THE OLD FORGE the ROY DAVIDS COLLECTION of DECORATIVE ARTS and BRONZES Wednesday 4 March 2015

Total Page:16

File Type:pdf, Size:1020Kb

THE OLD FORGE the ROY DAVIDS COLLECTION of DECORATIVE ARTS and BRONZES Wednesday 4 March 2015 THE OLD FORGE THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES Wednesday 4 March 2015 THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES | 1 THE OLD FORGE THE ROY DAVIDS COLLECTION OF DECORATIVE ARTS AND BRONZES Wednesday 4 March 2015 at 11.00 Knightsbridge, London VIEWING ENQUIRIES PHYSICAL CONDITION OF Sunday 1 March 11.00 - 15.00 Head of Sale LOTS IN THIS AUCTION Monday 2 March 9.00 - 16.30 Charlie Thomas Tuesday 3 March 9.00 - 16.30 +44 (0) 20 7468 8358 PLEASE NOTE THAT ANY Wednesday 4 March 9.00 - 10.00 [email protected] REFERENCE IN THIS (restricted viewing) CATALOGUE TO THE PHYSICAL Administrator CONDITION OF ANY LOT IS FOR SALE NUMBER Poppy Davey GENERAL GUIDANCE ONLY. 22802 +44 (0) 20 7468 5895 INTENDING BIDDERS MUST [email protected] SATISFY THEMSELVES AS TO CATALOGUE THE CONDITION OF ANY LOT £15.00 Press AS SPECIFIED IN CLAUSE 14 OF Danielle Demartini THE NOTICE TO BIDDERS BIDS +44 (0) 20 7468 8363 CONTAINED AT THE END OF +44 (0) 20 7447 7448 [email protected] THIS CATALOGUE. +44 (0) 20 7447 7401 fax To bid via the internet please All lots with an estimate As a courtesy to intending visit bonhams.com less than £2,000 to be bidders, Bonhams will provide a sold without reserve. written indication of the physical Please note that bids should be condition of lots in this sale if a submitted no later than 16.00 on CUSTOMER SERVICES request is received up to 24 the day prior to the sale. Monday to Friday 8.30 to 18.00 hours before the auction starts. New bidders must also provide +44 (0) 20 7447 7447 This written Indication is issued proof of identity when submitting subject to Clause 3 of the Notice bids. Failure to do this may result Please see page 2 for bidder to Bidders. in your bid not being processed. information including after-sale collection and shipment IMPORTANT INFORMATION Telephone bidding The United States Government Bidding by telephone will only has banned the import of ivory be accepted on lots with a low into the USA. Lots containing estimate in excess of £500. ivory are indicated by the symbol Ф printed beside the Live online bidding is available lot number in this catalogue. for this sale Please email [email protected] with ‘live bidding’ in the subject Back cover illustrated lot 227 line 48 hours before the auction to register for this service Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Lucinda Bredin, Harvey Cammell, Simon Cottle, Peter Rees, Iain Rushbrook, John Sandon, Matthew Girling Global CEO, Andrew Currie, Paul Davidson, Jean Ghika, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Patrick Meade Global CEO, Charles Graham-Campbell, Miranda Grant, James Stratton, Roger Tappin, Ralph Taylor, +44 (0) 20 7393 3905 fax Geoffrey Davies, Jonathan Horwich, Richard Harvey, Robin Hereford, Asaph Hyman, Shahin Virani, David Williams, James Knight, Caroline Oliphant, Charles Lanning, Sophie Law, Fergus Lyons, Michael Wynell-Mayow, Suzannah Yip. Hugh Watchorn. Gordon McFarlan, Central Middlesex Hospital SALE Park Royal INFORMATION Coronation Road W Bonhams, e d s P t Park Royal a e a rn r o A k R v e R e s A4 o 0 a y Park a h l C Royal Western Ave A40 R o 0 Station a 0 d Acton 0 4 Cemetery North A Acton d Station a o R a i r o t c i V Bids Collection and Storage Handling and storage The following symbol is +44 (0) 20 7447 7448 after sale charges used to denote that VAT is West Acton Horn Lane +44 (0) 20 7447 7401 fax All sold lots will be transferred StationTransfer and storage charges due on the hammer price [email protected] to Bonhams warehouse at will commence on Wednesday and buyer’s premium www.bonhams.com Park Royal the day after the 18th March 2015 and will be sale & will be available for applicable for each working day. † VAT 20% on hammer price Payments collection from 9.30am Friday and buyer’s premium Buyers 6th March 2015. The charges levied by Bonhams +44 (0) 20 7447 7447 are as follows: * VAT on imported items at a +44 (0) 20 7447 7401 fax Address: preferential rate of 5% on Unit 1, Sovereign Park Furniture, large paintings and hammer price and the prevailing Sellers Coronation Road other large objects. rate on buyer’s premium Payment of sale proceeds Park Royal +44 (0) 20 7447 7447 London NW10 7QP Transfer per lot £35.00 VAT refunds on exports from +44 (0) 20 7447 7401 fax Tel: +44 (0) 87 0811 3867 Daily storage per lot £3.60 the EU Hours of opening 9.30am to To submit a claim