rim hand chased with trailing fruiting vine tendrils 48cm diameter £200 - 300 €260 - 390 £3,000 - 4,000 €3,900 - 5,200 302 AN ARTS & CRAFTS SILVER SPOON 300 by The Artificers’ Guild Ltd, London 1925 AN UNUSUAL 18TH CENTURY SILVER-GILT The tapering stem with applied ropetwist and cable bands with THREE-PRONGED DESSERT FORK dimaond-point terminal, fig-shaped spot-hammered bowl, 15.5cm, lion passant and maker’s mark only, possibly script IH or TH, London, together with a larger example, incuse stamped ‘G’ only, circa 1900, circa 1760 the bellied stem terminating with a amethyst-set sperical terminal, Fiddle pattern, single thread edge and shell to front in the French style, shallow oval spot-hammered bowl, length 22cm, weight total 3oz. (2) with elongated drop heel, the reverse engraved with the garter and royal arms, crowned and flanked with initials G R, length 16.2cm. £200 - 300 €260 - 390 £200 - 300 €260 - 390

122 | BONHAMS THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 123 303 306 A PAIR OF GREEN WOOL AND NEEDLE WORK AN UNUSUAL ART NOUVEAU BRASS WALL LIGHT AND METAL THREAD EMBROIDERED CURTAINS Attributed to Omar Ramsden The embroidered panel design possibly by Christopher Dresser Hung with six pendant bulbs issuing from the mouths of sea serpents 126cm, 197cm (2) flanked by columns, the base of the shield monogramed VIP, 30cm wide, 36cm deep, 20cm high (11 1/2in wide, 14in deep, 7 1/2in high) £400 - 600 €520 - 790 £300 - 500 €390 - 650 Provenance Paul Reeves London 307 AN EBONISED JARDINIERE 304 Inset with four decorative figural Minton tiles by John Moyr Smith, A LARGE CAMPBELL BRICK & TILE CO 22.5cm high, FRAMED ENCAUSTIC TILE centred with a sheep, 30cm square, £400 - 500 €520 - 650 £400 - 500 €520 - 650 308 A VICTORIAN GOTHIC REVIVAL CAST IRON FENDER 305 The pierced frieze decorated with crosses flanked by octagonal A LATE 19TH CENTURY BRASS columns, 125cm wide x 37cm deep x 33cm high, (49in wide x 14 PASSING STRIKE SKELETON CLOCK 1/2in deep x 12 1/2in high) Of typical form, the pierced brass and silvered chapter ring with Roman numerals, the single fusee movement with deadbeat £500 - 700 escapement striking on a bell, on circular ebonised base with €650 - 920 glass dome and key, 47cm high overall

£500 - 700 €650 - 920

303 (detail)

124 | BONHAMS 304

305

306 307

308

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 125 309 ATTRIBUTED TO SIR GEORGE FRAMPTON (BRITISH, 1860-1928) A bronze figural relief plaque of ‘Truth’ The allegorical female figure seated on a throne holding a mirror in one hand, a book on her lap and inscribed with title to the top left hand corner TRVTH, dark brown patination, 26cm high x 17cm wide, mounted within ebonised and stained wood moulded frame.

£300 - 400 €390 - 520

310Y Ф THE COUNTESS OF LUCAN (LADY MARGARET BINGHAM) (BRITISH, 1740-1814) A portrait miniature of a Gentleman, called Old Franks, wearing black coat and white collar and holding a letter in his left hand. Inscribed to the reverse Old Franks by Van Dyke [sic] in the coll n of Jos a Reynolds copy’d by me and signed with monogram LMB, watercolour on ivory, in a glazed gilt-wood frame. Oval, 150mm (5 7/8in) high

£400 - 600 €520 - 790

311 A LATE 19TH CENTURY BRONZED COPPER ELECTROTYPE CIRCULAR PLAQUE IN THE EGYPTIANESQUE TASTE Possibly cast by W. Elkington, and signed and dated Thomas Spall 1889 the centre depicting a processional group, within a cobra, falcon and stylised papyrus border, signed to the lower left hand of the scene Thomas Spall fecit 1889 and A. Willms. inv, 50cm diameter

£300 - 500 €390 - 650

312 A PAIR OF ARTIFICERS GUILD COPPER VASES Designed by Edward Spencer Of flared cylindrical form, numbered to the base, 0.1, 9.5cm diameter, 17.5cm high (2)

£80 - 120 €110 - 160

313 A JOHN KEITH ELECTROPLATED METAL FLAGON Designed by William Butterfield 28 cm high.

£250 - 350 €330 - 460

314 (detail)

126 | BONHAMS 314 Y A VICTORIAN AESTHETIC EBONISED AND IVORY INLAID CHIFFONIER In the manner of Collinson & Lock The superstructure with a three quarter turned spindle balustrade on turned supports above an open shelf and a pair of panelled doors, the panels inlaid with Classical masks within scrolling floral and foliate borders, 137cm wide x 51cm deep x 148cm high, (53 1/2in wide x 20in deep x 58in high)

£2,000 - 3,000 €2,600 - 3,900

314

315 Y A SET OF SIX VICTORIAN EBONISED AND IVORY INLAID DINING CHAIRS In the manner of Collinson & Lock The arched top rail inlaid with a Classical figure wrestling with two phoenixes flanked by foliate scrolls and serpents, with upholstered back and seat on turned legs, 45cm wide x 43cm deep x 98cm high, (17 1/2in wide x 16 1/2in deep x 38 1/2in high) (6)

£1,000 - 1,500 €1,300 - 2,000 315

316 A VICTORIAN EBONISED AND OAK SIDE TABLE WITH MARBLE TOP Made by Lamb of Manchester The shelved superstructure above a marble top and a single frieze drawer, stamped, LAMB MANCHESTER 1283, 122cm wide x 48cm deep x 110cm high, (48in wide x 18 1/2in deep x 43in high)

£600 - 800 €790 - 1,000

316

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 127 317 AFTER AUGUSTE RODIN (FRENCH, 1840-1917) Bust of Balzac On a marble plinth, a posthumous cast, circa 2000, executed by Master Limited Edition, Guastini, Italy, numbered 9/11, bronze, green patination 25.5cm high (including base)

£6,000 - 8,000 €7,800 - 10,000

Provenance With Hay Hill Gallery

128 | BONHAMS 318 AFTER AUGUSTE RODIN (FRENCH, 1840-1917) Bust of Age of Bronze A posthumous cast, circa 2000, executed by Master Limited Edition, Guastini, Italy, signed A.Rodin numbered 9/11, bronze, brown patination 28cm high

£10,000 - 15,000 €13,000 - 20,000

Provenance With Hayhill Gallery With Sirin Fine Art Limited

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 129 322 A LATE 19TH CENTURY OAK BOOKCASE The panelled three quarter gallery above a pair of glazed panelled doors enclosing two shelves with fluted panelled sides, 92cm wide x 34cm deep x 147cm high, (36in wide x 13in deep x 57 1/2in high)

£500 - 700 319 €650 - 920

323 A VICTORIAN AESTHETIC EBONISED AND POLYCHROME DECORATED CORNER CUPBOARD Attributed to Gillows With turned spindle balustrade and panelled back above an arrangement of open shelves and a pair of panelled doors painted with fruit pickers on turned supports, 99cm wide x 70cm deep x 118cm high, (38 1/2in wide x 27 1/2in deep x 46in high)

£800 - 1,200 €1,000 - 1,600 319 A CLOSE NAILED LEATHER MOUNTED A larger ‘ebonised and gold’ cabinet can be found in FOLDING LIBRARY LADDER Gillows estimate sketch books dated 1860. With seven even beech steps, 33cm wide, 236 high 324 £400 - 600 A VICTORIAN GOTHIC REVIVAL OAK MIRROR €520 - 790 With a rectangular bevelled plate within a carved frame, 82cm high, 71cm wide 320 A MAHOGANY FRAMED THREE-FOLD SCREEN £400 - 600 Probably by Liberty €520 - 790 With framed needlework panels, each panel 45cm wide, 172cm high, 324 A £400 - 600 A WILLIAM IV SILVER SNUFF BOX, by Edward Edwards, London 1832 €520 - 790 Rectangular, the cover with central panel engraved, “Presented to Captn Norie of the Ship St George from Sydney N.S.W. 321 January 5th in the Downs April 14th 1845 by his cabin passengers,” A VICTORIAN ARTS AND CRAFTS OAK DRESSING CHEST with raised oak leaf and acorn border, the sides and base with wavy Made by A.W. Simpson of Kendell engine-turning, with mahogany carrying caselength 10.3cm. The bevelled adjustable mirror above three drawers flanked by a cupboard above a fold down drawer enclosing a linen slide, £400 - 600 labelled to the inside of the cupboard, Arthur W Simpson, €520 - 790 THE HANDICRAFTS, KENDAL 117cm wide x 53cm deep x 165cm high, (46in wide x 20 1/2in deep x 64 1/2in high)

£1,500 - 2,500 €2,000 - 3,300

130 | BONHAMS 320 321

322 323

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 131 326

328 AR ROBERT CLATWORTHY (BRITISH, BORN 1928) Seated Figure Signed with initials and dated R.C 1955, edition 3/8, mid brown patination 325 27cm high

£1,500 - 2,000 325 AR €2,000 - 2,600 LIVIO BENEDETTI (ITALIAN, BORN 1946) Tango Signed LIVIO BENEDETTI and numbered 3/8, dark green patination Provenance 80cm high Purchased from Keith Chapman by the present owner

Literature £2,000 - 3,000 K.Chapman, ‘Robert Clatworthy’, Sansom & Co, 2012, p.90, pl.RC25. €2,600 - 3,900

329 Provenance CONTEMPORARY SCHOOL With Art World Gallery where purchased by the present owner. Standing Woman On a black marble base, mid brown patination 326 the bronze 50cm high LEONARD BASKIN (AMERICAN, 1922-2000) Birdman £600 - 800 1961, signed with monogram, artist’s proof, bronze relief €790 - 1,000 oval 35cm high 330 AR £1,000 - 1,500 ROBERT CLATWORTHY (BRITISH, BORN 1928) €1,300 - 2,000 Standing Figure Bronze, 1977, edition of 8 height 51 cm Provenance signed with initials R.C, edition of 8, mid brown patination R.Michelson Galleries where purchased by the present owner. CHECK HEIGHT

327 £2,000 - 4,000 CONTEMPORARY SCHOOL €2,600 - 5,200 Reclining Figure Bears initial and date RC 1981 KC (on foot), dark brown patination Provenance 37cm length Purchased from Keith Chapman by the present owner

£500 - 700 Literature €650 - 920 K.Chapman, ‘Robert Clatworthy’, Sansom & Co, 2012, pl.RC106.

132 | BONHAMS 327

328

329 330

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 133 331

331 334 A LATE VICTORIAN SILVER MOUNTED AN ARTS AND CRAFTS ELECTROPLATED PEDESTAL BOWL AND CLEAR GLASS DECANTER POSSIBLY BY ARTIFICERS GUILD By Heath & Middleton, London 1881 AND DESIGNED BY EDWARD SPENCER Slender baluster form with a shallow bulbous base, the plain silver mount with angular scroll handle and inscription to cover “Drink to the Applied with ropework band and chased decoration below a band of hounds of Meynell, Pass the bottle”, together with two electroplated applied cast fish unsigned, stamped, 269, diameter 24.5cm. and clear galss examples, the first by James Dixon & Sons, circa 1880, with angular baluster body and ebony handle, the mount £200 - 300 engraved with large “G”, second of faceted baluster form and with €260 - 390 angular handle, height respectively 23, 24 and 23 cm. (3) 335 £1,500 - 2,000 AN UNMARKED CHALICE CIBORIUM €2,000 - 2,600 by Barnards Brothers Engraved with a latin inscription, the knopped stem terminating in a 332 hexafoil foot. AN UNMARKED 19TH CENTURY BURETTE OR SMALL EWER In the manner of Pugin £400 - 600 The clear glass globuar body finely etched/engraved with a central €520 - 790 girdle depicting four heraldic figures in roundels, the openwork neck mount with Gothic piercing and scrolls, domed cover aplied with a 336 finial, height 24.5cm. A JOHN KEITH ELECTROPLATED METAL EWER BY WILLIAM BUTTERFIELD £300 - 500 €390 - 650 On stepped foot, the scroll handle with pierced Gothic Revival roundels, inscribed ‘Glory be to God on High’, with engraved scroll 333 decoration to the spout unsigned, height 28cm. A JOHN HARDMAN & CO SILVER BEAKER By John Hardman Powell, Birmingham 1868 £400 - 600 with gothic frieze inscribed ‘Ethelreda Lucy Powell’ and entwined €520 - 790 initials, the base inscribed ‘From her godfather Literature Edward Powell August 11th 1868’, height 12.5cm. An identical example in silver commissioned by St Mary’s Church Lambeth, 1854, is included in the Victoria and Albert £500 - 700 museum collection €650 - 920 337 A MID-19TH CENTURY GOTHIC REVIVAL SILVER-PLATED CORONA By John Hardman & Co the upper and lower rims pierced with fleurs de lys, stars and stylised flower heads, the central section bearing the words of the Sanctus, fitted with suspension hooks to the inner face, 30cm diameter.

£700 - 1,000 €920 - 1,300

134 | BONHAMS 333

332

334

335

336 337

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 135 338 ALFRED GILBERT (BRITISH, 1854-1934) A BRONZE BUST OF IGNACE JAN PADEREWSKI Modelled 1891, this cast by The Fine Art Society published as an edition of ten on an integral waisted swept square plinth base, dark brown patination,

60cm high

£3,000 - 5,000 €3,900 - 6,500

The original plaster of Paderewski was completed at the request of Gilberts mother, Charlotte in one two hour sitting whilst the musician played on a piano in the sculptors studio in 1891. The resultant work perfectly captured the spontaneity and energy of both the sculptor and sitter and was influenced by the realism of Jules Dalou and stylistically by Vincenzo Gemito, both of whom, like Gilbert, had a passion for the lost wax casting process.

Although a full size bronze bust of this work was not posthumously cast until 1934, Gilbert went on to make a plaster reduction in the later 1890’s for Paderewski’s patron Lady Lewis. At this time he also gave permission for a bronze to be cast from this reduced plaster which is now Birmingham City Museum and Art Gallery.

The original plaster bust went into storage at Maples warehouse after Charlotte Gilbert’s death in 1909 and remained there until around 1930. It was then returned to the artist who was living in Kensington Palace until his death in 1934. The bust was then purchased by Mrs Hadley, the wealthy wife of Gilbert’s doctor. It appears at this point that two posthumous casts of the bust were made in in bronze. One was exhibited at the Royal Academy and subsequently sold to The Chantrey Bequest to raise money for a lifetime fund for Gilbert, whilst the other was eventually sold in these rooms, 15th April 2008, lot 120 (£40,000 plus premium).

A further edition of ten posthumous casts of the bust, one of them being the present lot were then commissioned and sold by the Fine Art Society.

