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Mount Cook Rally Action
NEW ZEALAND’S FOREMOST HISTORIC MOTORING MAGAZINE No. 259 DECEMBER 2002 /JANUARY 2003 PRICE $4.50 INCL GST Beaded Wheels 9 418979 000012 Mount Cook Rally Action bw259.indd 1 10/10/2007 11:05:37 PM This card-mounted photograph of an early Buick is stamped with the photographer’s signature which appears to be “Ballows, Wanganui”. VINTAGE & CLASSIC The car has FBC Taxi No is painted at the top of the driver’s door. The number which appears to end in a zero is partially obscured by the brake ENGINE PARTS lever. The headlamps appear to have seen better days and no nights, however the white topped forage cap worn by the driver indicates the car is still in service as a taxi. No number plate and no other information, can readers assist? SubmissionsPhoto of photographs supplied for bythis Barrypage are welcomeThomson. from Beaded Wheels Beaded Wheels readers. Please send original photographs of NEW ZEALAND’S FOREMOST HISTORIC MOTORING MAGAZINE historic interest with any available information to Beaded Wheels, PO Box 13140, Christchurch. PISTONS, VALVES, HEAD GASKETS Laserprints/photocopies are not suitable. Photos will be returned as soon as practicable. TIMING GEARS, MORSE CHAINS ENGINE BEARINGS GEORGE CALDER LIMITED 307 HOON HAY ROAD, CHRISTCHURCH PH 03 338 5372 FAX 03 338 5482 Stockists of REPLACEMENT 1912-80 AUTOMOTIVE ENGLISH PARTS AMERICAN CONTINENTAL Kingpin sets Engine gaskets Gearbox gears Suspension parts. Steering joints Crownwheel & pinions Example: 475-19 Spark plugs Electrical fittings Wiper motors (vac) 4ply Engine bearings Shock -
Exhibitions & Events at Auckland Art Gallery Toi O
Below: Michael Illingworth, Man and woman fi gures with still life and fl owers, 1971, oil on canvas, Auckland Art Gallery Toi o Tāmaki MARITIME MUSEUM FERRY TERMINAL QUAY ST BRITOMART On Show STATION EXHIBITIONS & EVENTS CUSTOMS ST BEACH RD AT AUCKLAND ART GALLERY TOI O TĀMAKI FEBRUARY / MARCH / APRIL 2008 // FREE // www.aucklandartgallery.govt.nz ANZAC AVE SHORTLAND ST HOBSON ST HOBSON ALBERT ST ALBERT QUEEN ST HIGH ST PRINCES ST PRINCES BOWEN AVE VICTORIA ST WEST ST KITCHENER LORNE ST LORNE ALBERT PARK NEW MAIN WELLESLEY ST WEST STANLEY ST GALLERY GALLERY GRAFTON RD WELLESLEY ST AUCKLAND AOTEA R MUSEUM D SQUARE L A R O Y A M Auckland Art Gallery Toi o Tāmaki Discount parking - $4 all day, weekends and PO Box 5449, Auckland 1141 public holidays, Victoria St carpark, cnr Kitchener New Gallery: Cnr Wellesley and Lorne Sts and Victoria Sts. After parking, collect a discount voucher from the gallery Open daily 10am to 5pm except Christmas Day and Easter Friday. Free guided tours 2pm daily For bus, train and ferry info phone MAXX Free entry. Admission charges apply for on (09) 366 6400 or go to www.maxx.co.nz special exhibitions The Link bus makes a central city loop Ph 09 307 7700 Infoline 09 379 1349 www.stagecoach.co.nz/thelink www.aucklandartgallery.govt.nz ARTG-0009-serial Auckland Art Gallery’s main gallery will be closing for development on Friday 29 February. Exhibitions and events will continue at the New Gallery across the road, cnr Wellesley & Lorne sts. On Show Edited by Isabel Haarhaus Designed by Inhouse ISSN 1177-4614 Auckland Art Gallery Toi o Tāmaki relies on From the Chris Saines, the good will and generosity of corporate Gallery Floor Plans partners. -
Art History Sources at the Hocken Collections
Reference Guide Art History Sources at the Hocken Collections Sir William Fox, 1812-93. W Fox’s House, Nelson. 1848. Watercolour on paper: 238 x 345mm. Accession No.: 4,274 31. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to New Zealand art history held in the collections. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. The advanced search ‐ https://goo.gl/HVNTqH gives you several search options, and you can refine your results to the Hocken Library on the left side of the screen. -
New Zealand Rolls-Royce & Bentley Club