for refund of ART COLLECTIONS, 4.30pm Monday to Friday All other objects VAT HMRC require lots to be ESTATES AND VALUATIONS exported from the EU within +44 (0) 20 7468 8340 These lots will be subject to Transfer per lot £20.00 strict deadlines. +44 (0) 20 7468 5860 fax transfer and storage charges if Daily storage per lot £1.90 [email protected] they are not collected from the For lots on which Import VAT warehouse at Park Royal by All the above charges are has been charged; marked in Catalogue subscriptions close of business Tuesday 17th exclusive of VAT. the catalogue with a * or Ω, lots To obtain any Bonhams March 2015. must be exported within 30 catalogue or Payment in advance days of Bonhams’ receipt of to take out an annual Lots may be released from Tel: +44 (0) 20 7447 7447 payment and within 3 months of subscription: Bonhams warehouse on to ascertain amount due by: the sale date. For all other lots Subscriptions Department production of the Collection cash, cheque with banker’s export must take place within 3 +44 (0) 1666 502200 Order obtained from cashier’s card, credit card, bank draft months of the sale date. +44 (0) 1666 505107 fax office at Bonhams Knightsbridge or traveller’s cheque. [email protected] or New Bond Street and a form For further VAT information of photographic ID.. Payment at time of collection please contact: Shipping By credit card / debit card [email protected] For information and estimates on domestic and international Important Notice CITES REGULATIONS shipping as well as export A surcharge of 2% is applicable Please be aware that all Lots licenses please contact when using Mastercard, Visa marked with the symbol Y are Bonhams Shipping Department and overseas debit cards. subject to CITES requlations on: when exporting these items +44 (0) 20 8963 2849 outside the EU. The regulations +44 (0) 20 8963 2850 may be found at www.ukcites. +44 (0) 20 7629 9673 fax gov.uk or may be requested [email protected] from: UK CITES Management Authority Zone 117 Temple Quay House 2 The Square Temple Quay BRISTOL BS1 6EB 273 INTRODUCTION Roy Davids is the auctioneer’s ideal collector: his educated Meeting Roy around 30 years ago I was struck by the encyclopaedic eye, along with a passion for the whimsical, rare and academic depth of his knowledge, and any visitor to The Old Forge will have and a love of quality, whether it is embodied in an 18th century been overwhelmed by his superb reference libraries jostling for space manuscript, a Kangxi famille verte vase or a contemporary bronze, with a shelf of Christopher Dresser ceramics, an animalier bronze or is a heady combination. a precarious stack of Minton tiles. Over long lunches in Oxfordshire pubs and convivial dinners at the Garrick Club, his London base, Roy is a true polymath, and his astonishingly broad range of I have often had the pleasure of discussing his collection and interests has allowed us to collaborate on five fantastic auctions connoisseurship in general whilst he dissects the art world with the over the last decade, ranging from his unrivalled collection humour and hindsight that a lifetime spent as an auctioneer and later of portraits of some of the greatest writers and artists to his as a manuscript dealer has afforded him. collections of historical and poetical manuscripts which have included gems by Walter Raleigh, Isaac Newton, John Keats and As Roy has said in the past, he sees his role as that of a custodian of Charlotte Brontë. More recently, following the publication the works he has acquired over the years, and his lasting contribution of ‘Provenance’, (Roy and co-author Dominic Jellenek’s ‘magnum to their journey is lifting them from obscurity, dusting off neglect and opus’ detailing the principal European collectors of Chinese Art), highlighting their significance and interest, with their eventual sale we have held the sale of his Chinese Ceramics collection, being a ‘living part’ of his collecting process. It is his hope that much and are now delighted to be handling the subject of this auction, of what is here will go ‘to those fellow collectors for whom desire is 19th century decorative arts and bronzes. purer than necessity’. ROBIN HEREFORD Director, Art Collections, Estates & Valuations January 2015 4 | BONHAMS FOREWORD I first met Roy some 25 years ago. A visit to his home, before he decided to sell his collection, was to We struck up an immediate rapport and formed a lasting friendship, observe a visual feast of acquisitions, always something new and sharing similar views and interests about many subjects, often always previously unnoticed treasures to behold.