Literature Richard Dorment, Alfred Gilbert: Sculptor and Goldsmith, nos. 30, p.123, Royal Academy of Arts, London, 1986; Adrian Bury, Shadow of Eros, Drogmore Press 1952

136 | BONHAMS 339 AR Ayrton held a fascination with classical mythology and the present MICHAEL AYRTON (BRITISH, 1921-1975) work depicts Laocoön. Legend tells that during the Trojan War, Laocoön Maze Figure II he warned his comrades against the wooden horse presented to the Numbered ‘3/9’ and stamped with city by the Greeks but they disregarded his advice. Frustrated, he the Morris Singer Foundry stamp (on the base of the bench), threw his sword at the horse and in revenge the goddess Minerva, bronze with a brown patina on a wooden base a Greek supporter, sent sea-serpents to strangle him and his sons. 35.6 cm high (including base) The composition also draws influence from the ancient marble version Conceived in 1972 that stands in the Vatican as flailing arms and legs struggle to keep the snakes at bay. £6,000 - 8,000 €7,800 - 10,000 The present work forms part of the artist’s Maze series which explores the concept of the enmeshed figure. Here, the snakes appear to come Literature from within, representing a personal battle. Peter Cannon-Brookes, Michael Ayrton; An Illustrated Commentary, City Museums and Art Gallery, Birmingham, 1978, p.129 (another cast ill.b&w)

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 137 340 (one from a lot of two) 342

341 343

340 342 A SET OF VICTORIAN GOTHIC REVIVAL PINE AND A COLLECTION OF ECCLESIASTICAL TEXTILES EBONISED HANGING SHELVES TOGETHER WITH TOGETHER WITH FIVE CUSHIONS ANOTHER GOTHIC REVIVAL SET OF HANGING SHELVES Of various designs and sizes, (qty) With fret cut sides pierced trefoils, 78cm wide x 21cm deep x 90cm high, (30 1/2in wide x 8in deep x 35in high) (2) £200 - 300 €260 - 390 £400 - 600 €520 - 790 343 A PAIR OF LATE 19TH CENTURY GOTHIC REVIVAL 341 POLYCHROME DECORATED SIDECHAIRS A VICTORIAN GOTHIC REVIVAL The arcaded backs above embossed leather stuff over seats, CARVED WALNUT TORCHERE STAND 41cm wide (2) The square top with canted corners supported by four columns, 29cm wide x 29cm deep x 116cm high, (11in wide x 11in deep x £400 - 600 45 1/2in high) €520 - 790

£600 - 1,000 €790 - 1,300

138 | BONHAMS 344 346

345 347

344 346 A VICTORIAN MAHOGANY SIDE CABINET A SET OF VICTORIAN OAK HANGING SHELVES With a pair of panelled doors above an open shelf on turned front legs, With turned and reeded supports and turned spindle balustrades, possibly reduced in height, 76cm wide x 38cm deep x 104cm high, 71cm wide x 26cm deep x 91cm high, (27 1/2in wide x 10in deep x (29 1/2in wide x 14 1/2in deep x 40 1/2in high) 35 1/2in high)

£400 - 600 £300 - 500 €520 - 790 €390 - 650

345 347 A VICTORIAN GOTHIC REVIVAL OAK AND A VICTORIAN AESTHETIC OAK OCCASIONAL TABLE BRASS MOUNTED REVOLVING DESK CHAIR The rectangular top on turned spreading legs united by a X-stretcher, In the manner of Charles Bevan 46cm wide x 33cm deep x 68cm high, (18in wide x 12 1/2in deep x on four splayed suppors with brass caps and castors, 66cm wide x 26 1/2in high) 51cm deep x 82cm high, (25 1/2in wide x 20in deep x 32in high) £300 - 400 £500 - 700 €390 - 520 €650 - 920

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 139 348

348 349 AFTER EDGAR DEGAS (FRENCH 1834-1917) A FRAMED PATINATED FIGURAL PANEL La Petite Danseuse de Quatorze Ans By Gilbert Bayes cast in relief with a warrior and horses, Inscribed ‘M 28’ with foundry mark ‘MFA’ (side of base), 23cm x 16cm (panel), mid brown patination and tea-died material, 51cm (high) £400 - 600 This work is a half-scale replica by MFA Boston €520 - 790

£1,000 - 1,500 See The Studio 1901 Vol 23 p128, €1,300 - 2,000

140 | BONHAMS 350

350 AFTER AUGUSTE RODIN (FRENCH, 1840-1917) Nijinsky A posthumous cast, circa 2000, executed by Master Limited Edition, Provenance Guastini, Italy, bearing signature, A.Rodin numbered 2/11, With Hay Hill Gallery brown patination 3cm high With Sirin Fine Art Limited 46cm high (including base)

£3,000 - 5,000 €3,900 - 6,500

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 141 351 356 A LARGE DECORATIVE WOODEN-BACKED TILE PANEL A SILVERED MODEL OF A PRAYER BOOK comprising both floral and bird pattern tiles, approx 1.13cm x 90cm unmarked The open book with hinged ‘page’ covers lifting £300 - 400 to reveal further fold out pages, length 5.2cm. €390 - 520 £50 - 70 352 €70 - 90 TWO VICTORIAN GOTHIC REVIVAL BRASS READING STANDS One with a pierced foliate sides and back on tuned feet, the other 357 on an oak plinth base and dated 1860, 34.5cm and 38.5cm wide (2) A VICTORIAN SILVER PILL BOX By John Hardman & Co., Birmingham 1849 £300 - 500 Circular form, the cover engraved with foliate embellished cross in the €390 - 650 Celtic revival style, length 5cm, weight 1oz.

353 £200 - 400 AFTER JAMES DE VILLE (BRITISH, 1777-1846): €260 - 520 A painted plaster head of William Blake James Deville 358 published 1823 GUILD OF HANDICRAFTS: A SILVER TEASPOON The death mask modelled full face on circular moulded socle with London 1906, also engraved ‘RD 469753’ green black painted finish, the rear with indistinct facsimile publication The shaped-diamond stem with stylised foliate terminal, length mark A 66,PUBD AUG 1. 1823 J DEVILLE 67 Strand London, 11.5cm, together with fourteen French silver-guilt sorbet spoons, by 28.5cm high Eugene Doutre-Roussel, Paris, post-1819, 1st Standard, circa 1880, in the Russian manner with tapering diamond stems, the shallow £500 - 700 bowls engraved with birds among flowers, length 13cm. (15) €650 - 920 £100 - 200 James De Ville was perhaps the most famous and prolific maker of €130 - 260 phrenological casts in London from the 1820s to the 1840s. By 1826 it was declared that De Ville’s collection was the finest in the world 359 and casts of his work were distributed throughout the world with many A VICTORIAN SILVER-GILT DEMI-LUNE BOX still surviving in the collection of the Edinburgh School of Anatomy. By Henry Holland, London 1869 The flush-hinged cover with a bright-cut guilloche border, In his lifetime De Ville examined an enormous number of heads apart a crest to the centre, length 13.5cm, weight 9.5oz. from that of William Blake including many well-known figures such as John Elliotson, Hermann Prince of Pückler-Muskau, Harriet Martineau, £100 - 150 Charles Bray, George Eliot, Richard Dale Owen, Richard Carlile, €130 - 200 the Duke of Wellington and Prince Albert. 360 354 AN ARTS & CRAFTS ELECTROPLATED BOWL AN IZNIK-STYLE GLASS VASE, Unmarked, by Edward Spencer, The Artificiers Guild, circa 1920 enamelled with the name ‘Alfred Morrision’, Circular form with raised stylised “tree of life” rim, the body with applied strpas and ropetwist girdle, on a flaring circular base, height 14cm, £200 - 300 diameter 21cm. €260 - 390 £100 - 150 355 €130 - 200 A COLLECTION OF VICTORIAN BRASS ITEMS Comprising a pair of candlesticks, a candelabra, a pair of curtain tie 361 Y ≈ backs, a copper and brass ewer, an Aesthetic teapot, a open fretwork JOHN HARDMAN & CO carved sign reading SANCTUS, single branch wall light, a brass cast A Fine Yellow Gold Chalice and Cover relief of a sunflower and a brass cast relief of two cranes, the crane Decorated to the bowl and flared foot with a band of applied wirework 15cm x 15cm (11) in a scrolling foliage pattern, the bowl and the knopped stem inset with cabochon sapphires and rubies, the tapering cover with crenellated £600 - 800 rim and topped with a coral finial ball €790 - 1,000 19cm high, stamped ‘J H & Co’, total weight 392 grams

£6,000 - 8,000 €7,800 - 10,000

142 | BONHAMS 361

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 143 362

362 AR 363 ENZO PLAZZOTTA (ITALIAN, 1921-1981) ALFRED WILHELM BRANDEL Fighting Horses (GERMAN/HUNGARIAN, BORN AFTER 1889-DIED AFTER 1973) On a black marble base, edition of 9, cast by Fonderia Artistica Mariani A bronze bust of Napoleon in 2007, dark brown patination, Dark brown patination, signed to the reverse A. Brandel, (16cm high) 46cm high £300 - 500 £1,500 - 2,000 €390 - 650 €2,000 - 2,600

Provenance Plazzotta Limited where purchased by the present owner.

Literature Carol Plazzotta and Richard O’Conor, Enzo Plazzotta, A Catalogue Raisonne, London, 1986, page 73, no.133 (another earlier cast).

144 | BONHAMS 364

364 AR CHARLIE LANGTON (BRITISH, 20TH/21ST CENTURY) Study for Yeats - 1/6 size Inscribed YEATS and numbered 3/12, mid brown patination 34.5cm high and 52cm wide

£6,000 - 8,000 €7,800 - 10,000

Provenance Sladmore Contemporary, London where purchased by the present owner

This work is a study for the life-size bronze of Yeats, the Irish thoroughbred and four time consecutive winner of the Ascot Gold Cup. The bronze was Langton’s first life size commission and is located in the Parade Ring at Royal Ascot.

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 145 365 AR LIVIO BENEDETTI (ITALIAN, BORN 1946) Seated Figure Signed and dated BENEDETTI.LIVIO 2013, numbered I/IV, brown patination 73cm high

£1,200 - 1,800 €1,600 - 2,400

366 AR CONTEMPORARY SCHOOL Female nude Double sided medallion, indistinctly signed with monogram, mid brown patination with polished bronze, 11cm wide

£400 - 600 €520 - 790

367 A LATE 19TH/ EARLY 20TH CENTURY BRONZE BOX CAST AS A BOOK In the Gothic style The hinged top enclosing a velvet lined interior, 13cm wide, 6cm deep, 20cm high (5in wide, 2in deep, 7 1/2in high)

365 £300 - 400 €390 - 520

146 | BONHAMS 368

368 AR 369 AR LYNN CHADWICK (BRITISH, 1914-2003) VIVIEN AP RHYS PRYCE (BRITISH, 1937) Miniature figure IV Mother and child On a rectangular marble base, stamped C and inscribed 776, Foundry mark to base, bronze, mid brown patination, from an edition of 30, mid brown patination with polished bronze faces, 13 cm high the bronze 7cm high £300 - 500 £2,000 - 3,000 €390 - 650 €2,600 - 3,900 370 Literature EVELYN DE MORGAN (BRITISH, 1855-1919) Dennis Farr and Eva Chadwick, Lynn Chadwick Sculptor, Study of feet Oxford University Press, 1990, page 299, illus.776 and another study of a foot by John Linnell, chalk, 18cm, 26cm and 28cm, 44cm (2)

£600 - 800 €790 - 1,000

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 147 371

371 WALTER CRANE (BRITISH, 1845-1915) Two circular pen and ink drawings, depicting a chariot race at Kensington Palace Olympia in 1886. Each panel 23cm diam, gated artist monogram, framed and glazed.

£800 - 1,200 €1,000 - 1,600

372 AR SIR MAX BEERBOHM (BRITISH, 1872-1956) A Solemn Scene in the Garrick Club signed with initial and inscribed ‘for Alfred/from/m x’ (lower right); titled and dated ‘A Solemn Scene/in the Garrick Club. 1.30. November 28 1919’ (lower left) and variously inscribed pencil 31.5 x 19.5cm (12 3/8 x 7 11/16in).

£2,000 - 3,000 €2,600 - 3,900

373 A STYLISH SILVER ARTS & CRAFTS SILVER SUGAR BOWL London 1928, by A.W. Kirk The bowl of plain hemispherical form with fine rope-twist bands, and raised on collet foot.

£300 - 400 €390 - 520

372

148 | BONHAMS 374

374 JOHN MOYR-SMITH (BRITISH, 1839-1912) Terpander singing in Lesbos signed and dated ‘J.MOYR SMITH/1881’ (lower right) pen and ink heightened with white 31 x 86cm (12 3/16 x 33 7/8in).

£400 - 600 €520 - 790

375 AUGUSTUS EDWIN JOHN O.M. (BRITISH, 1878-1961) Portrait of Tim Pugh signed and dated 1944 chalk 43 x 28cm (17 x 11in).

£2,000 - 3,000 €2,600 - 3,900

376 A VICTORIAN GOTHIC REVIVAL SILVER PRESENTATION TROWEL By John Hardman & Co, Birmingham 1857 The baluster handle with diamond hobnail-cut decoration and lobed knopped terminal, the blade engraved with the presentation inscription “Presented To Mrs James Hall By The Inhabitants Of Scarborough On The Ocassion Of Laying The Foundation Stone Of The New Parish Church, September 21st 1857”, around a central depiction of ‘St Leonard’, foliate decoration and junction, length 33.5cm, weight 7oz.

£300 - 500 €390 - 650 375

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 149 377

377 380 AN EXTREMELY UNUSUAL AESTHETIC A GEORGE I BRITANNIA STANDARD SILVER AND JAPONISTE SILVER-GILT AND METAL SHAKUDO BOX LATER GILDED TWO-HANDLE CUP AND COVER By Frederick Elkington Birmingham 1877 By Richard Bayley, London 1721 Slender and shallow ovoid form, the hinged cover applied in high relief The shaped dome cover with ball knop finial, the plain body with applied with courting swallows perched on a branch and heightened in “gold” girdle, on a circular foot, the underside with presentation inscription, detailing whilst the underneath in inlaid with fine bands and stud, contained in a fitted leather case, , height 17.5cm, weight 15.5oz. raised on four rams’ heads capped supports, height 8.5cm, length 16.5cm. £500 - 800 €650 - 1,000 £2,500 - 3,500 €3,300 - 4,600 381 A VICTORIAN SILVER GOTHIC REVIVAL SEVEN-BAR TOAST RACK 378 By Thomas Smily London 1866 A CASED SET OF TWELVE HAND WROUGHT Each bar modelled as an architectural “window” frame with a central SILVER FIGURAL DESSERT SPOONS grip, together with a silver capstan trencher salt cellar, by Guild of By Omar Ramsden & Alwyn Carr, London 1912-1914 Handicraft, London, of large octagonal form with sunken well, the Nine depicting various Saints, and the following depiting St Edward upper and lower sections with rope-twist borders with flat chased with the Confessor, The Venrable Bede and St Dunstan, patron Saint of a band of foliage. (2) silversmiths, with elongated fig-shaped bowls, together with a silver paten, the hexafoil motif centred with engraved depiction of Christ, gilt border. £600 - 800 €790 - 1,000 £800 - 1,200 €1,000 - 1,600 382 A LATE VICTORIAN ELECTROPLATED SPOON WARMER 379 By Hukin and Heath and after a design by Dr Christopher Dresser, A GILT BRASS AND ENAMEL ALTAR VASE BY A.W.N. PUGIN circa 1870 John Hardman & Co Plain oval form, raised on four splayed feet, top section with fixed The body of flatted form, on a stepped circular foot, the flared mouth handle and screw-on apperture for hot water at end, together with a above two handles with pierced foliate panels extending down to trefoil late Victorian electroplated seven-bar toast rack, by Hukin & Heath, decoration, the centre with applied enamel panels in green and blue raised on four ball feet, the central bar with angular grip (2) with trefoil, foliate and fleur de lys elements, 27cm high 10 1/2in high) £800 - 1,000 £500 - 700 €1,000 - 1,300 €650 - 920 383 Literature AN ELKINGTON & CO CLOISONNE ENAMEL VASE Paul Atterbury (editor) A.W.N. Pugin Master of Gothic Revival figure Signed and dated 1876, possibly manufactured for the 1876 77 page 312 for a comparable pair illustrated. there is also a drawing Centennial Exhibition, Philadelphia, decorated with chrysanthemums, by Pugin of a similar stick illustrated in the Hardman & Co catalogue, butterflies and lily of the valley, against a geometric ground, stamped 1846, number 2. ‘ELKINGTON & CO 338 A’ to the base, 13.5 cm high The Country House Sale, Sworders Auctioneers 24th April 2012, lot 573 for an identical vase designed by Pugin, £500 - 700 probably for his own use, at The Grange, Ramsgate. €650 - 920

150 | BONHAMS 378 (part lot)

379

381 (one from a lot of two) 380

382 (one from a lot of two) 383

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 151 386

385

384 387 No lot AN LATE 19TH/EARLY 20TH CENTURY GEMSTONE MOUNTED SILVER AND SILVER-GILT BRACELET 385 Apparently unmarked AN ARTS AND CRAFTS GEM SET NECKLACE Composed of pierced circular appliques with floral motifs each set An elaborate openwork design depicting scrolling foliage and flowers, with an opal, together with an Victorian brooch, and an unmarked the central panel inset with pearls and pink and green gem stones, enamelled and metalware Celtic cross . (3) flanked on either side by mirrored moveable links of the same openwork design with smaller pearls and green gems, hanging from £200 - 300 the main panel a removable drop pendant of the same openwork €260 - 390 design with a central heart-shaped pearl surrounded by pearls and pink and green gems in varing shapes, finished with a drop pearl in 388Y a tear drop shape, in a presentation case 9cm by 8cm (including detachable pendant), unmarked WILLIAM BURGES (BRITISH, 1828-1881) A Unique Silver and Enamel Pendant Necklace, 1880 the tapering square pendant with central blue enamel panel depicting £600 - 800 ‘Puss in Boots’, descending from the silver frame of the pendant are €790 - 1,000 two hanging coral beads flanking a carved lapis lazuli flower bead, inscribed to the reverse of the pendant in Burges’ Gothic script 386 “Lizzie Gage 1880” THE ARTIFICIER’S GUILD 5cm high (from top of pendant to tip of lapis lazuli bead) An Arts and Crafts Belt Buckle With D loop clasp, each side of the buckle is an elaborate cross £8,000 - 12,000 design with openwork, applied wirework rope and scrolls, and inset €10,000 - 16,000 to the centre of each cross is a green stone cabochon, a dual-looped chain and circular drop bead extends from one side for extended The pendant relates to a decorative scheme for the nursery at reach, in original presentation box Cardiff Castle. The original design for this jewel is included on a page 13cm wide, unmarked of designs for the Cat Cup held at the Victoria and Albert Museum.