New Zealand Rolls-Royce & Bentley Club Inc Issue 16-4 2016 NEW ZEALAND ROLLS-ROYCE & BENTLEY CLUB (INC) The Bentley badge and Bentley name are registered trademarks of Bentley Motors Limited. The Rolls-Royce badge and Rolls-Royce name are registered trademarks of Rolls-Royce plc. NATIONAL EXECUTIVE CHAIRMAN: Don Cresswell Membership 26 Aputa Avenue, Te Puru, Thames 3575 Phone 07 868 2250/Mobile 021 721 792 MEMBERSHIP of the New Zealand Rolls-Royce & Bentley Club Inc is open to anyone [email protected] with an interest in these two marques, whether or not they are the owner of a Rolls-Royce or Bentley. Your Membership SUBSCRIPTION includes the Club Magazine (6 issues annually), PAST CHAIRMAN: Rob Carthew the right to attend all Club events and activities, and to partake in Club management. 85A Wharewaka Road, Taupo FEES Registration Fee $ 10.00 (once only) Phone 07 3774117 [email protected] Annual Membership Fee $115.00 Family membership $5.00 CONTACT Membership Registrar NZ Rolls-Royce & Bentley Club, Inc SECRETARY: Naomi Neill Naomi Neill, 773 Back Ormond Road, Gisborne 4071 Phone: (06) 867 1676 773 Back Ormond Road, RD1, Gisborne 4071 Email: [email protected] or www.nzrrbc.org.nz , then APPLICATION FORM Phone 06 867 1676 [email protected] Chassis Records TREASURER: Philip Eilenberg 3B 21 George Street, Parnell, Auckland The Company’s construction records for every Rolls-Royce, and every Bentley since 1931, Phone: 09 374 5901/Mobile 021 928 041 through its production at Derby or Crewe, are a valuable resource for owners. They detail [email protected] the original order and inspections before despatch. -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
Spring Catalogue 2012
Spring Catalogue 2012 pierre peeters gallery 251 Parnell Road: Habitat Courtyard: Auckland: [email protected] (09)3774832 Welcome to our 2012 Spring Catalogue. Pierre Peeters Gallery presents fine examples of New Zealand paintings, works on paper and sculpture which span from the nineteenth century to the present day. For all enquiries ph (09)377 4832 or contact us at [email protected] www.ppg.net.nz Cover illustration: Len Lye, Self Portrait with Night Tree: 1947 W .S Melvin circa 1880 Wet Jacket Arm: Milford Sound Initialled Lower right ‘WSM’ Oil on opaque glass 170 x 280 mm W. S Melvin circa 1880 Lake Manapouri Initialled Lower left ‘ WSM’ Oil on opaque glass 170 x 280 mm These two works by W.S Melvin exemplify the decorative landscape painting of nineteenth century painters of the period working in New Zealand. They knowingly utilise the decorative strength of adjacent reds , soft purples and greens . Painted on what was commonly called ‘milk glass’, popular in nineteenth century applied arts, here Melvin employs this luminous medium for his deftly realised depictions of the picturesque South Island. W.S. Melvin was a nineteenth century painter who exhibited with the Otago Art Society from 1887–1913; and whose work featured in the NZ and South Seas Exhibition in Dunedin 1889–90. John Barr Clarke Hoyte (1835-1913) Coastal Inlet c.1870 Watercolour 390 x 640 mm John Barr Clarke Hoyte could produce airy, sweeping views of the picturesque, but in works like this, he combines the atmosphere and dampness of the elements of a North Island inlet, with a homely, pragmatic and altogether, endearing aspect. -
Mark Bentley Adams CV 2015
Mark Bentley Adams C V 2015 b.1949: Christchurch: Te Wai Pounamu Aotearoa New Zealand phone/fax: 00 64 9 379 7501 mobile: 00 64 021 036 7447 phone: 00 64 3 312 1271 [email protected] PO Box 68896 Newton Auckland New Zealand 173 High St Oxford Te Wai Pounamu 7430 Professional Qualifications 1969 DFA, University of Canterbury School of Fine Arts Professional Experience 1982-88 Sharp Black and White Photographic Partnership 1982-88 Real Pictures Photographic Gallery and Laboratory 1996 - Studio La Gonda Photographic Partnership Teaching Experience 1996- 1999 Elam School of Fine Arts, Department of Photography, 1994- 1996 Auckland Institute of Technology, Department of Photography 1991- 1993 Carrington Polytechnic School of Design, Department of Photography 1990- 1992 ASA School of Fine Arts Selected Shows 2015 Clevedon Garden 1978. Hori Paraone / George Brown Paul McNamara Gallery. Whanganui 2015 Nine Fathom Passage. Dusky Sound. Two Rooms Gallery Auckland 2015 'Sign Here'. Sites where the Treaty of Waitangi was signed in 1840 Mangere Arts Centre nga tohu o uenuku Curated by Hannah Scott 2014 'Mark Adams. Tatau: Photographs from the Tatau project 1978 - 2005'. Ilam Campus Gallery. School of Fine Arts University of Canterbury 2014 'Cook's Sites' Curated by Peter Vangioni. Christchurch Art Gallery Te Puna O Waiwhetu 2013 'A Portrait of the Artist Tony Fomison', Chamber Gallery, Rangiora 2013 'Archives'. Photographs by Mark Adams, Two Rooms Gallery, Auckland 2012 Mark Adams Photographs: McNamara Gallery Whanganui 2010 'Lava. Photographs from Polynesia'. 2 Rooms Gallery, Auckland 2010 'Tatau'. University of Cambridge Museum of Archaeology and Anthropology Curated by Nicholas Thomas 2009 'Tene Waitere's travels'. -