Recommended publications
  • The Century Guild Hobby Horse Mitchell, Rebecca
    The Century Guild Hobby Horse Mitchell, Rebecca DOI: 10.1086/696259 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Mitchell, R 2018, 'The Century Guild Hobby Horse' Papers of the Bibliographical Society of America, vol. 112, no. 1, pp. 75-104. https://doi.org/10.1086/696259 Link to publication on Research at Birmingham portal Publisher Rights Statement: Version accepted for publication by Papers of the Bibliographical Society of America on 11/09/2015. Final version of record available at: https://www.journals.uchicago.edu/doi/10.1086/696259 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive.
    [Show full text]
  • Japonisme in Britain - a Source of Inspiration: J
    Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).
    [Show full text]
  • Lawrence Rinder the Possible: a Thread of Change
    video production, dance, music, scent The Possible: design, artists’ correspondence, photography, A Thread of instruction, song-writing, poetry, book- making, sculpture, drawing, printmaking, Change felting, games, yoga, lectures, meditation, hiking, bathing, fashion, collage, kite-making, Lawrence Rinder cooking, and display. The designers of the exhibition’s furnishings, the craft specialists who facilitated the various workshops, and the guest artists were all given equal weight, so that the exhibition offered a creative environment without hierarchy among design, craft, and art. More than one hundred people, children as well as adults, participated as core creators, deepening existing collaborative relation- ships and creating new ones across many disciplines. The exhibition had no clear 27 beginning or end: it evolved over two and a half years of preparation through a series of correspondence projects and gatherings that took place across the country. Even after the galleries opened to the public the exhibition continued to evolve: new artists were welcomed, and surprising objects appeared in the galleries. Visitors’ experiences of the show were never the same twice. David Wilson, the curator of The Possible, The Possible grew out of Wilson’s prior is an artist. He brought an artist’s sensibility to work creating site-specific installations the exhibition, creating an open-ended, and festivals; however, whereas these earlier nondidactic framework for the generation of projects usually took place in and responded creativity, collaboration, and community. to natural settings (for example, Angel The Possible encompassed furniture design, Island, Wildcat Canyon, and Rodeo Beach), mail art, historical archives, video, ceramics, The Possible was set in the dramatic BAM/ textile dyeing, weaving, sound recording, PFA building, a 1960s Brutalist structure fig.1 designed by Mario Ciampi.