£400 - 500 Provenance €520 - 650 Lizzie Gage; ‘Applied Arts from 1880’ Sotheby’s New York, 1994, lot 223; Tadema Gallery, London

152 | BONHAMS 388

THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 153 NICK BIBBY (B.1960) BIOGRAPHIES With a deep understanding of anatomy and form, Devon based Nick Bibby started his career as a sculptor at the age of 16. Diversifying Artists, Designers into design for a French art company, and then working as a model maker for television and stills advertising, he started working in bronze and Makers in 1991, and has cited the influence of Rembrandt Bugatti on his work. His contemporary amalier bronzes are executed with a great eye for detail, and his British Champion Animals series has been met with THE ART FURNISHERS ALLIANCE critical acclaim. The Alliance was founded by Christopher Dresser in 1880 as an alliance of craftspeople who were all supplying high-quality artistic ISODORE JULES BONHEUR (1827-1901) furnishings for domestic interiors. Dresser was artistic director, and One of the 19th century’s most important amalier sculptors, Bonheur showrooms were established on New Bond Street, and although many had the ability to perfectly capture a movement or pose in bronze, of the late 19th century’s pre-eminent designers (Arthur Liberty, John particularly with horses. Coming from a family of artists and sculptors, Brinton, Hulkin & Heath, Arthur Sanderson etc) were represented, Bonheur’s brother-in-law was the founder Hippolyte Peyrol, one of the Dresser’s failing health and financial pressures led to the company’s foremost of the era. Bonheur exhibited many of his equestrian works demise in 1883. at the Salon between the 1860’s and 1890’s, where they were received with critical acclaim, and his naturalistically modelled and impeccably THE ARTIFICERS GUILD cast bronzes became a commercial success. He exhibited in the 1855 Founded in 1901 by Nelson Dawson, in 1903 Montague Fordham and 1889 Exposition Universelle, and his work is found in the Musée took over the Guild, appointing Edward Spencer as Director of the d’Orsay and at the Château de Fontainebleau. Hammersmith workshop. Producing high quality metalwork and jewellery, the Guild retailed its wares via a showroom off Regent Street, ALFRED BOUCHER (1850-1934) as well as producing a number of important one-off commissions. When Boucher exhibited Au But at the 1886 Salon, it was an instant success, and the French State purchased a life-size version for the MICHAEL AYRTON (1921-1975) Jardin du Luxemborg, sealing the sculptor’s reputation. Drawing on Starting his career as a painter and having worked in Georgio de classical precedents inspired by his time in Florence and Rome in Chirico’s studio, Ayrton held his first exhibition with the artist John the 1870’s and 80’s, Boucher was renowned for his ability to capture Minton in 1942 at the Leicester Galleries, having been invalided out of tension, dynamism and movement in his work. the R.A.F. By the mid-1950’s he had moved towards sculpture, and encouraged by John Berger he developed a fascination with Greek ISABELLE BRIZZI (B.1959) myth, and the likes of Icarus, the Minotaur and the concept of the A detailed eye for animal anatomy, honed at the Museum of Natural labyrinth have been recurring themes in his drawings and sculpture. History in Paris, gives Brissi’s bronzes great realism and movement. Self-sufficient and highly competitive, he gleaned much technical Aiming to capture the essence of form in her work, she comes from advice from Henry Moore. His work is found internationally, notably in a family of amalier sculptors, and the humour that was a fundamental the collections of the Tate Gallery and MOMA New York. part of her early career as an animation artist for the Walt Disney Company is apparent in her beautifully patinated and tactile bronzes. LEONARD BASKIN (1922-2000) Writer, printmaker, illustrator and sculptor, Baskin was one of the pre- LYNN CHADWICK (1914-2003) eminent American sculptors of the late 20th century. Multi-talented, In a career spanning half a century, Chadwick was one of a new Baskin revived the technique of the monumental woodcut, and was generation of British sculptors who came to prominence after the often at odds with the prevailing artistic temperament, once describing Second World War. Representing Britain at the 1956 Venice Biennale, Pop Art as “the inedible raised to the unspeakable”. Between 1974 he was the surprise winner of the International Prize for Sculpture, and 1983 Baskin lived in Devon, befriending Ted Hughes and Sylvia beating Alberto Giacometti and securing his international reputation. Plath, both influencing each other’s work. His sculpture is found Self-taught, he was known for his abstract figural forms (notably on the Franklin Delano Roosevelt Memorial and Woodrow Wilson the Elektra series of the late 1960’s) and angular winged figures, Memorial in Washington DC and is represented in the collections of the perfectly capturing the feeling of post-war angst. Often working on Met in New York, Vatican Museums and British Museum. a monumental scale, Chadwick’s style followed an essentially narrow path, and as a consequence of this found himself somewhat in the shadow of the Pop art movement in the 1960’s. In 2001 Chadwick WILLIAM ARTHUR SMITH BENSON (1854-1924) was appointed a Senior Academician of the Royal Academy. W.A.S. Benson was one of the Arts & Crafts movement’s foremost metalware designers. Specializing in brass and copper tablewares and ROBERT CLATWORTHY (B. 1928) lighting, Benson designed for Morris & Co as well as his own shops on One of the post-war New Generation of British sculptors, Clatworthy, the North End Road and subsequently in Hammersmith from 1883. A along with Eduardo Paolozzi, Elizabeth Frink and Anthony Caro, taught prolific designer, his 1899 catalogue lists over 800 lines, and his love at St Martin’s School of Art, making it the most famous sculpture of machinery and innovation (he developed a lacquering process to department in the world in the 1960’s and 1970’s. Always preferring prevent his wares tarnishing) distanced him from other more traditional to allow his work to speak for itself, his sculptures are created quickly, Arts & Crafts Designers. in a vigorous, expressionistic style filled with energy. In the 1950’s he exhibited at the Hanover Gallery alongside Picasso and Giacometti, LIVIO BENEDETTI (1946-2013) and was elected a Royal Academician in 1973. His work is found in Born in Verona, Benedetti and his family moved to France, where after the collections of the Tate, the National Portrait Gallery and the V&A military service he started working as a sculptor. Living in the Savoy Museum. region, the primitive beauty of the area is reflected in his work, giving his sculpture an inner strength, and his typical smooth finish gives his BUNNY CONNELL bronzes a timeless, serene feel. Concentrating on the figure and living Fascinated by how animals react to one another or their environment, form, Benedetti’s sculpture can be found in Tignes, Val-d’Isère and Connell’s sculpture shows her profound insight of her subject material. at the entrance to the Fréjus Tunnel, where his bust of Pierre Dumas From her ranch studio in the foothills of the Big Horn Mountains, (2007) is seen. Wyoming, she has developed a particular interest in the horse in motion, and coming from a family of polo players her depictions of the CHARLES BEVAN game show great sensitivity and detail. Charles Bevan produced furniture designs for a range of important 19th century manufacturers such as Marsh & Jones, Lamb of Manchester, MARK CORETH (B.1958) Gillows and Holland & Sons. Working in the modern gothic style, Bevan Having spent his childhood in Kenya, Coreth’s understanding of the specialized in geometric marquetry furniture, and his work was exhibited African savannah is second to none. Self-taught, he works very at the Paris Exposition and the 1872 International Exhibition. quickly, giving his works an instantly recognisable impressionistic feel, harnessing the subject’s strength and grace. Important commissions CHRISTOPHER DRESSER (1834-1904) include those for Shakespeare’s Globe Theatre, a fountain The Christopher Dresser was one of the most innovative and commercially Waterhole for the Natural History Museum, and a life-size bronze polar successful designers of the late 19th century. Often controversial in his bear skeleton, which he encased in ice and displayed in Trafalgar views, he designed across a wide range of media, including ceramics, Square to highlight the fragility of the ecosystem and the effects of silver, furniture and textiles, Dresser developed a fascination with climate change. Japanese design when he visited the country in 1876/77, and was a pioneer of the popular Anglo-Japanese style. Designing for Linthorpe TERENCE COVENTRY (B.1938) between 1879-1882, and subsequently for Mintons, Royal Worcester Coventry has paid tribute to the great sculptors of the early 20th and Wedgwood, Dresser was also a design advisor for metalwares century, citing Epstein, Picasso, Lynn Chadwick and Marino Marini as produced by Hulkin & Heath and James Dixon & Sons, and his simple great influences on his work, which encompasses both figurative and modern aesthetic have remained popular to this day. In 1899 Studio amalier and bird forms, the latter of which he often simplified with a magazine described him as “perhaps the greatest of commercial highly individual linear style. Having farmed in on the Lizard in Cornwall designers, imposing his fantasy and invention upon the ordinary output for several decades, Coventry returned to sculpture in the mid 1980’s, of British industry”. having trained at Stourbridge School of Art and the Royal College of Art. Drawing on his agricultural career, Coventry says “Farming is not THE DUCHESS OF SUTHERLAND CRIPPLES’ GUILD that different from making sculpture. One spends a lot of one’s time The Guild was founded in 1900 by Millicent, Duchess of Sutherland making things and solving the same sort of constructional problems. It to benefit the many children who had been injured working in the is elemental in the same way.” Staffordshire Potteries. Producing high quality metalwares and silver in workshops on the Trentham estate in Staffordshire, a London COX & SONS (1837-1881) showroom was opened on New Bond Street and by 1902 there were Cox & Sons were an ecclesiastical furnishing firm who employed over a hundred boys and girls being taught by the Guild, with their leading domestic designers to produce works for the art furniture metalwares being bought by a range of wealthy customers, introduced branch of the company. Designers such as John Moyr Smith, Bruce by the Duchess. The Guild ended in 1922 when the Duchess moved Talbert and Edward William Godwin have all been recorded as to France. producing designs for the firm. ANTONY DUFORT (B. 1948) AIMIEE JULES DALOU (1838-1902) Having studied at the Chelsea School of Art and Goldsmiths College, Regarded as one of the most technically accomplished modellers of London, Dufort initially worked as an illustrator and portrait painter, the era, Dalou had studied under Duret at the Ecole des Beaux Arts before starting to sculpt in his 30’s. Believing that draughtsmanship where he had learnt much from the work of Giambologna, Rubens and is an essential ability for a sculptor, his figurative work captures the Roubiliac. A friend of Auguste Rodin, his career flourished, producing personality of the sitter, and public commissions include a life-size large-scale decorative works for Haussman’s redesigned Parisian bronze of Margaret Thatcher for the House of Commons (2007) boulevards. Moving to London in the 1870’s, Dalou taught sculpture and The Bowler for the M.C.C. at Lords Cricket Ground. Dufort has at what was to become the Royal College of Art; and whilst in Britain exhibited widely in Europe and the USA, and is a member of the he was instrumental in forging an alternative approach to the medium, Society of Portrait Sculptors. termed The New Sculpture, which was to profoundly influence the next generation of sculptors. His small scale works show his FRANCISQUE JOSEPH DURET (1804-1865) compassionate view of life, particularly revealed in his perceptive single As a professor at the Ecole des Beaux-Arts, Duret had a lasting figure and mother and child groups. influence on a generation of mid-19th century French sculptors. Winner of the Prix de Rome in 1823, his reputation was sealed by PIERRE-JEAN DAVID D’ANGERS (1788-1856) Neapolitan Fisher (1833), which initiated a more picturesque trend in Classically educated, and winner of the 1811 Prix de Rome for his sculpture. In 1855 he received the Medal of Honour, and his public statue Epaminondas, David sought to honour the heroes of modern monuments include that of Cardinal Richelieu at Versailles, and two France in his expressive bronzes. His dramatic realist approach caryatids for the tomb of Napoleon at Les Invalides. was well-suited to both public monuments such as the pediment of the Pantheon (1831-37), and General Golbert in the Père-Lachaise JOHNANN WOLFGANG ELISCHER (1891-1966) Cemetery; as well as portrait medallions, which were influenced by Trained at the Academy of Vienna, Elischer won the Prix de Rome in his interest in phrenology. Regarding sculpture as “the recorder of 1909, after which he studied in Paris under Auguste Rodin. Having posterity,” he produced over 500 medallions and over 200 sculptures worked as a porcelain designer in Vienna, in 1935 he emigrated of the major figures of early 19th century France. to Australia where he received commissions for a number of pubic monuments, including the King George V Memorial in Bendigo (1938). SIR WILLIAM REID DICK (1879-1961) Known for his finely patinated Deco figures, Elischer also produced a Born in Scotland and a student of drawing at the Glasgow School of number of sensitively executed equestrian works. Art, Reid Dick was to become one of the early 20th century’s foremost monumental sculptors, being highly regarded by the Establishment. ELKINGTON & CO His commissions include the decorative elements of the Menin Gate The company was founded in the 1830’s as G.R. Elkington & Co, in Ypres, George V outside Westminster Abbey (1946), F.D. Roosevelt and subsequently Elkington, Mason & Co until the Mason name was in Grosvenor Square, and he was the only sculptor given access to dropped in 1861. Renowned for the quality of their electroplated Winston Churchill during the Second World War. Often Art Deco in wares, the company had purchased the rights to the formula style, Reid Dick’s sculpture shows great sensitivity and simplicity. discovered by John Wright in the 1840’s which used a solution of Eclipsed by the Abstract Movement in the 1960’s, he has once potassium cyanide and cyanide of silver to perfect the plating process. again been recognised as one of the 20th century’s most significant sculptors. SIR JACOB EPSTEIN (1880-1959) Controversial, at times shocking and never conventional, Epstein SOPHIE DICKENS (B. 1966) was one of the 20th century’s most individual sculptors. Born in “Mythological subjects represent universal truths” is written on Sophie the USA, Epstein moved to Paris at the age of 22, before moving Dickens’ studio wall, a reminder to the sculptor that much of her art to Britain a few years later. He (along with Eric Gill and Henri explores the struggle between man and external forces. Dickens Gaudier-Brzeska) championed the overlooked skill of direct carving, constructs her work on a framework of metal rods, layering them with taking the human form as his primary subject whilst drawing on the wood to create shape and muscular definition, whilst exploring the sculptural precedents of ancient Greece, Africa and the Far East as interplay between concave and convex form. Having studied history of his inspiration. A member of the loosely affiliated London Group, art at the Courtauld Institute, sculpture at the Cass School of Sculpture Epstein produced iconic works such as The Rock Drill (1913) in and anatomy at the Slade, her work stems from a classical heritage, the Vorticist manner and the tomb of Oscar Wilde in Père Lachaise gaining its dynamism from the likes of Titian, Michelangelo and the Cemetery, both of which embodied Epstein’s radical modernist style. Olympians of ancient Greece. Evolving his artistic style, Epstein spent much of the remainder of his career producing portrait bronzes, with a characteristic rough surface wares in the 1851 Great Exhibition, including the vast 42 light brass treatment, as well as large-scale commissions such as the alabaster and crystal chandelier from Alton Towers. Jacob and the Angel (1940) in the Tate Collection and St Michael’s Victory (1958) at Coventry Cathedral. HOLLAND & SONS Holland & Sons rose from their origins in the early 19th century to DAME ELIZABETH FRINK (1930-1993) become, by the middle years of the century, a rival to Gillow and one Along with Kenneth Armitage, Reg Butler and Eduardo Paolozzi, of the greatest English furniture producers. Recorded as early as 1815 Elizabeth Frink was one of the post-war group of sculptors dubbed as Taprell & Holland, by 1843 under the auspices of William Holland the Geometry of Fear school. Now one of the most sought (a relative of the Regency architect Henry Holland) they formed a after British 20th century sculptors, Frink’s work evolved from business alliance with Thomas Dowbiggin of 23 Mount Street, who her characteristic scarred, distressed surfaces to having a more had made the state throne for Queen Victoria’s Coronation. Under threatening, monumental feel, retaining a figurative aspect against a William Holland the firm became cabinetmakers and upholsterers to tide of international abstract work. After teaching at the RCA between the Queen, their first commission being for Osborne House in 1845, 1967-69 Frink and her husband moved to the Carmargue, where supplying furniture in the Queen’s favoured Louis XVI style. They she created a series of Goggle Heads. As well as her sculpture Frink continued to supply furniture for Osborne until 1869 and gained further produced etchings and lithographs, and these followed similar themes commissions for Windsor Castle, Balmoral and Marlborough House. to her bronzes: horses (inspired by T’ang Dynasty pottery models), Holland & Sons also worked for many leading institutions including birds, dogs and men, but rarely women. the Reform and Athenaeum Clubs, the British Museum and the Royal Academy. Along with Gillows they shared the commission for the new SIR ALFRED GILBERT (1854-1934) Houses of Parliament. They participated in many of the important Sculptor of the renowned Shaftesbury Memorial Fountain Anteros International Exhibitions including London in 1862, Vienna in 1873 at Piccadilly Circus (1893), Gilbert, along with the likes of George and Paris in 1867 and 1872. The Holland’s labelled day books are Frampton, Gilbert Bayes and Frederic Leighton, helped forge the New now housed in the National Archive of Art and Design in London and Sculpture movement, which aimed to bring a new Renaissance-inspired present a virtual ‘Who’s Who’ of 19th century society. vitality and texture to figurative sculpture in the late 19th century. Having studied under Sir Joseph Boehm, he worked on a series of public JOHN HOWARD commissions, and was appointed Professor of Sculpture at the Royal John Howard originally established his firm at 24 Lemon Street, Academy in 1900. He made innovative use of the cire perdue method London, in 1820. By 1854 he was established in the heart of the West and was an innovator in other metallurgical methods. End at 22 and 36 Berners Street. The firm grew to become one of the most fashionable and successful of the 19th century, participating GILLOWS OF LANCASTER in many of the International Exhibitions for the remainder of the Gillows was founded in around 1730 by Robert Gillow, a ships century. Howard & Sons were commissioned to provide furniture carpenter who had imported mahogany from Jamaica a decade earlier. for numerous notable clients and such beautiful houses as Sudbury The firm was run by various members of the family until 1814, when Hall in Derbyshire, Elton Hall, Huntingdonshire and Stokesay Court, the partnership of Redmayne, Whiteside and Ferguson took over. Shropshire. Still fashionable at the close of the century, in 1893 the Expanding the remit of the company from furniture to interior design, company provided the fittings for Mr Vanderbilt’s yacht. they became the largest regional manufacturer of furnishings, with a highly regarded international reputation for quality. In 1897 the form JONATHAN KENWORTHY (B.1943) merged with Warings of Liverpool, but by the early 20th century quality Drawing on a wealth of visual sources, from the Lascaux cave started to slip, and coming full circle from their origins Waring & Gillow paintings to the landscapes of East Africa, Kenworthy’s bronzes survived by fitting out ships and liners, and later producing Art Deco encapsulate vigour and exoticism. Training at the Royal College of Art furniture. The Gillow archive survives in Westminster City Libraries, under the renowned John Skeaping, he became the youngest winner and is one of the most comprehensive of any cabinet-maker. of the Royal Academy Gold Medal. From his first solo exhibition at the Tryon Gallery in 1969, he has exhibited around the world, and his EDWARD WILLIAM GODWIN (1833-1886) sculptures can be found globally, with the monumental Lioness and E. W. Godwin combined a career as a successful architect with that Lesser Kudu in Upper Grosvenor Gardens, London. Kenworthy’s of a designer, initially inspired by Ruskin’s ‘The Stones of Venice’. sculptures are typified by their broken modelling interplaying with He was notable for embracing Japanese design in the mid 1860’s smoother areas, giving the surface great life and texture. and introducing it to the Western market. Producing furniture, tiles, textiles and metalwork for Collinson & Lock and Liberty & Co, he CHARLIE LANGTON (B.1964) was patronised by an artistic avent-garde clientele including the likes Langton writes that “he is drawn to each subject with a fresh of James Whistler, for whom he designed The White House on Tite excitement”, and that by working from life as much as possible Street, Chelsea; and Oscar Wilde. he aims to capture the character, presence and movement of the thoroughbred horse in his sculpture. One of the foremost equestrian IAN GREENSITT (B.1971) sculptors working today, Langton created the over life-size model of Based in Northumberland, Greensitt’s bronzes are inspired by the Yeats, four time winner of the Gold Cup, that stands in the Parade Ring wildlife and rugged landscape of his home county, as well as his at Ascot, as well as a number of smaller models of the same subject, observations of animals and birds in the Umfolozi and Hluhluwe game and also the Investec Derby Trophy. His meticulously observed reserves in South Africa. Having initially worked in ceramics, he now sketches are a fundamental part of his creative process. mainly works in bronze and silver, and his detailed draughtsmanship marks him out as having an innate understanding of his subject matter. JAMES LAMB He is passionately committed to wildlife conservation. The firm of James Lamb was the pre-eminent Manchester cabinetmaker in the second half of the 19th century. James Lamb was HARDMAN & CO born in 1816 and joined the family business developing it into a high The firm was founded in 1838 by John Hardman and were to become class decorating and furnishing firm. The company had a workshop one of the world’s pre-eminent manufacturers of ecclesiastical in Castleford and their main gallery was located in John Dalton Street, metalwares and stained glass. A.W.N. Pugin employed the firm Manchester, with showrooms over three floors. The firm was to go to work on St Chad’s Cathedral in the late 1830’s, and Hardman’s on to international success winning medals at the London 1862 nephew, John Hardman Powell was to marry Pugin’s daughter Anne, Exhibition, the Paris 1867 Exhibition and Paris 1878 Exhibition. They firmly linking the two families. J.H.Powell excelled as a designer of employed designers of the calibre of Charles Bevan, Bruce Talbert and gothic revival stained glass, imitating the strength and refinement of W.J Estall. colour of 14th century glass perfectly, whilst incorporating his own original designs. Hardman & Co produced glass for Pugin’s Houses of FRANÇOIS RAOUL LARCHE (1860-1912) Parliament, Gloucester Arundel and Worcester Cathedrals as well as An exponent the Art Nouveau manner, Larche is widely recognised for innumerable churches around Britain and Ireland, and also in Sydney, his Parisian monumental works, but his smaller scale sculpture shows Australia. They exhibited a range of their ecclesiastical and domestic the broad range of his interests: mythological figures, female nudes and notably the American dancer Loie Fuller, whose flowing, ethereal and then at the Royal College of Art. Fascinated by African, Mexican robes Larche so eloquently captured, embodying the fin de siècle and Egyptian art, Moore’s sculpture moved away from the classical rhythm and organic movement of Art Nouveau. style imposed by his tutors towards a naturalistic style, in which truth to materials (he advocated the direct carving approach) was LINTHORPE ART POTTERY paramount. In the late 1930’s Moore exhibited at the International Established by Christopher Dresser, Linthorpe Art Pottery was one Surrealist Exhibitions in London and Paris, and during the Second of the most influential designers of the time, and entrepreneur John World War he worked as a war artist, producing his renowned Shelter Harrison in Middlesborough in 1879 to provide employment for the Drawings. After the war the scale of Moore’s sculpture increased region’s redundant ironworkers. Surviving for only 10 years, the greatly, and from his Perry Green studio he produced a number of pottery produced a vast range of wares, (the largest collection is held significant commissions, in which bronze became the medium of by the Dorman Memorial Museum) and was revolutionary in using gas- choice, including his Family Group works and Reclining Figures. In his fired kilns to fire its distinctive polychrome glazed pottery. The pottery own words, “The creative habit is like a drug. The particular obsession closed when Harrison died in 1889. changes, but the excitement, the thrill of your creation lasts.”