Fitzroy July 2011
TAKE ONE MOMENT JULY 2011 IINSPIREDNSPIRED BBYY CCOLOUROLOUR Haylee Kirkham, pictured here in her home studio, has revived her old love of painting PHOTO BY DEREK HUGHES FFITZROYI T Z R O Y - more on page 2 FIZROY 1 COVER STORY TAKE ONE MOMENT EDITORIAL LOCAL ARTIST: TOM has a new look – one I hope you will all appreciate. One of the most asked ques- Haylee tions I come across is what does TOM Kirkham FFITZROYI T Z R O Y stand for so I hope TOM FITZROY is a the new logo, When viewing some of her art hung on monthly publication banner and website walls around her home it’s hard to believe delivered free to your answer this question it was just three years ago that local artist letterbox in the Fitzroy, for everyone. Haylee Kirkham began to paint seriously. Merrilands, Highlands A big thank you goes out to the local Haylee studied art and photography right Park, Strandon and Glen community who continue to sup- through to her sixth form year at Hawera Avon areas. port the TOM through advertising High School and her two art teachers THE TEAM and article contributions – without there, Nigel Ogle and Tim Chadwick Co-ordinator/Features: either the TOM doesn’t exist. My were she says, a huge inspiration to her. Kim Ferens next most asked question is why do I Haylee also gained a wealth of photo- 06 751 1519 do the TOM and the answer is simple graphic knowledge when she worked for [email protected] – the immense satisfaction I get from Lester Timms Photography studio after Advertising: school, where instead of getting paid she Rachel Naus people’s enjoyment in reading about interesting things the local commu- asked Lester Timms to critique her pho- 06 758 1677 tographic work. -
Pdfdownload Victorious
SPRING 2006 Gothic children’s literature Scent of the rhino Latin American connection Community presence Andrew (right) and Matt test the brick structure embedded with tyre strips. Used tyres go the extra mile It’s said you should never trust a Andrew says used tyres create a huge environmental used car sales rep—but used car problem by accumulating at approximately the rate of one used tyre per head of population per year tyres could be the structural saviour in so-called developed countries. It can cost up to of poorly-built earthen houses in $3 to dispose of a tyre in a New Zealand landfill. developing countries. “My vision is for tyre strips to be mass-produced Research by Associate Professor Andrew Charleson, in developed countries like New Zealand and then from the School of Architecture, and Master’s transported to developing countries, where, at no student Matt French, is looking at reinforcing adobe or minimal cost, villagers will incorporate them houses with strips of rubber cut from discarded tyres. into their houses,” he says. “This low-cost approach has the potential to reduce seismic vulnerability in developing countries and “This low-cost approach has help solve the ecological problem of used tyre the potential to reduce seismic disposal,” says Andrew. vulnerability in developing “As tragically witnessed after every damaging earthquake in developing countries, due to their countries and help solve the high mass and lack of tensile resistance, the seismic performance of these forms of construction, ecological problem of used and in fact any buildings lacking tensile strength, tyre disposal.” is very poor.” Andrew sees a day where a non-profit organisation The initiative involves horizontally embedding will establish a site where used tyres will be collected, strips of connected, 40mm thick rubber at regular processed, packed and shipped for use overseas. -
A Comparative Analysis of Content in Maori