    [Show full text]
  • AC Art Nouveau 4C.Qxp
    Art Nouveau Jean Lahor Text: Jean Lahor (adaptation) Translator: Rebecca Brimacombe Layout: Baseline Co. Ltd 61A-63A Vo Van Tan Street 4th Floor District 3, Ho Chi Minh City Vietnam © Confidential Concepts, Worldwide, USA © Parkstone Press International, New York, USA © Mathilde Augé © Germaine Boy © Carlo Bugatti, Artists Rights Society (ARS), New York, USA/ADAGP, Paris © Louis Chalon © Edouard Colonna © Charles-Henri Delanglade © Jean Delville, Artists Rights Society (ARS), New York, USA/SABAM, Brussels © Fernand Dubois © R. Evaldre © Georges de Feure, Artists Rights Society (ARS), New York, USA/BEELDRECHT, Amsterdam © Georges Fouquet, Artists Rights Society (ARS), New York, USA/ADAGP, Paris © René Foy © Adria Gual-Queralt © Hector Guimard © Gustav Gurschner © JosefHoffmann © Victor Horta/Droits SOFAM - Belgique © Prince Bojidar Karageorgevitch © Keller et Guérin © René Lalique, Artists Rights Society (ARS), New York, USA/ADAGP, Paris © Lindgren © Charles Rennie Mackintosh © Arthur Heygate Mackmurdo © Herbert McNair © Bernhard Pankok © Charles Plumet © J. Prémont © Victor Prouvé, Artists Rights Society (ARS), New York, USA/ADAGP, Paris © Richard Riemerschmid, Artists Rights Society (ARS), New York, USA/VG Bild-Kunst, Bonn © Saarinen © St Petersburg Imperial Glassworks, copyright reserved © Tony Selmersheim © Henry Van de Velde, Artists Rights Society (ARS), New York, USA/SABAM, Brussels © Henri Vever © Ely Vial © Zsolnay Porcelánmanufaktúra Zrt., copyright reserved All rights reserved. No part ofthis publication may be reproduced or adapted without the permission ofthe copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification. ISBN: 978-1-78042-790-4 2 Art Nouveau - Contents - I.
    [Show full text]
  • Bookbinding: the Classic Arts and Crafts Manual Ebook
    BOOKBINDING: THE CLASSIC ARTS AND CRAFTS MANUAL PDF, EPUB, EBOOK Douglas Cockerell, Noel Rooke | 352 pages | 28 Oct 2005 | Dover Publications Inc. | 9780486440392 | English | New York, United States Bookbinding: The Classic Arts and Crafts Manual PDF Book Cite article. Published by Createspace Independent Publishing Platform Cities likewise became doused regularly with pollution from a bevy of new factories. My training in the intricacies of good design, and in the benefits of using refined materials and excellent tools, have influenced me as much as the artistic guidance of my parents, and watching my mother paint or my father become a typographer after his carreer. Products of this store will be shipped directly from Germany to your country. Kayte rated it it was amazing Aug 06, In winkelwagen Op verlanglijstje. Het is echter in een enkel geval mogelijk dat door omstandigheden de bezorging vertraagd is. Seller Rating:. Anderen bekeken ook. I wish I had known that it was such an old book prior to purchasing it. Updated and modified regularly [Accessed ] Copy to clipboard. More information about this seller Contact this seller 3. Phiip J rated it really liked it Aug 11, Trade paperback in near fine conditon. Douglas Bennett Cockerell was a British bookbinder who revolutionised modern bookbinding. Quick view Read more. Following that he worked in a Germany bindery before moving to London in where he worked as a self-employed bookbinder and tutor until early You can download the book by following easy steps that are suggested in the website. My husband constructed a simple press and a sewing frame, and with the help of a small Italian dictionary I put together two books without knowing very well what I had been doing.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses The century guild hobby horse and Oscar Wilde: a study of British little magazines, 1884-1897 Tildesley, Matthew Brinton How to cite: Tildesley, Matthew Brinton (2007) The century guild hobby horse and Oscar Wilde: a study of British little magazines, 1884-1897, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2449/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Century Guild Hobby Horse and Oscar Wilde: A Study of British Little Magazines, 1884-1897. Matthew Brinton Tildesley. The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged.
    [Show full text]
  • 186017316 Gower Bm M. Dip. Tech 1989
    CRAFT IDEALISM AS AN INFLUENCE ON DESIGN WITH PARTICULAR REFERENCE TO FURNITURE AND INTERIORS BEVERLEY MICHAEL GOWER SUBMITTED IN PART fULFILMENT Of THE REQUlREMENTS fOR THE MASTERS DIPLOMA IN TECHNOLOGY INTERIOR DESIGN SCHOOL OF APPLIED ART. CAPE TECHNIKON NOVEMBER 1989 The hands of James Krenov, worker in wood. PREFACE While working as a designer of furniture and interiors for the =nmercial market in Natal durirg the later 1960's and early 1970's, I was exposed to rural Zulu harxlcraft offered for sale on the roadside in outlyirg areas. 'Ihe work revealed a special quality and an "integrity" which I was unconsciously looking for in my own field of design. It was in this experience that the concept of looking to craft as a source for design was to originate. 'Ihe contrast between this simple and honest expression of art and craft, albeit camrnercially oriented, and the sophisticated area of design where I was obliged to function, became apparent. Not only was it the marked stylistic difference that impressed, but there seemed to be an urrlerlyirg s=ial significance to the work. 'Ibis prompted I!le to make a record of all the examples of craft I could locate when travelling through the rural areas of Natal. 'Ihere was no motive at that stage other than personal interest and the observations were not structured as research. It was only years later, when embarking on this study that these impressions became relevant. I would like to ackncMledge the assistance and guidance of my exten1al supervisor Dr Raym.¥ld Van Niekerk and the support of my internal supervisor Mr stan Slack.