ANITA MANDL (B.1926) WILLIAM MORRIS (1834-1896) Trained as a zoologist, Mandl studied sculpture at the Birmingham William Morris had a hugely significant impact on the revival of British College of Art. She works in a wide variety of materials, including textile production. Known in his lifetime as a poet, he had trained hardwood, marble and soapstone, and she then casts these works in as an architect before becoming influenced by the Pre-Raphaelite bronze. Her attention to the finish of the sculpture is very detailed, and painters such as Burne-Jones and Rosetti. Philip Webb designed The the highly polished patinatination often evokes that of stone or marble. Red House for Morris and his wife, and Morris decorated the interior, She was elected a Fellow of the Royal Society of British Sculptors in the success of which encouraged him to establish Morris, Marshall, 1980, and is a Royal West of England Academician. Faulkner & Co. (later Morris & Co.). Designing a number of important wallpapers in the early 1860’s, by the following decade he had turned PIERRE JULES MÊNE (1810-1877) his attention to weaving, reverting to traditional organic dyes for greater One of the finest amalier sculptors of the 19th century, Mêne vibrancy. Founder of the Kelmscott Press in Hammersmith and a silk established his own foundries to cast his statuettes of farm and weaving and stained glass factory at Merton Abbey Mills, Morris’s domestic animals, allowing him to retain full control throughout the artistic interests were varied, and his influence and vision of ‘art for the production process, ensuring his works were always of the highest people’ has continued to the present day. quality. Largely self-taught, he was an advocate of the lost-wax process, and was initially influenced by the romantic style of Antoine- EMILE LOUIS PICAULT (1833-1915) Louis Barye. His style subsequently evolved into the juste milieu of the Primarily known for his sculpture of historical and mythological figures, mid 19th century July Monarchy, combining a more realistic manner Picault exhibited at the Paris Salon between 1863-1909. His finely with traditional conventions, capturing every detail of his subject. A modelled figurative work took inspiration from ancient Rome and the convivial, popular figure, Mêne was awarded the Legion d’Honneur in Egyptian Revival, and he was known for his well-observed depictions 1861 and was a regular exhibitor at the Salon. of labourers, soldiers and scantily-clad maidens.

JEAN ANTONIN MERCIÉ (1845-1916) VIVIEN AP RHYS PRICE Having worked in Jouffroy’s studio, Mercié won the Prix de Rome in The human form is central to Rhys Price’s sculpture, stimulated by her 1868 which enabled him to study in Rome for four years, during which interest in life modelling and life drawing whilst at art college. Based time he produced Gloria Victus and David with the Head of Goliath. in Wiltshire, she explores the relationship between family groups, When the latter was unveiled at the 1872 Paris Salon it was received particularly in her mother and child sculptures. Her public works to great public and critical acclaim, and considered to be one of the include the Royal Wootton Bassett War Memorial (2004) and the most important works of the neo-renaissance movement, drawing Minoprio Fountain (1998) at the University of Exeter. inspiration from Donatello’s David and Cellini’s Perseus with the Head of Medusa. Appointed President of the Société des Artistes Français OMAR RAMSDEN (1873-1939) in 1913, Mercié’s public works include Justice at the Hôtel de Ville, Omar Ramsden was arguably the leading silver designer of te early Paris, and in America the Francis Scott Key Monument in Baltimore 20th century. Born in Sheffield, Ramsden initially worked with Alwyn and the Robert E. Lee Monument in Richmond Virginia. Carr (1872-1940), with the partnership breaking up after the First World War. Combining arts and crafts idioms with a historical leaning, MINTON his silver had a reassuring appeal after the turmoil of the War, and a Minton was one of the foremost ‘art’ porcelain producers of the 19th team of craftsmen produced an exceptionally high quality body of century. Founded in 1793, the company initially specialised in transfer- work. printed tableware and fairly plain bone china, before expanding their range to include durable decorative finishes such as their famous AUGUSTE RODIN (1840-1917) encaustic tile, which is found across a vast range of mid-19th century Considered one of the most remarkable sculptors of the late 19th buildings. In 1845 Herbert Minton went into partnership with Michael century, Rodin had a profound influence on modern sculpture. He Hollins, forming a specialist tile making company Minton Hollins & Co. mastered the ability of capturing dynamism and inner movement Throughout the second half of the 19th century the company’s wares in bronze, marble and clay. Rejected three times by the École des were strongly influenced by French tastes, copying the much sought Beaux-Arts in Paris, he worked as a bricklayer until the 1870s, when after Sèvres porcelain and pâte-sur-pâte, and they also produced he resumed his artistic career, creating The Age of Bronze (1877), Chinese, Japanese and Austrian Secessionist inspired ranges. showing the influence of Italian Renaissance sculpture, notably that of Michelangelo, on his work. The Burghers of Calais (1884) was a BRUCE JAMES TALBERT (1838 –1881) dramatic departure from the accepted norm for public monuments, Was a Scottish carver before becoming an architect, interior designer and when Balzac was unveiled in 1898, the artistic establishment and author. He championed The Reformed Gothic style and was well were horrified, which only increased Rodin’s international standing. known for his furniture designs. Following a move to London in 1866 Rodin worked quickly, sketching in clay and then using a team of he designed furniture for Holland & Sons and then Gillows of Lancaster skilled assistants to cast these models in bronze or to carve them in and London. As well as designing furniture he designed metalwork, marble. His legacy is immense: his unconventional surface treatment, tiles, stained glass, textiles, and wallpaper. At the 1867 Paris Exhibition pioneering attitude to pose, and ability to confront all aspects of he won a silver medal for a piece of furniture designed for Holland & human emotion head-on, allowed 20th century sculpture to take the Sons course it did.

HENRY MOORE (1898-1986) GORDON RUSSELL (1892-1980) Arguably the greatest British sculptor of the 20th century, Moore was Gordon Russell became a designer and furniture maker following dissuaded from becoming a sculptor by his parents. After military military service in the First World War. Based at Broadway in the service in the First World War, he trained at the Leeds School of Art Cotswolds, he was appointed Chairman of the Utility Design Panel in 1943, and stylistically moved from an Arts & Crafts style towards a Please can this go as a quote underneath the image of Lot 111, not as more Modernist approach which perfectly combined functionality and part of the text though (please check lot number with Robin) design flair.

JILL COWIE SANDERS (B.1930) LEON UNDERWOOD (1890-1975) Working from her studio in Andalusia, Spain, Cowie Sanders works Described as “the precursor of modern sculpture in Britain”, mainly in bronze, and her sculpture embraces a broad range of subject Underwood was primarily known for his sculpture, but also excelled material. Having trained at St Martins School of Art she went on to as a painter, printmaker, writer and furniture maker. Using a broad study sculpture at Boston Museum School of Fine Arts. Her public range of media in his work, he drew on inspiration from his travels works include the Gibraltar Evacuation Monument (2000). in Mexico, Spain, Russia and Africa and his love of non-western art. Rejecting complete abstraction, as well as the gallery-dealer system, BENNO SCHOTZ (1891-1984) Underwood forged his own path away from the prevalent artistic Born in Estonia, Schotz emigrated to Glasgow in 1912, where he took trends of post-war Britain, preferring to remain true to his materials sculpture classes at the Glasgow School of Art whilst working as a and to maintaining his artistic integrity, resulting in him being eclipsed draughtsman for the shipbuilders John Brown & Co. Specializing in by the so called ‘Geometry of Fear’ artists such as Henry Moore (a portrait sculpture, and influenced by both Rodin and Epstein, much of former pupil of Underwood’s at the Royal College of Art) and Reg his figural and ecclesiastical work is still found in Scottish collections Butler. By the 1960’s he had regained critical recognition, and his work including the Scottish National Portrait Gallery and the University of is represented in the Tate, Courtauld Institute and Ashmolean Museum Glasgow. Appointed Head of Sculpture at the Glasgow School of amongst others. Art in 1938 and Sculptor in Ordinary for Scotland in 1963, a major retrospective of his work was held at the RSA Edinburgh in 1971. DENNIS WESTWOOD (B.1928) Trained in the figurative tradition at the Royal College of Art, JOHN MOYR SMITH (1839-1912) Westwood’s sculpture is always highly tactile and impeccably finished. J.M. Smith was a Glaswegian architect who moved to London where Having moved stylistically to an abstract manner, his bronzes are be perused his passion for designing furniture and decorative arts. often technically complicated and have a poetic sense of composition His work has been described as quirky and edgy, and by 1867 was revolving around the concept of the continuum. working with Christopher Dresser, as well as supplying designs for Cox & Sons. A highly accomplished illustrator and printmaker, he DAVID WYNNE (1926-2014) also supplied designs to Coalbrookdale, Collinson & Lock as well as Encouraged by Jacob Epstein, David Wynne started his career in the producing many series of tiles for Minton. 1950’s, and by the following decade had firmly established himself as a portrait sculptor with sitters as diverse as the Beatles, John Gielgud RONALD SEARLE (1920-2011) and Queen Elizabeth II. His first major commission was Teamwork Creator of the anarchic St Trinian’s books and Molesworth cartoon (1958) a vast work hewn from a 100 ton block of Cornish granite, and series, Searle started his career as a war artist when captured and this was followed by a large number of public sculptures, including one incarcerated by the Japanese in 1942. Working in a broad range of of London’s most iconic works Boy with Dolphin (1974) on the Chelsea media, he created commemorative medals for the British Art Medal Embankment and the Queen Elizabeth Gate, Hyde Park (1992). Society and the French Mint, and was appointed a Chevalier of the Often derided by the artistic Establishment, his works have however Légion d’Honneur in 2007. Producing a vast quantity of work over remained highly popular. his life, Searle’s work carried dark undertones, influenced by his war experiences, and he is now recognized as being one of the world’s CHARLES VOYSEY (1857-1941) greatest satirical artists. Charles Voysey was a pioneer of modern industrial design. An architect by training, his interest in furniture design developed in FRANZ VON STUCK (1863-1928) tandem with his architectural interests, and he championed the beauty As a child von Stuck was a gifted caricaturist, and having attended of his raw materials, particularly unwaxed oak. He produced furniture the Munich School for Applied Arts he worked as a society portrait using simple gothic motifs and bold functional metalwork, drawing painter. In the 1890’s he started producing sculpture, drawing on the on the designs by Arthur Heygate Mackmurdo and he was more work of Arnold Böcklin and mythological sources. An amateur (but concerned with the form and function of his designs rather than the gifted) architect and furniture designer, his students included Paul Klee, late Victorian obsession with elaborate decoration. Wassily Kandinsky and Josef Albers.

WILLIAM HAMO THORNYCROFT (1850-1925) A key figure of the late 19th century New Sculpture movement along with George Frampton and Gilbert Bayes, Thornycroft’s early works were classical in style, such as Warrior Bearing a Wounded Youth (1876) but evolved to embody a more naturalistic manner, as seen in sculptures such as The Mower (1884), the first full-size bronze of a contemporary labourer. Later in his career Thornycroft undertook a number of large-scale commissions, notably Oliver Cromwell (1899) outside the Palace of Westminster and Boadicea, on Westminster Bridge (1901). Thornycroft was elected a Royal Academician in 1888 and was knighted in 1917.