MATTERS OF LIFE AND DEATH: A COMPARATIVE ANALYSIS OF CONTENT IN MAORI TRADITIONAL AND CONTEMPORARY ART AND DANCE AS A REFLECTION OF FUNDAMENTAL MAORI CULTURAL ISSUES AND THE FORMATION AND PERPETUATION OF MAORI AND NON-MAORI CULTURAL IDENTITY IN NEW ZEALAND by Cynthia Louise Zaitz A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida August 2009 Copyright by Cynthia Louise Zaitz 2009 ii CURRICULUM VITA In 1992 Cynthia Louise Zaitz graduated magna cum laude with a Bachelor of Arts in Drama from the University of California, where she wrote and directed one original play and two musicals. In 1999 she graduated with a Masters in Consciousness Studies from John F. Kennedy University. Since 2003 she has been teaching Music, Theatre and Dance in both elementary schools and, for the last two years, at Florida Atlantic University. She continues to work as a composer, poet and writer, painter, and professional musician. Her original painting, Alcheme 1 was chosen for the cover of Volume 10 of the Florida Atlantic Comparative Studies Journal listed as FACS in Amazon.com. Last year she composed the original music and created the choreography for Of Moon and Madness, a spoken word canon for nine dancers, three drummers, an upright bass and a Native American flute. Of Moon and Madness was performed in December of 2008 at Florida Atlantic University (FAU) and was selected to represent FAU on iTunesU. In April 2009 she presented her original music composition and choreography at FAU in a piece entitled, Six Butts on a Two-Butt Bench, a tongue-in- cheek look at overpopulation for ten actors and seventy dancers. -
Gallery Calendar (Subject to Adjustment)
CDA No. Forty-three 1972 President: Miles Warren The Journal of the Canterbury Society of Arts Secretary Manager: Russell Laidlaw 66 Gloucester Street Telephone 67-261 Exhibitions Officer: Tony Geddes P.O. Box 772 Christchurch Receptionist: Joanna Mowat Registered et the Post Office Headquarters, Wellington as a magazine. News Editor: S. McMillan gallery calendar (subject to adjustment) May 5 - 19 N. Z. Institute of Architects. April — May 15 British Painting. May 18 — June 1 Keith Reed and John Parker. Paintings. May 17 — June 2 Phil Clairmont. Paintings & Drawings. May 20 — June 6 Quentin MacFarlane. Paintings. June 7 — June 28 Benson and Hedges Art Award. June 4 — 16 J. V. Moore (post-humous). Paintings. June 9 — 25 Michael Eaton. Paintings. June 19 - 30 H. Struyk. Painting. July 4 — July 19 Graphic and Craft. Receiving day June 26. (continued overleaf) LUNCHTIME CONCERT On May 3 at 12.10 p.m. the University Singers will give a performance in the Gallery. Tony Fomison. Oil. But there's nothing wrong with me. Purchased by the C. S. A. for the permanent collection. Photo. Orly. calendar continued July. Graphic and Craft. Joanna Paul. Alan Clark and Barry November. Town & Country. Doris Holland. The Group. \2/ Sharplin. John Coley. Rosemary Muller. Technical Institute Graphic & Design. Contemporary August. Louise Lewis. Star Secondary School. Olivia December. Helen Rockel. Junior Art Class. Open Exhibi Spencer-Bower. Louise Henderson. Tony Geddes and tion. Jewellery Jonathon Mane. V. Jamieson. September. Neuman & Grant. Annual Spring Exhibition. Exhibitions are mounted with the assistance of Guenter Taemmler October. Valerie Heinz. Paree Romanides. J. Harris. -
Download PDF Catalogue
Thursday 25 October at 6.30pm Collecting Gold Collecting Dust: John Perry, Collector and Modern Decorative Arts 2 COLLECTING GOLD COLLECTING DUST Hamish Coney: Tell us about your very early upbringing. Were there art collectors in your family? AN INTERVIEW John Perry: No. I lived in a cultural desert basically. WITH JOHN PERRY This was suburban Auckland, Greenlane, opposite OCTOBER 2018 the Ellerslie racecourse. Then we moved into deep suburbia when Mum and Dad bought a house off West Tamaki Road. I went to Auckland Grammar, which was a hell hole, seriously. But, I sought Wellington, 2010. John Perry with his commissioned installation Which Art in Heaven. Photograph by Ans Westra. John Perry’s career reads like a road map of the refuge in the art room. Jack Crippen was the Head New Zealand art scene. From the early 1960s of Department. He wore zany clothes and had John has been an exhibiting artist, curator, gallery sideboards! He encouraged my artistic abilities. I director, arts commentator, journalist and artists’ spent four years at Grammar and did Fine Arts prelim champion for notable figures such as Dennis and went to Elam in 1960 at seventeen! Knight-Turner and Theo Schoon. In recent years John has been the proprietor of Global Village What was Elam like in those days and who were some Antiques in Helensville, a must-visit venue for of your fellow students? collectors and the go-to location for film companies Gretchen Albrecht, Geoff Thornley, Roger Staples, seeking authentic New Zealand pieces from John’s Paul Tangata and Peter Haythornthwaite were in my collection.