    [Show full text]
  • Huntington and Lacma Jointly Purchase Iconic Art Nouveau Chair
    FOR IMMEDIATE RELEASE November 23, 2009 HUNTINGTON CONTACT: Thea Page, 626-405-2260 or [email protected] LACMA CONTACT: Allison Agsten, 323-857-6543 or [email protected] HUNTINGTON AND LACMA JOINTLY PURCHASE ICONIC ART NOUVEAU CHAIR Considered the first manifestation of the Art Nouveau movement, only one other of the richly carved chairs by Arthur Heygate Mackmurdo is known to exist in the United States Arthur Heygate Mackmurdo (1851–1942), for the Century Guild, Chair, ca. 1882, mahogany, leather, painted decoration. The Huntington Library, Art Collections, and Botanical Gardens and the Los Angeles County Museum of Art. SAN MARINO, Calif.—The Huntington Library, Art Collections, and Botanical Gardens and the Los Angeles County Museum of Art announced today the joint purchase of an iconic chair designed by groundbreaking English architect, graphic artist, and craftsman Arthur Heygate Mackmurdo (1851–1942). One of only five chairs in the set known to exist, the Huntington/LACMA piece is one of only two in the United States and will go on view in the Design Reform movement rooms of the Huntington Art Gallery in late November. After two Mackmurdo chair Page 2 of 2 years at The Huntington, it will shift to LACMA’s newly reinstalled galleries dedicated to the international Arts and Crafts movement. Elaborately carved from mahogany with fluid tendrils forming the back, the chair is universally considered the key precursor of the Art Nouveau movement and predates the full emergence of that movement by some 10 years. It is also the last of five known chairs in the set to come on the market.
    [Show full text]
  • Designated Collections Contents
    Designated Collections Contents 3 Introduction 4 East Midlands 7 East 11 London 23 North East 25 North West 30 South East 35 South West 42 West Midlands 47 Yorkshire Introduction The Designation Scheme exists to celebrate collections of outstanding resonance, that deepen our understanding of the world and what it means to be human. The Arts Council is passionate about collections and their ability to impact upon and enrich our lives, and the Designation Scheme is an important and visible assertion of our belief in their enduring cultural value. The Designated collections cover such diverse areas as political and ecclesiastical archives, art history, literature and theatre, economics, the history of transportation on land and on water, and the medical profession. They demonstrate eclectic tastes and intellectual journeys, the emergence of disciplines and theories and the careers of our famous figures. They bring art, science and industry together in stimulating ways. Our collections hold the key to who we are and they are an irreplaceable resource. Designation is an enduring award and it is crucial to the Arts Council’s mission to bring great art and culture to everyone. Designated collections are located in both rural and urban centres across the country, from Cornwall to Cumbria. The Designation Scheme was introduced at the behest of government, and since 1997, has identified pre-eminent collections held in museums, libraries and archives across England. The founding aims were to raise the profile of these vital collections and encourage safeguarding of them. Designated collections benefit in numerous ways. During 2013-15 the Designation Scheme was reviewed and in 2014 we published Pearls and wisdom, our vision for the future of the Scheme.