NICOLA TOMS (B. 1969) One of the most interesting contemporary wildlife sculptors currently working in Britain, Nicola Toms grew up in Zimbabwe and studied graphic art in Harare. Her experience of viewing, sketching and filming wildlife in the wild (both in Africa and in Britain) gives her bronzes a great immediacy and dynamism. Roy Davids writes “Whenever I meet Nicola I am struck by her candour, something unspoiled, unblemished. I feel linked in with the tall skies, distant horizons, the gifts of love for and intimacy with animals she learned as a child; as also the accuracy of her perceptions derived from having always recorded on paper or in models.”

• “The first, one of her elephants, bought six ago having met it in a photograph in a magazine, struck home with its Blakean joyfulness.” INDEX

A J ap Rhys Pryce, Vivien 369 John Hardman & Co 45 Armitage, Kenneth 179 John, Augustus Edwin 375 Ayrton, Michael 187, 214, 278, 279, 280, 295, 339 Jones & Willis 156 B K Barye, Antoine-Louis 74, 170, 171 Kenworthy, Jonathan 12 Baskin, Leonard 194, 326 L Bayre, Antoine-Louis 220 Lamb of Manchester 316 Beerbohm, Max 372 Langton, Charlie 18, 364 Benedetti, Livio 150, 184, 193, 217, 325, 365 Larche, François-Raoul 223 Benson, William Arthur Smith 117 Laurens, Henri 180 Bevan, Charles 44 Lucan (Lady Margaret Bingham), The Countess of 310 Bibby, Nick 15, 70, 71, 109, 110, 112, 276 M Bonheur, Isidore Jules 33, 36, 148 Mandl, Anita 145 Bottee, Louis Alexandre 296 Mêne, Pierre Jules 34, 37 Boucher, Alfred 213 Mercié , Marius Jean Antonin 221 Brandel, Alfred Wilhelm 363 Moore, Henry 232, 233 Brizzi, Isabelle 277 Morgan, Evelyn de 370 Buonarroti, Michelangelo 101 Morris and Philip S. Webb, William 94 C Moyr Smith, John 168 Chadwick, Lynn 226, 227, 368 Moyr-Smith, John 6, 374 Clatworthy, Robert 13, 16, 17, 328, 330 P Connell, Bunny 14 Picault, Emile Louis 253 Contemporary School 146, 182, 366 Plazzotta, Enzo 186, 188, 191, 222, 362 Coreth, Mark Rudolf 10, 11, 114, 115, 149 Plucknett & Steevens 125 Coventry, Terence 275 Pugin, A. W. N. 379 D R Dalou, Aimé Jules 216, 250 Rodin, After Auguste 317, 318, 350 David d’Angers, Pierre Jean 197, 287 S Degas, After Edgar 348 Sanders, Jill Cowie 183 Dick, Sir William Reid 225 Schievelkamp, Helmuth 224 Dickens, Sophie 113 Schotz, Benno 192 Dixon, Arthur Stansfield 43 Searle, Ronald 286 Dresser, Christopher 200 Shoolbred, J A S 203 Dufort, Anthony 215 Simpson, A.W. 321 Duret, Francisque Joseph 100 Spencer, Edward 312 E Stuck, Franz von 219 Elischer, John W. 144 T Epstein, Jacob 297, 298 Thornycroft R.A., Sir William Hamo 285 F Thornycroft, Sir William Hamo 243, 249 Foley, Arthur 269 Toms, Nicola 35, 38, 72, 108, 111 Frink, Elisabeth 116 U G Underwood, Leon 189 Gane, P.E. 130 W Geyger, Ernst Moritz 98 Westwood, Dennis 185 Gilbert, Alfred 338 Wynne, David 218 Gillows 49, 53, 95, 202, 205, 323 Greensitt, Ian 76 H Hart & Son 84, 263 Holland & Sons 102 Hones 1 Howard & Sons 124 Bonhams Private Collections and House Sales

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bonhams.com/privatecollections 160 | BONHAMS Bonhams Private Collections and House Sales

Private ColleCtions sales Built on strong Foundations

Bonhams is renowned for holding highly successful sales of high profile private collections in the UK, Europe, America and Australia.

enquiries UK and Europe Harvey Cammell +44 (0) 20 7468 8230 [email protected] Charlie Thomas +44 (0) 20 7468 8358 [email protected]

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bonhams.com/privatecollections THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 161 VIEWING Hong Kong 14 - 19 January Paris 29 January - 2 February Le Grand Palais, Paris 4 - 5 February London 15 - 19 February Los Angeles 27 February - 6 March New York 25 - 30 March

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bonhams.com/bacall 162 | BONHAMS VIEWING DEcorativE arts GEorGE tinworth for EnquiriEs Hong Kong 14 - 19 January Doulton lambEth +44 (0) 20 7393 3860 Paris 29 January - 2 February from 1860 A Rare Figural Clock, 1889 [email protected] Le Grand Palais, Paris 4 - 5 February Wednesday 1 April 2015 £5,000 - £7,000 London 15 - 19 February London, Knightsbridge Los Angeles 27 February - 6 March New York 25 - 30 March

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Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot is any doubt as to the Hammer Price of, or whether you are the pay the Purchase Price, which is the Hammer Price plus any the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot successful Bidder of, a particular Lot, you must draw this to the applicable VAT. At the same time, a separate contract is also In all other instances no VAT will be charged on the Hammer Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as attention of the Auctioneer before the next Lot is offered for entered into between us as Auctioneers and the Buyer. This Price, but VAT at the prevailing rate will be added to Buyer’s possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is Sale. At the end of the Sale, or when you have finished bidding is our Buyer’s Agreement, the terms of which are set out in Premium which will be invoiced on a VAT inclusive basis. have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may please return your paddle to the Bidder registration desk. Appendix 2 at the back of the Catalogue. Please read the terms be inaccurately reproduced) with any photograph of the Lot of the Contract for Sale and our Buyer’s Agreement contained 9. PAYMENT 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not Bidding by telephone in the Catalogue in case you are the successful Bidder. We you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements It is of critical importance that you ensure that you have readily In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different available funds to pay the Purchase Price and the Buyer’s in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the Premium (plus VAT and any other charges and Expenses to us) the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral in full before making a bid for the Lot. If you are a successful does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be Bidder, payment will be due to us by 4.30 pm on the second give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been working day after the Sale so that all sums are cleared by statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates bidding facility is a discretionary service and may not be any. the eighth working day after the Sale. Unless agreed by us in Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf available in relation to all Lots. We will not be responsible for advance payments made by anyone other than the registered Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES Buyer will not be accepted. Payment will have to be by one of the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER the following methods (all cheques should be made payable to advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium bidding. Please contact us for further details. Bonhams 1793 Limited). Bonhams reserves the right to vary the The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and Under the Buyer’s Agreement, a premium (the Buyer’s terms of payment at any time. on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, Sterling personal cheque drawn on a UK branch of a bank statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in or building society: all cheques must be cleared before you made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable can collect your purchases; as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the Bankers draft/building society cheque: if you can provide sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers suitable proof of identity and we are satisfied as to the or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. before the start of the Sale. Please check your Absentee of Lots: genuineness of the draft or cheque, we will allow you to collect Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect Bidding Form carefully before returning it to us, fully completed your purchases immediately; insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on 25% up to £50,000 of the Hammer Price of the Condition Report and accordingly does not assume and signed by you. It is your responsibility to check with our behalf of the Seller. We are not responsible to you in respect of 20% from £50,001 to £1,000,000 of the Hammer Price responsibility to you in respect of it. Nor does the Seller owe or Bids Office that your bid has been received. This additional Cash: you may pay for Lots purchased by you at this Sale with Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If 12% from £1,000,001 of the Hammer Price agree to owe you as a Bidder any obligation or duty in respect service is complimentary and is confidential. Such bids are notes, coins or travellers cheques in the currency in which or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own made at your own risk and we cannot accept liability for our the Sale is conducted (but not any other currency) provided collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the On certain Lots, which will be marked “AR” in the Catalogue inspection or for inspection by an expert instructed by you. failure to receive and/or place any such bids. All bids made that the total amount payable by you in respect of all Lots for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against and which are sold for a Hammer Price of €1,000 or greater However, any written Description of the physical condition of on your behalf will be made at the lowest level possible purchased by you at the Sale does not exceed £3,000, or the agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who (converted into the currency of the Sale using the European the Lot contained in a Condition Report will form part of the subject to Reserves and other bids made for the Lot. Where equivalent in the currency in which the Sale is conducted, at out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Central Bank Reference rate prevailing on the date of the Sale), Contractual Description of the Lot under which it is sold to appropriate your bids will be rounded down to the nearest the time when payment is made. If the amount payable by you 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked the Additional Premium will be payable to us by the Buyer to any Buyer. amount consistent with the Auctioneer’s bidding increments. for Lots exceeds that sum, the balance must be paid otherwise relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address than in coins, notes or travellers cheques; Any dispute as to the highest acceptable bid will be settled by the Artists Resale Right Regulations 2006. The Additional The Seller’s responsibility to you when submitting bids. Failure to do this will result in your bid 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will Premium will be a percentage of the amount of the Hammer The Seller does not make or agree to make any representation not being placed. Sterling travellers cheques: you may pay for Lots purchased relate to the actual Lot number announced by the Auctioneer. Price calculated in accordance with the table below, and shall of fact or contractual promise, Guarantee or warranty and by you at this Sale with travellers cheques, provided the total Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This not exceed €12,500 (converted into the currency of the Sale undertakes no obligation or duty, whether in contract or in Bidding via the internet amount payable by you in respect of all Lots purchased by you in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent using the European Central Bank Reference rate prevailing on tort (other than to the eventual Buyer as set out above), in Please visit our Website at http://www.bonhams.com for at the Sale does not exceed £3,000. We will need to see your below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept the date of the Sale). respect of the accuracy or completeness of any statement details of how to bid via the internet. passport if you wish to pay using travellers cheques; all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in Hammer Price Percentage amount contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or Bidding through an agent From €0 to €50,000 4% Bank transfer: you may electronically transfer funds to our part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% Trust Account. If you do so, please quote your paddle number are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% and invoice number as the reference. Our Trust Account details true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% are as follows: reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. require written confirmation from the principal confirming Exceeding €500,000 0.25% are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. Bank: National Westminster Bank Plc the agent’s authority to bid. Nevertheless, as the Bidding satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Address: PO Box 4RY Bonhams’ responsibility to you Form explains, any person placing a bid as agent on behalf 8. VAT its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids 250 Regent Street You have the opportunity of examining the Lot if you want to of another (whether or not he has disclosed that fact or the background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by London W1A 4RY and the Contract for Sale for a Lot is with the Seller and not identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any Account Name: Bonhams 1793 Limited Trust Account with Bonhams; Bonhams acts as the Seller’s agent only (unless the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Account Number: 25563009 Bonhams sells the Lot as principal). resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. to examine any Lot in which you are interested. It should be Sort Code: 56-00-27 please let us know if you are acting on behalf of another remembered that the actual condition of a Lot may not be as 5. BIDDING IBAN Number: GB 33 NWBK 560027 25563009 Bonhams undertakes no obligation to you to examine, person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or the Hammer Price and Buyer’s Premium: parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not If paying by bank transfer, the amount received after the at all, on each Lot to establish the accuracy or otherwise of any Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, deduction of any bank fees and/or conversion of the currency Descriptions or opinions given by Bonhams, or by any person person to bid on your behalf at the Sale unless this is to be Premium not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form of payment to pounds sterling must not be less than the on Bonhams’ behalf, whether in the Catalogue or elsewhere. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of sterling amount payable, as set out on the invoice. Form that you have completed. If we do not approve the Price and Buyer’s Premium Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring Debit cards: there is no additional charge for purchases made or tests have occurred. to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof with personal debit cards, issued by a UK bank. Debit cards own behalf. Accordingly, the person bidding at the Sale will or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit issued by an overseas bank, deferred and company debit cards Bonhams does not make or agree to make any representation be the Buyer and will be liable to pay the Hammer Price and should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry and all credit cards will be subject to a 2% surcharge; of fact, and undertakes no obligation or duty (whether in Buyer’s Premium and associated charges. If we approve the on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness identity of your client in advance, we will be in a position to mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/11.14 NTB/MAIN/11.14 NOTICE TO BIDDERS Bidding in person address the invoice to your principal rather than you. We will G Gold bullion exempt from VAT on the Hammer Price This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot You should come to our Bidder registration desk at the Sale require proof of the agent’s client’s identity and residence in and subject to VAT at the prevailing rate on the Buyer’s be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No venue and fill out a Bidder Registration Form on (or, if possible, advance of any bids made by the agent on his behalf. Please Premium (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any before) the day of the Sale. The bidding number system is refer to our Conditions of Business and contact our Customer • Zero rated for VAT, no VAT will be added to the Hammer we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into sometimes referred to as “paddle bidding”. You will be issued Services Department for further details. Price or the Buyer’s Premium Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. with a large card (a “paddle”) with a printed number on it. a Buyers from within the EU: VAT is payable at the Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and This will be attributed to you for the purposes of the Sale. 6. CONTRACTS BETWEEN THE BUYER AND SELLER prevailing rate on just the Buyer’s Premium (NOT the Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations Should you be a successful Bidder you will need to ensure that AND THE BUYER AND BONHAMS Hammer Price). Buyers from outside the EU: VAT is the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ your number can be clearly seen by the Auctioneer and that it payable at the prevailing rate on both Hammer Price Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in is your number which is identified as the Buyer’s. You should On the Lot being knocked down to the Buyer, a Contract for and Buyer’s Premium. If a Buyer, having registered under IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. not let anyone else use your paddle as all Lots will be invoiced Sale of the Lot will be entered into between the Seller and a non-EU address, decides that the item is not to be may be set out in the Catalogue for the Sale, in an insert in to the name and address given on your Bidder Registration the Buyer on the terms of the Contract for Sale set out in exported from the EU, then he should advise Bonhams the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST Form. Once an invoice is issued it will not be changed. If there Appendix 1 at the back of the Catalogue. You will be liable to immediately. and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot is any doubt as to the Hammer Price of, or whether you are the pay the Purchase Price, which is the Hammer Price plus any the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot successful Bidder of, a particular Lot, you must draw this to the applicable VAT. At the same time, a separate contract is also In all other instances no VAT will be charged on the Hammer Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as attention of the Auctioneer before the next Lot is offered for entered into between us as Auctioneers and the Buyer. This Price, but VAT at the prevailing rate will be added to Buyer’s possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is Sale. At the end of the Sale, or when you have finished bidding is our Buyer’s Agreement, the terms of which are set out in Premium which will be invoiced on a VAT inclusive basis. have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may please return your paddle to the Bidder registration desk. Appendix 2 at the back of the Catalogue. Please read the terms be inaccurately reproduced) with any photograph of the Lot of the Contract for Sale and our Buyer’s Agreement contained 9. PAYMENT 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not Bidding by telephone in the Catalogue in case you are the successful Bidder. We you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements It is of critical importance that you ensure that you have readily In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different available funds to pay the Purchase Price and the Buyer’s in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the Premium (plus VAT and any other charges and Expenses to us) the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral in full before making a bid for the Lot. If you are a successful does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be Bidder, payment will be due to us by 4.30 pm on the second give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been working day after the Sale so that all sums are cleared by statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates bidding facility is a discretionary service and may not be any. the eighth working day after the Sale. Unless agreed by us in Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf available in relation to all Lots. We will not be responsible for advance payments made by anyone other than the registered Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES Buyer will not be accepted. Payment will have to be by one of the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER the following methods (all cheques should be made payable to advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium bidding. Please contact us for further details. Bonhams 1793 Limited). Bonhams reserves the right to vary the The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and Under the Buyer’s Agreement, a premium (the Buyer’s terms of payment at any time. on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, Sterling personal cheque drawn on a UK branch of a bank statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in or building society: all cheques must be cleared before you made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable can collect your purchases; as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the Bankers draft/building society cheque: if you can provide sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers suitable proof of identity and we are satisfied as to the or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. before the start of the Sale. Please check your Absentee of Lots: genuineness of the draft or cheque, we will allow you to collect Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect Bidding Form carefully before returning it to us, fully completed your purchases immediately; insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on 25% up to £50,000 of the Hammer Price of the Condition Report and accordingly does not assume and signed by you. It is your responsibility to check with our behalf of the Seller. We are not responsible to you in respect of 20% from £50,001 to £1,000,000 of the Hammer Price responsibility to you in respect of it. Nor does the Seller owe or Bids Office that your bid has been received. This additional Cash: you may pay for Lots purchased by you at this Sale with Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If 12% from £1,000,001 of the Hammer Price agree to owe you as a Bidder any obligation or duty in respect service is complimentary and is confidential. Such bids are notes, coins or travellers cheques in the currency in which or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own made at your own risk and we cannot accept liability for our the Sale is conducted (but not any other currency) provided collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the On certain Lots, which will be marked “AR” in the Catalogue inspection or for inspection by an expert instructed by you. failure to receive and/or place any such bids. All bids made that the total amount payable by you in respect of all Lots for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against and which are sold for a Hammer Price of €1,000 or greater However, any written Description of the physical condition of on your behalf will be made at the lowest level possible purchased by you at the Sale does not exceed £3,000, or the agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who (converted into the currency of the Sale using the European the Lot contained in a Condition Report will form part of the subject to Reserves and other bids made for the Lot. Where equivalent in the currency in which the Sale is conducted, at out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Central Bank Reference rate prevailing on the date of the Sale), Contractual Description of the Lot under which it is sold to appropriate your bids will be rounded down to the nearest the time when payment is made. If the amount payable by you 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked the Additional Premium will be payable to us by the Buyer to any Buyer. amount consistent with the Auctioneer’s bidding increments. for Lots exceeds that sum, the balance must be paid otherwise relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address than in coins, notes or travellers cheques; Any dispute as to the highest acceptable bid will be settled by the Artists Resale Right Regulations 2006. The Additional The Seller’s responsibility to you when submitting bids. Failure to do this will result in your bid 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will Premium will be a percentage of the amount of the Hammer The Seller does not make or agree to make any representation not being placed. Sterling travellers cheques: you may pay for Lots purchased relate to the actual Lot number announced by the Auctioneer. Price calculated in accordance with the table below, and shall of fact or contractual promise, Guarantee or warranty and by you at this Sale with travellers cheques, provided the total Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This not exceed €12,500 (converted into the currency of the Sale undertakes no obligation or duty, whether in contract or in Bidding via the internet amount payable by you in respect of all Lots purchased by you in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent using the European Central Bank Reference rate prevailing on tort (other than to the eventual Buyer as set out above), in Please visit our Website at http://www.bonhams.com for at the Sale does not exceed £3,000. We will need to see your below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept the date of the Sale). respect of the accuracy or completeness of any statement details of how to bid via the internet. passport if you wish to pay using travellers cheques; all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in Hammer Price Percentage amount contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or Bidding through an agent From €0 to €50,000 4% Bank transfer: you may electronically transfer funds to our part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% Trust Account. If you do so, please quote your paddle number are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% and invoice number as the reference. Our Trust Account details true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% are as follows: reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. require written confirmation from the principal confirming Exceeding €500,000 0.25% are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. Bank: National Westminster Bank Plc the agent’s authority to bid. Nevertheless, as the Bidding satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Address: PO Box 4RY Bonhams’ responsibility to you Form explains, any person placing a bid as agent on behalf 8. VAT its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids 250 Regent Street You have the opportunity of examining the Lot if you want to of another (whether or not he has disclosed that fact or the background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by London W1A 4RY and the Contract for Sale for a Lot is with the Seller and not identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any Account Name: Bonhams 1793 Limited Trust Account with Bonhams; Bonhams acts as the Seller’s agent only (unless the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Account Number: 25563009 Bonhams sells the Lot as principal). resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. to examine any Lot in which you are interested. It should be Sort Code: 56-00-27 please let us know if you are acting on behalf of another remembered that the actual condition of a Lot may not be as 5. BIDDING IBAN Number: GB 33 NWBK 560027 25563009 Bonhams undertakes no obligation to you to examine, person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or the Hammer Price and Buyer’s Premium: parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not If paying by bank transfer, the amount received after the at all, on each Lot to establish the accuracy or otherwise of any Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, deduction of any bank fees and/or conversion of the currency Descriptions or opinions given by Bonhams, or by any person person to bid on your behalf at the Sale unless this is to be Premium not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form of payment to pounds sterling must not be less than the on Bonhams’ behalf, whether in the Catalogue or elsewhere. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of sterling amount payable, as set out on the invoice. Form that you have completed. If we do not approve the Price and Buyer’s Premium Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring Debit cards: there is no additional charge for purchases made or tests have occurred. to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof with personal debit cards, issued by a UK bank. Debit cards own behalf. Accordingly, the person bidding at the Sale will or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit issued by an overseas bank, deferred and company debit cards Bonhams does not make or agree to make any representation be the Buyer and will be liable to pay the Hammer Price and should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry and all credit cards will be subject to a 2% surcharge; of fact, and undertakes no obligation or duty (whether in Buyer’s Premium and associated charges. If we approve the on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness identity of your client in advance, we will be in a position to mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/11.14 NTB/MAIN/11.14 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements further date is given, this indicates that the photographic ˜ Ruby and Jadeite card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether (or details of any exemption from which you may benefit, for generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially that Bonhams has been given or has obtained certificates expressed than in the preceding category; 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms the stated weight is a statement of our opinion only. This of the artist; Wines in Bond department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless be aware that the importation of watches such as Rolex, Frank been added by another hand. the wines are to remain under Bond. Buyers requiring their 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms Signatures wine to remain in Bond must notify Bonhams at the time of These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, Please be aware that all Lots marked with the symbol Y are imported personally. import licence. When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. subject to CITES regulations when exporting these items opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are For your guidance, in our Catalogues we detail, as far as of the Sale. http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and be requested from: Authority or import licence. Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House have not been mentioned. Bidders should satisfy themselves (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: Firearms proved for Black Powder should not be used with repolished, in our Catalogues reference is only made to visible CB – Château bottled smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled Department should you have any queries. or otherwise. EstB – Estate bottled The term “Certificate of Unprovability” indicates that a firearm Explanation of Catalogue Terms Other than any liability of the Seller to the Buyer of a Lot BB – Bordeaux bottled has been examined at a Proof House and is deemed both Taxidermy and Related Items • “Bill Brandt”: in our opinion a work by the artist. under the Contract for Sale, neither we nor the Seller are 23. VEHICLES BE – Belgian bottled unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply • “Attributed to Bill Brandt”: in our opinion probably a work liable (whether in negligence or otherwise) for any error or FB – French bottled such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to by the artist, but less certainty to authorship is expressed misdescription or omission in any Description of a Lot or any The Veteran Car Club of Great Britain GB – German bottled inform themselves of all such regulations and should expect than in the preceding category. Estimate in respect of it, whether contained in the Catalogue OB – Oporto bottled Guns Sold as Parts the exportation of items to take some time to arrange. • “Signed and/or titled and/or dated and/or inscribed”: in or otherwise, whether given orally or in writing and whether Dating Plates and Certificates UK – United Kingdom bottled Barrels of guns sold as parts will only be made available for our opinion the signature and/or title and/or date and/or given before or during the Sale. Neither we nor the Seller will When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case sleeving and measurements once rendered unserviceable 18. FURNITURE inscription are in the artist’s hand. be liable for any loss of Business, profits, revenue or income, or Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case according to the Gun Barrel Proof Act of 1968 to 1978 and the • “Signed and/or titled and/or dated and/or inscribed in for loss of reputation, or for disruption to Business or wasted that the Veteran Car Club of Great Britain using the services of oc – original carton Rules of Proof. Upholstered Furniture another hand”: in our opinion the signature and/or title time on the part of management or staff, or for indirect losses Veteran Car Company Ltd, does from time to time, review cars Whilst we take every care in cataloguing furniture which has and/or date and/or inscription have been added by or consequential damages of any kind, irrespective in any already dated and, in some instances, where fresh evidence Condition of Firearms been upholstered we offer no Guarantee as to the originality another hand. case of the nature, volume or source of the loss or damage becomes available, the review can result in an alteration of date. Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said Whilst the Club and Veteran Car Company Ltd make every exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any effort to ensure accuracy, the date shown on the Dating Plate or the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Dating Certificate cannot be guaranteed as correct and intending Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances purchasers should make their own enquiries as to the date of is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or the car.

