University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2007 Philosophy of new jazz: Reconstructing Adorno Dustin Bradley Garlitz University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Garlitz, Dustin Bradley, "Philosophy of new jazz: Reconstructing Adorno" (2007). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/2183 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact
[email protected]. Philosophy of New Jazz: Reconstructing Adorno by Dustin Bradley Garlitz A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities and American Studies College of Arts and Sciences University of South Florida Major Professor: Stephen P. Turner, Ph.D. Ofelia Schutte, Ph.D. Maria Cizmic, Ph.D. Date of Approval: October 9, 2007 Keywords: aesthetics, critical theory, cultural studies, musicology, social thought © Copyright 2007 , Dustin Garlitz Note to the Reader The two primary innovators of bebop, Charlie Parker and Dizzy Gillespie, posed for the above photograph in 1950. This moment in time was a decade after their successful revolutionizing of the jazz establishment. Behind them to the right, however, stands a baby-faced John Coltrane who would go on to pioneer the avant-garde jazz aesthetic a decade later, in turn completely transfiguring the state of jazz once again. Both revolutions in jazz took place during the career of German musicologist Theodor W.