    [Show full text]
  • Renaissance to Regent Street: Harold Rathbone and the Della Robbia Pottery of Birkenhead
    RENAISSANCE TO REGENT STREET: HAROLD RATHBONE AND THE DELLA ROBBIA POTTERY OF BIRKENHEAD JULIET CARROLL A thesis submitted in partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy APRIL 2017 1 Renaissance to Regent Street: Harold Rathbone and the Della Robbia Pottery of Birkenhead Abstract This thesis examines the ways in which the unique creativity brought to late Victorian applied art by the Della Robbia Pottery was a consequence of Harold Rathbone’s extended engagement with quattrocento ceramics. This was not only with the sculpture collections in the South Kensington Museum but through his experiences as he travelled in Italy. In the first sustained examination of the development of the Della Robbia Pottery within the wider histories of the Arts and Crafts Movement, the thesis makes an original contribution in three ways. Using new sources of primary documentation, I discuss the artistic response to Italianate style by Harold Rathbone and his mentors Ford Madox Brown and William Holman Hunt, and consider how this influenced the development of the Pottery. Rathbone’s own engagement with Italy not only led to his response to the work of the quattrocento sculptor Luca della Robbia but also to the archaic sgraffito styles of Lombardia in Northern Italy; I propose that Rathbone found a new source of inspiration for the sgraffito workshop at the Pottery. The thesis then identifies how the Della Robbia Pottery established a commercial presence in Regent Street and beyond, demonstrating how it became, for a short time, an outstanding expression of these Italianate styles within the British Arts and Crafts Movement.
    [Show full text]
  • Dossier A&C.Indd
    Dossier de prensa Del 22 de febrero al 21 de mayo de 2018 Organizan y producen: Museu Nacional d’Art de Catalunya y Fundación Juan March Equipo curatorial: Manuel Fontán del Junco y María Zozaya Álvarez (Fundación Juan March), y las comisarias invitadas Joanna Banham, Pat Kikham y Karen Livingstone William Morris para Morris & Co. Fragmento textil Rose [Rosa], 1883. Museo Nacional de Artes Decorativas, Madrid William Morris y el movimiento Arts and Crafts en Gran Bretaña, producida por el Museu Nacional d’Art de Catalunya y la Fundación Juan March, pretende explorar en profundidad las múltiples facetas del diseñador, artesano, empresario, poeta, ensa- yista y agitador social William Morris (1834-1896), así como de las principales figuras del movimiento británico Arts and Crafts. El proyecto trata de mostrar no solo la figura histórica de Morris, sino la vigencia de su obra y sus ideas. Esta exposición se inscribe en la línia de trabajo que lleva a cabo el Museu Nacional para presentar los grandes movimientos europeos en relación a su colección, en este caso el modernismo. 3 William, Jane y Jenny Morris Honeysuckle Philip Speakman Webb. Detalles constructivos de la Red House, 1859. Victoria and [Madreselva], 1876. William Morris Gallery, London Albert Museum, Londres rough of Waltham Forest, Londres William Morris y el movimiento Arts and Crafts en Gran Bretaña está organizada en cuatro seccio- nes cronológicas y temáticas, y reúne 300 importantes piezas de mobiliario, textiles, papeles pintados, joyas, vidrio, cerámica, metalistería, encuadernaciones, pintura, dibujo, grabado y fotografía. Entre las obras expuestas destacan un inmenso tapiz realizado por Morris & Co.
    [Show full text]
  • An Embarrassment of Riches: Fifteen Years of European Decorative Arts Author(S): Ghenete Zelleke Source: Art Institute of Chicago Museum Studies, Vol
    Art Institute of Chicago An Embarrassment of Riches: Fifteen Years of European Decorative Arts Author(s): Ghenete Zelleke Source: Art Institute of Chicago Museum Studies, Vol. 28, No. 2, Gift Beyond Measure: The Antiquarian Society and European Decorative Arts, 1987-2002 (2002), pp. 22-89+93-96 Published by: Art Institute of Chicago Stable URL: http://www.jstor.org/stable/4113042 Accessed: 03-03-2016 20:29 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Art Institute of Chicago Museum Studies. http://www.jstor.org This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions FIFTEEN YEARS OF EUROPEAN DECORATIVE ARTS This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions . This content downloaded from 198.40.29.65 on Thu, 03 Mar 2016 20:29:11 UTC All use subject to JSTOR Terms and Conditions Gifts Beyond Measure Tea Service for Two n the seventeenth century, the introduc- c.
    [Show full text]