NTB/MAIN/11.14 NTB/MAIN/11.14 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented undertaking, whether implied by the Sale of Goods from performing that party’s respective obligations THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond of the Lot or its fitness for any purpose. in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to give rise to a significantly increased financial W Objects displayed with a w will be located in the you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to Lot for your breach of contract; Description applied to it by or on behalf of the Seller, not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to and may be delivered by hand or sent by first class Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared in relation to the Lot made by or on behalf of ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract otherwise have an economic interest. import of the Lot have (unless stated to the contrary as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such This lot contains or is made of ivory. The United States Ф in the Catalogue or announced by the Auctioneer) 6 PAYMENT of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Government has banned the import of ivory into been paid and, so far as the Seller is aware, all third Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or the USA. parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when calculated on a daily basis from the date upon which the remainder of the relevant term. the past; the Lot is knocked down to you on the fall of the such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, •, †, *, G, Ω, a see clause 8, VAT, for details. Auctioneer’s hammer in respect of the Lot. payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, 2.1.5 subject to any alterations expressly identified as such reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ DATA PROTECTION – USE OF YOUR INFORMATION made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by not become your property, and for this purpose management or staff or, for any indirect losses or Where we obtain any personal information about you, we shall Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale only use it in accordance with the terms of our Privacy Policy Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its (subject to any additional specific consent(s) you may have about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. given at the time your information was disclosed). A copy of letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in himself and to his servants or agents to enter upon of whether the said loss or damage is caused by our Privacy Policy can be found on our Website www.bonhams. of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means com or requested by post from Customer Services Department, any Condition Report which has been provided to not later than 4.30pm on the second working day during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. 101 New Bond Street, London, W1S 1SR or by email from the Buyer. following the Sale and you must ensure that the the Lot or part thereof; claim or otherwise; [email protected] funds are cleared by the seventh working day after 10.9 References to the singular will include reference to 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one APPENDIX 1 of the methods stated in the Notice to Bidders unless by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If private treaty until all sums due under the Contract or representation in respect of it, or this agreement CONTRACT FOR SALE Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. IMPORTANT: These terms may be changed in advance of the the Catalogue which is not printed in bold letters, paragraph 8 below. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability Sale of the Lot to you, by the setting out of different terms in which merely sets out (on the Seller’s behalf) notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 the Catalogue for the Sale and/or by placing an insert in the Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Catalogue and/or by notices at the Sale venue and/or by oral part of the Contractual Description upon which the Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the announcements before and during the Sale at the Sale venue. Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the You should be alert to this possibility of changes and ask in than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. advance of bidding if there have been any. 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity Under this contract the Seller’s liability in respect of the quality Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the of the Lot, it’s fitness for any purpose and its conformity with writing, including in the Catalogue or on Bonhams’ 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also any Description is limited. You are strongly advised to examine Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, the Lot for yourself and/or obtain an independent examination by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries of it before you buy it. whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of 1 THE CONTRACT sold. funds of the Purchase Price and all other sums due to from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to 1.1 These terms govern the Contract for Sale of the Lot 3.2 Except as provided in paragraph 2.1.5, the Seller Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or by the Seller to the Buyer. does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the 1.2 The Definitions and Glossary contained in Appendix 3 obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who in the Catalogue are incorporated into this Contract of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. for Sale and a separate copy can also be provided any Description of the Lot or any Estimate in relation to Bonhams in order to obtain the release of the by Bonhams on request. Where words and phrases to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW are used which are in the List of Definitions, they are Description or Estimate which may have been made and transport of the Lot on collection and for proceedings will have been issued) as a result of printed in italics. by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies No such Description or Estimate is incorporated into connection with the Lot. full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and 1.3 The Seller sells the Lot as the principal to the this Contract for Sale. (after as well as before judgement or order) at the construed in accordance with the laws of that part Contract for Sale, such contract being made between 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place the Seller and you through Bonhams which acts in 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive the sole capacity as the Seller’s agent and not as QUALITY by the Seller if you do not remove the Lot in payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United an additional principal. However, if the Catalogue accordance with this paragraph 7 and will his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings states that Bonhams sells the Lot as principal, or such 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent a statement is made by an announcement by the to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of Auctioneer, or by a notice at the Sale, or an insert obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints in the Catalogue, then Bonhams is the Seller for the fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of procedure in place. purposes of this agreement. its fitness for any purpose. due under any Storage Contract. All such sums all sums due to the Seller and to Bonhams, within due to the Seller will be payable on demand. 28 days of receipt of such monies by him or on his 1.4 The contract is made on the fall of the Auctioneer’s behalf. hammer in respect of the Lot when it is knocked down to you. NTB/MAIN/11.14 NTB/MAIN/11.14 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented undertaking, whether implied by the Sale of Goods from performing that party’s respective obligations THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond of the Lot or its fitness for any purpose. in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to give rise to a significantly increased financial W Objects displayed with a w will be located in the you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to Lot for your breach of contract; Description applied to it by or on behalf of the Seller, not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to and may be delivered by hand or sent by first class Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared in relation to the Lot made by or on behalf of ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract otherwise have an economic interest. import of the Lot have (unless stated to the contrary as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such This lot contains or is made of ivory. The United States Ф in the Catalogue or announced by the Auctioneer) 6 PAYMENT of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Government has banned the import of ivory into been paid and, so far as the Seller is aware, all third Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or the USA. parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when calculated on a daily basis from the date upon which the remainder of the relevant term. the past; the Lot is knocked down to you on the fall of the such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, •, †, *, G, Ω, a see clause 8, VAT, for details. Auctioneer’s hammer in respect of the Lot. payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, 2.1.5 subject to any alterations expressly identified as such reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ DATA PROTECTION – USE OF YOUR INFORMATION made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by not become your property, and for this purpose management or staff or, for any indirect losses or Where we obtain any personal information about you, we shall Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale only use it in accordance with the terms of our Privacy Policy Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its (subject to any additional specific consent(s) you may have about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. given at the time your information was disclosed). A copy of letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in himself and to his servants or agents to enter upon of whether the said loss or damage is caused by our Privacy Policy can be found on our Website www.bonhams. of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means com or requested by post from Customer Services Department, any Condition Report which has been provided to not later than 4.30pm on the second working day during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. 101 New Bond Street, London, W1S 1SR or by email from the Buyer. following the Sale and you must ensure that the the Lot or part thereof; claim or otherwise; [email protected] funds are cleared by the seventh working day after 10.9 References to the singular will include reference to 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one APPENDIX 1 of the methods stated in the Notice to Bidders unless by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If private treaty until all sums due under the Contract or representation in respect of it, or this agreement CONTRACT FOR SALE Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. IMPORTANT: These terms may be changed in advance of the the Catalogue which is not printed in bold letters, paragraph 8 below. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability Sale of the Lot to you, by the setting out of different terms in which merely sets out (on the Seller’s behalf) notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 the Catalogue for the Sale and/or by placing an insert in the Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Catalogue and/or by notices at the Sale venue and/or by oral part of the Contractual Description upon which the Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the announcements before and during the Sale at the Sale venue. Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the You should be alert to this possibility of changes and ask in than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. advance of bidding if there have been any. 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity Under this contract the Seller’s liability in respect of the quality Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the of the Lot, it’s fitness for any purpose and its conformity with writing, including in the Catalogue or on Bonhams’ 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also any Description is limited. You are strongly advised to examine Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, the Lot for yourself and/or obtain an independent examination by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries of it before you buy it. whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of 1 THE CONTRACT sold. funds of the Purchase Price and all other sums due to from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to 1.1 These terms govern the Contract for Sale of the Lot 3.2 Except as provided in paragraph 2.1.5, the Seller Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or by the Seller to the Buyer. does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the 1.2 The Definitions and Glossary contained in Appendix 3 obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who in the Catalogue are incorporated into this Contract of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. for Sale and a separate copy can also be provided any Description of the Lot or any Estimate in relation to Bonhams in order to obtain the release of the by Bonhams on request. Where words and phrases to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW are used which are in the List of Definitions, they are Description or Estimate which may have been made and transport of the Lot on collection and for proceedings will have been issued) as a result of printed in italics. by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies No such Description or Estimate is incorporated into connection with the Lot. full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and 1.3 The Seller sells the Lot as the principal to the this Contract for Sale. (after as well as before judgement or order) at the construed in accordance with the laws of that part Contract for Sale, such contract being made between 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place the Seller and you through Bonhams which acts in 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive the sole capacity as the Seller’s agent and not as QUALITY by the Seller if you do not remove the Lot in payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United an additional principal. However, if the Catalogue accordance with this paragraph 7 and will his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings states that Bonhams sells the Lot as principal, or such 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent a statement is made by an announcement by the to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of Auctioneer, or by a notice at the Sale, or an insert obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints in the Catalogue, then Bonhams is the Seller for the fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of procedure in place. purposes of this agreement. its fitness for any purpose. due under any Storage Contract. All such sums all sums due to the Seller and to Bonhams, within due to the Seller will be payable on demand. 28 days of receipt of such monies by him or on his 1.4 The contract is made on the fall of the Auctioneer’s behalf. hammer in respect of the Lot when it is knocked down to you. NTB/MAIN/11.14 NTB/MAIN/11.14 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: in the Notice to Bidders, you authorise us, acting AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current any rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. into this agreement and a separate copy can also contract; is the subject of a claim by someone other than be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the under the Storage Contract. actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. we may: Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; 8.1.3 commence interpleader proceedings or seek any cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including other order of any court, mediator, arbitrator or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. return for pursuing a course of action agreed to by or a Book or Books. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in you. to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss arbitrator or government body; and in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day any monies due to you as a result of such Sale in to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another payment or part payment of any amounts owed to 9 FORGERIES 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out us; 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by us persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT the Lot and that invoice has been paid; and made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred practicable after you have become aware that the Lot us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR SALE same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. You undertake to us personally that you will of the Sale and Lot number sufficient to identify the observe and comply with all your obligations and Lot. undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/11.14 NTB/MAIN/11.14 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: in the Notice to Bidders, you authorise us, acting AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current any rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. into this agreement and a separate copy can also contract; is the subject of a claim by someone other than be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the under the Storage Contract. actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. we may: Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; 8.1.3 commence interpleader proceedings or seek any cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including other order of any court, mediator, arbitrator or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. return for pursuing a course of action agreed to by or a Book or Books. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in you. to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss arbitrator or government body; and in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day any monies due to you as a result of such Sale in to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another payment or part payment of any amounts owed to 9 FORGERIES 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out us; 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by us persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT the Lot and that invoice has been paid; and made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred practicable after you have become aware that the Lot us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR SALE same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. You undertake to us personally that you will of the Sale and Lot number sufficient to identify the observe and comply with all your obligations and Lot. undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/11.14 NTB/MAIN/11.14 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the wasted time on the part of the Buyer’s management a conflict of such opinion; or “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has damages of any kind, irrespective in any case of Lot only by means of a process not generally words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. in respect of any negligence, other tort, breach of for us to have employed; or “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by manuscripts, extra illustrated books, music or “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to circumstances where we are liable to you in nothing in this agreement confers (or purports to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, our Website. calculated according to the formula set out in the Conditions doer has a duty of care. limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility “Commission” the Commission payable by the Seller to of Business. by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams of the Seller. the Reserve applicable to the Lot. source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each Buyer’s Agreement and Definitions and Glossary. our Catalogues. the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within calculated at rates set out in the Conditions of Business. on the Hammer Price (where applicable), the Buyer’s Premium (3) below applies, there is an implied term on the part of restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third “Consumer” a natural person who is acting for the relevant and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell you in respect of the Lot. Parties) Act 1999, which enables the benefit of a purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he You may wish to protect yourself against loss by contract to be extended to a person who is not a “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. incapable of assignment by, you and if you sell or to be offered for Sale by Bonhams. by Bonhams. 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, any (3) below applies, there is also an implied term that- person’s liability or excluding or restricting any All transactions to which this agreement applies “Contractual Description” the only Description of the Lot VAT chargeable thereon, Expenses and any other amount due person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and (being that part of the Entry about the Lot in the Catalogue to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part “Description” any statement or representation in any person named on the Contract Form acts as an agent for a or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or not), (b) the buyer will enjoy quiet possession of the goods not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of representation relating to its authorship, attribution, condition, “Seller” includes both the agent and the principal who shall be except in so far as it may be disturbed by the (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by provenance, authenticity, style, period, age, suitability, quality, jointly and severally liable as such. The Seller is also referred to owner or other person entitled to the benefit conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a origin, value, estimated selling price (including the Hammer in the Conditions of Business by the words “you” and “your”. of any charge or encumbrance so disclosed or given to you in writing. Any such waiver will not complaints procedure in place. Price). “Specialist Examination” a visual examination of a Lot by a known. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right “Entry” a written statement in the Catalogue identifying the specialist on the Lot. arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION Lot and its Lot number which may contain a Description and “Stamp” means a postage Stamp offered for Sale at a (3) This subsection applies to a contract of sale in the case Where the Lot is made up wholly of a Book or Books illustration(s) relating to the Lot. Specialist Stamp Sale. of which there appears from the contract or is to be and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall “Estimate” a statement of our opinion of the range within “Standard Examination” a visual examination of a Lot by a inferred from its circumstances an intention that the either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy which the hammer is likely to fall. non-specialist member of Bonhams’ staff. seller should transfer only such title as he or a third we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have “Expenses” charges and Expenses paid or payable by “Storage Contract” means the contract described in person may have. non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of Bonhams in respect of the Lot including legal Expenses, paragraph 8.3.3 of the Conditions of Business or paragraph this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. banking charges and Expenses incurred as a result of an 4.4 of the Buyer’s Agreement (as appropriate). (4) In a contract to which subsection (3) above applies there give rise to a significantly increased financial com or requested by post from Customer Services Department, electronic transfer of money, charges and Expenses for loss and “Storage Contractor” means the company identified as such is an implied term that all charges or encumbrances the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or damage cover, insurance, Catalogue and other reproductions in the Catalogue. known to the seller and not known to the buyer have respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. and illustrations, any customs duties, advertising, packing or “Terrorism” means any act or threatened act of terrorism, been disclosed to the buyer before the contract is made. and obligations. This paragraph does not apply to the shipping costs, reproductions rights’ fees, taxes, levies, costs of whether any person is acting alone or on behalf of or in obligations imposed on you by paragraph 3. APPENDIX 3 testing, searches or enquiries, preparation of the Lot for Sale, connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies you notify us in writing as soon as reasonably storage charges, removal charges, removal charges or costs committed for political, religious or ideological or similar there is also an implied term that none of the following practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY of collection from the Seller as the Seller’s agents or from a purposes including, but not limited to, the intention to will disturb the buyer’s quiet possession of the goods, is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may defaulting Buyer, plus VAT if applicable. influence any government and/or put the public or any section namely: within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the “Forgery” an imitation intended by the maker or any other of the public into fear. as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any address or fax number of the relevant party given Glossary is to assist you to understand words and phrases source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; return the Lot to us in the same condition as it was of the sender of the notice or communication to an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or evidence that the Lot is a non-conforming Lot and applicable time period. or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at before the contract is made. is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale substantially affect the identity of the Lot as one conforming to which a Lot may be sold (whether at auction or by private but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to the Description of the Lot. treaty). (5A) As regards England and Wales and Northern Ireland, the enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer “Guarantee” the obligation undertaken personally by term implied by subsection (1) above is a condition and the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding Bonhams to the Buyer in respect of any Forgery and, in the GLOSSARY the terms implied by subsections (2), (4) and (5) above indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into case of specialist Stamp Sales and/or specialist Book Sales, a Lot are warranties.” not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank made up of a Stamp or Stamps or a Book or Books as set out The following expressions have specific legal meanings with appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). in the Buyer’s Agreement. which you may not be familiar. The following glossary is employees and agents. “Auctioneer” the representative of Bonhams conducting “Hammer Price” the price in the currency in which the Sale is intended to give you an understanding of those expressions the Sale. conducted at which a Lot is knocked down by the Auctioneer. but is not intended to limit their legal meanings:

NTB/MAIN/11.14 NTB/MAIN/11.14 International Salerooms, Offices and Associated Companies( • Indicates Saleroom) Bonhams Specialist Departments To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Scotland Netherlands - Amsterdam Representatives: ASIA Dorset De Lairessestraat 154 Arizona • 19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments London Bill Allan Edinburgh • 1075 HL Amsterdam Terri Adrian-Hardy Hong Kong +44 1935 815 271 22 Queen Street +31 20 67 09 701 Suite 2001 UK Porcelain & Pottery UK UK Jon Baddeley 101 New Bond Street • +1 (480) 994 5362 London W1S 1SR Edinburgh +31 20 67 09 702 fax One Pacific Place Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia EH2 1JX [email protected] California 88 Queensway +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 131 225 2266 Central Valley Admiralty U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Bury St. Edmunds +44 131 220 2547 fax Spain - Madrid David Daniel Hong Kong Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 Montpelier Street • 21 Churchgate Street Nuñez de Balboa no.4 - 1A +1 (916) 364 1645 +852 2918 4321 +852 2918 4320 fax +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 London SW7 1HH Bury St Edmunds Glasgow Madrid +44 20 7393 3900 Suffolk IP33 1RG 176 St. Vincent Street, 28001 Southern California [email protected] +1 415 503 3326 EUROPE Scottish Pictures Christine Eisenberg +44 20 7393 3905 fax +44 1284 716 190 Glasgow +34 91 578 17 27 20th Century British Art Greek Art Philip Kantor Chris Brickley +44 1284 755 844 fax G2 5SG [email protected] +1 (949) 646 6560 Beijing Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 +44 141 223 8866 Hongyu Yu South East Colorado Suite 511 +44 20 7468 8295 American Paintings +44 20 7468 8314 Norfolk +44 141 223 8868 fax Spain – Bilbao England Colón de Larreátegui Julie Segraves Chang An Club Scot Levitt Automobilia Silver & Gold Boxes The Market Place +1 (720) 355 3737 Reepham Representatives: 17-1º Izda 10 East Chang An Avenue Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Brighton & Hove Beijing 100006 Norfolk NR10 4JJ Wine & Spirits 48009 Bilbao Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft 19 Palmeira Square Florida +86(0) 10 6528 0922 +44 1603 871 443 Tom Gilbey Vizcaya Palm Beach Hove, East Sussex +86(0) 10 6528 0933 fax +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 +44 1603 872 973 fax +44 1382 330 256 +34 94 407 62 26 +1 (561) 651 7876 BN3 2JN [email protected] UK +44 1244 353123 U.S.A U.S.A +44 1273 220 000 [email protected] Miami African, Oceanic Mark Dance Kurt Forry Aileen Ward +44 1273 220 335 fax Midlands Wales +1 (305) 228 6600 Switzerland - Geneva Japan & Pre-Columbian Art +44 8700 27361 Irish Art +1 415 391 4000 +1 800 223 5463 Ft. Lauderdale Akiko Tsuchida Knowle Cardiff Rue Etienne-Dumont 10 +1 (954) 566 1630 UK U.S.A. Penny Day Guildford 1204 Geneva Level 14 Hibiya Central Philip Keith Hadji Rahimipour +44 20 7468 8366 Motorcycles South African Art Millmead, The Old House 7-8 Park Place, Building Station Road Cardiff CF10 3DP Switzerland Georgia +44 2920 727 980 +1 415 503 3392 Ben Walker Giles Peppiatt Guildford, +41 76 379 9230 1-2-9 Nishi-Shimbashi Surrey GU2 4BE Knowle, Solihull +44 2920 727 980 Mary Moore Bethea U.S.A Impressionist & +44 8700 273616 +44 20 7468 8355 [email protected] +1 (404) 842 1500 Minato-ku +44 1483 504 030 West Midlands +44 2920 727 989 fax Tokyo 105-0003 Fredric Backlar Chinese & Asian Art Modern Art Automobilia B93 0HT +44 1483 450 205 fax Representatives: +81 (0) 3 5532 8636 +44 1564 776 151 Illinois +1 323 436 5416 UK UK Adrian Pipiros Sporting Guns Ricki Blumberg Harris +81 (0) 3 5532 8637 fax +44 1564 778 069 fax EuropE Denmark Asaph Hyman India Phillips +44 8700 273621 Patrick Hawes Isle of Wight Henning Thomsen +1 (312) 475 3922 [email protected] American Paintings +44 20 7468 5888 +44 20 7468 8328 +44 20 7393 3815 +44 1273 220 000 +45 4178 4799 +1 (773) 267 3300 Oxford • Alan Fausel U.S.A U.S.A Musical Instruments Austria - Vienna [email protected] Representative: Banbury Road Tuchlauben 8 Singapore +1 212 644 9039 Dessa Goddard Tanya Wells Philip Scott Toys & Dolls Massachusetts Bernadette Rankine Kent Shipton on Cherwell 1010 Vienna Boston/New England +1 415 503 3333 +1 917 206 1685 +44 20 7393 3855 Leigh Gotch Kidlington OX5 1JH Spain - Marbella 11th Floor, Wisma Atria George Dawes Austria James Roberts Amy Corcoran Antiquities HONG KONG +44 20 8963 2839 +44 1865 853 640 435 Orchard Road +44 1483 504 030 +43 (0)1 403 00 01 +34 952 90 62 50 +1 (617) 742 0909 Madeleine Perridge +852 3607 0010 Islamic & Indian Art Native American Art +44 1865 372 722 fax [email protected] Singapore 238877 [email protected] +65 (0) 6701 8038 Nevada +44 20 7468 8226 AUSTRALIA Claire Penhallurick Jim Haas Travel Pictures West Sussex +65 (0) 6701 8001 fax Jeff Burfield Yorkshire & North East David Daniel Yvett Klein +44 20 7468 8249 +1 415 503 3294 Veronique Scorer Belgium - Brussels Portugal bernadette.rankine@ +44 1243 787 548 England +1 (775) 831 0330 Antique Arms & Armour +61 2 8412 2222 +44 20 7393 3962 Boulevard Filipa Rebelo de Andrade bonhams.com Saint-Michel 101 UK Japanese Art Natural History +351 91 921 4778 New Mexico South West Leeds 1040 Brussels [email protected] David Williams Clocks UK U.S.A Urban Art 30 Park Square West Leslie Trilling Taiwan England +32 (0)2 736 5076 Summer Fang Leeds LS1 2PF +1 (505) 820 0701 +44 20 7393 3807 UK Suzannah Yip Claudia Florian Gareth Williams +32 (0)2 732 5501 fax 37th Floor, Taipei 101 Tower +44 113 234 5755 Russia - Moscow U.S.A James Stratton +44 20 7468 8368 +1 323 436 5437 +44 20 7468 5879 Bath [email protected] Anastasia Vinokurova Nor 7 Xinyi Road, Section 5 +44 113 244 3910 fax Oregon Paul Carella +44 20 7468 8364 U.S.A Queen Square House +7 964 562 3845 Sheryl Acheson Taipei, 100 +1 415 503 3360 U.S.A Jeff Olson Old Master Pictures Watches & Charlotte Street France - Paris [email protected] +1(503) 312 6023 +886 2 8758 2898 Jonathan Snellenburg +1 212 461 6516 UK Wristwatches Bath BA1 2LL North West England 4 rue de la Paix +886 2 8757 2897 fax +44 1225 788 988 Art Collections, +1 212 461 6530 Andrew Mckenzie UK 75002 Paris Russia - St Petersburg Pennsylvania summer.fang@ +44 1225 446 675 fax Chester +33 (0)1 42 61 1010 Marina Jacobson Margaret Tierney bonhams.com Estates & Valuations Jewellery +44 20 7468 8261 Paul Maudsley New House +33 (0)1 42 61 1015 fax +1 (610) 644 1199 Harvey Cammell Coins & Medals UK U.S.A +44 20 7447 7412 150 Christleton Road +7 921 555 2302 Cornwall – Truro [email protected] [email protected] +44 (0) 20 7468 8340 UK Jean Ghika Mark Fisher U.S.A. 36 Lemon Street Chester, Cheshire Texas AuSTrALIA John Millensted +44 20 7468 8282 +1 323 436 5488 Jonathan Snellenburg Truro CH3 5TD Germany - Cologne Amy Lawch Cornwall +44 1244 313 936 Albertusstrasse 26 +1 (713) 621 5988 Art Nouveau & Decorative +44 20 7393 3914 U.S.A +1 212 461 6530 +44 1244 340 028 fax MIDDLE EAST Sydney TR1 2NR 50667 Cologne 76 Paddington Street Art & Design U.S.A Susan Abeles Orientalist Art HONG KONG +44 1872 250 170 +49 (0)221 2779 9650 Washington UK Paul Song +1 212 461 6525 Charles O’Brien Nick Biebuyck Dubai Paddington NSW 2021 +44 1872 250 179 fax Carlisle +49 (0)221 2779 9652 fax Heather O’Mahony Australia 48 Cecil Street Deborah Najar Mark Oliver +1 323 436 5455 AUSTRALIA +44 20 7468 8360 +852 2918 4321 [email protected] +1 (206) 218 5011 +61 (0) 2 8412 2222 Carlisle, Cumbria +971 (0)56 113 4146 +44 20 7393 3856 Anellie Manolas Exeter +61 (0) 2 9475 4110 fax CA1 1NT [email protected] Washington DC U.S.A Contemporary Art +61 2 8412 2222 Photography Whisky The Lodge Germany - Munich [email protected] Southernhay West Exeter, +44 1228 542 422 Maximilianstrasse 52 Mid-Atlantic Region Frank Maraschiello UK HONG KONG U.S.A UK +44 1228 590 106 fax Israel Martin Gammon +1 212 644 9059 Ralph Taylor Graeme Thompson Judith Eurich Martin Green Devon 80538 Munich Melbourne EX1 1JG Joslynne Halibard +1 (202) 333 1696 +44 20 7447 7403 +852 3607 0006 +1 415 503 3259 +44 1292 520000 +49 (0) 89 2420 5812 +972 (0)54 553 5337 Como House +44 1392 425 264 Manchester +49 (0) 89 2420 7523 fax Como Avenue Australian Art U.S.A U.S.A +44 1392 494 561 fax The Stables joslynne.halibard@ [email protected] bonhams.com CANADA South Yarra Merryn Schriever Jeremy Goldsmith Marine Art Portrait Miniatures Joseph Hyman 213 Ashley Road Melbourne VIC 3141 +61 2 8412 2222 +1 917 206 1656 UK Jennifer Tonkin +1 917 206 1661 Winchester Hale WA15 9TB • +61 (0) 3 8640 4088 +44 161 927 3822 Greece - Athens Toronto, Ontario Alex Clark Veronique Scorer +44 20 7393 3986 HONG KONG The Red House 7 Neofytou Vamva Street Jack Kerr-Wilson +61 (0) 2 9475 4110 fax +44 161 927 3824 fax NorTh AMErIcA +61 3 8640 4088 Costume & Textiles +44 20 7393 3962 Daniel Lam Hyde Street 10674 Athens 20 Hazelton Avenue Winchester +30 (0) 210 3636 404 Toronto, ONT Claire Browne U.S.A Prints and Multiples +852 3607 0004 Hants SO23 7DX USA Australian Colonial +44 1564 732969 Gregg Dietrich UK [email protected] M5R 2E2 AfrIcA +44 1962 862 515 Channel Islands San Francisco • +1 (416) 462 9004 Furniture and Australiana +1 917 206 1697 Rupert Worrall Wine +44 1962 865 166 fax Ireland - Dublin 220 San Bruno Avenue [email protected] Nigeria +1 415 861 7500 Entertainment +44 20 7468 8262 UK Jersey 31 Molesworth Street San Francisco Neil Coventry Memorabilia Mechanical Music U.S.A Richard Harvey Tetbury 39 Don Street Dublin 2 CA 94103 Montreal, Quebec +234 (0)7065 888 666 22a Long Street St.Helier +353 (0)1 602 0990 +1 (415) 861 7500 David Kelsey [email protected] Books, Maps & UK Jon Baddeley Judith Eurich +44 (0) 20 7468 5811 JE2 4TR U.S.A Tetbury +353 (0)1 4004 140 fax +1 (415) 861 8951 fax +1 (514) 341 9238 Manuscripts Stephanie Connell +44 20 7393 3872 +1 415 503 3259 Gloucestershire +44 1534 722 441 [email protected] South Africa - UK +44 20 7393 3844 Doug Davidson [email protected] GL8 8AQ +44 1534 759 354 fax Los Angeles • Johannesburg Matthew Haley U.S.A Modern, Contemporary Russian Art +1 415 503 3363 +44 1666 502 200 7601 W. Sunset Boulevard Penny Culverwell Italy - Milan +27 (0)71 342 2670 +44 20 7393 3817 Catherine Williamson & Latin American Art UK HONG KONG +44 1666 505 107 fax Representative: Via Boccaccio 22 Los Angeles SouTh AMErIcA [email protected] U.S.A +1 323 436 5442 U.S.A Sophie Law Daniel Lam Guernsey 20123 Milano CA 90046 Christina Geiger Alexis Chompaisal +44 20 7468 8334 +852 3607 0004 +44 1481 722 448 +39 02 4953 9020 +1 (323) 850 7500 Argentina +39 02 4953 9021 fax +1 (323) 850 6090 fax Daniel Claramunt +1 212 644 9094 +1 323 436 5469 U.S.A +54 11 479 37600 Yelena Harbick [email protected] • British & European Glass Modern Design +1 212 644 9136 New York Brazil Italy - Rome 580 Madison Avenue UK Gareth Williams Thomaz Oscar Saavedra Via Sicilia 50 New York, NY +55 11 3031 4444 Simon Cottle +44 20 7468 5879 00187 Roma 10022 +55 11 3031 4444 fax +44 20 7468 8383 +39 06 485 900 +1 (212) 644 9001 U.S.A. +39 06 482 0479 fax +1 (212) 644 9007 fax Suzy Pai [email protected] +1 415 503 3343 G-NET/11/14 SD22/11/14 International Salerooms, Offices and Associated Companies( • Indicates Saleroom) Bonhams Specialist Departments To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Scotland Netherlands - Amsterdam Representatives: ASIA Dorset De Lairessestraat 154 Arizona • 19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments London Bill Allan Edinburgh • 1075 HL Amsterdam Terri Adrian-Hardy Hong Kong +44 1935 815 271 22 Queen Street +31 20 67 09 701 Suite 2001 UK Porcelain & Pottery UK UK Jon Baddeley 101 New Bond Street • +1 (480) 994 5362 London W1S 1SR Edinburgh +31 20 67 09 702 fax One Pacific Place Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia EH2 1JX [email protected] California 88 Queensway +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 131 225 2266 Central Valley Admiralty U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Bury St. Edmunds +44 131 220 2547 fax Spain - Madrid David Daniel Hong Kong Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 Montpelier Street • 21 Churchgate Street Nuñez de Balboa no.4 - 1A +1 (916) 364 1645 +852 2918 4321 +852 2918 4320 fax +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 London SW7 1HH Bury St Edmunds Glasgow Madrid +44 20 7393 3900 Suffolk IP33 1RG 176 St. Vincent Street, 28001 Southern California [email protected] +1 415 503 3326 EUROPE Scottish Pictures Christine Eisenberg +44 20 7393 3905 fax +44 1284 716 190 Glasgow +34 91 578 17 27 20th Century British Art Greek Art Philip Kantor Chris Brickley +44 1284 755 844 fax G2 5SG [email protected] +1 (949) 646 6560 Beijing Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 +44 141 223 8866 Hongyu Yu South East Colorado Suite 511 +44 20 7468 8295 American Paintings +44 20 7468 8314 Norfolk +44 141 223 8868 fax Spain – Bilbao England Colón de Larreátegui Julie Segraves Chang An Club Scot Levitt Automobilia Silver & Gold Boxes The Market Place +1 (720) 355 3737 Reepham Representatives: 17-1º Izda 10 East Chang An Avenue Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Brighton & Hove Beijing 100006 Norfolk NR10 4JJ Wine & Spirits 48009 Bilbao Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft 19 Palmeira Square Florida +86(0) 10 6528 0922 +44 1603 871 443 Tom Gilbey Vizcaya Palm Beach Hove, East Sussex +86(0) 10 6528 0933 fax +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 +44 1603 872 973 fax +44 1382 330 256 +34 94 407 62 26 +1 (561) 651 7876 BN3 2JN [email protected] UK +44 1244 353123 U.S.A U.S.A +44 1273 220 000 [email protected] Miami African, Oceanic Mark Dance Kurt Forry Aileen Ward +44 1273 220 335 fax Midlands Wales +1 (305) 228 6600 Switzerland - Geneva Japan & Pre-Columbian Art +44 8700 27361 Irish Art +1 415 391 4000 +1 800 223 5463 Ft. Lauderdale Akiko Tsuchida Knowle Cardiff Rue Etienne-Dumont 10 +1 (954) 566 1630 UK U.S.A. Penny Day Guildford 1204 Geneva Level 14 Hibiya Central Philip Keith Hadji Rahimipour +44 20 7468 8366 Motorcycles South African Art Millmead, The Old House 7-8 Park Place, Building Station Road Cardiff CF10 3DP Switzerland Georgia +44 2920 727 980 +1 415 503 3392 Ben Walker Giles Peppiatt Guildford, +41 76 379 9230 1-2-9 Nishi-Shimbashi Surrey GU2 4BE Knowle, Solihull +44 2920 727 980 Mary Moore Bethea U.S.A Impressionist & +44 8700 273616 +44 20 7468 8355 [email protected] +1 (404) 842 1500 Minato-ku +44 1483 504 030 West Midlands +44 2920 727 989 fax Tokyo 105-0003 Fredric Backlar Chinese & Asian Art Modern Art Automobilia B93 0HT +44 1483 450 205 fax Representatives: +81 (0) 3 5532 8636 +44 1564 776 151 Illinois +1 323 436 5416 UK UK Adrian Pipiros Sporting Guns Ricki Blumberg Harris +81 (0) 3 5532 8637 fax +44 1564 778 069 fax EuropE Denmark Asaph Hyman India Phillips +44 8700 273621 Patrick Hawes Isle of Wight Henning Thomsen +1 (312) 475 3922 [email protected] American Paintings +44 20 7468 5888 +44 20 7468 8328 +44 20 7393 3815 +44 1273 220 000 +45 4178 4799 +1 (773) 267 3300 Oxford • Alan Fausel U.S.A U.S.A Musical Instruments Austria - Vienna [email protected] Representative: Banbury Road Tuchlauben 8 Singapore +1 212 644 9039 Dessa Goddard Tanya Wells Philip Scott Toys & Dolls Massachusetts Bernadette Rankine Kent Shipton on Cherwell 1010 Vienna Boston/New England +1 415 503 3333 +1 917 206 1685 +44 20 7393 3855 Leigh Gotch Kidlington OX5 1JH Spain - Marbella 11th Floor, Wisma Atria George Dawes Austria James Roberts Amy Corcoran Antiquities HONG KONG +44 20 8963 2839 +44 1865 853 640 435 Orchard Road +44 1483 504 030 +43 (0)1 403 00 01 +34 952 90 62 50 +1 (617) 742 0909 Madeleine Perridge +852 3607 0010 Islamic & Indian Art Native American Art +44 1865 372 722 fax [email protected] Singapore 238877 [email protected] +65 (0) 6701 8038 Nevada +44 20 7468 8226 AUSTRALIA Claire Penhallurick Jim Haas Travel Pictures West Sussex +65 (0) 6701 8001 fax Jeff Burfield Yorkshire & North East David Daniel Yvett Klein +44 20 7468 8249 +1 415 503 3294 Veronique Scorer Belgium - Brussels Portugal bernadette.rankine@ +44 1243 787 548 England +1 (775) 831 0330 Antique Arms & Armour +61 2 8412 2222 +44 20 7393 3962 Boulevard Filipa Rebelo de Andrade bonhams.com Saint-Michel 101 UK Japanese Art Natural History +351 91 921 4778 New Mexico South West Leeds 1040 Brussels [email protected] David Williams Clocks UK U.S.A Urban Art 30 Park Square West Leslie Trilling Taiwan England +32 (0)2 736 5076 Summer Fang Leeds LS1 2PF +1 (505) 820 0701 +44 20 7393 3807 UK Suzannah Yip Claudia Florian Gareth Williams +32 (0)2 732 5501 fax 37th Floor, Taipei 101 Tower +44 113 234 5755 Russia - Moscow U.S.A James Stratton +44 20 7468 8368 +1 323 436 5437 +44 20 7468 5879 Bath [email protected] Anastasia Vinokurova Nor 7 Xinyi Road, Section 5 +44 113 244 3910 fax Oregon Paul Carella +44 20 7468 8364 U.S.A Queen Square House +7 964 562 3845 Sheryl Acheson Taipei, 100 +1 415 503 3360 U.S.A Jeff Olson Old Master Pictures Watches & Charlotte Street France - Paris [email protected] +1(503) 312 6023 +886 2 8758 2898 Jonathan Snellenburg +1 212 461 6516 UK Wristwatches Bath BA1 2LL North West England 4 rue de la Paix +886 2 8757 2897 fax +44 1225 788 988 Art Collections, +1 212 461 6530 Andrew Mckenzie UK 75002 Paris Russia - St Petersburg Pennsylvania summer.fang@ +44 1225 446 675 fax Chester +33 (0)1 42 61 1010 Marina Jacobson Margaret Tierney bonhams.com Estates & Valuations Jewellery +44 20 7468 8261 Paul Maudsley New House +33 (0)1 42 61 1015 fax +1 (610) 644 1199 Harvey Cammell Coins & Medals UK U.S.A +44 20 7447 7412 150 Christleton Road +7 921 555 2302 Cornwall – Truro [email protected] [email protected] +44 (0) 20 7468 8340 UK Jean Ghika Mark Fisher U.S.A. 36 Lemon Street Chester, Cheshire Texas AuSTrALIA John Millensted +44 20 7468 8282 +1 323 436 5488 Jonathan Snellenburg Truro CH3 5TD Germany - Cologne Amy Lawch Cornwall +44 1244 313 936 Albertusstrasse 26 +1 (713) 621 5988 Art Nouveau & Decorative +44 20 7393 3914 U.S.A +1 212 461 6530 +44 1244 340 028 fax MIDDLE EAST Sydney TR1 2NR 50667 Cologne 76 Paddington Street Art & Design U.S.A Susan Abeles Orientalist Art HONG KONG +44 1872 250 170 +49 (0)221 2779 9650 Washington UK Paul Song +1 212 461 6525 Charles O’Brien Nick Biebuyck Dubai Paddington NSW 2021 +44 1872 250 179 fax Carlisle +49 (0)221 2779 9652 fax Heather O’Mahony Australia 48 Cecil Street Deborah Najar Mark Oliver +1 323 436 5455 AUSTRALIA +44 20 7468 8360 +852 2918 4321 [email protected] +1 (206) 218 5011 +61 (0) 2 8412 2222 Carlisle, Cumbria +971 (0)56 113 4146 +44 20 7393 3856 Anellie Manolas Exeter +61 (0) 2 9475 4110 fax CA1 1NT [email protected] Washington DC U.S.A Contemporary Art +61 2 8412 2222 Photography Whisky The Lodge Germany - Munich [email protected] Southernhay West Exeter, +44 1228 542 422 Maximilianstrasse 52 Mid-Atlantic Region Frank Maraschiello UK HONG KONG U.S.A UK +44 1228 590 106 fax Israel Martin Gammon +1 212 644 9059 Ralph Taylor Graeme Thompson Judith Eurich Martin Green Devon 80538 Munich Melbourne EX1 1JG Joslynne Halibard +1 (202) 333 1696 +44 20 7447 7403 +852 3607 0006 +1 415 503 3259 +44 1292 520000 +49 (0) 89 2420 5812 +972 (0)54 553 5337 Como House +44 1392 425 264 Manchester +49 (0) 89 2420 7523 fax Como Avenue Australian Art U.S.A U.S.A +44 1392 494 561 fax The Stables joslynne.halibard@ [email protected] bonhams.com CANADA South Yarra Merryn Schriever Jeremy Goldsmith Marine Art Portrait Miniatures Joseph Hyman 213 Ashley Road Melbourne VIC 3141 +61 2 8412 2222 +1 917 206 1656 UK Jennifer Tonkin +1 917 206 1661 Winchester Hale WA15 9TB • +61 (0) 3 8640 4088 +44 161 927 3822 Greece - Athens Toronto, Ontario Alex Clark Veronique Scorer +44 20 7393 3986 HONG KONG The Red House 7 Neofytou Vamva Street Jack Kerr-Wilson +61 (0) 2 9475 4110 fax +44 161 927 3824 fax NorTh AMErIcA +61 3 8640 4088 Costume & Textiles +44 20 7393 3962 Daniel Lam Hyde Street 10674 Athens 20 Hazelton Avenue Winchester +30 (0) 210 3636 404 Toronto, ONT Claire Browne U.S.A Prints and Multiples +852 3607 0004 Hants SO23 7DX USA Australian Colonial +44 1564 732969 Gregg Dietrich UK [email protected] M5R 2E2 AfrIcA +44 1962 862 515 Channel Islands San Francisco • +1 (416) 462 9004 Furniture and Australiana +1 917 206 1697 Rupert Worrall Wine +44 1962 865 166 fax Ireland - Dublin 220 San Bruno Avenue [email protected] Nigeria +1 415 861 7500 Entertainment +44 20 7468 8262 UK Jersey 31 Molesworth Street San Francisco Neil Coventry Memorabilia Mechanical Music U.S.A Richard Harvey Tetbury 39 Don Street Dublin 2 CA 94103 Montreal, Quebec +234 (0)7065 888 666 22a Long Street St.Helier +353 (0)1 602 0990 +1 (415) 861 7500 David Kelsey [email protected] Books, Maps & UK Jon Baddeley Judith Eurich +44 (0) 20 7468 5811 JE2 4TR U.S.A Tetbury +353 (0)1 4004 140 fax +1 (415) 861 8951 fax +1 (514) 341 9238 Manuscripts Stephanie Connell +44 20 7393 3872 +1 415 503 3259 Gloucestershire +44 1534 722 441 [email protected] South Africa - UK +44 20 7393 3844 Doug Davidson [email protected] GL8 8AQ +44 1534 759 354 fax Los Angeles • Johannesburg Matthew Haley U.S.A Modern, Contemporary Russian Art +1 415 503 3363 +44 1666 502 200 7601 W. Sunset Boulevard Penny Culverwell Italy - Milan +27 (0)71 342 2670 +44 20 7393 3817 Catherine Williamson & Latin American Art UK HONG KONG +44 1666 505 107 fax Representative: Via Boccaccio 22 Los Angeles SouTh AMErIcA [email protected] U.S.A +1 323 436 5442 U.S.A Sophie Law Daniel Lam Guernsey 20123 Milano CA 90046 Christina Geiger Alexis Chompaisal +44 20 7468 8334 +852 3607 0004 +44 1481 722 448 +39 02 4953 9020 +1 (323) 850 7500 Argentina +39 02 4953 9021 fax +1 (323) 850 6090 fax Daniel Claramunt +1 212 644 9094 +1 323 436 5469 U.S.A +54 11 479 37600 Yelena Harbick [email protected] • British & European Glass Modern Design +1 212 644 9136 New York Brazil Italy - Rome 580 Madison Avenue UK Gareth Williams Thomaz Oscar Saavedra Via Sicilia 50 New York, NY +55 11 3031 4444 Simon Cottle +44 20 7468 5879 00187 Roma 10022 +55 11 3031 4444 fax +44 20 7468 8383 +39 06 485 900 +1 (212) 644 9001 U.S.A. +39 06 482 0479 fax +1 (212) 644 9007 fax Suzy Pai [email protected] +1 415 503 3343 G-NET/11/14 SD22/11/14 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: THE ROY DAVIDS COLLECTION Sale date: Wednesday 4 March 2015

Sale no. 22802 Sale venue: Knightsbridge, London Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/06/14 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

Bonhams Montpelier Street Knightsbridge London SW7 1HH

+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

International Auctioneers and Valuers – bonhams.com

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